Visualising slavery: art across the African diaspora
The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of th...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Liverpool
Liverpool University Press
2021
|
| Ausgabe: | Paperback edition |
| Schriftenreihe: | Liverpool studies in international slavery
9 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study |
| Beschreibung: | "Visualising Slavery: Art Across the African Diaspora is the result of an international symposium generously funded by the Terra Foundation for American Art and held at the University of Oxford in 2013" - Seite xv |
| Beschreibung: | xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen 24 cm |
| ISBN: | 9781800349216 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV049659247 | ||
| 003 | DE-604 | ||
| 005 | 20240620 | ||
| 007 | t | ||
| 008 | 240422s2021 a||| |||| 10||| eng d | ||
| 020 | |a 9781800349216 |c paperback |9 978-1-80034-921-6 | ||
| 035 | |a (OCoLC)1443581776 | ||
| 035 | |a (DE-599)BVBBV049659247 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-355 | ||
| 084 | |a LO 91990 |0 (DE-625)105676: |2 rvk | ||
| 084 | |a LO 94030 |0 (DE-625)105700: |2 rvk | ||
| 245 | 1 | 0 | |a Visualising slavery |b art across the African diaspora |c edited by Celeste-Marie Bernier and Hannah Durkin |
| 250 | |a Paperback edition | ||
| 264 | 1 | |a Liverpool |b Liverpool University Press |c 2021 | |
| 300 | |a xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Liverpool studies in international slavery |v 9 | |
| 500 | |a "Visualising Slavery: Art Across the African Diaspora is the result of an international symposium generously funded by the Terra Foundation for American Art and held at the University of Oxford in 2013" - Seite xv | ||
| 505 | 8 | |a Includes bibliographical references and index | |
| 520 | |a The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study | ||
| 648 | 7 | |a Geschichte 1700-2010 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Slavery in art | |
| 650 | 4 | |a Slave trade in art | |
| 650 | 4 | |a African diaspora in art | |
| 650 | 0 | 7 | |a Sklaverei |g Motiv |0 (DE-588)4204853-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Künste |0 (DE-588)4033422-3 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Afrika |0 (DE-588)4000695-5 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |y 2013 |z Oxford |2 gnd-content | |
| 689 | 0 | 0 | |a Afrika |0 (DE-588)4000695-5 |D g |
| 689 | 0 | 1 | |a Sklaverei |g Motiv |0 (DE-588)4204853-9 |D s |
| 689 | 0 | 2 | |a Künste |0 (DE-588)4033422-3 |D s |
| 689 | 0 | 3 | |a Geschichte 1700-2010 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Bernier, Celeste-Marie |d 1975- |0 (DE-588)136912052 |4 edt |4 win |4 aut | |
| 700 | 1 | |a Durkin, Hannah |d ca. 20./21. Jh. |0 (DE-588)1102373052 |4 edt |4 win |4 aut | |
| 775 | 0 | 8 | |i Äquivalent |n Druck-Ausgabe, Hardcover |z 978-1-78138-267-7 |
| 830 | 0 | |a Liverpool studies in international slavery |v 9 |w (DE-604)BV035545289 |9 9 | |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035002536&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
Datensatz im Suchindex
| _version_ | 1805083827809288192 |
|---|---|
| adam_text |
Contents List ofIllustrations ix Acknowledgements xv Introduction: ‘Inside the Invisible’: African Diasporic Artists Visualise Transatlantic Slavery Celeste-Marie Bernier and Hannah Durkin Part I i Slavery and Memory in Contemporary African Diasporic Art Chapter i: Lost and Found at the Swap Meet: Betye Saar and the Everyday Object Lubaina Himid 17 Chapter 2: Preserves Debra Priestly 29 Chapter 3: What Goes without Saying Hank Willis Thomas 34 Chapter 4: Spectres in the Postcolonies: Reimagining Violence and Resistance Roshini Kempadoo 48 Chapter 5: Strategic Remembering and Tactical Forgetfulness in Depicting the Plantation: A Personal Account Keith Piper 62 Part II Historical Iconography and Visualising Transatlantic Slavery Chapter 6: The Chattel Record: Visualising the Archive in Diasporan Art Fionnghuala Sweeney • VÜ · 81
Visualising Slavery Chapter 7: Henry Box Brown, African Atlantic Artists and Radical Interventions Alan Rice 104 Chapter 8: Uncle Tom and the Problem of‘Soft’ Resistance to Slavery David Bindman 119 Chapter 9: The After-Image: Frederick Douglass in Visual Culture Zoe Trodd 129 Part III African Diasporic Monuments and Memorialisation Chapter 10: Siting the Circum-Atlantic: Nelson in a Bottle in Trafalgar Square Geoff Quilley 155 Chapter 11: Art and Caribbean Slavery: Modern Visions of the 1763 Guyana Rebellion Leon Wainwright 168 Chapter 12: ‘The Greatest Negro Monuments on Earth’: Richmond Barthé’s Memorials to Toussaint Louverture and Jean-Jacques Dessalines Hannah Durkin 184 Part IV Contemporary Legacies in African Diasporic Art Chapter 13: We Might Not Be Surprised: Visualising Slavery and the Slave Ship in the Works of Charles Campbell and Mary Evans Eddie Chambers 203 Chapter 14: ‘X is for X Ray, X Slave, X Colony’: A ‘Lexicon of Liberation’ versus ‘My Slave History’ in the Paintings, Instal lations and Sketchbooks of Donald Rodney Celeste-Marie Bernier 218 Chapter 15: Reconfiguring African Trade Beads: The Most Beautiful, Bountiful and Marginalised Sculptural Legacy to Have Survived the Middle Passage Marcus Wood 248 Afterword: Against the Grain: Contingency and Found Objects Nathan Grant 274 Notes on Contributors 2S0 Index 285 • Viii · |
| any_adam_object | 1 |
| author | Bernier, Celeste-Marie 1975- Durkin, Hannah ca. 20./21. Jh |
| author2 | Bernier, Celeste-Marie 1975- Durkin, Hannah ca. 20./21. Jh |
| author2_role | edt edt |
| author2_variant | c m b cmb h d hd |
| author_GND | (DE-588)136912052 (DE-588)1102373052 |
| author_facet | Bernier, Celeste-Marie 1975- Durkin, Hannah ca. 20./21. Jh Bernier, Celeste-Marie 1975- Durkin, Hannah ca. 20./21. Jh |
| author_role | aut aut |
| author_sort | Bernier, Celeste-Marie 1975- |
| author_variant | c m b cmb h d hd |
| building | Verbundindex |
| bvnumber | BV049659247 |
| classification_rvk | LO 91990 LO 94030 |
| contents | Includes bibliographical references and index |
| ctrlnum | (OCoLC)1443581776 (DE-599)BVBBV049659247 |
| discipline | Kunstgeschichte |
| edition | Paperback edition |
| era | Geschichte 1700-2010 gnd |
| era_facet | Geschichte 1700-2010 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 cb4500</leader><controlfield tag="001">BV049659247</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240620</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240422s2021 a||| |||| 10||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781800349216</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-80034-921-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1443581776</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049659247</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-355</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LO 91990</subfield><subfield code="0">(DE-625)105676:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LO 94030</subfield><subfield code="0">(DE-625)105700:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Visualising slavery</subfield><subfield code="b">art across the African diaspora</subfield><subfield code="c">edited by Celeste-Marie Bernier and Hannah Durkin</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">Paperback edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Liverpool</subfield><subfield code="b">Liverpool University Press</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Liverpool studies in international slavery</subfield><subfield code="v">9</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"Visualising Slavery: Art Across the African Diaspora is the result of an international symposium generously funded by the Terra Foundation for American Art and held at the University of Oxford in 2013" - Seite xv</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1700-2010</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Slavery in art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Slave trade in art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African diaspora in art</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sklaverei</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4204853-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Künste</subfield><subfield code="0">(DE-588)4033422-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Afrika</subfield><subfield code="0">(DE-588)4000695-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="y">2013</subfield><subfield code="z">Oxford</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Afrika</subfield><subfield code="0">(DE-588)4000695-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Sklaverei</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4204853-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Künste</subfield><subfield code="0">(DE-588)4033422-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1700-2010</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bernier, Celeste-Marie</subfield><subfield code="d">1975-</subfield><subfield code="0">(DE-588)136912052</subfield><subfield code="4">edt</subfield><subfield code="4">win</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Durkin, Hannah</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="0">(DE-588)1102373052</subfield><subfield code="4">edt</subfield><subfield code="4">win</subfield><subfield code="4">aut</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Äquivalent</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-78138-267-7</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Liverpool studies in international slavery</subfield><subfield code="v">9</subfield><subfield code="w">(DE-604)BV035545289</subfield><subfield code="9">9</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035002536&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield></record></collection> |
| genre | (DE-588)1071861417 Konferenzschrift 2013 Oxford gnd-content |
| genre_facet | Konferenzschrift 2013 Oxford |
| geographic | Afrika (DE-588)4000695-5 gnd |
| geographic_facet | Afrika |
| id | DE-604.BV049659247 |
| illustrated | Illustrated |
| indexdate | 2024-07-20T07:54:45Z |
| institution | BVB |
| isbn | 9781800349216 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035002536 |
| oclc_num | 1443581776 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR |
| owner_facet | DE-355 DE-BY-UBR |
| physical | xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen 24 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Liverpool University Press |
| record_format | marc |
| series | Liverpool studies in international slavery |
| series2 | Liverpool studies in international slavery |
| spelling | Visualising slavery art across the African diaspora edited by Celeste-Marie Bernier and Hannah Durkin Paperback edition Liverpool Liverpool University Press 2021 xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Liverpool studies in international slavery 9 "Visualising Slavery: Art Across the African Diaspora is the result of an international symposium generously funded by the Terra Foundation for American Art and held at the University of Oxford in 2013" - Seite xv Includes bibliographical references and index The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study Geschichte 1700-2010 gnd rswk-swf Slavery in art Slave trade in art African diaspora in art Sklaverei Motiv (DE-588)4204853-9 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Afrika (DE-588)4000695-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2013 Oxford gnd-content Afrika (DE-588)4000695-5 g Sklaverei Motiv (DE-588)4204853-9 s Künste (DE-588)4033422-3 s Geschichte 1700-2010 z DE-604 Bernier, Celeste-Marie 1975- (DE-588)136912052 edt win aut Durkin, Hannah ca. 20./21. Jh. (DE-588)1102373052 edt win aut Äquivalent Druck-Ausgabe, Hardcover 978-1-78138-267-7 Liverpool studies in international slavery 9 (DE-604)BV035545289 9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035002536&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Visualising slavery art across the African diaspora Liverpool studies in international slavery Includes bibliographical references and index Slavery in art Slave trade in art African diaspora in art Sklaverei Motiv (DE-588)4204853-9 gnd Künste (DE-588)4033422-3 gnd Bernier, Celeste-Marie 1975- Durkin, Hannah ca. 20./21. Jh |
| subject_GND | (DE-588)4204853-9 (DE-588)4033422-3 (DE-588)4000695-5 (DE-588)1071861417 |
| title | Visualising slavery art across the African diaspora |
| title_auth | Visualising slavery art across the African diaspora |
| title_exact_search | Visualising slavery art across the African diaspora |
| title_full | Visualising slavery art across the African diaspora edited by Celeste-Marie Bernier and Hannah Durkin |
| title_fullStr | Visualising slavery art across the African diaspora edited by Celeste-Marie Bernier and Hannah Durkin |
| title_full_unstemmed | Visualising slavery art across the African diaspora edited by Celeste-Marie Bernier and Hannah Durkin |
| title_short | Visualising slavery |
| title_sort | visualising slavery art across the african diaspora |
| title_sub | art across the African diaspora |
| topic | Slavery in art Slave trade in art African diaspora in art Sklaverei Motiv (DE-588)4204853-9 gnd Künste (DE-588)4033422-3 gnd |
| topic_facet | Slavery in art Slave trade in art African diaspora in art Sklaverei Motiv Künste Afrika Konferenzschrift 2013 Oxford |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035002536&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV035545289 |
| work_keys_str_mv | AT berniercelestemarie visualisingslaveryartacrosstheafricandiaspora AT durkinhannah visualisingslaveryartacrosstheafricandiaspora |