Garrett Bradley - Devotion:
Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, and cultural histories in the United States. Her collaborative and research-based approach to filmmaking is often inspired by the r...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Massachusetts
MIT Press
[2024]
London, England Lisson Gallery |
| Schriftenreihe: | Re:
|
| Schlagworte: | |
| Zusammenfassung: | Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, and cultural histories in the United States. Her collaborative and research-based approach to filmmaking is often inspired by the real-life stories of her protagonists. This book explores Bradley's work through the lens of devotion and features conversations with the artist and contributions from the likes of Ashley Clark, Arthur Jafa, Joy James, Tyler Mitchell, Kevin Quashie, and Claudia Rankine. This is the first volume in a new series of readers copublished with Lisson Gallery entitled Re:, which will respond to a number of its artists and themes past and present. Adopting archival material alongside newly shot footage, Bradley's films exist simultaneously in the past, present, and future, not only disrupting our perception of time, but also breaking down our preconceived ideas about objectivity, perspective, and truth-telling. These narratives unfold naturally in both feature-length and short form, revealing a multitude of individual and collective stories. The social, economic, and racial politics of everyday life--its joys, pleasures, and pains--are lyrically and intimately rendered on screen |
| Beschreibung: | Co-published by Lisson Gallery and the MIT Press |
| Beschreibung: | 367 Seiten Illustrationen, Porträts (teilweise farbig) 24 cm |
| ISBN: | 9780262048798 0262048795 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049598661 | ||
| 003 | DE-604 | ||
| 005 | 20240510 | ||
| 007 | t | ||
| 008 | 240305s2024 ac|| bb|| 00||| eng d | ||
| 020 | |a 9780262048798 |9 9780262048798 | ||
| 020 | |a 0262048795 |9 0262048795 | ||
| 035 | |a (OCoLC)1437846409 | ||
| 035 | |a (DE-599)BVBBV049598661 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-B170 | ||
| 245 | 1 | 0 | |a Garrett Bradley - Devotion |c [edited by Ossian Ward] |
| 246 | 1 | 3 | |a Devotion |
| 264 | 1 | |a Cambridge, Massachusetts |b MIT Press |c [2024] | |
| 264 | 1 | |a London, England |b Lisson Gallery | |
| 300 | |a 367 Seiten |b Illustrationen, Porträts (teilweise farbig) |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Re: | |
| 500 | |a Co-published by Lisson Gallery and the MIT Press | ||
| 505 | 8 | 0 | |t Introduction |r Ossian Ward |t Filmography, 2001-22 |r Garrett Bradley |t Back to black: lime kiln club field day |r Ashley Clark |t In a (not so) silent way: listening past black visuality in Symbiopsychotaxiplasm |r Charles P. Linscott |t The art of nonfiction no. 1 |r Joan Didion in conversation with Hilton Als |t Citizen: an American lyric |r Claudia Rankine |t Garrett Bradley in conversation with |r Huey Copeland |t Godmother's rules |r Valerie Boyd |t Color struck, a play in four scenes |r Zora Neale Hurston |t Rest notes: on black sleep aesthetics |r Josie Roland Hudson |t Garrett Bradley in conversation with |r Tyler Mitchell |t Trauma, time theft, and the captive maternal |r Joy James |t Time in the mind |r Doreen St. Félix |t Garrett Bradley in conversation with |r Suzanne McClelland |t Glitch ghosts |r Legacy Russell |t Garrett Bradley in conversation with |r Linda Goode Bryant and Arthur Jaffa |t Killer of sheep |r Jeffrey Skoller |t The capacities of waiting |r Kevin Quashie |t Garrett Bradley in conversation with |r Alexandra Bell |
| 520 | 3 | |a Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, and cultural histories in the United States. Her collaborative and research-based approach to filmmaking is often inspired by the real-life stories of her protagonists. This book explores Bradley's work through the lens of devotion and features conversations with the artist and contributions from the likes of Ashley Clark, Arthur Jafa, Joy James, Tyler Mitchell, Kevin Quashie, and Claudia Rankine. This is the first volume in a new series of readers copublished with Lisson Gallery entitled Re:, which will respond to a number of its artists and themes past and present. Adopting archival material alongside newly shot footage, Bradley's films exist simultaneously in the past, present, and future, not only disrupting our perception of time, but also breaking down our preconceived ideas about objectivity, perspective, and truth-telling. These narratives unfold naturally in both feature-length and short form, revealing a multitude of individual and collective stories. The social, economic, and racial politics of everyday life--its joys, pleasures, and pains--are lyrically and intimately rendered on screen | |
| 600 | 1 | 7 | |a Bradley, Garrett |d 1986- |0 (DE-588)1253524874 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Bradley, Garrett / 1986- / Criticism and interpretation | |
| 653 | 1 | |a Bradley, Garrett / 1986- / Interviews | |
| 653 | 0 | |a Motion picture producers and directors / United States | |
| 653 | 0 | |a African American motion picture producers and directors | |
| 653 | 0 | |a African American women motion picture producers and directors | |
| 653 | 0 | |a Women independent filmmakers / United States | |
| 653 | 0 | |a Documentary films / United States | |
| 653 | 0 | |a Feature films / United States | |
| 653 | 0 | |a Producteurs et réalisateurs de cinéma / États-Unis | |
| 653 | 0 | |a Producteurs et réalisateurs de cinéma noirs américains | |
| 653 | 0 | |a Productrices et réalisatrices de cinéma noires américaines | |
| 653 | 0 | |a Documentaires / États-Unis | |
| 653 | 0 | |a Motion picture producers and directors | |
| 653 | 0 | |a African American motion picture producers and directors | |
| 653 | 2 | |a United States | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4027503-6 |a Interview |2 gnd-content | |
| 689 | 0 | 0 | |a Bradley, Garrett |d 1986- |0 (DE-588)1253524874 |D p |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Ward, Ossian |0 (DE-588)1261590600 |4 edt | |
| 700 | 1 | |a Bradley, Garrett |d 1986- |0 (DE-588)1253524874 |4 ive | |
| 940 | 1 | |q BSB_NED_20240510 | |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 090513 |g 73 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 090512 |g 73 |
Datensatz im Suchindex
| _version_ | 1805081948831350784 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Bradley, Garrett 1986- |
| author2 | Ward, Ossian |
| author2_role | edt |
| author2_variant | o w ow |
| author_GND | (DE-588)1261590600 (DE-588)1253524874 |
| author_additional | Ossian Ward Garrett Bradley Ashley Clark Charles P. Linscott Joan Didion in conversation with Hilton Als Claudia Rankine Huey Copeland Valerie Boyd Zora Neale Hurston Josie Roland Hudson Tyler Mitchell Joy James Doreen St. Félix Suzanne McClelland Legacy Russell Linda Goode Bryant and Arthur Jaffa Jeffrey Skoller Kevin Quashie Alexandra Bell |
| author_facet | Bradley, Garrett 1986- Ward, Ossian |
| author_role | aut |
| author_sort | Bradley, Garrett 1986- |
| author_variant | g b gb |
| building | Verbundindex |
| bvnumber | BV049598661 |
| contents | Introduction Filmography, 2001-22 Back to black: lime kiln club field day In a (not so) silent way: listening past black visuality in Symbiopsychotaxiplasm The art of nonfiction no. 1 Citizen: an American lyric Garrett Bradley in conversation with Godmother's rules Color struck, a play in four scenes Rest notes: on black sleep aesthetics Trauma, time theft, and the captive maternal Time in the mind Glitch ghosts Killer of sheep The capacities of waiting |
| ctrlnum | (OCoLC)1437846409 (DE-599)BVBBV049598661 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049598661</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240510</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240305s2024 ac|| bb|| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780262048798</subfield><subfield code="9">9780262048798</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0262048795</subfield><subfield code="9">0262048795</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1437846409</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049598661</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-B170</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Garrett Bradley - Devotion</subfield><subfield code="c">[edited by Ossian Ward]</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Devotion</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, Massachusetts</subfield><subfield code="b">MIT Press</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London, England</subfield><subfield code="b">Lisson Gallery</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">367 Seiten</subfield><subfield code="b">Illustrationen, Porträts (teilweise farbig)</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Re:</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Co-published by Lisson Gallery and the MIT Press</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Introduction</subfield><subfield code="r">Ossian Ward</subfield><subfield code="t">Filmography, 2001-22</subfield><subfield code="r">Garrett Bradley</subfield><subfield code="t">Back to black: lime kiln club field day</subfield><subfield code="r">Ashley Clark</subfield><subfield code="t">In a (not so) silent way: listening past black visuality in Symbiopsychotaxiplasm</subfield><subfield code="r">Charles P. Linscott</subfield><subfield code="t">The art of nonfiction no. 1</subfield><subfield code="r">Joan Didion in conversation with Hilton Als</subfield><subfield code="t">Citizen: an American lyric</subfield><subfield code="r">Claudia Rankine</subfield><subfield code="t">Garrett Bradley in conversation with</subfield><subfield code="r">Huey Copeland</subfield><subfield code="t">Godmother's rules</subfield><subfield code="r">Valerie Boyd</subfield><subfield code="t">Color struck, a play in four scenes</subfield><subfield code="r">Zora Neale Hurston</subfield><subfield code="t">Rest notes: on black sleep aesthetics</subfield><subfield code="r">Josie Roland Hudson</subfield><subfield code="t">Garrett Bradley in conversation with</subfield><subfield code="r">Tyler Mitchell</subfield><subfield code="t">Trauma, time theft, and the captive maternal</subfield><subfield code="r">Joy James</subfield><subfield code="t">Time in the mind</subfield><subfield code="r">Doreen St. Félix</subfield><subfield code="t">Garrett Bradley in conversation with</subfield><subfield code="r">Suzanne McClelland</subfield><subfield code="t">Glitch ghosts</subfield><subfield code="r">Legacy Russell</subfield><subfield code="t">Garrett Bradley in conversation with</subfield><subfield code="r">Linda Goode Bryant and Arthur Jaffa</subfield><subfield code="t">Killer of sheep</subfield><subfield code="r">Jeffrey Skoller</subfield><subfield code="t">The capacities of waiting</subfield><subfield code="r">Kevin Quashie</subfield><subfield code="t">Garrett Bradley in conversation with</subfield><subfield code="r">Alexandra Bell</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, and cultural histories in the United States. Her collaborative and research-based approach to filmmaking is often inspired by the real-life stories of her protagonists. This book explores Bradley's work through the lens of devotion and features conversations with the artist and contributions from the likes of Ashley Clark, Arthur Jafa, Joy James, Tyler Mitchell, Kevin Quashie, and Claudia Rankine. This is the first volume in a new series of readers copublished with Lisson Gallery entitled Re:, which will respond to a number of its artists and themes past and present. Adopting archival material alongside newly shot footage, Bradley's films exist simultaneously in the past, present, and future, not only disrupting our perception of time, but also breaking down our preconceived ideas about objectivity, perspective, and truth-telling. These narratives unfold naturally in both feature-length and short form, revealing a multitude of individual and collective stories. The social, economic, and racial politics of everyday life--its joys, pleasures, and pains--are lyrically and intimately rendered on screen</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Bradley, Garrett</subfield><subfield code="d">1986-</subfield><subfield code="0">(DE-588)1253524874</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Bradley, Garrett / 1986- / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Bradley, Garrett / 1986- / Interviews</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture producers and directors / United States</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American motion picture producers and directors</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American women motion picture producers and directors</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Women independent filmmakers / United States</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Documentary films / United States</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feature films / United States</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Producteurs et réalisateurs de cinéma / États-Unis</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Producteurs et réalisateurs de cinéma noirs américains</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Productrices et réalisatrices de cinéma noires américaines</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Documentaires / États-Unis</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture producers and directors</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American motion picture producers and directors</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">United States</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4027503-6</subfield><subfield code="a">Interview</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Bradley, Garrett</subfield><subfield code="d">1986-</subfield><subfield code="0">(DE-588)1253524874</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ward, Ossian</subfield><subfield code="0">(DE-588)1261590600</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bradley, Garrett</subfield><subfield code="d">1986-</subfield><subfield code="0">(DE-588)1253524874</subfield><subfield code="4">ive</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20240510</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090513</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090512</subfield><subfield code="g">73</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4027503-6 Interview gnd-content |
| genre_facet | Aufsatzsammlung Interview |
| id | DE-604.BV049598661 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:34:22Z |
| indexdate | 2024-07-20T07:24:53Z |
| institution | BVB |
| isbn | 9780262048798 0262048795 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034943138 |
| oclc_num | 1437846409 |
| open_access_boolean | |
| owner | DE-12 DE-B170 |
| owner_facet | DE-12 DE-B170 |
| physical | 367 Seiten Illustrationen, Porträts (teilweise farbig) 24 cm |
| psigel | BSB_NED_20240510 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | MIT Press Lisson Gallery |
| record_format | marc |
| series2 | Re: |
| spelling | Garrett Bradley - Devotion [edited by Ossian Ward] Devotion Cambridge, Massachusetts MIT Press [2024] London, England Lisson Gallery 367 Seiten Illustrationen, Porträts (teilweise farbig) 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Re: Co-published by Lisson Gallery and the MIT Press Introduction Ossian Ward Filmography, 2001-22 Garrett Bradley Back to black: lime kiln club field day Ashley Clark In a (not so) silent way: listening past black visuality in Symbiopsychotaxiplasm Charles P. Linscott The art of nonfiction no. 1 Joan Didion in conversation with Hilton Als Citizen: an American lyric Claudia Rankine Garrett Bradley in conversation with Huey Copeland Godmother's rules Valerie Boyd Color struck, a play in four scenes Zora Neale Hurston Rest notes: on black sleep aesthetics Josie Roland Hudson Garrett Bradley in conversation with Tyler Mitchell Trauma, time theft, and the captive maternal Joy James Time in the mind Doreen St. Félix Garrett Bradley in conversation with Suzanne McClelland Glitch ghosts Legacy Russell Garrett Bradley in conversation with Linda Goode Bryant and Arthur Jaffa Killer of sheep Jeffrey Skoller The capacities of waiting Kevin Quashie Garrett Bradley in conversation with Alexandra Bell Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, and cultural histories in the United States. Her collaborative and research-based approach to filmmaking is often inspired by the real-life stories of her protagonists. This book explores Bradley's work through the lens of devotion and features conversations with the artist and contributions from the likes of Ashley Clark, Arthur Jafa, Joy James, Tyler Mitchell, Kevin Quashie, and Claudia Rankine. This is the first volume in a new series of readers copublished with Lisson Gallery entitled Re:, which will respond to a number of its artists and themes past and present. Adopting archival material alongside newly shot footage, Bradley's films exist simultaneously in the past, present, and future, not only disrupting our perception of time, but also breaking down our preconceived ideas about objectivity, perspective, and truth-telling. These narratives unfold naturally in both feature-length and short form, revealing a multitude of individual and collective stories. The social, economic, and racial politics of everyday life--its joys, pleasures, and pains--are lyrically and intimately rendered on screen Bradley, Garrett 1986- (DE-588)1253524874 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Bradley, Garrett / 1986- / Criticism and interpretation Bradley, Garrett / 1986- / Interviews Motion picture producers and directors / United States African American motion picture producers and directors African American women motion picture producers and directors Women independent filmmakers / United States Documentary films / United States Feature films / United States Producteurs et réalisateurs de cinéma / États-Unis Producteurs et réalisateurs de cinéma noirs américains Productrices et réalisatrices de cinéma noires américaines Documentaires / États-Unis Motion picture producers and directors United States Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4027503-6 Interview gnd-content Bradley, Garrett 1986- (DE-588)1253524874 p Film (DE-588)4017102-4 s DE-604 Ward, Ossian (DE-588)1261590600 edt Bradley, Garrett 1986- (DE-588)1253524874 ive |
| spellingShingle | Bradley, Garrett 1986- Garrett Bradley - Devotion Introduction Filmography, 2001-22 Back to black: lime kiln club field day In a (not so) silent way: listening past black visuality in Symbiopsychotaxiplasm The art of nonfiction no. 1 Citizen: an American lyric Garrett Bradley in conversation with Godmother's rules Color struck, a play in four scenes Rest notes: on black sleep aesthetics Trauma, time theft, and the captive maternal Time in the mind Glitch ghosts Killer of sheep The capacities of waiting Bradley, Garrett 1986- (DE-588)1253524874 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)1253524874 (DE-588)4017102-4 (DE-588)4143413-4 (DE-588)4027503-6 |
| title | Garrett Bradley - Devotion |
| title_alt | Devotion Introduction Filmography, 2001-22 Back to black: lime kiln club field day In a (not so) silent way: listening past black visuality in Symbiopsychotaxiplasm The art of nonfiction no. 1 Citizen: an American lyric Garrett Bradley in conversation with Godmother's rules Color struck, a play in four scenes Rest notes: on black sleep aesthetics Trauma, time theft, and the captive maternal Time in the mind Glitch ghosts Killer of sheep The capacities of waiting |
| title_auth | Garrett Bradley - Devotion |
| title_exact_search | Garrett Bradley - Devotion |
| title_exact_search_txtP | Devotion |
| title_full | Garrett Bradley - Devotion [edited by Ossian Ward] |
| title_fullStr | Garrett Bradley - Devotion [edited by Ossian Ward] |
| title_full_unstemmed | Garrett Bradley - Devotion [edited by Ossian Ward] |
| title_short | Garrett Bradley - Devotion |
| title_sort | garrett bradley devotion |
| topic | Bradley, Garrett 1986- (DE-588)1253524874 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Bradley, Garrett 1986- Film Aufsatzsammlung Interview |
| work_keys_str_mv | AT wardossian garrettbradleydevotion AT bradleygarrett garrettbradleydevotion AT wardossian devotion AT bradleygarrett devotion |