Latin America and the transports of opera: fragments of a transatlantic discourse
"Latin America and the Transports of Opera studies a series of episodes in the historical and textual convergence of a hallowed art form and a part of the world often regarded as peripheral. Perhaps unexpectedly, the archives of opera generate new arguments about several issues at the heart of...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Nashville, Tennessee
Vanderbilt University Press
[2023]
|
| Schriftenreihe: | Performing Latin American and Caribbean identities
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Latin America and the Transports of Opera studies a series of episodes in the historical and textual convergence of a hallowed art form and a part of the world often regarded as peripheral. Perhaps unexpectedly, the archives of opera generate new arguments about several issues at the heart of the established discussion about Latin America: the allure of European cultural models; the ambivalence of exoticism; the claims of nationalism and cosmopolitanism; and, ultimately, the place of the region in the global circulation of the arts. Opera's transports concern literal and imagined journeys as well as the emotions that its stories and sounds trigger as they travel back and forth between Europe-the United States, too-and Latin America"-- |
| Beschreibung: | xii, 416 Seiten Illustrationen 23 cm |
| ISBN: | 9780826506290 9780826506306 |
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| 505 | 8 | |a Introduction. Transatlantic Transports -- A Corpus of Fragments, I : Listening to Literature -- A Corpus of Fragments, II : Reading Operas -- Words by Calderón de la Barca : A Baroque Libretto in Lima -- Carpentier's Singing Moctezuma : A Neobaroque Novella in Vivaldi's Venice -- Havana and the Ghosts of Opera -- Henze and Gomes : Ghostly Testimonios in Copenhagen and Rio de Janeiro -- Adams and Catán : Magic and Realism in Houston and Paris -- The World in Buenos Aires : Cosmopolitans at the Teatro Colón -- Conclusion. Caliban at the Royal Opera House | |
| 520 | 3 | |a "Latin America and the Transports of Opera studies a series of episodes in the historical and textual convergence of a hallowed art form and a part of the world often regarded as peripheral. Perhaps unexpectedly, the archives of opera generate new arguments about several issues at the heart of the established discussion about Latin America: the allure of European cultural models; the ambivalence of exoticism; the claims of nationalism and cosmopolitanism; and, ultimately, the place of the region in the global circulation of the arts. Opera's transports concern literal and imagined journeys as well as the emotions that its stories and sounds trigger as they travel back and forth between Europe-the United States, too-and Latin America"-- | |
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Datensatz im Suchindex
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| adam_text |
CONTENTS ix Acknowledgments Introduction. Transatlantic Transports i i. A Corpus of Fragments, I: Listening to Literature 13 2. A Corpus of Fragments, II: Reading Operas 43 3. Words by Calderon de la Barca: A Baroque Libretto in Lima 96 4. Carpentier’s Singing Moctezuma: A Neobaroque Novella in Vivaldi’s Venice 136 5. Havana and the Ghosts of Opera 6. Henze and Gomes: Ghostly Testimonios in Copenhagen and Rio de Janeiro 169 209 7. Adams and Catân: Magic and Realism in Houston and Paris 245 8. The World in Buenos Aires: Cosmopolitans at the Teatro Colon 283 Afterword. Caliban at the Royal Opera House Notes 335 Bibliography Index 405 327 389 VII |
| adam_txt |
CONTENTS ix Acknowledgments Introduction. Transatlantic Transports i i. A Corpus of Fragments, I: Listening to Literature 13 2. A Corpus of Fragments, II: Reading Operas 43 3. Words by Calderon de la Barca: A Baroque Libretto in Lima 96 4. Carpentier’s Singing Moctezuma: A Neobaroque Novella in Vivaldi’s Venice 136 5. Havana and the Ghosts of Opera 6. Henze and Gomes: Ghostly Testimonios in Copenhagen and Rio de Janeiro 169 209 7. Adams and Catân: Magic and Realism in Houston and Paris 245 8. The World in Buenos Aires: Cosmopolitans at the Teatro Colon 283 Afterword. Caliban at the Royal Opera House Notes 335 Bibliography Index 405 327 389 VII |
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| contents | Introduction. Transatlantic Transports -- A Corpus of Fragments, I : Listening to Literature -- A Corpus of Fragments, II : Reading Operas -- Words by Calderón de la Barca : A Baroque Libretto in Lima -- Carpentier's Singing Moctezuma : A Neobaroque Novella in Vivaldi's Venice -- Havana and the Ghosts of Opera -- Henze and Gomes : Ghostly Testimonios in Copenhagen and Rio de Janeiro -- Adams and Catán : Magic and Realism in Houston and Paris -- The World in Buenos Aires : Cosmopolitans at the Teatro Colón -- Conclusion. Caliban at the Royal Opera House |
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| spelling | Díaz, Roberto Ignacio 1960- Verfasser (DE-588)174026366 aut Latin America and the transports of opera fragments of a transatlantic discourse Roberto Ignacio Díaz Nashville, Tennessee Vanderbilt University Press [2023] © 2023 xii, 416 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Performing Latin American and Caribbean identities Introduction. Transatlantic Transports -- A Corpus of Fragments, I : Listening to Literature -- A Corpus of Fragments, II : Reading Operas -- Words by Calderón de la Barca : A Baroque Libretto in Lima -- Carpentier's Singing Moctezuma : A Neobaroque Novella in Vivaldi's Venice -- Havana and the Ghosts of Opera -- Henze and Gomes : Ghostly Testimonios in Copenhagen and Rio de Janeiro -- Adams and Catán : Magic and Realism in Houston and Paris -- The World in Buenos Aires : Cosmopolitans at the Teatro Colón -- Conclusion. Caliban at the Royal Opera House "Latin America and the Transports of Opera studies a series of episodes in the historical and textual convergence of a hallowed art form and a part of the world often regarded as peripheral. Perhaps unexpectedly, the archives of opera generate new arguments about several issues at the heart of the established discussion about Latin America: the allure of European cultural models; the ambivalence of exoticism; the claims of nationalism and cosmopolitanism; and, ultimately, the place of the region in the global circulation of the arts. Opera's transports concern literal and imagined journeys as well as the emotions that its stories and sounds trigger as they travel back and forth between Europe-the United States, too-and Latin America"-- Lateinamerika (DE-588)1189459248 gnd rswk-swf Geschichte gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Opera / Latin America Latin America / In opera Amérique latine / À l'opéra Opera Latin America Lateinamerika (DE-588)1189459248 u Oper (DE-588)4043582-9 s Geschichte z DE-604 Online version 9780826506313 Díaz, Roberto Ignacio, 1960- Latin America and the transports of opera Nashville : Vanderbilt University Press, 2023 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034913524&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Díaz, Roberto Ignacio 1960- Latin America and the transports of opera fragments of a transatlantic discourse Introduction. Transatlantic Transports -- A Corpus of Fragments, I : Listening to Literature -- A Corpus of Fragments, II : Reading Operas -- Words by Calderón de la Barca : A Baroque Libretto in Lima -- Carpentier's Singing Moctezuma : A Neobaroque Novella in Vivaldi's Venice -- Havana and the Ghosts of Opera -- Henze and Gomes : Ghostly Testimonios in Copenhagen and Rio de Janeiro -- Adams and Catán : Magic and Realism in Houston and Paris -- The World in Buenos Aires : Cosmopolitans at the Teatro Colón -- Conclusion. Caliban at the Royal Opera House Lateinamerika (DE-588)1189459248 gnd Oper (DE-588)4043582-9 gnd |
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| title_full | Latin America and the transports of opera fragments of a transatlantic discourse Roberto Ignacio Díaz |
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| title_full_unstemmed | Latin America and the transports of opera fragments of a transatlantic discourse Roberto Ignacio Díaz |
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