The Beatles and vocal expression:
"The Beatles and Vocal Expression examines popular song through the topic of paralanguage - a sub-category of nonverbal communication that addresses characteristics of speech that modify meaning and convey emotion. It responds to the general consensus regarding the limitations of Western art mu...
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | English |
| Published: |
London ; New York
Routledge
[2024]
|
| Series: | Ashgate popular folk and music series
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "The Beatles and Vocal Expression examines popular song through the topic of paralanguage - a sub-category of nonverbal communication that addresses characteristics of speech that modify meaning and convey emotion. It responds to the general consensus regarding the limitations of Western art music notation to analyse popular song, assesses paralinguistic voice qualities giving rise to expressive tropes within and across songs, and lastly, addresses gaps in existing Beatles scholarship. Taking The Beatles' UK studio albums (1963-1970), paralinguistic voice qualities are examined in relation to concepts, characteristics, metaphors, and functions of paralanguage in vocal performance. Tropes, such as rising and falling intonation on words of woe, have historical connections to performative and conversational techniques. This interdisciplinary analysis is achieved through musicology, sound studies, applied linguistics, and cultural history. The new methodology locates paralinguistic voice qualities in recordings, identifies features, shows functions, and draws aural threads within and across popular songs"-- |
| Physical Description: | 201 Seiten |
| ISBN: | 9781032346069 9781032346076 |
Staff View
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Record in the Search Index
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| adam_text |
Contents List of Figures List of Analytical Examples Acknowledgements 1 Rethinking The Beatles viii ix xii 1 2 Before The Beatles: 1950s American Popular Song 24 3 Primary Voice Qualities: Arch Shaped Intonation 44 4 Vocal Qualifiers: Vocal Fry, Falsetto, and Head Voice 74 5 Vocal Alternants: Stop Time and Pauses in Interaction 106 6 Differentiators: Laughter and Crying in Vocal Performance 130 7 Paralanguage and Inter-Song Thematic Processes 139 8 Paralinguistic Personae and The Beatles 165 Bibliography Index 187 199 |
| adam_txt |
Contents List of Figures List of Analytical Examples Acknowledgements 1 Rethinking The Beatles viii ix xii 1 2 Before The Beatles: 1950s American Popular Song 24 3 Primary Voice Qualities: Arch Shaped Intonation 44 4 Vocal Qualifiers: Vocal Fry, Falsetto, and Head Voice 74 5 Vocal Alternants: Stop Time and Pauses in Interaction 106 6 Differentiators: Laughter and Crying in Vocal Performance 130 7 Paralanguage and Inter-Song Thematic Processes 139 8 Paralinguistic Personae and The Beatles 165 Bibliography Index 187 199 |
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| spelling | Duggan, Bláithín Verfasser (DE-588)1147998280 aut Paralanguage and The Beatles The Beatles and vocal expression Bláithín Duggan London ; New York Routledge [2024] 201 Seiten txt rdacontent n rdamedia nc rdacarrier Ashgate popular folk and music series Dissertation Trinity College, Dublin 2020 "The Beatles and Vocal Expression examines popular song through the topic of paralanguage - a sub-category of nonverbal communication that addresses characteristics of speech that modify meaning and convey emotion. It responds to the general consensus regarding the limitations of Western art music notation to analyse popular song, assesses paralinguistic voice qualities giving rise to expressive tropes within and across songs, and lastly, addresses gaps in existing Beatles scholarship. Taking The Beatles' UK studio albums (1963-1970), paralinguistic voice qualities are examined in relation to concepts, characteristics, metaphors, and functions of paralanguage in vocal performance. Tropes, such as rising and falling intonation on words of woe, have historical connections to performative and conversational techniques. This interdisciplinary analysis is achieved through musicology, sound studies, applied linguistics, and cultural history. The new methodology locates paralinguistic voice qualities in recordings, identifies features, shows functions, and draws aural threads within and across popular songs"-- The Beatles Musikgruppe (DE-588)2005535-3 gnd rswk-swf Ausdruck (DE-588)4003698-4 gnd rswk-swf Gesangstechnik (DE-588)4156939-8 gnd rswk-swf Singstimme (DE-588)4156941-6 gnd rswk-swf Beatles Rock music / 1961-1970 / Analysis, appreciation Voice Paralinguistics Rock (Musique) / 1961-1970 / Analyse et appréciation Paralangage Rock music / Analysis, appreciation 1961-1970 (DE-588)4113937-9 Hochschulschrift gnd-content The Beatles Musikgruppe (DE-588)2005535-3 b Singstimme (DE-588)4156941-6 s Gesangstechnik (DE-588)4156939-8 s Ausdruck (DE-588)4003698-4 s DE-604 Online version Duggan, Bláithín, 1992- Beatles and vocal expression [1.] Abingdon, Oxon ; New York : Routledge, 2023 9781003323006 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034949080&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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