Bodega run:
Working across a range of mediums, including large-scale painting, printmaking, sculpture, collage and installation, Tschabalala Self’s (born 1990) exuberant and visually seductive artworks often focus on stories of urban life, the body and humanity to explore cultural attitudes toward race and gend...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Gregory R. Miller & Co.
2024
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| Schlagworte: | |
| Zusammenfassung: | Working across a range of mediums, including large-scale painting, printmaking, sculpture, collage and installation, Tschabalala Self’s (born 1990) exuberant and visually seductive artworks often focus on stories of urban life, the body and humanity to explore cultural attitudes toward race and gender. Taking its title from the celebrated series of installations which culminated in a 2019 exhibition at Los Angeles’ Hammer Museum, Bodega Run documents Self’s multiyear-long exploration of the bodega—corner-store fixtures of New York City neighborhoods—as both a gathering place for community and a microcosm of the shifting political and economic forces that impact the lives of city dwellers, particularly of Black and Latin descent. In vibrant paintings, sculptures and dizzying immersive installations, Self captures the densely stocked shelves, neon signs and intermingling characters of the New York City bodega. This lavishly designed monograph reproduces works and photographs from throughout the Bodega Run series, alongside significant new texts that expand on the project and Self’s practice and a sewn-in zine insert with photographs of New York bodegas. |
| Beschreibung: | 213 Seiten 1 Beiheft (14 ungezählte Seiten) |
| ISBN: | 9781941366585 |
Internformat
MARC
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| 100 | 1 | |a Self, Tschabalala |d 1990- |0 (DE-588)1151887579 |4 art |4 aut |4 ive | |
| 245 | 1 | 0 | |a Bodega run |c Tschabalala Self ; editor, Sasha Bonét |
| 264 | 1 | |a New York, NY |b Gregory R. Miller & Co. |c 2024 | |
| 300 | |a 213 Seiten |e 1 Beiheft (14 ungezählte Seiten) | ||
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| 520 | 3 | |a Working across a range of mediums, including large-scale painting, printmaking, sculpture, collage and installation, Tschabalala Self’s (born 1990) exuberant and visually seductive artworks often focus on stories of urban life, the body and humanity to explore cultural attitudes toward race and gender. Taking its title from the celebrated series of installations which culminated in a 2019 exhibition at Los Angeles’ Hammer Museum, Bodega Run documents Self’s multiyear-long exploration of the bodega—corner-store fixtures of New York City neighborhoods—as both a gathering place for community and a microcosm of the shifting political and economic forces that impact the lives of city dwellers, particularly of Black and Latin descent. In vibrant paintings, sculptures and dizzying immersive installations, Self captures the densely stocked shelves, neon signs and intermingling characters of the New York City bodega. This lavishly designed monograph reproduces works and photographs from throughout the Bodega Run series, alongside significant new texts that expand on the project and Self’s practice and a sewn-in zine insert with photographs of New York bodegas. | |
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Datensatz im Suchindex
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| indexdate | 2024-07-20T07:31:07Z |
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| spelling | Self, Tschabalala 1990- (DE-588)1151887579 art aut ive Bodega run Tschabalala Self ; editor, Sasha Bonét New York, NY Gregory R. Miller & Co. 2024 213 Seiten 1 Beiheft (14 ungezählte Seiten) sti rdacontent txt rdacontent n rdamedia nc rdacarrier Working across a range of mediums, including large-scale painting, printmaking, sculpture, collage and installation, Tschabalala Self’s (born 1990) exuberant and visually seductive artworks often focus on stories of urban life, the body and humanity to explore cultural attitudes toward race and gender. Taking its title from the celebrated series of installations which culminated in a 2019 exhibition at Los Angeles’ Hammer Museum, Bodega Run documents Self’s multiyear-long exploration of the bodega—corner-store fixtures of New York City neighborhoods—as both a gathering place for community and a microcosm of the shifting political and economic forces that impact the lives of city dwellers, particularly of Black and Latin descent. In vibrant paintings, sculptures and dizzying immersive installations, Self captures the densely stocked shelves, neon signs and intermingling characters of the New York City bodega. This lavishly designed monograph reproduces works and photographs from throughout the Bodega Run series, alongside significant new texts that expand on the project and Self’s practice and a sewn-in zine insert with photographs of New York bodegas. Self, Tschabalala 1990- (DE-588)1151887579 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4027503-6 Interview gnd-content Self, Tschabalala 1990- (DE-588)1151887579 p DE-604 Bonét, Sasha edt ivr |
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| title | Bodega run |
| title_auth | Bodega run |
| title_exact_search | Bodega run |
| title_full | Bodega run Tschabalala Self ; editor, Sasha Bonét |
| title_fullStr | Bodega run Tschabalala Self ; editor, Sasha Bonét |
| title_full_unstemmed | Bodega run Tschabalala Self ; editor, Sasha Bonét |
| title_short | Bodega run |
| title_sort | bodega run |
| topic | Self, Tschabalala 1990- (DE-588)1151887579 gnd |
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