No dandy, no fun: looking good as things fall apart
No sooner had the first Dandy entered the scene at the beginning of the nineteenth century than he was declared dead. This enigmatic yet immediately iconic figure would remake an entrance again and again in the decades that followed. Like an elegant harbinger, Dandys arrive in times of crisis when s...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bern
Kunsthalle Bern
[2023]
London Sternberg Press |
| Schlagworte: | |
| Zusammenfassung: | No sooner had the first Dandy entered the scene at the beginning of the nineteenth century than he was declared dead. This enigmatic yet immediately iconic figure would remake an entrance again and again in the decades that followed. Like an elegant harbinger, Dandys arrive in times of crisis when societies are undergoing transformation. Like the hands of a clock, their silhouettes become messengers of change. But they are contours of change that carry no message. While everything is already in flames, they debate the shape of their shoes and sip oysters to combat their depression. For a long time, literature was their playing field. Marcel Duchamp transferred their attitude into the realm art. It is there that Dandyism has to this day run rampant--but as if it were an embarrassing illness to which almost no one wants to admit, yet with which many people are itching to at least flirt. This essay traces out the masked ball of the Dandy and his manner of playing with its rules up to the present day and produces a unique narrative from it: one that offers a view into the future Der Dandy maßt sich keine Lösungen an, erklärt auch nichts für falsch, da er gar nichts erklärt. Er spielt einfach anders. Der Essay folgt den Spuren dieses Maskenballs zwischen Darstellungen des gelebten Lebens, literarischen Vorzeichnungen und Vorstellungen in der bildenden Kunst bis in die Gegenwart |
| Beschreibung: | Impressum: The book is published as a sequel to the exhibition "No Dandy, No Fun" (curated by Hans-Christian Dany and Valérie Knoll), which was shown at the Kunsthalle Bern from October 17, 2020 to February 14, 2021 Includes bibliographical references |
| Beschreibung: | 232 Seiten Illustrationen 18 cm |
| ISBN: | 9783956795619 395679561X |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049673130 | ||
| 003 | DE-604 | ||
| 005 | 20241002 | ||
| 007 | t | ||
| 008 | 240502s2023 xxka||| |||| 00||| eng d | ||
| 020 | |a 9783956795619 |c English edition ; paperback |9 978-3-95679-561-9 | ||
| 020 | |a 395679561X |9 3-95679-561-X | ||
| 024 | 3 | |a 9783956795619 | |
| 035 | |a (OCoLC)1434821670 | ||
| 035 | |a (DE-599)KXP1884483216 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c XA-GB | ||
| 049 | |a DE-255 |a DE-B170 |a DE-12 | ||
| 100 | 1 | |a Dany, Hans-Christian |d 1966- |e Verfasser |0 (DE-588)123601606 |4 aut | |
| 245 | 1 | 0 | |a No dandy, no fun |b looking good as things fall apart |c Hans-Christian Dany, Valérie Knoll |
| 264 | 1 | |a Bern |b Kunsthalle Bern |c [2023] | |
| 264 | 1 | |a London |b Sternberg Press | |
| 300 | |a 232 Seiten |b Illustrationen |c 18 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Impressum: The book is published as a sequel to the exhibition "No Dandy, No Fun" (curated by Hans-Christian Dany and Valérie Knoll), which was shown at the Kunsthalle Bern from October 17, 2020 to February 14, 2021 | ||
| 500 | |a Includes bibliographical references | ||
| 520 | 3 | |a No sooner had the first Dandy entered the scene at the beginning of the nineteenth century than he was declared dead. This enigmatic yet immediately iconic figure would remake an entrance again and again in the decades that followed. Like an elegant harbinger, Dandys arrive in times of crisis when societies are undergoing transformation. Like the hands of a clock, their silhouettes become messengers of change. But they are contours of change that carry no message. While everything is already in flames, they debate the shape of their shoes and sip oysters to combat their depression. For a long time, literature was their playing field. Marcel Duchamp transferred their attitude into the realm art. It is there that Dandyism has to this day run rampant--but as if it were an embarrassing illness to which almost no one wants to admit, yet with which many people are itching to at least flirt. This essay traces out the masked ball of the Dandy and his manner of playing with its rules up to the present day and produces a unique narrative from it: one that offers a view into the future | |
| 520 | 3 | |a Der Dandy maßt sich keine Lösungen an, erklärt auch nichts für falsch, da er gar nichts erklärt. Er spielt einfach anders. Der Essay folgt den Spuren dieses Maskenballs zwischen Darstellungen des gelebten Lebens, literarischen Vorzeichnungen und Vorstellungen in der bildenden Kunst bis in die Gegenwart | |
| 650 | 0 | 7 | |a Anthropologie |0 (DE-588)4002230-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Dandy |0 (DE-588)4135269-5 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Dandies / Exhibitions | |
| 653 | 0 | |a Dandyism / Exhibitions | |
| 653 | 0 | |a Dandys - Expositions | |
| 653 | 0 | |a Dandysme - Expositions | |
| 689 | 0 | 0 | |a Dandy |0 (DE-588)4135269-5 |D s |
| 689 | 0 | 1 | |a Anthropologie |0 (DE-588)4002230-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Knoll, Valérie |d 1978- |e Verfasser |0 (DE-588)1081450290 |4 aut | |
| 710 | 2 | |a Kunsthalle Bern |0 (DE-588)1021951-1 |4 isb | |
| 775 | 0 | 8 | |i Parallele Sprachausgabe |n deutsch |t No dandy, no fun |z 978-1-915609-16-8 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035016086 | |
Datensatz im Suchindex
| _version_ | 1811818550597255169 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Dany, Hans-Christian 1966- Knoll, Valérie 1978- |
| author_GND | (DE-588)123601606 (DE-588)1081450290 |
| author_facet | Dany, Hans-Christian 1966- Knoll, Valérie 1978- |
| author_role | aut aut |
| author_sort | Dany, Hans-Christian 1966- |
| author_variant | h c d hcd v k vk |
| building | Verbundindex |
| bvnumber | BV049673130 |
| ctrlnum | (OCoLC)1434821670 (DE-599)KXP1884483216 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049673130</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20241002</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240502s2023 xxka||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783956795619</subfield><subfield code="c">English edition ; paperback</subfield><subfield code="9">978-3-95679-561-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">395679561X</subfield><subfield code="9">3-95679-561-X</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9783956795619</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1434821670</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1884483216</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">XA-GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-B170</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Dany, Hans-Christian</subfield><subfield code="d">1966-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)123601606</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">No dandy, no fun</subfield><subfield code="b">looking good as things fall apart</subfield><subfield code="c">Hans-Christian Dany, Valérie Knoll</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bern</subfield><subfield code="b">Kunsthalle Bern</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Sternberg Press</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">232 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">18 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Impressum: The book is published as a sequel to the exhibition "No Dandy, No Fun" (curated by Hans-Christian Dany and Valérie Knoll), which was shown at the Kunsthalle Bern from October 17, 2020 to February 14, 2021</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">No sooner had the first Dandy entered the scene at the beginning of the nineteenth century than he was declared dead. This enigmatic yet immediately iconic figure would remake an entrance again and again in the decades that followed. Like an elegant harbinger, Dandys arrive in times of crisis when societies are undergoing transformation. Like the hands of a clock, their silhouettes become messengers of change. But they are contours of change that carry no message. While everything is already in flames, they debate the shape of their shoes and sip oysters to combat their depression. For a long time, literature was their playing field. Marcel Duchamp transferred their attitude into the realm art. It is there that Dandyism has to this day run rampant--but as if it were an embarrassing illness to which almost no one wants to admit, yet with which many people are itching to at least flirt. This essay traces out the masked ball of the Dandy and his manner of playing with its rules up to the present day and produces a unique narrative from it: one that offers a view into the future</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Der Dandy maßt sich keine Lösungen an, erklärt auch nichts für falsch, da er gar nichts erklärt. Er spielt einfach anders. Der Essay folgt den Spuren dieses Maskenballs zwischen Darstellungen des gelebten Lebens, literarischen Vorzeichnungen und Vorstellungen in der bildenden Kunst bis in die Gegenwart</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Anthropologie</subfield><subfield code="0">(DE-588)4002230-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Dandy</subfield><subfield code="0">(DE-588)4135269-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Dandies / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Dandyism / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Dandys - Expositions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Dandysme - Expositions</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Dandy</subfield><subfield code="0">(DE-588)4135269-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Anthropologie</subfield><subfield code="0">(DE-588)4002230-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Knoll, Valérie</subfield><subfield code="d">1978-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1081450290</subfield><subfield code="4">aut</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Kunsthalle Bern</subfield><subfield code="0">(DE-588)1021951-1</subfield><subfield code="4">isb</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Parallele Sprachausgabe</subfield><subfield code="n">deutsch</subfield><subfield code="t">No dandy, no fun</subfield><subfield code="z">978-1-915609-16-8</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035016086</subfield></datafield></record></collection> |
| id | DE-604.BV049673130 |
| illustrated | Illustrated |
| indexdate | 2024-10-02T16:00:17Z |
| institution | BVB |
| institution_GND | (DE-588)1021951-1 |
| isbn | 9783956795619 395679561X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035016086 |
| oclc_num | 1434821670 |
| open_access_boolean | |
| owner | DE-255 DE-B170 DE-12 |
| owner_facet | DE-255 DE-B170 DE-12 |
| physical | 232 Seiten Illustrationen 18 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Kunsthalle Bern Sternberg Press |
| record_format | marc |
| spelling | Dany, Hans-Christian 1966- Verfasser (DE-588)123601606 aut No dandy, no fun looking good as things fall apart Hans-Christian Dany, Valérie Knoll Bern Kunsthalle Bern [2023] London Sternberg Press 232 Seiten Illustrationen 18 cm txt rdacontent n rdamedia nc rdacarrier Impressum: The book is published as a sequel to the exhibition "No Dandy, No Fun" (curated by Hans-Christian Dany and Valérie Knoll), which was shown at the Kunsthalle Bern from October 17, 2020 to February 14, 2021 Includes bibliographical references No sooner had the first Dandy entered the scene at the beginning of the nineteenth century than he was declared dead. This enigmatic yet immediately iconic figure would remake an entrance again and again in the decades that followed. Like an elegant harbinger, Dandys arrive in times of crisis when societies are undergoing transformation. Like the hands of a clock, their silhouettes become messengers of change. But they are contours of change that carry no message. While everything is already in flames, they debate the shape of their shoes and sip oysters to combat their depression. For a long time, literature was their playing field. Marcel Duchamp transferred their attitude into the realm art. It is there that Dandyism has to this day run rampant--but as if it were an embarrassing illness to which almost no one wants to admit, yet with which many people are itching to at least flirt. This essay traces out the masked ball of the Dandy and his manner of playing with its rules up to the present day and produces a unique narrative from it: one that offers a view into the future Der Dandy maßt sich keine Lösungen an, erklärt auch nichts für falsch, da er gar nichts erklärt. Er spielt einfach anders. Der Essay folgt den Spuren dieses Maskenballs zwischen Darstellungen des gelebten Lebens, literarischen Vorzeichnungen und Vorstellungen in der bildenden Kunst bis in die Gegenwart Anthropologie (DE-588)4002230-4 gnd rswk-swf Dandy (DE-588)4135269-5 gnd rswk-swf Dandies / Exhibitions Dandyism / Exhibitions Dandys - Expositions Dandysme - Expositions Dandy (DE-588)4135269-5 s Anthropologie (DE-588)4002230-4 s DE-604 Knoll, Valérie 1978- Verfasser (DE-588)1081450290 aut Kunsthalle Bern (DE-588)1021951-1 isb Parallele Sprachausgabe deutsch No dandy, no fun 978-1-915609-16-8 |
| spellingShingle | Dany, Hans-Christian 1966- Knoll, Valérie 1978- No dandy, no fun looking good as things fall apart Anthropologie (DE-588)4002230-4 gnd Dandy (DE-588)4135269-5 gnd |
| subject_GND | (DE-588)4002230-4 (DE-588)4135269-5 |
| title | No dandy, no fun looking good as things fall apart |
| title_auth | No dandy, no fun looking good as things fall apart |
| title_exact_search | No dandy, no fun looking good as things fall apart |
| title_full | No dandy, no fun looking good as things fall apart Hans-Christian Dany, Valérie Knoll |
| title_fullStr | No dandy, no fun looking good as things fall apart Hans-Christian Dany, Valérie Knoll |
| title_full_unstemmed | No dandy, no fun looking good as things fall apart Hans-Christian Dany, Valérie Knoll |
| title_short | No dandy, no fun |
| title_sort | no dandy no fun looking good as things fall apart |
| title_sub | looking good as things fall apart |
| topic | Anthropologie (DE-588)4002230-4 gnd Dandy (DE-588)4135269-5 gnd |
| topic_facet | Anthropologie Dandy |
| work_keys_str_mv | AT danyhanschristian nodandynofunlookinggoodasthingsfallapart AT knollvalerie nodandynofunlookinggoodasthingsfallapart AT kunsthallebern nodandynofunlookinggoodasthingsfallapart |