The matrilineal heritage of Louisa May Alcott and Christina Rossetti:
"In an unprecedented comparison of two of the most important female authors of the nineteenth-century, Azelina Flint foregrounds the influence of the religious communities that shaped Louisa May Alcott's and Christina Rossetti's visions of female creativity. In the early stages of the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2022
|
| Schriftenreihe: | Routledge studies in nineteenth century literature
|
| Schlagworte: | |
| Zusammenfassung: | "In an unprecedented comparison of two of the most important female authors of the nineteenth-century, Azelina Flint foregrounds the influence of the religious communities that shaped Louisa May Alcott's and Christina Rossetti's visions of female creativity. In the early stages of the authors' careers, their artistic developments were associated with their patrilineal connections to two artistic movements that shaped the course of American and British history: the Transcendentalists and Pre-Raphaelites. Flint uncovers the authors' rejections of the individualistic outlooks of these movements, demonstrating that Alcott and Rossetti affiliated themselves with their mothers and sisters' religious faith. Applying the methodological framework of women's mysticism, Flint reveals that Alcott's and Rossetti's religious beliefs were shaped by the devotional practices and life-writing texts of their matrilineal communities. Here, the authors' iconic portrayals of female artists are examined in light of the examples of their mothers and sisters for the first time. Flint recovers a number of unpublished life-writings, including commonplace albums and juvenile newspapers, introducing readers to early versions of the authors' iconic works. These recovered texts indicate that Alcott and Rossetti portrayed the female artist as a mouthpiece for a wider community of women committed to social justice and divine communion. By drawing attention to the parallels in the authors' familial affiliations and religious beliefs, Flint recuperates a tradition of nineteenth-century women's mysticism that departs from the individualistic models of male literary traditions to locate female empowerment in gynocentric relationships dedicated to achieving a shared revelation of God"-- |
| Beschreibung: | x, 227 Seiten Illustrationen 24 cm |
| ISBN: | 9780367514419 9780367514402 |
Internformat
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| 245 | 1 | 0 | |a The matrilineal heritage of Louisa May Alcott and Christina Rossetti |c Azelina Flint |
| 264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c 2022 | |
| 300 | |a x, 227 Seiten |b Illustrationen |c 24 cm | ||
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| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Routledge studies in nineteenth century literature | |
| 505 | 8 | |a "I am even I" Rossetti and Alcott Resisting Male Authority -- Secion I: "Left-handed Societies" Women's Life Writing -- "Renunciation is the law, devotion to God's will the gospel" The empowerment of others in the Alcott women's life-writing -- "For every human creature may claim to strength" The Rossetti women's elevation of the left hand -- Section II: "A Loving League of Sisters" Alcott and Rossetti's promotion of Christian values through the ties of sisterhood -- We are all relative creatures The transformative power of sisterhood in Rossetti's Maude -- "Happy Women" Alcott's sisterly utopia -- Conclusion -- Coda: Nineteenth-century women's matrilineal theologies of renunciation -- List of Works Cited -- Appendix 1: "Rolf Walden Emmerboy" Transcription -- Appendix 2: "Two Scenes in a Family" Transcription -- Appendix 3: "Wealth" Transcription -- Appendix 4: "Our Madonna" Transcription -- Appendix 5: "Story of An Apple" Transcription -- Appendix 6: "Hymn For Ascension Day" Transcription -- Appendix 7: "Extracts From Bradley's Sermons" Transcription -- Appendix 8: "A Morning Hymn" Transcription -- Appendix 9: "The Maid of Sorrow" Transcription | |
| 520 | 3 | |a "In an unprecedented comparison of two of the most important female authors of the nineteenth-century, Azelina Flint foregrounds the influence of the religious communities that shaped Louisa May Alcott's and Christina Rossetti's visions of female creativity. In the early stages of the authors' careers, their artistic developments were associated with their patrilineal connections to two artistic movements that shaped the course of American and British history: the Transcendentalists and Pre-Raphaelites. Flint uncovers the authors' rejections of the individualistic outlooks of these movements, demonstrating that Alcott and Rossetti affiliated themselves with their mothers and sisters' religious faith. Applying the methodological framework of women's mysticism, Flint reveals that Alcott's and Rossetti's religious beliefs were shaped by the devotional practices and life-writing texts of their matrilineal communities. Here, the authors' iconic portrayals of female artists are examined in light of the examples of their mothers and sisters for the first time. Flint recovers a number of unpublished life-writings, including commonplace albums and juvenile newspapers, introducing readers to early versions of the authors' iconic works. These recovered texts indicate that Alcott and Rossetti portrayed the female artist as a mouthpiece for a wider community of women committed to social justice and divine communion. By drawing attention to the parallels in the authors' familial affiliations and religious beliefs, Flint recuperates a tradition of nineteenth-century women's mysticism that departs from the individualistic models of male literary traditions to locate female empowerment in gynocentric relationships dedicated to achieving a shared revelation of God"-- | |
| 600 | 1 | 7 | |a Alcott, Louisa May |d 1832-1888 |0 (DE-588)118644475 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Rossetti, Christina Georgina |d 1830-1894 |0 (DE-588)118749897 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Alcott, Louisa May / 1832-1888 / Religion | |
| 653 | 1 | |a Alcott, Louisa May / 1832-1888 / Family | |
| 653 | 1 | |a Rossetti, Christina Georgina / 1830-1894 / Religion | |
| 653 | 1 | |a Rossetti, Christina Georgina / 1830-1894 / Family | |
| 653 | 0 | |a Women in literature | |
| 653 | 0 | |a Mysticism and literature | |
| 653 | 0 | |a Spirituality in literature | |
| 653 | 0 | |a Femmes dans la littérature | |
| 653 | 0 | |a Mysticisme et littérature | |
| 653 | 0 | |a Spiritualité dans la littérature | |
| 653 | 1 | |a Alcott, Louisa May / 1832-1888 | |
| 653 | 1 | |a Rossetti, Christina Georgina / 1830-1894 | |
| 653 | 0 | |a Families | |
| 653 | 0 | |a Mysticism and literature | |
| 653 | 0 | |a Religion | |
| 653 | 0 | |a Spirituality in literature | |
| 653 | 0 | |a Women in literature | |
| 655 | 7 | |0 (DE-588)4006804-3 |a Biografie |2 gnd-content | |
| 689 | 0 | 0 | |a Alcott, Louisa May |d 1832-1888 |0 (DE-588)118644475 |D p |
| 689 | 0 | 1 | |a Rossetti, Christina Georgina |d 1830-1894 |0 (DE-588)118749897 |D p |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Online version |z 978-1-003-05385-9 |a Flint, Azelina |t Matrilineal heritage of Louisa May Alcott and Christina Rossetti |d New York, NY : Routledge, 2021 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034988480 | |
Datensatz im Suchindex
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| author | Flint, Azelina |
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| author_facet | Flint, Azelina |
| author_role | aut |
| author_sort | Flint, Azelina |
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| building | Verbundindex |
| bvnumber | BV049644925 |
| contents | "I am even I" Rossetti and Alcott Resisting Male Authority -- Secion I: "Left-handed Societies" Women's Life Writing -- "Renunciation is the law, devotion to God's will the gospel" The empowerment of others in the Alcott women's life-writing -- "For every human creature may claim to strength" The Rossetti women's elevation of the left hand -- Section II: "A Loving League of Sisters" Alcott and Rossetti's promotion of Christian values through the ties of sisterhood -- We are all relative creatures The transformative power of sisterhood in Rossetti's Maude -- "Happy Women" Alcott's sisterly utopia -- Conclusion -- Coda: Nineteenth-century women's matrilineal theologies of renunciation -- List of Works Cited -- Appendix 1: "Rolf Walden Emmerboy" Transcription -- Appendix 2: "Two Scenes in a Family" Transcription -- Appendix 3: "Wealth" Transcription -- Appendix 4: "Our Madonna" Transcription -- Appendix 5: "Story of An Apple" Transcription -- Appendix 6: "Hymn For Ascension Day" Transcription -- Appendix 7: "Extracts From Bradley's Sermons" Transcription -- Appendix 8: "A Morning Hymn" Transcription -- Appendix 9: "The Maid of Sorrow" Transcription |
| ctrlnum | (OCoLC)1376044437 (DE-599)BVBBV049644925 |
| format | Book |
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| genre | (DE-588)4006804-3 Biografie gnd-content |
| genre_facet | Biografie |
| id | DE-604.BV049644925 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:39:44Z |
| indexdate | 2024-09-12T12:00:46Z |
| institution | BVB |
| isbn | 9780367514419 9780367514402 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034988480 |
| oclc_num | 1376044437 |
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| owner_facet | DE-12 |
| physical | x, 227 Seiten Illustrationen 24 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Routledge studies in nineteenth century literature |
| spelling | Flint, Azelina Verfasser (DE-588)1257108298 aut The matrilineal heritage of Louisa May Alcott and Christina Rossetti Azelina Flint London ; New York Routledge, Taylor & Francis Group 2022 x, 227 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Routledge studies in nineteenth century literature "I am even I" Rossetti and Alcott Resisting Male Authority -- Secion I: "Left-handed Societies" Women's Life Writing -- "Renunciation is the law, devotion to God's will the gospel" The empowerment of others in the Alcott women's life-writing -- "For every human creature may claim to strength" The Rossetti women's elevation of the left hand -- Section II: "A Loving League of Sisters" Alcott and Rossetti's promotion of Christian values through the ties of sisterhood -- We are all relative creatures The transformative power of sisterhood in Rossetti's Maude -- "Happy Women" Alcott's sisterly utopia -- Conclusion -- Coda: Nineteenth-century women's matrilineal theologies of renunciation -- List of Works Cited -- Appendix 1: "Rolf Walden Emmerboy" Transcription -- Appendix 2: "Two Scenes in a Family" Transcription -- Appendix 3: "Wealth" Transcription -- Appendix 4: "Our Madonna" Transcription -- Appendix 5: "Story of An Apple" Transcription -- Appendix 6: "Hymn For Ascension Day" Transcription -- Appendix 7: "Extracts From Bradley's Sermons" Transcription -- Appendix 8: "A Morning Hymn" Transcription -- Appendix 9: "The Maid of Sorrow" Transcription "In an unprecedented comparison of two of the most important female authors of the nineteenth-century, Azelina Flint foregrounds the influence of the religious communities that shaped Louisa May Alcott's and Christina Rossetti's visions of female creativity. In the early stages of the authors' careers, their artistic developments were associated with their patrilineal connections to two artistic movements that shaped the course of American and British history: the Transcendentalists and Pre-Raphaelites. Flint uncovers the authors' rejections of the individualistic outlooks of these movements, demonstrating that Alcott and Rossetti affiliated themselves with their mothers and sisters' religious faith. Applying the methodological framework of women's mysticism, Flint reveals that Alcott's and Rossetti's religious beliefs were shaped by the devotional practices and life-writing texts of their matrilineal communities. Here, the authors' iconic portrayals of female artists are examined in light of the examples of their mothers and sisters for the first time. Flint recovers a number of unpublished life-writings, including commonplace albums and juvenile newspapers, introducing readers to early versions of the authors' iconic works. These recovered texts indicate that Alcott and Rossetti portrayed the female artist as a mouthpiece for a wider community of women committed to social justice and divine communion. By drawing attention to the parallels in the authors' familial affiliations and religious beliefs, Flint recuperates a tradition of nineteenth-century women's mysticism that departs from the individualistic models of male literary traditions to locate female empowerment in gynocentric relationships dedicated to achieving a shared revelation of God"-- Alcott, Louisa May 1832-1888 (DE-588)118644475 gnd rswk-swf Rossetti, Christina Georgina 1830-1894 (DE-588)118749897 gnd rswk-swf Alcott, Louisa May / 1832-1888 / Religion Alcott, Louisa May / 1832-1888 / Family Rossetti, Christina Georgina / 1830-1894 / Religion Rossetti, Christina Georgina / 1830-1894 / Family Women in literature Mysticism and literature Spirituality in literature Femmes dans la littérature Mysticisme et littérature Spiritualité dans la littérature Alcott, Louisa May / 1832-1888 Rossetti, Christina Georgina / 1830-1894 Families Religion (DE-588)4006804-3 Biografie gnd-content Alcott, Louisa May 1832-1888 (DE-588)118644475 p Rossetti, Christina Georgina 1830-1894 (DE-588)118749897 p DE-604 Online version 978-1-003-05385-9 Flint, Azelina Matrilineal heritage of Louisa May Alcott and Christina Rossetti New York, NY : Routledge, 2021 |
| spellingShingle | Flint, Azelina The matrilineal heritage of Louisa May Alcott and Christina Rossetti "I am even I" Rossetti and Alcott Resisting Male Authority -- Secion I: "Left-handed Societies" Women's Life Writing -- "Renunciation is the law, devotion to God's will the gospel" The empowerment of others in the Alcott women's life-writing -- "For every human creature may claim to strength" The Rossetti women's elevation of the left hand -- Section II: "A Loving League of Sisters" Alcott and Rossetti's promotion of Christian values through the ties of sisterhood -- We are all relative creatures The transformative power of sisterhood in Rossetti's Maude -- "Happy Women" Alcott's sisterly utopia -- Conclusion -- Coda: Nineteenth-century women's matrilineal theologies of renunciation -- List of Works Cited -- Appendix 1: "Rolf Walden Emmerboy" Transcription -- Appendix 2: "Two Scenes in a Family" Transcription -- Appendix 3: "Wealth" Transcription -- Appendix 4: "Our Madonna" Transcription -- Appendix 5: "Story of An Apple" Transcription -- Appendix 6: "Hymn For Ascension Day" Transcription -- Appendix 7: "Extracts From Bradley's Sermons" Transcription -- Appendix 8: "A Morning Hymn" Transcription -- Appendix 9: "The Maid of Sorrow" Transcription Alcott, Louisa May 1832-1888 (DE-588)118644475 gnd Rossetti, Christina Georgina 1830-1894 (DE-588)118749897 gnd |
| subject_GND | (DE-588)118644475 (DE-588)118749897 (DE-588)4006804-3 |
| title | The matrilineal heritage of Louisa May Alcott and Christina Rossetti |
| title_auth | The matrilineal heritage of Louisa May Alcott and Christina Rossetti |
| title_exact_search | The matrilineal heritage of Louisa May Alcott and Christina Rossetti |
| title_exact_search_txtP | The matrilineal heritage of Louisa May Alcott and Christina Rossetti |
| title_full | The matrilineal heritage of Louisa May Alcott and Christina Rossetti Azelina Flint |
| title_fullStr | The matrilineal heritage of Louisa May Alcott and Christina Rossetti Azelina Flint |
| title_full_unstemmed | The matrilineal heritage of Louisa May Alcott and Christina Rossetti Azelina Flint |
| title_short | The matrilineal heritage of Louisa May Alcott and Christina Rossetti |
| title_sort | the matrilineal heritage of louisa may alcott and christina rossetti |
| topic | Alcott, Louisa May 1832-1888 (DE-588)118644475 gnd Rossetti, Christina Georgina 1830-1894 (DE-588)118749897 gnd |
| topic_facet | Alcott, Louisa May 1832-1888 Rossetti, Christina Georgina 1830-1894 Biografie |
| work_keys_str_mv | AT flintazelina thematrilinealheritageoflouisamayalcottandchristinarossetti |