Black time and the aesthetic possibility of objects:
"The decades following the civil rights and decolonization movements of the sixties and seventies - termed the post-soul era - created new ways to understand the aesthetics of global racial representation. Daphne Lamothe shows that beginning around 1980 and continuing to the present day, Black...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill
The University of North Carolina Press
[2023]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The decades following the civil rights and decolonization movements of the sixties and seventies - termed the post-soul era - created new ways to understand the aesthetics of global racial representation. Daphne Lamothe shows that beginning around 1980 and continuing to the present day, Black literature, art, and music resisted the pull of singular and universal notions of racial identity. Developing the idea of 'Black aesthetic time' - a multipronged theoretical concept that analyzes the ways race and time collide in the process of cultural production - she assesses Black fiction, poetry, and visual and musical texts by Paule Marshall, Zadie Smith, Tracy K. Smith, Dionne Brand, Toyin Ojih Odutola, and Stromae, among others. Lamothe asks how our understanding of Blackness might expand upon viewing racial representation without borders - or, to use her concept, from the permeable, supple place of Black aesthetic time. Lamothe purposefully focuses on texts told from the vantage point of immigrants, migrants, and city dwellers to conceptualize Blackness as a global phenomenon without assuming the universality or homogeneity of racialized experience. In this new way to analyze Black global art, Lamothe foregrounds migratory subjects poised on thresholds between not only old and new worlds, but old and new selves"-- |
| Beschreibung: | x, 190 Seiten Illustrationen 24 cm |
| ISBN: | 9781469675312 9781469675305 |
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| 520 | 3 | |a "The decades following the civil rights and decolonization movements of the sixties and seventies - termed the post-soul era - created new ways to understand the aesthetics of global racial representation. Daphne Lamothe shows that beginning around 1980 and continuing to the present day, Black literature, art, and music resisted the pull of singular and universal notions of racial identity. Developing the idea of 'Black aesthetic time' - a multipronged theoretical concept that analyzes the ways race and time collide in the process of cultural production - she assesses Black fiction, poetry, and visual and musical texts by Paule Marshall, Zadie Smith, Tracy K. Smith, Dionne Brand, Toyin Ojih Odutola, and Stromae, among others. Lamothe asks how our understanding of Blackness might expand upon viewing racial representation without borders - or, to use her concept, from the permeable, supple place of Black aesthetic time. Lamothe purposefully focuses on texts told from the vantage point of immigrants, migrants, and city dwellers to conceptualize Blackness as a global phenomenon without assuming the universality or homogeneity of racialized experience. In this new way to analyze Black global art, Lamothe foregrounds migratory subjects poised on thresholds between not only old and new worlds, but old and new selves"-- | |
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Datensatz im Suchindex
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Contents List of Figures vii Acknowledgments ix Introduction i A Body in the World CHAPTER ONE Stromae’s Relational Aesthetic 5 CHAPTER TWO In Search of Presence 21 A Digressive Reading ofOrdinary Light CHAPTER THREE The Freedom in Black Aesthetic Optimism 35 CHAPTER FOUR Black Time Matters 51 CHAPTER FIVE To Wander Determined 70 A Portal to Blackness and Being chapter six Migration/Stasis/Stillness 85 Paule Marshall’s Poetics of Change CHAPTER SEVEN Black Presence in the Twilight Hour 106 Dionne Brand’s thirsty CHAPTER EIGHT Swing Time 120 Politically Minded with an Individual Soul
Notes 135 Bibliography 169 Index 179 |
| adam_txt |
Contents List of Figures vii Acknowledgments ix Introduction i A Body in the World CHAPTER ONE Stromae’s Relational Aesthetic 5 CHAPTER TWO In Search of Presence 21 A Digressive Reading ofOrdinary Light CHAPTER THREE The Freedom in Black Aesthetic Optimism 35 CHAPTER FOUR Black Time Matters 51 CHAPTER FIVE To Wander Determined 70 A Portal to Blackness and Being chapter six Migration/Stasis/Stillness 85 Paule Marshall’s Poetics of Change CHAPTER SEVEN Black Presence in the Twilight Hour 106 Dionne Brand’s thirsty CHAPTER EIGHT Swing Time 120 Politically Minded with an Individual Soul
Notes 135 Bibliography 169 Index 179 |
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| spelling | Lamothe, Daphne Mary Verfasser (DE-588)1053149956 aut Black time and the aesthetic possibility of objects Daphne Lamothe Black time & the aesthetic possibility of objects Chapel Hill The University of North Carolina Press [2023] © 2023 x, 190 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier "The decades following the civil rights and decolonization movements of the sixties and seventies - termed the post-soul era - created new ways to understand the aesthetics of global racial representation. Daphne Lamothe shows that beginning around 1980 and continuing to the present day, Black literature, art, and music resisted the pull of singular and universal notions of racial identity. Developing the idea of 'Black aesthetic time' - a multipronged theoretical concept that analyzes the ways race and time collide in the process of cultural production - she assesses Black fiction, poetry, and visual and musical texts by Paule Marshall, Zadie Smith, Tracy K. Smith, Dionne Brand, Toyin Ojih Odutola, and Stromae, among others. Lamothe asks how our understanding of Blackness might expand upon viewing racial representation without borders - or, to use her concept, from the permeable, supple place of Black aesthetic time. Lamothe purposefully focuses on texts told from the vantage point of immigrants, migrants, and city dwellers to conceptualize Blackness as a global phenomenon without assuming the universality or homogeneity of racialized experience. In this new way to analyze Black global art, Lamothe foregrounds migratory subjects poised on thresholds between not only old and new worlds, but old and new selves"-- Objekt Philosophie (DE-588)4172302-8 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Aesthetics, Black American literature / African American authors / 20th century / History and criticism American literature / African American authors / 21st century / History and criticism English literature / Black authors / 20th century / History and criticism English literature / Black authors / 21st century / History and criticism Musicians, Black / Belgium / History and criticism Artists, Black / United States / History and criticism African diaspora Esthétique noire Littérature anglaise / Auteurs noirs / 20e siècle / Histoire et critique Littérature anglaise / Auteurs noirs / 21e siècle / Histoire et critique Africains / Pays étrangers Musiciens noirs / Belgique / Histoire et critique Artistes noirs / États-Unis / Histoire et critique SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies SOCIAL SCIENCE / Black Studies (Global) American literature / African American authors Artists, Black English literature / Black authors Musicians, Black Belgium United States 1900-2099 Criticism, interpretation, etc Schwarze (DE-588)4116433-7 s Objekt Philosophie (DE-588)4172302-8 s Ästhetik (DE-588)4000626-8 s DE-604 Erscheint auch als Online-Ausgabe 9781469675336 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034955080&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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