Homegrown: Austin Music Posters 1967 to 1982
Before Austin became the "live music capital of the world" and attracted tens of thousands of music fans, it had a vibrant local music scene that spanned late sixties psychedelic and avant-garde rock to early eighties punk. Venues such as the Vulcan Gas Company and the Armadillo World Head...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2023]
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| Schriftenreihe: | Southwestern Writers Collection Series, Wittliff Collections at Texas State University
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Before Austin became the "live music capital of the world" and attracted tens of thousands of music fans, it had a vibrant local music scene that spanned late sixties psychedelic and avant-garde rock to early eighties punk. Venues such as the Vulcan Gas Company and the Armadillo World Headquarters hosted both innovative local musicians and big-name touring acts. Poster artists not only advertised the performances-they visually defined the music and culture of Austin during this pivotal period. Their posters promoted an alternative lifestyle that permeated the city and reflected Austin's transformation from a sleepy university town into a veritable oasis of underground artistic and cultural activity in the state of Texas. This book presents a definitive survey of music poster art produced in Austin between 1967 and 1982. It vividly illustrates four distinct generations of posters-psychedelic art of the Vulcan Gas Company, early works from the Armadillo World Headquarters, an emerging variety of styles from the mid-1970s, and the radical visual aesthetic of punk-produced by such renowned artists as Gilbert Shelton, Jim Franklin, Kerry Awn, Micael Priest, Guy Juke, Ken Featherston, NOXX, and Danny Garrett. Setting the posters in context, Texas music and pop-culture authority Joe Nick Patoski details the history of music posters in Austin, and artist and poster art scholar Nels Jacobson explores the lives and techniques of the artists |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 09. Dez 2023) |
| Beschreibung: | 1 Online-Ressource (176 Seiten) |
| ISBN: | 9780292772403 |
| DOI: | 10.7560/768192 |
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| 520 | |a Before Austin became the "live music capital of the world" and attracted tens of thousands of music fans, it had a vibrant local music scene that spanned late sixties psychedelic and avant-garde rock to early eighties punk. Venues such as the Vulcan Gas Company and the Armadillo World Headquarters hosted both innovative local musicians and big-name touring acts. Poster artists not only advertised the performances-they visually defined the music and culture of Austin during this pivotal period. Their posters promoted an alternative lifestyle that permeated the city and reflected Austin's transformation from a sleepy university town into a veritable oasis of underground artistic and cultural activity in the state of Texas. This book presents a definitive survey of music poster art produced in Austin between 1967 and 1982. It vividly illustrates four distinct generations of posters-psychedelic art of the Vulcan Gas Company, early works from the Armadillo World Headquarters, an emerging variety of styles from the mid-1970s, and the radical visual aesthetic of punk-produced by such renowned artists as Gilbert Shelton, Jim Franklin, Kerry Awn, Micael Priest, Guy Juke, Ken Featherston, NOXX, and Danny Garrett. Setting the posters in context, Texas music and pop-culture authority Joe Nick Patoski details the history of music posters in Austin, and artist and poster art scholar Nels Jacobson explores the lives and techniques of the artists | ||
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Datensatz im Suchindex
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| discipline | Kunstgeschichte |
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| doi_str_mv | 10.7560/768192 |
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| id | DE-604.BV049580559 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:32:02Z |
| indexdate | 2024-07-10T10:11:14Z |
| institution | BVB |
| isbn | 9780292772403 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034925492 |
| oclc_num | 1424573585 |
| open_access_boolean | |
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| physical | 1 Online-Ressource (176 Seiten) |
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| publishDate | 2023 |
| publishDateSearch | 2023 |
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| publisher | University of Texas Press |
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| series2 | Southwestern Writers Collection Series, Wittliff Collections at Texas State University |
| spelling | Patoski, Joe Nick Verfasser aut Homegrown Austin Music Posters 1967 to 1982 Nels Jacobson, Joe Nick Patoski; ed. by Alan Schaefer Austin University of Texas Press [2023] 2015 1 Online-Ressource (176 Seiten) txt rdacontent c rdamedia cr rdacarrier Southwestern Writers Collection Series, Wittliff Collections at Texas State University Description based on online resource; title from PDF title page (publisher's Web site, viewed 09. Dez 2023) Before Austin became the "live music capital of the world" and attracted tens of thousands of music fans, it had a vibrant local music scene that spanned late sixties psychedelic and avant-garde rock to early eighties punk. Venues such as the Vulcan Gas Company and the Armadillo World Headquarters hosted both innovative local musicians and big-name touring acts. Poster artists not only advertised the performances-they visually defined the music and culture of Austin during this pivotal period. Their posters promoted an alternative lifestyle that permeated the city and reflected Austin's transformation from a sleepy university town into a veritable oasis of underground artistic and cultural activity in the state of Texas. This book presents a definitive survey of music poster art produced in Austin between 1967 and 1982. It vividly illustrates four distinct generations of posters-psychedelic art of the Vulcan Gas Company, early works from the Armadillo World Headquarters, an emerging variety of styles from the mid-1970s, and the radical visual aesthetic of punk-produced by such renowned artists as Gilbert Shelton, Jim Franklin, Kerry Awn, Micael Priest, Guy Juke, Ken Featherston, NOXX, and Danny Garrett. Setting the posters in context, Texas music and pop-culture authority Joe Nick Patoski details the history of music posters in Austin, and artist and poster art scholar Nels Jacobson explores the lives and techniques of the artists In English ART / General bisacsh Popular music Texas Austin History and criticism Posters, American Texas Austin 20th century Jacobson, Nels Sonstige oth Schaefer, Alan Sonstige oth https://doi.org/10.7560/768192?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Patoski, Joe Nick Homegrown Austin Music Posters 1967 to 1982 ART / General bisacsh Popular music Texas Austin History and criticism Posters, American Texas Austin 20th century |
| title | Homegrown Austin Music Posters 1967 to 1982 |
| title_auth | Homegrown Austin Music Posters 1967 to 1982 |
| title_exact_search | Homegrown Austin Music Posters 1967 to 1982 |
| title_exact_search_txtP | Homegrown Austin Music Posters 1967 to 1982 |
| title_full | Homegrown Austin Music Posters 1967 to 1982 Nels Jacobson, Joe Nick Patoski; ed. by Alan Schaefer |
| title_fullStr | Homegrown Austin Music Posters 1967 to 1982 Nels Jacobson, Joe Nick Patoski; ed. by Alan Schaefer |
| title_full_unstemmed | Homegrown Austin Music Posters 1967 to 1982 Nels Jacobson, Joe Nick Patoski; ed. by Alan Schaefer |
| title_short | Homegrown |
| title_sort | homegrown austin music posters 1967 to 1982 |
| title_sub | Austin Music Posters 1967 to 1982 |
| topic | ART / General bisacsh Popular music Texas Austin History and criticism Posters, American Texas Austin 20th century |
| topic_facet | ART / General Popular music Texas Austin History and criticism Posters, American Texas Austin 20th century |
| url | https://doi.org/10.7560/768192?locatt=mode:legacy |
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