Theatricality and the arts: film, theatre, art
Examines the notion of theatricality in relation to film, theatre, art, and contemporary mediaThis is the first book collection to consider the notion of theatricality across a range of fields (art, film, theatre, multimedia, photography, music). The collection engages with a wide range of case stud...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Edinburgh
Edinburgh University Press
[2024]
© 2024 |
| Schlagworte: | |
| Online-Zugang: | DE-Aug4 DE-19 DE-703 URL des Erstveröffentlichers |
| Zusammenfassung: | Examines the notion of theatricality in relation to film, theatre, art, and contemporary mediaThis is the first book collection to consider the notion of theatricality across a range of fields (art, film, theatre, multimedia, photography, music). The collection engages with a wide range of case studies, examples of which include:theatre productions by Forced Entertainment, Daniel Kitson, She Pop, and Agnieszka Piotrowskaart works by Rembrandt, Damien Hirst, Anish Kapoor, and othersinternet works of art by Trecartin and Fitch, Hannah McPherson, as well as examples of 'live' networked art productionsfilms by Peter Greenaway, Spike Lee and Pedro Almodóvarphilosophical approaches to theatricality drawing on works by Immanuel Kant, Martin Heidegger, Stanley Cavell and Jacques DerridaTheatricality and the Arts presents a series of investigations of the notion of 'theatricality'. Primarily, theatricality concerns that which pertains to theatre, but the term has always carried with it the potentially pejorative associations of exaggeration and fakery. The essays here question and contest such associations.The book is divided into four sections which together provide a comprehensive interrogation of theatricality. The four sections begin with multimedia, where theatricality is examined in relation to mixed modes of media (internet art, painting, performance and digital display). A second section takes a philosophical approach to questions of theatricality. A third section looks at art, broadly speaking, but also at the historical contexts of art, photography and other media (literature, film, music). A final section features reflections on theatre and cinema, often in conjunction. Considered as a whole, the collection contributes to debates on theatricality in various fields, while also enabling a cross-examination of approaches to the topic |
| Beschreibung: | 1 Online-Ressource (vi, 312 Seiten) Illustrationen |
| ISBN: | 9781399511674 9781399511681 |
| DOI: | 10.1515/9781399511674 |
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| 520 | |a Examines the notion of theatricality in relation to film, theatre, art, and contemporary mediaThis is the first book collection to consider the notion of theatricality across a range of fields (art, film, theatre, multimedia, photography, music). The collection engages with a wide range of case studies, examples of which include:theatre productions by Forced Entertainment, Daniel Kitson, She Pop, and Agnieszka Piotrowskaart works by Rembrandt, Damien Hirst, Anish Kapoor, and othersinternet works of art by Trecartin and Fitch, Hannah McPherson, as well as examples of 'live' networked art productionsfilms by Peter Greenaway, Spike Lee and Pedro Almodóvarphilosophical approaches to theatricality drawing on works by Immanuel Kant, Martin Heidegger, Stanley Cavell and Jacques DerridaTheatricality and the Arts presents a series of investigations of the notion of 'theatricality'. Primarily, theatricality concerns that which pertains to theatre, but the term has always carried with it the potentially pejorative associations of exaggeration and fakery. The essays here question and contest such associations.The book is divided into four sections which together provide a comprehensive interrogation of theatricality. The four sections begin with multimedia, where theatricality is examined in relation to mixed modes of media (internet art, painting, performance and digital display). A second section takes a philosophical approach to questions of theatricality. A third section looks at art, broadly speaking, but also at the historical contexts of art, photography and other media (literature, film, music). A final section features reflections on theatre and cinema, often in conjunction. Considered as a whole, the collection contributes to debates on theatricality in various fields, while also enabling a cross-examination of approaches to the topic | ||
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| institution | BVB |
| isbn | 9781399511674 9781399511681 |
| language | English |
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| spelling | Theatricality and the arts film, theatre, art edited by Andrew Quick and Richard Rushton Edinburgh Edinburgh University Press [2024] © 2024 1 Online-Ressource (vi, 312 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Examines the notion of theatricality in relation to film, theatre, art, and contemporary mediaThis is the first book collection to consider the notion of theatricality across a range of fields (art, film, theatre, multimedia, photography, music). The collection engages with a wide range of case studies, examples of which include:theatre productions by Forced Entertainment, Daniel Kitson, She Pop, and Agnieszka Piotrowskaart works by Rembrandt, Damien Hirst, Anish Kapoor, and othersinternet works of art by Trecartin and Fitch, Hannah McPherson, as well as examples of 'live' networked art productionsfilms by Peter Greenaway, Spike Lee and Pedro Almodóvarphilosophical approaches to theatricality drawing on works by Immanuel Kant, Martin Heidegger, Stanley Cavell and Jacques DerridaTheatricality and the Arts presents a series of investigations of the notion of 'theatricality'. Primarily, theatricality concerns that which pertains to theatre, but the term has always carried with it the potentially pejorative associations of exaggeration and fakery. The essays here question and contest such associations.The book is divided into four sections which together provide a comprehensive interrogation of theatricality. The four sections begin with multimedia, where theatricality is examined in relation to mixed modes of media (internet art, painting, performance and digital display). A second section takes a philosophical approach to questions of theatricality. A third section looks at art, broadly speaking, but also at the historical contexts of art, photography and other media (literature, film, music). A final section features reflections on theatre and cinema, often in conjunction. Considered as a whole, the collection contributes to debates on theatricality in various fields, while also enabling a cross-examination of approaches to the topic Film Studies PERFORMING ARTS / Theater / History & Criticism Quick, Andrew edt Rushton, Richard 1970- (DE-588)104383009X edt Erscheint auch als Druck-Ausgabe 978 1 3995 1165 0 https://doi.org/10.1515/9781399511674 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Theatricality and the arts film, theatre, art Film Studies PERFORMING ARTS / Theater / History & Criticism |
| title | Theatricality and the arts film, theatre, art |
| title_auth | Theatricality and the arts film, theatre, art |
| title_exact_search | Theatricality and the arts film, theatre, art |
| title_full | Theatricality and the arts film, theatre, art edited by Andrew Quick and Richard Rushton |
| title_fullStr | Theatricality and the arts film, theatre, art edited by Andrew Quick and Richard Rushton |
| title_full_unstemmed | Theatricality and the arts film, theatre, art edited by Andrew Quick and Richard Rushton |
| title_short | Theatricality and the arts |
| title_sort | theatricality and the arts film theatre art |
| title_sub | film, theatre, art |
| topic | Film Studies PERFORMING ARTS / Theater / History & Criticism |
| topic_facet | Film Studies PERFORMING ARTS / Theater / History & Criticism |
| url | https://doi.org/10.1515/9781399511674 |
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