Kendrick Lamar and the making of black meaning:
"Kendrick Lamar has established himself at the forefront of contemporary Hip-Hop culture. Artistically adventurous and socially conscious, he has been unapologetic in using his art form, rap music, to address issues affecting black lives while also exploring subjects fundamental to the human ex...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Schriftenreihe: | Routledge studies in hip hop and religion
|
| Schlagworte: | |
| Zusammenfassung: | "Kendrick Lamar has established himself at the forefront of contemporary Hip-Hop culture. Artistically adventurous and socially conscious, he has been unapologetic in using his art form, rap music, to address issues affecting black lives while also exploring subjects fundamental to the human experience, such as religious belief. This book is the first to provide an interdisciplinary academic analysis of the impact of Lamar's corpus. In doing so, it highlights how Lamar's music reflects current tensions that are keenly felt when dealing with the subjects of race, religion and politics. Starting with Section 80 and ending on DAMN., this book deals with each of Lamar's four major projects in turn. A panel of academics, journalists and hip-hop practitioners show how religion, in particular black spiritualties, take a front-and-centre role in his work. They also observe that his astute and biting thoughts on race and culture may come from an African American perspective, but many find something familiar in Lamar's lyrical testimony across great chasms of social and geographical difference. This sophisticated exploration of one of popular culture's emerging icons reveals a complex and multi-faceted engagement with religion, faith, race, art and culture. As such, it will be vital reading for anyone working in Religious, African American and Hip-Hop studies, as well as scholars of Music, Media and Popular Culture"-- |
| Beschreibung: | vii, 380 Seiten |
| ISBN: | 9781138541511 9781032177168 |
Internformat
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| 245 | 1 | 0 | |a Kendrick Lamar and the making of black meaning |c edited by Christopher M. Driscoll, Anthony B. Pinn, and Monica R. Miller |
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| 490 | 0 | |a Routledge studies in hip hop and religion | |
| 505 | 8 | 0 | |t Introduction : K.Dotting the American cultural landscape with black meaning |r Anthony B. Pinn and Christopher M. Driscoll |t Kendrick Lamar's Section.80 : Reagan-era blues |r Ralph Bristout |t Can I be both? Blackness and the negotiation of binary categories in Kendrick Lamar's Section.80 |r Margarita Simon Guillory |t Hol' up : post-civil rights black theology within Kendrick Lamar's Section.80 album |r Daniel White Hodge |t Singing experience in Section.80 : Kendrick Lamar's poetics of problems |r Michael Thomas |t The good, the m.A.A.d, and the holy : Kendrick Lamar's meditations on sin and moral agency in the post-gangsta era |r Juan M. Floyd-Thomas |t 'Real is responsibility' : revelations in white through the filter of black realness on good kid, m.A.A.d. city |r Rob Peach |t 'Black meaning' out of urban mud : good kid, m.A.A.d city as Compton griot-riff at the crossroads of climate-apocalypse? |r James W. Perkinson |t Rap as Ragnarök : Kendrick Lamar, Eminem, and the value of competition |r Christopher M. Driscoll |t Can dead homies speak? the spirit and flesh of black meaning |r Monica R. Miller |t Loving [you] is complicated : black self-love and affirmation in the rap music of Kendrick Lamar |r Darrius D. Hills |t From 'blackness' to afrofuture to 'impasse' : the figura of the Jimi Hendrix/Richie Havens identity revolution as faintly evidenced by the work of Kendrick Lamar and more than a head nod to Lupe Fiasco |r Jon Gill |t Beyond flight and containment : Kendrick Lamar, black study, and an ethics of the wound |r Joseph Winters |
| 505 | 8 | 0 | |t "Real nigga conditions" : Kendrick Lamar, grotesque realism, and the open body |r Anthony B. Pinn |t DAMNed to the earth : Kendrick Lamar, de/colonial violence, and earthbound salvation |r Ben Lewellyn-Taylor and Melanie C. Jones |t Kendrick Lamar's DAMN. as an aesthetic genealogy |r Dominik Hammer |t 'I'm an Israelite' : Kendrick Lamar's spiritual search, Hebrew Israelite religion, and the politics of a celebrity encounter |r Sam Kestenbaum |t Damnation, identity, and truth : vocabularies of suffering in Kendrick Lamar's DAMN. |r André E. Key |t Hebrew Israelite covenantal theology and Kendrick Lamar's constructive project in DAMN. |r Spencer Dew |t Conclusion : KENosis : the meaning of Kendrick Lamar |r Monica R. Miller |
| 520 | 3 | |a "Kendrick Lamar has established himself at the forefront of contemporary Hip-Hop culture. Artistically adventurous and socially conscious, he has been unapologetic in using his art form, rap music, to address issues affecting black lives while also exploring subjects fundamental to the human experience, such as religious belief. This book is the first to provide an interdisciplinary academic analysis of the impact of Lamar's corpus. In doing so, it highlights how Lamar's music reflects current tensions that are keenly felt when dealing with the subjects of race, religion and politics. Starting with Section 80 and ending on DAMN., this book deals with each of Lamar's four major projects in turn. A panel of academics, journalists and hip-hop practitioners show how religion, in particular black spiritualties, take a front-and-centre role in his work. They also observe that his astute and biting thoughts on race and culture may come from an African American perspective, but many find something familiar in Lamar's lyrical testimony across great chasms of social and geographical difference. This sophisticated exploration of one of popular culture's emerging icons reveals a complex and multi-faceted engagement with religion, faith, race, art and culture. As such, it will be vital reading for anyone working in Religious, African American and Hip-Hop studies, as well as scholars of Music, Media and Popular Culture"-- | |
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Datensatz im Suchindex
| _version_ | 1805082155766775808 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Driscoll, Christopher M. Miller, Monica R. 1981- Pinn, Anthony B. 1964- |
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| author_GND | (DE-588)1109824548 (DE-588)1075459664 (DE-588)136145655 |
| author_additional | Anthony B. Pinn and Christopher M. Driscoll Ralph Bristout Margarita Simon Guillory Daniel White Hodge Michael Thomas Juan M. Floyd-Thomas Rob Peach James W. Perkinson Christopher M. Driscoll Monica R. Miller Darrius D. Hills Jon Gill Joseph Winters Anthony B. Pinn Ben Lewellyn-Taylor and Melanie C. Jones Dominik Hammer Sam Kestenbaum André E. Key Spencer Dew |
| author_facet | Driscoll, Christopher M. Miller, Monica R. 1981- Pinn, Anthony B. 1964- |
| building | Verbundindex |
| bvnumber | BV049658320 |
| contents | Introduction : K.Dotting the American cultural landscape with black meaning Kendrick Lamar's Section.80 : Reagan-era blues Can I be both? Blackness and the negotiation of binary categories in Kendrick Lamar's Section.80 Hol' up : post-civil rights black theology within Kendrick Lamar's Section.80 album Singing experience in Section.80 : Kendrick Lamar's poetics of problems The good, the m.A.A.d, and the holy : Kendrick Lamar's meditations on sin and moral agency in the post-gangsta era 'Real is responsibility' : revelations in white through the filter of black realness on good kid, m.A.A.d. city 'Black meaning' out of urban mud : good kid, m.A.A.d city as Compton griot-riff at the crossroads of climate-apocalypse? Rap as Ragnarök : Kendrick Lamar, Eminem, and the value of competition Can dead homies speak? the spirit and flesh of black meaning Loving [you] is complicated : black self-love and affirmation in the rap music of Kendrick Lamar From 'blackness' to afrofuture to 'impasse' : the figura of the Jimi Hendrix/Richie Havens identity revolution as faintly evidenced by the work of Kendrick Lamar and more than a head nod to Lupe Fiasco Beyond flight and containment : Kendrick Lamar, black study, and an ethics of the wound "Real nigga conditions" : Kendrick Lamar, grotesque realism, and the open body DAMNed to the earth : Kendrick Lamar, de/colonial violence, and earthbound salvation Kendrick Lamar's DAMN. as an aesthetic genealogy 'I'm an Israelite' : Kendrick Lamar's spiritual search, Hebrew Israelite religion, and the politics of a celebrity encounter Damnation, identity, and truth : vocabularies of suffering in Kendrick Lamar's DAMN. Hebrew Israelite covenantal theology and Kendrick Lamar's constructive project in DAMN. Conclusion : KENosis : the meaning of Kendrick Lamar |
| ctrlnum | (OCoLC)1437851862 (DE-599)BVBBV049658320 |
| dewey-full | 782.421649092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.421649092 |
| dewey-search | 782.421649092 |
| dewey-sort | 3782.421649092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 2011-2020 gnd |
| era_facet | Geschichte 2011-2020 |
| format | Book |
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| id | DE-604.BV049658320 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-20T07:28:10Z |
| institution | BVB |
| isbn | 9781138541511 9781032177168 |
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| record_format | marc |
| series2 | Routledge studies in hip hop and religion |
| spelling | Kendrick Lamar and the making of black meaning edited by Christopher M. Driscoll, Anthony B. Pinn, and Monica R. Miller London ; New York Routledge, Taylor & Francis Group 2021 vii, 380 Seiten txt rdacontent n rdamedia nc rdacarrier Routledge studies in hip hop and religion Introduction : K.Dotting the American cultural landscape with black meaning Anthony B. Pinn and Christopher M. Driscoll Kendrick Lamar's Section.80 : Reagan-era blues Ralph Bristout Can I be both? Blackness and the negotiation of binary categories in Kendrick Lamar's Section.80 Margarita Simon Guillory Hol' up : post-civil rights black theology within Kendrick Lamar's Section.80 album Daniel White Hodge Singing experience in Section.80 : Kendrick Lamar's poetics of problems Michael Thomas The good, the m.A.A.d, and the holy : Kendrick Lamar's meditations on sin and moral agency in the post-gangsta era Juan M. Floyd-Thomas 'Real is responsibility' : revelations in white through the filter of black realness on good kid, m.A.A.d. city Rob Peach 'Black meaning' out of urban mud : good kid, m.A.A.d city as Compton griot-riff at the crossroads of climate-apocalypse? James W. Perkinson Rap as Ragnarök : Kendrick Lamar, Eminem, and the value of competition Christopher M. Driscoll Can dead homies speak? the spirit and flesh of black meaning Monica R. Miller Loving [you] is complicated : black self-love and affirmation in the rap music of Kendrick Lamar Darrius D. Hills From 'blackness' to afrofuture to 'impasse' : the figura of the Jimi Hendrix/Richie Havens identity revolution as faintly evidenced by the work of Kendrick Lamar and more than a head nod to Lupe Fiasco Jon Gill Beyond flight and containment : Kendrick Lamar, black study, and an ethics of the wound Joseph Winters "Real nigga conditions" : Kendrick Lamar, grotesque realism, and the open body Anthony B. Pinn DAMNed to the earth : Kendrick Lamar, de/colonial violence, and earthbound salvation Ben Lewellyn-Taylor and Melanie C. Jones Kendrick Lamar's DAMN. as an aesthetic genealogy Dominik Hammer 'I'm an Israelite' : Kendrick Lamar's spiritual search, Hebrew Israelite religion, and the politics of a celebrity encounter Sam Kestenbaum Damnation, identity, and truth : vocabularies of suffering in Kendrick Lamar's DAMN. André E. Key Hebrew Israelite covenantal theology and Kendrick Lamar's constructive project in DAMN. Spencer Dew Conclusion : KENosis : the meaning of Kendrick Lamar Monica R. Miller "Kendrick Lamar has established himself at the forefront of contemporary Hip-Hop culture. Artistically adventurous and socially conscious, he has been unapologetic in using his art form, rap music, to address issues affecting black lives while also exploring subjects fundamental to the human experience, such as religious belief. This book is the first to provide an interdisciplinary academic analysis of the impact of Lamar's corpus. In doing so, it highlights how Lamar's music reflects current tensions that are keenly felt when dealing with the subjects of race, religion and politics. Starting with Section 80 and ending on DAMN., this book deals with each of Lamar's four major projects in turn. A panel of academics, journalists and hip-hop practitioners show how religion, in particular black spiritualties, take a front-and-centre role in his work. They also observe that his astute and biting thoughts on race and culture may come from an African American perspective, but many find something familiar in Lamar's lyrical testimony across great chasms of social and geographical difference. This sophisticated exploration of one of popular culture's emerging icons reveals a complex and multi-faceted engagement with religion, faith, race, art and culture. As such, it will be vital reading for anyone working in Religious, African American and Hip-Hop studies, as well as scholars of Music, Media and Popular Culture"-- Kendrick Lamar 1987- (DE-588)1038428041 gnd rswk-swf Geschichte 2011-2020 gnd rswk-swf Hip-Hop (DE-588)4303517-6 gnd rswk-swf Ethnische Identität (DE-588)4153096-2 gnd rswk-swf Religion (DE-588)4049396-9 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Lamar, Kendrick / 1987- / Criticism and interpretation Rap (Music) / 2011-2020 / History and criticism Rap (Music) / Religious aspects Rap (Music) 2011-2020 Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Kendrick Lamar 1987- (DE-588)1038428041 p USA (DE-588)4078704-7 g Hip-Hop (DE-588)4303517-6 s Kultur (DE-588)4125698-0 s Religion (DE-588)4049396-9 s Ethnische Identität (DE-588)4153096-2 s Geschichte 2011-2020 z DE-604 Driscoll, Christopher M. (DE-588)1109824548 edt Miller, Monica R. 1981- (DE-588)1075459664 edt Pinn, Anthony B. 1964- (DE-588)136145655 edt Erscheint auch als Online-Ausgabe Kendrick Lamar & the making of black meaning New York : Routledge, 2019 9781351010856 (DE-604)BV047014297 |
| spellingShingle | Kendrick Lamar and the making of black meaning Introduction : K.Dotting the American cultural landscape with black meaning Kendrick Lamar's Section.80 : Reagan-era blues Can I be both? Blackness and the negotiation of binary categories in Kendrick Lamar's Section.80 Hol' up : post-civil rights black theology within Kendrick Lamar's Section.80 album Singing experience in Section.80 : Kendrick Lamar's poetics of problems The good, the m.A.A.d, and the holy : Kendrick Lamar's meditations on sin and moral agency in the post-gangsta era 'Real is responsibility' : revelations in white through the filter of black realness on good kid, m.A.A.d. city 'Black meaning' out of urban mud : good kid, m.A.A.d city as Compton griot-riff at the crossroads of climate-apocalypse? Rap as Ragnarök : Kendrick Lamar, Eminem, and the value of competition Can dead homies speak? the spirit and flesh of black meaning Loving [you] is complicated : black self-love and affirmation in the rap music of Kendrick Lamar From 'blackness' to afrofuture to 'impasse' : the figura of the Jimi Hendrix/Richie Havens identity revolution as faintly evidenced by the work of Kendrick Lamar and more than a head nod to Lupe Fiasco Beyond flight and containment : Kendrick Lamar, black study, and an ethics of the wound "Real nigga conditions" : Kendrick Lamar, grotesque realism, and the open body DAMNed to the earth : Kendrick Lamar, de/colonial violence, and earthbound salvation Kendrick Lamar's DAMN. as an aesthetic genealogy 'I'm an Israelite' : Kendrick Lamar's spiritual search, Hebrew Israelite religion, and the politics of a celebrity encounter Damnation, identity, and truth : vocabularies of suffering in Kendrick Lamar's DAMN. Hebrew Israelite covenantal theology and Kendrick Lamar's constructive project in DAMN. Conclusion : KENosis : the meaning of Kendrick Lamar Kendrick Lamar 1987- (DE-588)1038428041 gnd Hip-Hop (DE-588)4303517-6 gnd Ethnische Identität (DE-588)4153096-2 gnd Religion (DE-588)4049396-9 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)1038428041 (DE-588)4303517-6 (DE-588)4153096-2 (DE-588)4049396-9 (DE-588)4125698-0 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Kendrick Lamar and the making of black meaning |
| title_alt | Introduction : K.Dotting the American cultural landscape with black meaning Kendrick Lamar's Section.80 : Reagan-era blues Can I be both? Blackness and the negotiation of binary categories in Kendrick Lamar's Section.80 Hol' up : post-civil rights black theology within Kendrick Lamar's Section.80 album Singing experience in Section.80 : Kendrick Lamar's poetics of problems The good, the m.A.A.d, and the holy : Kendrick Lamar's meditations on sin and moral agency in the post-gangsta era 'Real is responsibility' : revelations in white through the filter of black realness on good kid, m.A.A.d. city 'Black meaning' out of urban mud : good kid, m.A.A.d city as Compton griot-riff at the crossroads of climate-apocalypse? Rap as Ragnarök : Kendrick Lamar, Eminem, and the value of competition Can dead homies speak? the spirit and flesh of black meaning Loving [you] is complicated : black self-love and affirmation in the rap music of Kendrick Lamar From 'blackness' to afrofuture to 'impasse' : the figura of the Jimi Hendrix/Richie Havens identity revolution as faintly evidenced by the work of Kendrick Lamar and more than a head nod to Lupe Fiasco Beyond flight and containment : Kendrick Lamar, black study, and an ethics of the wound "Real nigga conditions" : Kendrick Lamar, grotesque realism, and the open body DAMNed to the earth : Kendrick Lamar, de/colonial violence, and earthbound salvation Kendrick Lamar's DAMN. as an aesthetic genealogy 'I'm an Israelite' : Kendrick Lamar's spiritual search, Hebrew Israelite religion, and the politics of a celebrity encounter Damnation, identity, and truth : vocabularies of suffering in Kendrick Lamar's DAMN. Hebrew Israelite covenantal theology and Kendrick Lamar's constructive project in DAMN. Conclusion : KENosis : the meaning of Kendrick Lamar |
| title_auth | Kendrick Lamar and the making of black meaning |
| title_exact_search | Kendrick Lamar and the making of black meaning |
| title_full | Kendrick Lamar and the making of black meaning edited by Christopher M. Driscoll, Anthony B. Pinn, and Monica R. Miller |
| title_fullStr | Kendrick Lamar and the making of black meaning edited by Christopher M. Driscoll, Anthony B. Pinn, and Monica R. Miller |
| title_full_unstemmed | Kendrick Lamar and the making of black meaning edited by Christopher M. Driscoll, Anthony B. Pinn, and Monica R. Miller |
| title_short | Kendrick Lamar and the making of black meaning |
| title_sort | kendrick lamar and the making of black meaning |
| topic | Kendrick Lamar 1987- (DE-588)1038428041 gnd Hip-Hop (DE-588)4303517-6 gnd Ethnische Identität (DE-588)4153096-2 gnd Religion (DE-588)4049396-9 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | Kendrick Lamar 1987- Hip-Hop Ethnische Identität Religion Kultur USA Aufsatzsammlung |
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