Streaming Music, Streaming Capital:
In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles playe...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2023]
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| Schlagworte: | |
| Online-Zugang: | URL des Erstveröffentlichers |
| Zusammenfassung: | In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics. Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music's complex and contradictory relation to capitalism. Drott's analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource. By interrogating the tensions between streaming's benefits and pitfalls, Drott sheds light on music's situation within digital capitalism, from growing concentrations of monopoly power and music's use in corporate surveillance to issues of musical value, labor, and artist pay |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2024) |
| Beschreibung: | 1 Online-Ressource (352 Seiten) |
| ISBN: | 9781478027874 |
| DOI: | 10.1515/9781478027874 |
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| 520 | |a In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics. Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music's complex and contradictory relation to capitalism. Drott's analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource. By interrogating the tensions between streaming's benefits and pitfalls, Drott sheds light on music's situation within digital capitalism, from growing concentrations of monopoly power and music's use in corporate surveillance to issues of musical value, labor, and artist pay | ||
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| spelling | Drott, Eric Verfasser aut Streaming Music, Streaming Capital Eric Drott Durham Duke University Press [2023] © 2024 1 Online-Ressource (352 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2024) In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics. Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music's complex and contradictory relation to capitalism. Drott's analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource. By interrogating the tensions between streaming's benefits and pitfalls, Drott sheds light on music's situation within digital capitalism, from growing concentrations of monopoly power and music's use in corporate surveillance to issues of musical value, labor, and artist pay In English MUSIC / Business Aspects bisacsh Music and the Internet Music trade Technological innovations Sound recording industry Streaming audio https://doi.org/10.1515/9781478027874?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Drott, Eric Streaming Music, Streaming Capital MUSIC / Business Aspects bisacsh Music and the Internet Music trade Technological innovations Sound recording industry Streaming audio |
| title | Streaming Music, Streaming Capital |
| title_auth | Streaming Music, Streaming Capital |
| title_exact_search | Streaming Music, Streaming Capital |
| title_exact_search_txtP | Streaming Music, Streaming Capital |
| title_full | Streaming Music, Streaming Capital Eric Drott |
| title_fullStr | Streaming Music, Streaming Capital Eric Drott |
| title_full_unstemmed | Streaming Music, Streaming Capital Eric Drott |
| title_short | Streaming Music, Streaming Capital |
| title_sort | streaming music streaming capital |
| topic | MUSIC / Business Aspects bisacsh Music and the Internet Music trade Technological innovations Sound recording industry Streaming audio |
| topic_facet | MUSIC / Business Aspects Music and the Internet Music trade Technological innovations Sound recording industry Streaming audio |
| url | https://doi.org/10.1515/9781478027874?locatt=mode:legacy |
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