The Ethical Implications of Shakespeare in Performance and Appropriation:
Redefines the ways in which performance studies and appropriation theory can be used to approach ShakespeareRedefines the ways in which performance studies and appropriation theory can be used to approach ShakespeareDemonstrates how subjective uses of Shakespeare in performance and appropriation are...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2024]
|
| Schlagworte: | |
| Online-Zugang: | DE-Aug4 Volltext |
| Zusammenfassung: | Redefines the ways in which performance studies and appropriation theory can be used to approach ShakespeareRedefines the ways in which performance studies and appropriation theory can be used to approach ShakespeareDemonstrates how subjective uses of Shakespeare in performance and appropriation are mirrored in scholarship practices that make visible political or cultural choicesEngages a wide range of media and performance venues, including theatrical performance, film, television, music, and digital performance/social mediaStudies Shakespearean performances and appropriations that originate from regional, national, and international contextsBrings together established and emerging scholars who specialise in subfields such as premodern critical race studies, gender and sexuality studies, queer theory, performance studies, adaptation/appropriation studies, and fan studiesBringing together the discrete fields of appropriation and performance studies, this collection explores pivotal intersections between the two approaches to consider the ethical implications of decisions made when artists and scholars appropriate Shakespeare. The essays in this book, written by established and emerging scholars in subfields such as premodern critical race studies, gender and sexuality studies, queer theory, performance studies, adaptation/appropriation studies and fan studies, demonstrate how remaking the plays across time, cultures, or media, changes the nature both of what Shakespeare promises and the expectations of those promised Shakespeare. Using examples such as rap music, popular television, theatre history and twentieth-century poetry, this collection argues that understanding Shakespeare at different intersections between performance and appropriation requires continuously negotiating what is signified through Shakespeare to the communities that use him |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024) |
| Beschreibung: | 1 Online-Ressource (224 Seiten) 5 black and white illustrations |
| ISBN: | 9781399524933 |
| DOI: | 10.1515/9781399524933 |
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| 520 | |a Redefines the ways in which performance studies and appropriation theory can be used to approach ShakespeareRedefines the ways in which performance studies and appropriation theory can be used to approach ShakespeareDemonstrates how subjective uses of Shakespeare in performance and appropriation are mirrored in scholarship practices that make visible political or cultural choicesEngages a wide range of media and performance venues, including theatrical performance, film, television, music, and digital performance/social mediaStudies Shakespearean performances and appropriations that originate from regional, national, and international contextsBrings together established and emerging scholars who specialise in subfields such as premodern critical race studies, gender and sexuality studies, queer theory, performance studies, adaptation/appropriation studies, and fan studiesBringing together the discrete fields of appropriation and performance studies, this collection explores pivotal intersections between the two approaches to consider the ethical implications of decisions made when artists and scholars appropriate Shakespeare. The essays in this book, written by established and emerging scholars in subfields such as premodern critical race studies, gender and sexuality studies, queer theory, performance studies, adaptation/appropriation studies and fan studies, demonstrate how remaking the plays across time, cultures, or media, changes the nature both of what Shakespeare promises and the expectations of those promised Shakespeare. Using examples such as rap music, popular television, theatre history and twentieth-century poetry, this collection argues that understanding Shakespeare at different intersections between performance and appropriation requires continuously negotiating what is signified through Shakespeare to the communities that use him | ||
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| 650 | 4 | |a Literary Studies | |
| 650 | 7 | |a LITERARY CRITICISM / Shakespeare |2 bisacsh | |
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| 700 | 1 | |a Denslow, Kristin N. |e Sonstige |4 oth | |
| 700 | 1 | |a Garrison, John S. |e Sonstige |4 oth | |
| 700 | 1 | |a Geddes, Louise |e Sonstige |4 oth | |
| 700 | 1 | |a Geddes, Louise |e Sonstige |4 oth | |
| 700 | 1 | |a Hachimi, Yasmine |e Sonstige |4 oth | |
| 700 | 1 | |a Hartley, Andrew James |e Sonstige |4 oth | |
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| 700 | 1 | |a Way, Geoffrey |e Sonstige |4 oth | |
| 700 | 1 | |a Way, Geoffrey |e Sonstige |4 oth | |
| 700 | 1 | |a Williams, Nora J. |e Sonstige |4 oth | |
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| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
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| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1515/9781399524933 |
| format | Electronic eBook |
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| id | DE-604.BV049670004 |
| illustrated | Illustrated |
| indexdate | 2024-07-20T07:29:41Z |
| institution | BVB |
| isbn | 9781399524933 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035013025 |
| oclc_num | 1437880564 |
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| owner | DE-Aug4 |
| owner_facet | DE-Aug4 |
| physical | 1 Online-Ressource (224 Seiten) 5 black and white illustrations |
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| publishDate | 2024 |
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| publisher | Edinburgh University Press |
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| spelling | The Ethical Implications of Shakespeare in Performance and Appropriation ed. by Louise Geddes, Geoffrey Way, Kathryn Vomero Santos Edinburgh Edinburgh University Press [2024] © 2024 1 Online-Ressource (224 Seiten) 5 black and white illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024) Redefines the ways in which performance studies and appropriation theory can be used to approach ShakespeareRedefines the ways in which performance studies and appropriation theory can be used to approach ShakespeareDemonstrates how subjective uses of Shakespeare in performance and appropriation are mirrored in scholarship practices that make visible political or cultural choicesEngages a wide range of media and performance venues, including theatrical performance, film, television, music, and digital performance/social mediaStudies Shakespearean performances and appropriations that originate from regional, national, and international contextsBrings together established and emerging scholars who specialise in subfields such as premodern critical race studies, gender and sexuality studies, queer theory, performance studies, adaptation/appropriation studies, and fan studiesBringing together the discrete fields of appropriation and performance studies, this collection explores pivotal intersections between the two approaches to consider the ethical implications of decisions made when artists and scholars appropriate Shakespeare. The essays in this book, written by established and emerging scholars in subfields such as premodern critical race studies, gender and sexuality studies, queer theory, performance studies, adaptation/appropriation studies and fan studies, demonstrate how remaking the plays across time, cultures, or media, changes the nature both of what Shakespeare promises and the expectations of those promised Shakespeare. Using examples such as rap music, popular television, theatre history and twentieth-century poetry, this collection argues that understanding Shakespeare at different intersections between performance and appropriation requires continuously negotiating what is signified through Shakespeare to the communities that use him In English Literary Studies LITERARY CRITICISM / Shakespeare bisacsh Theater Moral and ethical aspects Corredera, Vanessa I. Sonstige oth Denslow, Kristin N. Sonstige oth Garrison, John S. Sonstige oth Geddes, Louise Sonstige oth Hachimi, Yasmine Sonstige oth Hartley, Andrew James Sonstige oth Klippenstein, Chris Sonstige oth Knabe, Oliver Sonstige oth Kozusko, Matt Sonstige oth Mendoza, Kirsten N. Sonstige oth O'Leary, Niamh J. Sonstige oth Pittman, L. Monique Sonstige oth Preston Leonard, Kendra Sonstige oth Santos, Kathryn Vomero Sonstige oth Sharif, Saiham Sonstige oth Vomero Santos, Kathryn Sonstige oth Way, Geoffrey Sonstige oth Williams, Nora J. Sonstige oth https://doi.org/10.1515/9781399524933 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The Ethical Implications of Shakespeare in Performance and Appropriation Literary Studies LITERARY CRITICISM / Shakespeare bisacsh Theater Moral and ethical aspects |
| title | The Ethical Implications of Shakespeare in Performance and Appropriation |
| title_auth | The Ethical Implications of Shakespeare in Performance and Appropriation |
| title_exact_search | The Ethical Implications of Shakespeare in Performance and Appropriation |
| title_full | The Ethical Implications of Shakespeare in Performance and Appropriation ed. by Louise Geddes, Geoffrey Way, Kathryn Vomero Santos |
| title_fullStr | The Ethical Implications of Shakespeare in Performance and Appropriation ed. by Louise Geddes, Geoffrey Way, Kathryn Vomero Santos |
| title_full_unstemmed | The Ethical Implications of Shakespeare in Performance and Appropriation ed. by Louise Geddes, Geoffrey Way, Kathryn Vomero Santos |
| title_short | The Ethical Implications of Shakespeare in Performance and Appropriation |
| title_sort | the ethical implications of shakespeare in performance and appropriation |
| topic | Literary Studies LITERARY CRITICISM / Shakespeare bisacsh Theater Moral and ethical aspects |
| topic_facet | Literary Studies LITERARY CRITICISM / Shakespeare Theater Moral and ethical aspects |
| url | https://doi.org/10.1515/9781399524933 |
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