Post "Postmonument": crisi e persistenza del monumento nell'età della demonumentalizzazione
The article reflects on monuments in the context of historical and political changes. The starting point is his Sculpture Biennale called Postmonument, held in Carrara in 2010, which explored the decline of monumentality in the post-communist era and the rise of global consumerism. The author discus...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | Italian |
| Published: |
2023
|
| Online Access: | Volltext Abstract |
| Summary: | The article reflects on monuments in the context of historical and political changes. The starting point is his Sculpture Biennale called Postmonument, held in Carrara in 2010, which explored the decline of monumentality in the post-communist era and the rise of global consumerism. The author discusses the challenges faced in presenting controversial artworks, citing examples such as Maurizio Cattelan’s proposal to replace a Giuseppe Mazzini monument with one dedicated to Bettino Craxi. The article then delves into contemporary controversies surrounding monuments, particularly in the wake of the Black Lives Matter movement and the decolonization process in the art world. The narrative highlights how artistically or politically driven monuments can spark debates, face censorship, or even be dismantled due to changing societal perspectives. Artists engaging with the monument crisis during times of protest and political correctness explore creative solutions. Some propose visual transformations of contested monuments, like Banksy’s intervention depicting protesters pulling down a monument. Artist Ohad Meromi attempts preservation through a working group, The Subcommittee for American Monuments, suggesting reinterpretations to avoid removal. The text also reflects on the limited female representation in monuments, emphasizing the need to reinvent the concept of a female monument in a more participatory and relational manner |
| Physical Description: | Illustrationen |
| ISSN: | 1827-8655 |
Staff View
MARC
| LEADER | 00000nma a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049621509 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 240320s2023 |||| o||u| ||||||ita d | ||
| 035 | |a (DE-599)BVBBV049621509 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a ita | |
| 049 | |a DE-Y3 |a DE-255 |a DE-Y7 |a DE-Y2 | ||
| 100 | 1 | |a Cavallucci, Fabio |d 1961- |e Verfasser |0 (DE-588)142435759 |4 aut | |
| 245 | 1 | 0 | |a Post "Postmonument" |b crisi e persistenza del monumento nell'età della demonumentalizzazione |c Fabio Cavallucci |
| 264 | 1 | |c 2023 | |
| 300 | |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | 3 | |a The article reflects on monuments in the context of historical and political changes. The starting point is his Sculpture Biennale called Postmonument, held in Carrara in 2010, which explored the decline of monumentality in the post-communist era and the rise of global consumerism. The author discusses the challenges faced in presenting controversial artworks, citing examples such as Maurizio Cattelan’s proposal to replace a Giuseppe Mazzini monument with one dedicated to Bettino Craxi. The article then delves into contemporary controversies surrounding monuments, particularly in the wake of the Black Lives Matter movement and the decolonization process in the art world. The narrative highlights how artistically or politically driven monuments can spark debates, face censorship, or even be dismantled due to changing societal perspectives. Artists engaging with the monument crisis during times of protest and political correctness explore creative solutions. Some propose visual transformations of contested monuments, like Banksy’s intervention depicting protesters pulling down a monument. Artist Ohad Meromi attempts preservation through a working group, The Subcommittee for American Monuments, suggesting reinterpretations to avoid removal. The text also reflects on the limited female representation in monuments, emphasizing the need to reinvent the concept of a female monument in a more participatory and relational manner | |
| 546 | |a Zusammenfassung in englischer Sprache | ||
| 773 | 1 | 8 | |g number:54 |g year:2023 |g pages:177-192, I-XXXIV |
| 773 | 0 | 8 | |t Predella / Università di Pisa, Dipartimento di Storia delle Arti |d Pisa, 2023 |g n° 54 (2023), Seite 177-192, I-XXXIV |w (DE-604)BV019722990 |x 1827-8655 |o (DE-600)2175881-5 |
| 856 | 4 | 0 | |u https://server.predella.it/Archivio-numeri/54/Miscellanea/9_Cavallucci.pdf |x Verlag |z kostenfrei |3 Volltext |
| 856 | 4 | 0 | |u https://predella.it/fabio-cavallucci/ |x Verlag |z kostenfrei |3 Abstract |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034965554 | ||
| 941 | |h 54 |j 2023 |s 177-192, I-XXXIV | ||
Record in the Search Index
| _version_ | 1804186516423966720 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV019722990 |
| author | Cavallucci, Fabio 1961- |
| author_GND | (DE-588)142435759 |
| author_facet | Cavallucci, Fabio 1961- |
| author_role | aut |
| author_sort | Cavallucci, Fabio 1961- |
| author_variant | f c fc |
| building | Verbundindex |
| bvnumber | BV049621509 |
| ctrlnum | (DE-599)BVBBV049621509 |
| format | Electronic Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02724nma a2200313 c 4500</leader><controlfield tag="001">BV049621509</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240320s2023 |||| o||u| ||||||ita d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049621509</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">ita</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cavallucci, Fabio</subfield><subfield code="d">1961-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)142435759</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Post "Postmonument"</subfield><subfield code="b">crisi e persistenza del monumento nell'età della demonumentalizzazione</subfield><subfield code="c">Fabio Cavallucci</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The article reflects on monuments in the context of historical and political changes. The starting point is his Sculpture Biennale called Postmonument, held in Carrara in 2010, which explored the decline of monumentality in the post-communist era and the rise of global consumerism. The author discusses the challenges faced in presenting controversial artworks, citing examples such as Maurizio Cattelan’s proposal to replace a Giuseppe Mazzini monument with one dedicated to Bettino Craxi. The article then delves into contemporary controversies surrounding monuments, particularly in the wake of the Black Lives Matter movement and the decolonization process in the art world. The narrative highlights how artistically or politically driven monuments can spark debates, face censorship, or even be dismantled due to changing societal perspectives. Artists engaging with the monument crisis during times of protest and political correctness explore creative solutions. Some propose visual transformations of contested monuments, like Banksy’s intervention depicting protesters pulling down a monument. Artist Ohad Meromi attempts preservation through a working group, The Subcommittee for American Monuments, suggesting reinterpretations to avoid removal. The text also reflects on the limited female representation in monuments, emphasizing the need to reinvent the concept of a female monument in a more participatory and relational manner</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Zusammenfassung in englischer Sprache</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">number:54</subfield><subfield code="g">year:2023</subfield><subfield code="g">pages:177-192, I-XXXIV</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Predella / Università di Pisa, Dipartimento di Storia delle Arti</subfield><subfield code="d">Pisa, 2023</subfield><subfield code="g">n° 54 (2023), Seite 177-192, I-XXXIV</subfield><subfield code="w">(DE-604)BV019722990</subfield><subfield code="x">1827-8655</subfield><subfield code="o">(DE-600)2175881-5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://server.predella.it/Archivio-numeri/54/Miscellanea/9_Cavallucci.pdf</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://predella.it/fabio-cavallucci/</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Abstract</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034965554</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="h">54</subfield><subfield code="j">2023</subfield><subfield code="s">177-192, I-XXXIV</subfield></datafield></record></collection> |
| id | DE-604.BV049621509 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:37:12Z |
| indexdate | 2024-07-10T10:12:22Z |
| institution | BVB |
| issn | 1827-8655 |
| language | Italian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034965554 |
| open_access_boolean | 1 |
| owner | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| owner_facet | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| physical | Illustrationen |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| record_format | marc |
| spelling | Cavallucci, Fabio 1961- Verfasser (DE-588)142435759 aut Post "Postmonument" crisi e persistenza del monumento nell'età della demonumentalizzazione Fabio Cavallucci 2023 Illustrationen txt rdacontent c rdamedia cr rdacarrier The article reflects on monuments in the context of historical and political changes. The starting point is his Sculpture Biennale called Postmonument, held in Carrara in 2010, which explored the decline of monumentality in the post-communist era and the rise of global consumerism. The author discusses the challenges faced in presenting controversial artworks, citing examples such as Maurizio Cattelan’s proposal to replace a Giuseppe Mazzini monument with one dedicated to Bettino Craxi. The article then delves into contemporary controversies surrounding monuments, particularly in the wake of the Black Lives Matter movement and the decolonization process in the art world. The narrative highlights how artistically or politically driven monuments can spark debates, face censorship, or even be dismantled due to changing societal perspectives. Artists engaging with the monument crisis during times of protest and political correctness explore creative solutions. Some propose visual transformations of contested monuments, like Banksy’s intervention depicting protesters pulling down a monument. Artist Ohad Meromi attempts preservation through a working group, The Subcommittee for American Monuments, suggesting reinterpretations to avoid removal. The text also reflects on the limited female representation in monuments, emphasizing the need to reinvent the concept of a female monument in a more participatory and relational manner Zusammenfassung in englischer Sprache number:54 year:2023 pages:177-192, I-XXXIV Predella / Università di Pisa, Dipartimento di Storia delle Arti Pisa, 2023 n° 54 (2023), Seite 177-192, I-XXXIV (DE-604)BV019722990 1827-8655 (DE-600)2175881-5 https://server.predella.it/Archivio-numeri/54/Miscellanea/9_Cavallucci.pdf Verlag kostenfrei Volltext https://predella.it/fabio-cavallucci/ Verlag kostenfrei Abstract |
| spellingShingle | Cavallucci, Fabio 1961- Post "Postmonument" crisi e persistenza del monumento nell'età della demonumentalizzazione |
| title | Post "Postmonument" crisi e persistenza del monumento nell'età della demonumentalizzazione |
| title_auth | Post "Postmonument" crisi e persistenza del monumento nell'età della demonumentalizzazione |
| title_exact_search | Post "Postmonument" crisi e persistenza del monumento nell'età della demonumentalizzazione |
| title_exact_search_txtP | Post "Postmonument" crisi e persistenza del monumento nell'età della demonumentalizzazione |
| title_full | Post "Postmonument" crisi e persistenza del monumento nell'età della demonumentalizzazione Fabio Cavallucci |
| title_fullStr | Post "Postmonument" crisi e persistenza del monumento nell'età della demonumentalizzazione Fabio Cavallucci |
| title_full_unstemmed | Post "Postmonument" crisi e persistenza del monumento nell'età della demonumentalizzazione Fabio Cavallucci |
| title_short | Post "Postmonument" |
| title_sort | post postmonument crisi e persistenza del monumento nell eta della demonumentalizzazione |
| title_sub | crisi e persistenza del monumento nell'età della demonumentalizzazione |
| url | https://server.predella.it/Archivio-numeri/54/Miscellanea/9_Cavallucci.pdf https://predella.it/fabio-cavallucci/ |
| work_keys_str_mv | AT cavalluccifabio postpostmonumentcrisiepersistenzadelmonumentonelletadellademonumentalizzazione |