Experiencing organised sounds: the listening experience across diverse sound-based works
"Experiencing Organised Sounds investigates a wide horizon of sound-based works using a template consistently across its 16 studies. It has been written for both specialist and non-specialist readers aiming to address means of increasing appreciation and understanding related to the experience...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2024
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Experiencing Organised Sounds investigates a wide horizon of sound-based works using a template consistently across its 16 studies. It has been written for both specialist and non-specialist readers aiming to address means of increasing appreciation and understanding related to the experience of sonic creativity (music involving any sounds, not just musical notes) across this repertoire as well as to launch a discussion about how the reception of sonic creativity can be influenced by the circumstances of listening, in particular, regarding the qualitative difference between the in-situ as opposed to mediated experience. Although listening is the volume's focus, complementary information from the musicians is offered to facilitate holistic work overviews. As the first composition presented was composed by a 15-year-old, the intention is to demonstrate that what might be considered a niche area of the contemporary arts is one in which both increased appreciation and participation could and should easily be achieved. The book's work discussions are divided over three central chapters focused on fixed-medium compositions, performed and sound art works. Experiencing Organised Sounds can be used as an undergraduate textbook, by experienced readers or those new to the area. All works discussed and related materials are available to readers online"-- |
| Beschreibung: | x, 229 Seiten Illustrationen 25 cm |
| ISBN: | 9781032533278 9781032547435 |
Internformat
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| 505 | 8 | |a To start -- Work discussions across sound-based creativity, fixed medium -- Work discussions across sound-based creativity, live -- Work discussions across sound-based creativity, sound art -- To end | |
| 520 | 3 | |a "Experiencing Organised Sounds investigates a wide horizon of sound-based works using a template consistently across its 16 studies. It has been written for both specialist and non-specialist readers aiming to address means of increasing appreciation and understanding related to the experience of sonic creativity (music involving any sounds, not just musical notes) across this repertoire as well as to launch a discussion about how the reception of sonic creativity can be influenced by the circumstances of listening, in particular, regarding the qualitative difference between the in-situ as opposed to mediated experience. Although listening is the volume's focus, complementary information from the musicians is offered to facilitate holistic work overviews. As the first composition presented was composed by a 15-year-old, the intention is to demonstrate that what might be considered a niche area of the contemporary arts is one in which both increased appreciation and participation could and should easily be achieved. The book's work discussions are divided over three central chapters focused on fixed-medium compositions, performed and sound art works. Experiencing Organised Sounds can be used as an undergraduate textbook, by experienced readers or those new to the area. All works discussed and related materials are available to readers online"-- | |
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| 653 | 0 | |a Mixed media (Music) / History and criticism | |
| 653 | 0 | |a Sound art / Analysis, appreciation | |
| 653 | 0 | |a Mixed media (Music) / Analysis, appreciation | |
| 653 | 0 | |a Sound installations (Art) | |
| 653 | 0 | |a Art sonore / Histoire et critique | |
| 653 | 0 | |a Œuvres multimédias (Musique) / Histoire et critique | |
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| 653 | 6 | |a Criticism, interpretation, etc | |
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| 776 | 0 | 8 | |i Online version |z 978-1-003-42731-5 |a Landy, Leigh, 1951- |t Experiencing organised sounds |b 1 |d Abingdon, Oxon ; New York : Routledge, 2024 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034975564&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
Datensatz im Suchindex
| _version_ | 1805082061537542144 |
|---|---|
| adam_text |
CONTENTS 1 To Start 1 What this book is all about 1 Building on the author’s previous work 3 Regarding the central part of the book 6 Notes 10 2 Work discussions across sound-based creativity: fixed medium 11 Acousmatic/1 - Florian Sulpice: C’est Wiizzz!!! 11 Acousmatic/2 - John Young: Three Spaces in Mid-Air 23 Soundscape - Katerina Tzedaki: a soundwalk 37 lowercase - Simon Atkinson: interiorities viii + Kerry Francksen/Simon Atkinson: Betwixt Between 48 Electronic/formalised - Kevin Dahan: Gravitational Landscape (with tinnitus) 67 Visual music - Bret Battey: Three Breaths in Empty Space 77 Text-sound + sample-based - Leigh Landy: On the Eire 90 3 Work discussions across sound-based creativity: live Mixed music - Simon Emmerson: Solo Flute Quartet 106 Improvised - James Andean: Third Space 123 Live coding - Anna Xambo: MTI@20 - Leicester, UK 136 DIY electronics - John Richards: Motor Music 150 106
X Contents Turntablism - DJ Sniff (Takuro Mizuta Lippit): untitled performance 158 Performance art - Neal Spowage: Noise Loop Bootstrap 4 Work discussions across sound-based creativity: sound art 170 180 Installations/1 - Francesc Marti: Speech Cycle 180 Installations/2 - Peter Batchelor: Contraption 192 Objects - Sam Topley: Noisy Pompoms 205 5 To end References Appendix - The intention/reception form used in the book Glossary 216 219 222 224 |
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| bvnumber | BV049631749 |
| contents | To start -- Work discussions across sound-based creativity, fixed medium -- Work discussions across sound-based creativity, live -- Work discussions across sound-based creativity, sound art -- To end |
| ctrlnum | (OCoLC)1437836969 (DE-599)BVBBV049631749 |
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| id | DE-604.BV049631749 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:38:27Z |
| indexdate | 2024-07-20T07:26:41Z |
| institution | BVB |
| isbn | 9781032533278 9781032547435 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034975564 |
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| physical | x, 229 Seiten Illustrationen 25 cm |
| publishDate | 2024 |
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| publisher | Routledge, Taylor & Francis Group |
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| spelling | Landy, Leigh 1951- Verfasser (DE-588)1041900643 aut Experiencing organised sounds the listening experience across diverse sound-based works Leigh Landy Experiencing organized sounds London ; New York Routledge, Taylor & Francis Group 2024 x, 229 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier To start -- Work discussions across sound-based creativity, fixed medium -- Work discussions across sound-based creativity, live -- Work discussions across sound-based creativity, sound art -- To end "Experiencing Organised Sounds investigates a wide horizon of sound-based works using a template consistently across its 16 studies. It has been written for both specialist and non-specialist readers aiming to address means of increasing appreciation and understanding related to the experience of sonic creativity (music involving any sounds, not just musical notes) across this repertoire as well as to launch a discussion about how the reception of sonic creativity can be influenced by the circumstances of listening, in particular, regarding the qualitative difference between the in-situ as opposed to mediated experience. Although listening is the volume's focus, complementary information from the musicians is offered to facilitate holistic work overviews. As the first composition presented was composed by a 15-year-old, the intention is to demonstrate that what might be considered a niche area of the contemporary arts is one in which both increased appreciation and participation could and should easily be achieved. The book's work discussions are divided over three central chapters focused on fixed-medium compositions, performed and sound art works. Experiencing Organised Sounds can be used as an undergraduate textbook, by experienced readers or those new to the area. All works discussed and related materials are available to readers online"-- Musikhören (DE-588)4075127-2 gnd rswk-swf Klang (DE-588)4030933-2 gnd rswk-swf Sound (DE-588)4181886-6 gnd rswk-swf Sound art / History and criticism Mixed media (Music) / History and criticism Sound art / Analysis, appreciation Mixed media (Music) / Analysis, appreciation Sound installations (Art) Art sonore / Histoire et critique Œuvres multimédias (Musique) / Histoire et critique Œuvres multimédias (Musique) / Analyse et appréciation Installations sonores (Art) sound installations Mixed media (Music) Sound art Criticism, interpretation, etc Sound (DE-588)4181886-6 s Klang (DE-588)4030933-2 s Musikhören (DE-588)4075127-2 s DE-604 Online version 978-1-003-42731-5 Landy, Leigh, 1951- Experiencing organised sounds 1 Abingdon, Oxon ; New York : Routledge, 2024 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034975564&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Landy, Leigh 1951- Experiencing organised sounds the listening experience across diverse sound-based works To start -- Work discussions across sound-based creativity, fixed medium -- Work discussions across sound-based creativity, live -- Work discussions across sound-based creativity, sound art -- To end Musikhören (DE-588)4075127-2 gnd Klang (DE-588)4030933-2 gnd Sound (DE-588)4181886-6 gnd |
| subject_GND | (DE-588)4075127-2 (DE-588)4030933-2 (DE-588)4181886-6 |
| title | Experiencing organised sounds the listening experience across diverse sound-based works |
| title_alt | Experiencing organized sounds |
| title_auth | Experiencing organised sounds the listening experience across diverse sound-based works |
| title_exact_search | Experiencing organised sounds the listening experience across diverse sound-based works |
| title_exact_search_txtP | Experiencing organised sounds the listening experience across diverse sound-based works |
| title_full | Experiencing organised sounds the listening experience across diverse sound-based works Leigh Landy |
| title_fullStr | Experiencing organised sounds the listening experience across diverse sound-based works Leigh Landy |
| title_full_unstemmed | Experiencing organised sounds the listening experience across diverse sound-based works Leigh Landy |
| title_short | Experiencing organised sounds |
| title_sort | experiencing organised sounds the listening experience across diverse sound based works |
| title_sub | the listening experience across diverse sound-based works |
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| topic_facet | Musikhören Klang Sound |
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