Experiencing jazz:
"Experiencing Jazz, Third Edition is an integrated textbook, website, and audio anthology for jazz appreciation and history courses. Through readings, illustrations, timelines, listening guides, and a playlist of tracks and performances, Experiencing Jazz journeys through the history of jazz an...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York and London
Routledge, Taylor & Francis Group
2024
|
| Ausgabe: | Third edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Experiencing Jazz, Third Edition is an integrated textbook, website, and audio anthology for jazz appreciation and history courses. Through readings, illustrations, timelines, listening guides, and a playlist of tracks and performances, Experiencing Jazz journeys through the history of jazz and places the music within larger cultural and historical contexts. Designed for the jazz novice, this textbook introduces the reader to prominent artists, covers the evolution of styles, and makes stylistic comparisons to current trends and developments. New to the third edition: Richard J. Lawn is joined by new co-author Justin G. Binek Expanded coverage of artists, particularly important vocalists and prominent women in jazz, including Bobby McFerrin, Kurt Elling, The Manhattan Transfer, and Terri Lyne Carrington A dynamic, web-exclusive bonus chapter-Chapter 14.5: The Story Continues, exploring contemporary jazz artists who push the boundaries of jazz by creating new stylistic fusions, and who utilize new media to create, collaborate, and share their artistry Re-worked companion website, featuring new recordings, a more comprehensive audio anthology, and a major revision of The Elements of Jazz section Condensed musician biographies and updated content reflecting jazz's global impact Revised listening guides for spotlighted recordings highlighting key moments worthy of closer listening and analysis Comprehensive and immersive, the third edition of Experiencing Jazz provides a foundational understanding of the history of the genre"-- |
| Beschreibung: | XXX, 389 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781032231051 103223105X 9781032231044 1032231041 |
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| 520 | 3 | |a "Experiencing Jazz, Third Edition is an integrated textbook, website, and audio anthology for jazz appreciation and history courses. Through readings, illustrations, timelines, listening guides, and a playlist of tracks and performances, Experiencing Jazz journeys through the history of jazz and places the music within larger cultural and historical contexts. Designed for the jazz novice, this textbook introduces the reader to prominent artists, covers the evolution of styles, and makes stylistic comparisons to current trends and developments. New to the third edition: Richard J. Lawn is joined by new co-author Justin G. Binek Expanded coverage of artists, particularly important vocalists and prominent women in jazz, including Bobby McFerrin, Kurt Elling, The Manhattan Transfer, and Terri Lyne Carrington A dynamic, web-exclusive bonus chapter-Chapter 14.5: The Story Continues, exploring contemporary jazz artists who push the boundaries of jazz by creating new stylistic fusions, and who utilize new media to create, collaborate, and share their artistry Re-worked companion website, featuring new recordings, a more comprehensive audio anthology, and a major revision of The Elements of Jazz section Condensed musician biographies and updated content reflecting jazz's global impact Revised listening guides for spotlighted recordings highlighting key moments worthy of closer listening and analysis Comprehensive and immersive, the third edition of Experiencing Jazz provides a foundational understanding of the history of the genre"-- | |
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Datensatz im Suchindex
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| adam_text | Contents List of Photos List of Examples List of Figures List of Tables Listening Examples for Experiencing Jazz 3e Preface Acknowledgments xiii xviii xx xxi xxii xxiv xxix PART I UNDERSTANDING JAZZ i 1 The Nature of Jazz Experiencing Music ... Experiencing Jazz That Four-Letter Word 4 Defining Jazz 7 3 4 2 Listening to Jazz Performance Practice 12 The Instruments ofJazz 12 The Drum Set and Swing 13 Orchestration and Instrumentation 14 The Arrangement 15 Instrumental Techniques and Special Effects Special Effects—The Sounds ofJazz 16 Jazz Singing 17 Understanding Jazz Improvisation 17 Understanding the Whole Performance 19 Describing the Performance 21 Video Blues 22 11 15 3 The Roots of Jazz The Significance of African Music to Jazz 26 African Musical Aesthetic 26 Elements of African Music 27 African Music as a Means of Communication 30 The Afro-Latin and Caribbean Tinge 30 25
viiî CONTENTS Background 30 Early Fusions 32 Early American Vocal Music 34 The Innovators: Getting the Blues Robert Johnson (1911—1938) Bessie Smith (1894-1937) 38 Ragtime 41 Brass and Military Bands 44 36 31 PART II CLASSIC JAZZ 1917-1945 49 51 4 Jazz Takes Root The Reception of Early Jazz 54 New Orleans—The Birthplace ofJazz 56 New Orleans Jazz Band Instrumentation 57 The Innovators: Early Jazz 58 Original Dixieland Jazz Band 58 Kid Ory (1890-1973) 61 Joe “King” Oliver (1885-1938) 61 Lillian Hardin (1898-1971) 62 Jelly Roll Morton (1890-1941) 64 Sidney Bechet (1897-1959) 69 73 5 The Jazz Age: From Chicago to New York South Side of Chicago 74 On the Other Side of Town 76 The Chicago Sound 77 The Innovators: A Few of the Many 78 New Orleans Rhythm Kings (NORK) 78 Paul Whiteman (1890—1967) and Symphonic Jazz Boogie-Woogie, Eight to the Bar 84 The Decline of the Chicago Era 85 New York and the Harlem Renaissance 86 James P. Johnson (1891—1955) 88 MarketingJazz 90 82 6 The Swing Era: Jazz at Its Peak The Country Recovers 98 The Anatomy of the Swing Era Jazz Band 99 Instrumentation 100 Repertoire and Arrangement 103 The Innovators: Swing on the East Coast 104 Fletcher Henderson (1897—1952) 104 Coleman Hawkins—“The Father ofJazz Tenor Saxophone” (1904—1969) Popular White Swing Bands 120 Artie Shaw (Arthur Arshawsky) (1910—2005) 120 97 106
CONTENTS ÎX The Vocalists’ Rise to Fame 123 Ongoing Latin Influences 124 7 Swinging Across the Country: The Bands, Singers, and Pianists The Innovators: A Unique Kaycee Style 128 Bennie Moten (1893-1935) 129 Lester Young (1909-1959) 131 Territory Bands 133 Mary Lou Williams (1910-1981) 134 The Innovators: A Few of the Swing Era Singers and Pianists Billie Holiday (1915-1959): “Lady Day” 135 Art Tatum (1909-1956) 139 Traditional Jazz Revival 141 Swing Era Success 142 135 PART III MODERN JAZZ 151 8 The Bebop Revolution 153 The Lifestyle and Musical Characteristics 156 The Birth of Bebop: The First Recordings 158 Characteristics of the Style 158 Bebop Performance Practice and Instrumental Roles Redefined 159 The Innovators: Bop Stylists 161 Dexter Gordon (1923—1990) 165 Thelonious Sphere Monk (1917—1982) 167 Sarah Vaughan: The “Divine One” (1924—1990) 168 Other Significant Bebop Figures 170 Bud Powell (1924-1966) 170 Oscar Pettiford (1922-1960) 171 Kenny Clarke (1914-1985) 171 Max Roach (1924-2007) 172 Tadd Dameron (1917—1965) 173 Fats Navarro (1923-1950) 173 JJ. Johnson (1924-2001) 173 Betty Carter (1930-1998), Carmen McRae (1920-1994), and Anita O’Day (1919-2006) Barney Kessel (1923-2004) and Tai Farlow (1921-1998) 174 Modern Jazz Embraces the Afro-Cuban Spirit 175 Dizzy Gillespie and the Birth of Cubop 175 The Decline of Bebop 178 Appendix 180 9 The 1950s and Early 1960s: Cool, Intellectual, and Abstract Jazz Characteristics of Cool Jazz 186 The Innovators: The Cool Sound on the East and West Coasts Miles Davis (1926-1991) and Gil Evans (1912-1988): The Birth of the Cool
188 127 188 173 183
CONTENTS Modern Jazz Quartet 190 Gerry Mulligan (1927-1996) and Chet Baker (1929-1988) Bill Evans (1929-1980) 195 The Brazilian Bossa Nova 197 Third-Stream Jazz 201 Lennie Tristano (1919-1978) 203 Who Was Popular 204 CONTENTS Chick Corea (1941-2021) 280 Soul and Pop InstrumentalJazz 281 David Sanborn (1945-) 282 The Brecker Brothers 283 Grover Washington, Jr. (1943—1999) 284 Chuck Mangione (1940-) 285 The Signs of the Times: New Technologies and Changing Business Models 190 13 The Eclectic 1970s-1990s PART IV POSTMODERN JAZZ The Innovators: The Characteristics and Artists of Mainstream Hard Bop 212 Other Hard Bop Messengers 215 Horace Silver (1928-2014) 215 Clifford Brown (1930-1956) and Sonny Rollins (1930-) 217 More about Funky, Soul Jazz, and the 1950s and 1960s 219 Organ Trios and the Guitar 220 Wes Montgomery (1923-1968) 220 Jimmy Smith (1925-2005) 221 Lambert, Hendricks Ross and the Vocal Groups of the 1950s and 1960s 222 Everlasting Big Bands 222 Defining Postmodernism 224 The Innovators: Postmodern Jazz Comes of Age 229 Charles Mingus (1922-1979): The Underdog 229 The End of Modern Jazz Heralded by the Beginning of the Postmoderns 231 The Music 270 Jazz and Rock: The Two-Way Connection 271 The Innovators: Living Electric in the Shadow of Miles Davis 273 Weather Report 273 Herbie Hancock and the Head Hunters 276 John McLaughlin (1942—) and the Mahavishnu Orchestra 279 291 317 14 Jazz for a New Century 237 The Music 239 The Early Miles 239 The First Great Quintet 241 ModalJazz 241 The Second Great Quintet 247 The Electronic Jazz-Rock Fusion Period 250 Davis’s Sidemen
Become Major Forces 254 Wayne Shorter (1933-2023) 260 Herbie Hancock (1940—) 261 12 The ^70s: An Electric Revolution 286 Long Live AcousticJazz 292 The ECM Sound 292 The Innovators: The Rebirth of Acoustic Jazz 293 Return of Expatriates Unleashes a Rebirth of Acoustic Jazz 296 Established Artists Set a New Standard 300 John Scofield (1951—) and Joe Lovano (1952—) 3 00 Michael Brecker (1949-2007) and Pat Metheny (1954—) 301 The Freedom Fighters Take Risks 303 Cecil Taylor (1929-2018) 304 Jazz/Pop Crossover Vocalists 306 George Benson (1943—) 306 Al Jarreau (1940-2017) 306 Bobby McFerrin (1950—) 307 Vocal Ensemble Renaissance 307 The Manhattan Transfer 307 Old Bottles, New Wines: Long Live Big Bands 309 The Changing Jazz Landscape as the Millennium Comes to a Close 311 10 Tradition Meets the Avant-Garde: Moderns and Early Postmoderns Coexist 11 Miles and Miles of Miles: Miles Davis and His Sidemen Redefine Postmodern Jazz XÎ 269 Trends in Contemporary Jazz 320 Popular Music Influences 321 Tim Hagans (1954-) 322 Vocal Renaissance 324 Esperanza Spalding (1984—) 324 Kurt Elling (1967-) 326 Contemporary Women Emerging as Innovators 327 Teri Lynne Carrington (1965-) 329 Innovation Through Composition 330 Jazz as a Global Music 333 Afro-Cuban and Latin Jazz 333 Danilo Pérez (1965-) 333 Jazz as an International Language 335 Rudresh Mahanthappa (1971-) and Vijay Iyer (1971—) The New Innovators: 21st-Century Emerging Artists 339 Chris Potter (1971-) 341 Closing Thoughts 344 337
X CONTENTS Modern Jazz Quartet 190 Gerry Mulligan (1927-1996) and Chet Baker (1929-1988) Bill Evans (1929-1980) 195 The Brazilian Bossa Nova 197 Third-Stream Jazz 201 Lennie Tristano (1919—1978) 203 Who Was Popular 204 190 PART IV POSTMODERN JAZZ 209 10 Tradition Meets the Avant-Garde: Moderns and Early Postmoderns Coexist 211 The Innovators: The Characteristics and Artists of Mainstream Hard Bop 212 Other Hard Bop Messengers 215 Horace Silver (1928-2014) 215 Clifford Brown (1930—1956) and Sonny Rollins (1930—) 217 More about Funky, Soul Jazz, and the 1950s and 1960s 219 Organ Trios and the Guitar 220 Wes Montgomery (1923—1968) 220 Jimmy Smith (1925-2005) 221 Lambert, Hendricks Ross and the Vocal Groups of the 1950s and 1960s 222 Everlasting Big Bands 222 Defining Postmodernism 224 The Innovators: Postmodern Jazz Comes of Age 229 Charles Mingus (1922—1979): The Underdog 229 The End of Modern Jazz Heralded by the Beginning of the Postmoderns 231 11 Miles and Miles of Miles: Miles Davis and His Sidemen Redefine Postmodern Jazz 237 The Music 239 The Early Miles 239 The First Great Quintet 241 Modal Jazz 241 The Second Great Quintet 247 The Electronic Jazz-Rock Fusion Period 250 Davis’s Sidemen Become Major Forces 254 Wayne Shorter (1933-2023) 260 Herbie Hancock (1940-) 261 12 The ^970s: An Electric Revolution The Music 270 Jazz and Rock: The Two-Way Connection 271 The Innovators: Living Electric in the Shadow of Miles Davis 273 Weather Report 273 Herbie Hancock and the Head Hunters 276 John McLaughlin (1942-) and the Mahavishnu Orchestra 279 269
CONTENTS Chick Corea (1941-2021) 280 Soul and Pop InstrumentalJazz 281 David Sanborn (1945—) 282 The Brecker Brothers 283 Grover Washington, Jr. (1943—1999) 284 Chuck Mangione (1940—) 285 The Signs of the Times: New Technologies and Changing Business Models 13 The Eclectic 1970s-1990s Χί 286 291 Long Live Acoustic Jazz 292 The ECM Sound 292 The Innovators: The Rebirth ofAcousticJazz 293 Return of Expatriates Unleashes a Rebirth of Acoustic Jazz 296 Established Artists Set a New Standard 300 John Scofield (1951-) and Joe Lovano (1952-) 300 Michael Brecker (1949—2007) and Pat Metheny (1954—) 301 The Freedom Fighters Take Risks 303 Cecil Taylor (1929-2018) 304 Jazz/Pop Crossover Vocalists 306 George Benson (1943-) 306 AlJarreau (1940-2017) 306 Bobby McFerrin (1950-) 307 Vocal Ensemble Renaissance 307 The Manhattan Transfer 307 Old Bottles, New Wines: Long Live Big Bands 309 The Changing Jazz Landscape as the Millennium Comes to a Close 311 317 14 Jazz for a New Century Trends in Contemporary Jazz 320 Popular Music Influences 321 Tim Hagans (1954-) 322 Vocal Renaissance 324 Esperanza Spalding (1984—) 324 Kurt Elling (1967-) 326 Contemporary Women Emerging as Innovators 327 Teri Lynne Carrington (1965-) 329 Innovation Through Composition 330 Jazz as a Global Music 333 Afro-Cuban and Latin Jazz 333 Danilo Pérez (1965—) 333 Jazz as an International Language 335 Rudresh Mahanthappa (1971—) and Vijay Iyer (1971—) The New Innovators: 21st-Century Emerging Artists 339 Chris Potter (1971-) 341 Closing Thoughts 344 337
XÎÎ CONTENTS Appendix I: Glossary of Terms Appendix II: Suggested Jazz Videos Appendix III: Chapter Notes and Additional Resources About the Authors Index 351 363 367 381 383
|
| adam_txt |
Contents List of Photos List of Examples List of Figures List of Tables Listening Examples for Experiencing Jazz 3e Preface Acknowledgments xiii xviii xx xxi xxii xxiv xxix PART I UNDERSTANDING JAZZ i 1 The Nature of Jazz Experiencing Music . Experiencing Jazz That Four-Letter Word 4 Defining Jazz 7 3 4 2 Listening to Jazz Performance Practice 12 The Instruments ofJazz 12 The Drum Set and Swing 13 Orchestration and Instrumentation 14 The Arrangement 15 Instrumental Techniques and Special Effects Special Effects—The Sounds ofJazz 16 Jazz Singing 17 Understanding Jazz Improvisation 17 Understanding the Whole Performance 19 Describing the Performance 21 Video Blues 22 11 15 3 The Roots of Jazz The Significance of African Music to Jazz 26 African Musical Aesthetic 26 Elements of African Music 27 African Music as a Means of Communication 30 The Afro-Latin and Caribbean Tinge 30 25
viiî CONTENTS Background 30 Early Fusions 32 Early American Vocal Music 34 The Innovators: Getting the Blues Robert Johnson (1911—1938) Bessie Smith (1894-1937) 38 Ragtime 41 Brass and Military Bands 44 36 31 PART II CLASSIC JAZZ 1917-1945 49 51 4 Jazz Takes Root The Reception of Early Jazz 54 New Orleans—The Birthplace ofJazz 56 New Orleans Jazz Band Instrumentation 57 The Innovators: Early Jazz 58 Original Dixieland Jazz Band 58 Kid Ory (1890-1973) 61 Joe “King” Oliver (1885-1938) 61 Lillian Hardin (1898-1971) 62 Jelly Roll Morton (1890-1941) 64 Sidney Bechet (1897-1959) 69 73 5 The Jazz Age: From Chicago to New York South Side of Chicago 74 On the Other Side of Town 76 The Chicago Sound 77 The Innovators: A Few of the Many 78 New Orleans Rhythm Kings (NORK) 78 Paul Whiteman (1890—1967) and Symphonic Jazz Boogie-Woogie, Eight to the Bar 84 The Decline of the Chicago Era 85 New York and the Harlem Renaissance 86 James P. Johnson (1891—1955) 88 MarketingJazz 90 82 6 The Swing Era: Jazz at Its Peak The Country Recovers 98 The Anatomy of the Swing Era Jazz Band 99 Instrumentation 100 Repertoire and Arrangement 103 The Innovators: Swing on the East Coast 104 Fletcher Henderson (1897—1952) 104 Coleman Hawkins—“The Father ofJazz Tenor Saxophone” (1904—1969) Popular White Swing Bands 120 Artie Shaw (Arthur Arshawsky) (1910—2005) 120 97 106
CONTENTS ÎX The Vocalists’ Rise to Fame 123 Ongoing Latin Influences 124 7 Swinging Across the Country: The Bands, Singers, and Pianists The Innovators: A Unique Kaycee Style 128 Bennie Moten (1893-1935) 129 Lester Young (1909-1959) 131 Territory Bands 133 Mary Lou Williams (1910-1981) 134 The Innovators: A Few of the Swing Era Singers and Pianists Billie Holiday (1915-1959): “Lady Day” 135 Art Tatum (1909-1956) 139 Traditional Jazz Revival 141 Swing Era Success 142 135 PART III MODERN JAZZ 151 8 The Bebop Revolution 153 The Lifestyle and Musical Characteristics 156 The Birth of Bebop: The First Recordings 158 Characteristics of the Style 158 Bebop Performance Practice and Instrumental Roles Redefined 159 The Innovators: Bop Stylists 161 Dexter Gordon (1923—1990) 165 Thelonious Sphere Monk (1917—1982) 167 Sarah Vaughan: The “Divine One” (1924—1990) 168 Other Significant Bebop Figures 170 Bud Powell (1924-1966) 170 Oscar Pettiford (1922-1960) 171 Kenny Clarke (1914-1985) 171 Max Roach (1924-2007) 172 Tadd Dameron (1917—1965) 173 Fats Navarro (1923-1950) 173 JJ. Johnson (1924-2001) 173 Betty Carter (1930-1998), Carmen McRae (1920-1994), and Anita O’Day (1919-2006) Barney Kessel (1923-2004) and Tai Farlow (1921-1998) 174 Modern Jazz Embraces the Afro-Cuban Spirit 175 Dizzy Gillespie and the Birth of Cubop 175 The Decline of Bebop 178 Appendix 180 9 The 1950s and Early 1960s: Cool, Intellectual, and Abstract Jazz Characteristics of Cool Jazz 186 The Innovators: The Cool Sound on the East and West Coasts Miles Davis (1926-1991) and Gil Evans (1912-1988): The Birth of the Cool
188 127 188 173 183
CONTENTS Modern Jazz Quartet 190 Gerry Mulligan (1927-1996) and Chet Baker (1929-1988) Bill Evans (1929-1980) 195 The Brazilian Bossa Nova 197 Third-Stream Jazz 201 Lennie Tristano (1919-1978) 203 Who Was Popular 204 CONTENTS Chick Corea (1941-2021) 280 Soul and Pop InstrumentalJazz 281 David Sanborn (1945-) 282 The Brecker Brothers 283 Grover Washington, Jr. (1943—1999) 284 Chuck Mangione (1940-) 285 The Signs of the Times: New Technologies and Changing Business Models 190 13 The Eclectic 1970s-1990s PART IV POSTMODERN JAZZ The Innovators: The Characteristics and Artists of Mainstream Hard Bop 212 Other Hard Bop Messengers 215 Horace Silver (1928-2014) 215 Clifford Brown (1930-1956) and Sonny Rollins (1930-) 217 More about Funky, Soul Jazz, and the 1950s and 1960s 219 Organ Trios and the Guitar 220 Wes Montgomery (1923-1968) 220 Jimmy Smith (1925-2005) 221 Lambert, Hendricks Ross and the Vocal Groups of the 1950s and 1960s 222 Everlasting Big Bands 222 Defining Postmodernism 224 The Innovators: Postmodern Jazz Comes of Age 229 Charles Mingus (1922-1979): The Underdog 229 The End of Modern Jazz Heralded by the Beginning of the Postmoderns 231 The Music 270 Jazz and Rock: The Two-Way Connection 271 The Innovators: Living Electric in the Shadow of Miles Davis 273 Weather Report 273 Herbie Hancock and the Head Hunters 276 John McLaughlin (1942—) and the Mahavishnu Orchestra 279 291 317 14 Jazz for a New Century 237 The Music 239 The Early Miles 239 The First Great Quintet 241 ModalJazz 241 The Second Great Quintet 247 The Electronic Jazz-Rock Fusion Period 250 Davis’s Sidemen
Become Major Forces 254 Wayne Shorter (1933-2023) 260 Herbie Hancock (1940—) 261 12 The ^70s: An Electric Revolution 286 Long Live AcousticJazz 292 The ECM Sound 292 The Innovators: The Rebirth of Acoustic Jazz 293 Return of Expatriates Unleashes a Rebirth of Acoustic Jazz 296 Established Artists Set a New Standard 300 John Scofield (1951—) and Joe Lovano (1952—) 3 00 Michael Brecker (1949-2007) and Pat Metheny (1954—) 301 The Freedom Fighters Take Risks 303 Cecil Taylor (1929-2018) 304 Jazz/Pop Crossover Vocalists 306 George Benson (1943—) 306 Al Jarreau (1940-2017) 306 Bobby McFerrin (1950—) 307 Vocal Ensemble Renaissance 307 The Manhattan Transfer 307 Old Bottles, New Wines: Long Live Big Bands 309 The Changing Jazz Landscape as the Millennium Comes to a Close 311 10 Tradition Meets the Avant-Garde: Moderns and Early Postmoderns Coexist 11 Miles and Miles of Miles: Miles Davis and His Sidemen Redefine Postmodern Jazz XÎ 269 Trends in Contemporary Jazz 320 Popular Music Influences 321 Tim Hagans (1954-) 322 Vocal Renaissance 324 Esperanza Spalding (1984—) 324 Kurt Elling (1967-) 326 Contemporary Women Emerging as Innovators 327 Teri Lynne Carrington (1965-) 329 Innovation Through Composition 330 Jazz as a Global Music 333 Afro-Cuban and Latin Jazz 333 Danilo Pérez (1965-) 333 Jazz as an International Language 335 Rudresh Mahanthappa (1971-) and Vijay Iyer (1971—) The New Innovators: 21st-Century Emerging Artists 339 Chris Potter (1971-) 341 Closing Thoughts 344 337
X CONTENTS Modern Jazz Quartet 190 Gerry Mulligan (1927-1996) and Chet Baker (1929-1988) Bill Evans (1929-1980) 195 The Brazilian Bossa Nova 197 Third-Stream Jazz 201 Lennie Tristano (1919—1978) 203 Who Was Popular 204 190 PART IV POSTMODERN JAZZ 209 10 Tradition Meets the Avant-Garde: Moderns and Early Postmoderns Coexist 211 The Innovators: The Characteristics and Artists of Mainstream Hard Bop 212 Other Hard Bop Messengers 215 Horace Silver (1928-2014) 215 Clifford Brown (1930—1956) and Sonny Rollins (1930—) 217 More about Funky, Soul Jazz, and the 1950s and 1960s 219 Organ Trios and the Guitar 220 Wes Montgomery (1923—1968) 220 Jimmy Smith (1925-2005) 221 Lambert, Hendricks Ross and the Vocal Groups of the 1950s and 1960s 222 Everlasting Big Bands 222 Defining Postmodernism 224 The Innovators: Postmodern Jazz Comes of Age 229 Charles Mingus (1922—1979): The Underdog 229 The End of Modern Jazz Heralded by the Beginning of the Postmoderns 231 11 Miles and Miles of Miles: Miles Davis and His Sidemen Redefine Postmodern Jazz 237 The Music 239 The Early Miles 239 The First Great Quintet 241 Modal Jazz 241 The Second Great Quintet 247 The Electronic Jazz-Rock Fusion Period 250 Davis’s Sidemen Become Major Forces 254 Wayne Shorter (1933-2023) 260 Herbie Hancock (1940-) 261 12 The ^970s: An Electric Revolution The Music 270 Jazz and Rock: The Two-Way Connection 271 The Innovators: Living Electric in the Shadow of Miles Davis 273 Weather Report 273 Herbie Hancock and the Head Hunters 276 John McLaughlin (1942-) and the Mahavishnu Orchestra 279 269
CONTENTS Chick Corea (1941-2021) 280 Soul and Pop InstrumentalJazz 281 David Sanborn (1945—) 282 The Brecker Brothers 283 Grover Washington, Jr. (1943—1999) 284 Chuck Mangione (1940—) 285 The Signs of the Times: New Technologies and Changing Business Models 13 The Eclectic 1970s-1990s Χί 286 291 Long Live Acoustic Jazz 292 The ECM Sound 292 The Innovators: The Rebirth ofAcousticJazz 293 Return of Expatriates Unleashes a Rebirth of Acoustic Jazz 296 Established Artists Set a New Standard 300 John Scofield (1951-) and Joe Lovano (1952-) 300 Michael Brecker (1949—2007) and Pat Metheny (1954—) 301 The Freedom Fighters Take Risks 303 Cecil Taylor (1929-2018) 304 Jazz/Pop Crossover Vocalists 306 George Benson (1943-) 306 AlJarreau (1940-2017) 306 Bobby McFerrin (1950-) 307 Vocal Ensemble Renaissance 307 The Manhattan Transfer 307 Old Bottles, New Wines: Long Live Big Bands 309 The Changing Jazz Landscape as the Millennium Comes to a Close 311 317 14 Jazz for a New Century Trends in Contemporary Jazz 320 Popular Music Influences 321 Tim Hagans (1954-) 322 Vocal Renaissance 324 Esperanza Spalding (1984—) 324 Kurt Elling (1967-) 326 Contemporary Women Emerging as Innovators 327 Teri Lynne Carrington (1965-) 329 Innovation Through Composition 330 Jazz as a Global Music 333 Afro-Cuban and Latin Jazz 333 Danilo Pérez (1965—) 333 Jazz as an International Language 335 Rudresh Mahanthappa (1971—) and Vijay Iyer (1971—) The New Innovators: 21st-Century Emerging Artists 339 Chris Potter (1971-) 341 Closing Thoughts 344 337
XÎÎ CONTENTS Appendix I: Glossary of Terms Appendix II: Suggested Jazz Videos Appendix III: Chapter Notes and Additional Resources About the Authors Index 351 363 367 381 383 |
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| id | DE-604.BV049572354 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:30:45Z |
| indexdate | 2024-07-10T10:11:01Z |
| institution | BVB |
| isbn | 9781032231051 103223105X 9781032231044 1032231041 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034917509 |
| oclc_num | 1391120329 |
| open_access_boolean | |
| owner | DE-11 DE-739 |
| owner_facet | DE-11 DE-739 |
| physical | XXX, 389 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| spelling | Lawn, Richard Verfasser aut Experiencing jazz Richard J. Lawn and Justin G. Binek Third edition New York and London Routledge, Taylor & Francis Group 2024 XXX, 389 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier "Experiencing Jazz, Third Edition is an integrated textbook, website, and audio anthology for jazz appreciation and history courses. Through readings, illustrations, timelines, listening guides, and a playlist of tracks and performances, Experiencing Jazz journeys through the history of jazz and places the music within larger cultural and historical contexts. Designed for the jazz novice, this textbook introduces the reader to prominent artists, covers the evolution of styles, and makes stylistic comparisons to current trends and developments. New to the third edition: Richard J. Lawn is joined by new co-author Justin G. Binek Expanded coverage of artists, particularly important vocalists and prominent women in jazz, including Bobby McFerrin, Kurt Elling, The Manhattan Transfer, and Terri Lyne Carrington A dynamic, web-exclusive bonus chapter-Chapter 14.5: The Story Continues, exploring contemporary jazz artists who push the boundaries of jazz by creating new stylistic fusions, and who utilize new media to create, collaborate, and share their artistry Re-worked companion website, featuring new recordings, a more comprehensive audio anthology, and a major revision of The Elements of Jazz section Condensed musician biographies and updated content reflecting jazz's global impact Revised listening guides for spotlighted recordings highlighting key moments worthy of closer listening and analysis Comprehensive and immersive, the third edition of Experiencing Jazz provides a foundational understanding of the history of the genre"-- Jazz / History and criticism Jazz / Analysis, appreciation Jazz Criticism, interpretation, etc Binek, Justin G. Sonstige oth Online version Lawn, Richard Experiencing jazz 9781003275701 Third edition New York : Routledge, 2024 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034917509&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Lawn, Richard Experiencing jazz |
| title | Experiencing jazz |
| title_auth | Experiencing jazz |
| title_exact_search | Experiencing jazz |
| title_exact_search_txtP | Experiencing jazz |
| title_full | Experiencing jazz Richard J. Lawn and Justin G. Binek |
| title_fullStr | Experiencing jazz Richard J. Lawn and Justin G. Binek |
| title_full_unstemmed | Experiencing jazz Richard J. Lawn and Justin G. Binek |
| title_short | Experiencing jazz |
| title_sort | experiencing jazz |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034917509&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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