Classical music and opera during and after the COVID-19 pandemic: empirical research on the digital transformation of socio-cultural institutions and aesthetic forms
The global COVID-19 pandemic, the resulting lockdown imposed in many countries, as well as related safety measures taken by governments and authorities, have posed significant challenges to classical music culture. However, they may also have had a stimulating effect on music festivals and opera hou...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Springer
[2023]
|
| Schriftenreihe: | Music business research
|
| Schlagworte: | |
| Zusammenfassung: | The global COVID-19 pandemic, the resulting lockdown imposed in many countries, as well as related safety measures taken by governments and authorities, have posed significant challenges to classical music culture. However, they may also have had a stimulating effect on music festivals and opera houses streaming offerings. This book brings together experts from the fields of musicology and music management to share their current empirical research findings on the pandemic-evoked digital transformation of the classical music scene, addressing either the institutional or the reception perspective. Furthermore, it documents discussions with opera dramaturgs and artistic directors, as well as music managers and event producers in the classical field, to share their practical lockdown experiences and current strategies in dealing with the digital transformation of opera. In this way, the volume combines the perspective of academic researchers with that of practitioners in the field. This book is particularly useful for students and researchers in music and media management, as well as musicology. It is also intended to help practitioners from concert houses and opera management, such as dramaturges, artistic directors, marketing and communication directors |
| Beschreibung: | ix, 151 Seiten Illustrationen 25 cm |
Internformat
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| 505 | 8 | |a Quo vadis classical music? Remarks on the post-pandemic condition / Alenka Barber-Kersovan -- Opera (training (research)) during lockdown / Nancy Hermiston, Negin Motamed Yeganeh, and Anja-Xiaoxing Cui -- The pandemic as a peephole into the ongoing digital transformation of opera / Steffen Lepa and Ruth Müller-Lindenberg -- The role of artistic directors of classical music festivals in COVID-19 crisis communication / Martina Kalser-Gruber -- Streaming opera : compromise solution or future-oriented reception form? / Ann-Kristin Zoike -- Digital concert experience : an online research project on live streaming during the pandemic / Martin Kreuzer, Melanie Wald-Furhmann, Christian Weining, Deborah Meier, Katherine O'Neill, Wolfgang Tschacher, Martin Tröndle, and Hauke Egermann -- Did lockdowns stimulate digital cultural participation? Mapping the post-pandemic Berlin classical concert audience and its adoption of audiovisual concert streams / Steffen Lepa and Stefan Weinzierl -- Combining two different worlds : a post-pandemic interview with the dramaturgs Dr. Merle Fahrholz and Dr. Ulrich Lenz / Ruth Müller-Lindberg | |
| 520 | |a The global COVID-19 pandemic, the resulting lockdown imposed in many countries, as well as related safety measures taken by governments and authorities, have posed significant challenges to classical music culture. However, they may also have had a stimulating effect on music festivals and opera houses streaming offerings. This book brings together experts from the fields of musicology and music management to share their current empirical research findings on the pandemic-evoked digital transformation of the classical music scene, addressing either the institutional or the reception perspective. Furthermore, it documents discussions with opera dramaturgs and artistic directors, as well as music managers and event producers in the classical field, to share their practical lockdown experiences and current strategies in dealing with the digital transformation of opera. In this way, the volume combines the perspective of academic researchers with that of practitioners in the field. This book is particularly useful for students and researchers in music and media management, as well as musicology. It is also intended to help practitioners from concert houses and opera management, such as dramaturges, artistic directors, marketing and communication directors | ||
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| 650 | 4 | |a Musique / Exécution | |
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| 650 | 4 | |a En continu (Télécommunications) | |
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Datensatz im Suchindex
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| author2 | Lepa, Steffen 1978- Müller-Lindenberg, Ruth 1959- Egermann, Hauke 1981- |
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| contents | Quo vadis classical music? Remarks on the post-pandemic condition / Alenka Barber-Kersovan -- Opera (training (research)) during lockdown / Nancy Hermiston, Negin Motamed Yeganeh, and Anja-Xiaoxing Cui -- The pandemic as a peephole into the ongoing digital transformation of opera / Steffen Lepa and Ruth Müller-Lindenberg -- The role of artistic directors of classical music festivals in COVID-19 crisis communication / Martina Kalser-Gruber -- Streaming opera : compromise solution or future-oriented reception form? / Ann-Kristin Zoike -- Digital concert experience : an online research project on live streaming during the pandemic / Martin Kreuzer, Melanie Wald-Furhmann, Christian Weining, Deborah Meier, Katherine O'Neill, Wolfgang Tschacher, Martin Tröndle, and Hauke Egermann -- Did lockdowns stimulate digital cultural participation? Mapping the post-pandemic Berlin classical concert audience and its adoption of audiovisual concert streams / Steffen Lepa and Stefan Weinzierl -- Combining two different worlds : a post-pandemic interview with the dramaturgs Dr. Merle Fahrholz and Dr. Ulrich Lenz / Ruth Müller-Lindberg |
| ctrlnum | (OCoLC)1424566637 (DE-599)BVBBV049563263 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
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| indexdate | 2024-07-10T10:10:46Z |
| institution | BVB |
| language | English |
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| spelling | Classical music and opera during and after the COVID-19 pandemic empirical research on the digital transformation of socio-cultural institutions and aesthetic forms Steffen Lepa, Ruth Müller-Lindenberg, Hauke Egermann (editors) Cham, Switzerland Springer [2023] ix, 151 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Music business research Quo vadis classical music? Remarks on the post-pandemic condition / Alenka Barber-Kersovan -- Opera (training (research)) during lockdown / Nancy Hermiston, Negin Motamed Yeganeh, and Anja-Xiaoxing Cui -- The pandemic as a peephole into the ongoing digital transformation of opera / Steffen Lepa and Ruth Müller-Lindenberg -- The role of artistic directors of classical music festivals in COVID-19 crisis communication / Martina Kalser-Gruber -- Streaming opera : compromise solution or future-oriented reception form? / Ann-Kristin Zoike -- Digital concert experience : an online research project on live streaming during the pandemic / Martin Kreuzer, Melanie Wald-Furhmann, Christian Weining, Deborah Meier, Katherine O'Neill, Wolfgang Tschacher, Martin Tröndle, and Hauke Egermann -- Did lockdowns stimulate digital cultural participation? Mapping the post-pandemic Berlin classical concert audience and its adoption of audiovisual concert streams / Steffen Lepa and Stefan Weinzierl -- Combining two different worlds : a post-pandemic interview with the dramaturgs Dr. Merle Fahrholz and Dr. Ulrich Lenz / Ruth Müller-Lindberg The global COVID-19 pandemic, the resulting lockdown imposed in many countries, as well as related safety measures taken by governments and authorities, have posed significant challenges to classical music culture. However, they may also have had a stimulating effect on music festivals and opera houses streaming offerings. This book brings together experts from the fields of musicology and music management to share their current empirical research findings on the pandemic-evoked digital transformation of the classical music scene, addressing either the institutional or the reception perspective. Furthermore, it documents discussions with opera dramaturgs and artistic directors, as well as music managers and event producers in the classical field, to share their practical lockdown experiences and current strategies in dealing with the digital transformation of opera. In this way, the volume combines the perspective of academic researchers with that of practitioners in the field. This book is particularly useful for students and researchers in music and media management, as well as musicology. It is also intended to help practitioners from concert houses and opera management, such as dramaturges, artistic directors, marketing and communication directors Music / Performance Opera / Data processing Music festivals COVID-19 Pandemic, 2020- / Influence Streaming technology (Telecommunications) Musique / Exécution Festivals de musique En continu (Télécommunications) Konzertleben (DE-588)4165233-2 gnd rswk-swf Digitalisierung (DE-588)4123065-6 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Pandemie (DE-588)4737034-8 gnd rswk-swf COVID-19 (DE-588)1206347392 gnd rswk-swf Streaming Kommunikationstechnik (DE-588)4614855-3 gnd rswk-swf COVID-19 (DE-588)1206347392 s Pandemie (DE-588)4737034-8 s Oper (DE-588)4043582-9 s Digitalisierung (DE-588)4123065-6 s Streaming Kommunikationstechnik (DE-588)4614855-3 s DE-604 Konzertleben (DE-588)4165233-2 s Lepa, Steffen 1978- (DE-588)136940897 edt Müller-Lindenberg, Ruth 1959- (DE-588)1047876086 edt Egermann, Hauke 1981- (DE-588)135749654 edt Erscheint auch als Online-Ausgabe 978-3-031-42975-0 |
| spellingShingle | Classical music and opera during and after the COVID-19 pandemic empirical research on the digital transformation of socio-cultural institutions and aesthetic forms Quo vadis classical music? Remarks on the post-pandemic condition / Alenka Barber-Kersovan -- Opera (training (research)) during lockdown / Nancy Hermiston, Negin Motamed Yeganeh, and Anja-Xiaoxing Cui -- The pandemic as a peephole into the ongoing digital transformation of opera / Steffen Lepa and Ruth Müller-Lindenberg -- The role of artistic directors of classical music festivals in COVID-19 crisis communication / Martina Kalser-Gruber -- Streaming opera : compromise solution or future-oriented reception form? / Ann-Kristin Zoike -- Digital concert experience : an online research project on live streaming during the pandemic / Martin Kreuzer, Melanie Wald-Furhmann, Christian Weining, Deborah Meier, Katherine O'Neill, Wolfgang Tschacher, Martin Tröndle, and Hauke Egermann -- Did lockdowns stimulate digital cultural participation? Mapping the post-pandemic Berlin classical concert audience and its adoption of audiovisual concert streams / Steffen Lepa and Stefan Weinzierl -- Combining two different worlds : a post-pandemic interview with the dramaturgs Dr. Merle Fahrholz and Dr. Ulrich Lenz / Ruth Müller-Lindberg Music / Performance Opera / Data processing Music festivals COVID-19 Pandemic, 2020- / Influence Streaming technology (Telecommunications) Musique / Exécution Festivals de musique En continu (Télécommunications) Konzertleben (DE-588)4165233-2 gnd Digitalisierung (DE-588)4123065-6 gnd Oper (DE-588)4043582-9 gnd Pandemie (DE-588)4737034-8 gnd COVID-19 (DE-588)1206347392 gnd Streaming Kommunikationstechnik (DE-588)4614855-3 gnd |
| subject_GND | (DE-588)4165233-2 (DE-588)4123065-6 (DE-588)4043582-9 (DE-588)4737034-8 (DE-588)1206347392 (DE-588)4614855-3 |
| title | Classical music and opera during and after the COVID-19 pandemic empirical research on the digital transformation of socio-cultural institutions and aesthetic forms |
| title_auth | Classical music and opera during and after the COVID-19 pandemic empirical research on the digital transformation of socio-cultural institutions and aesthetic forms |
| title_exact_search | Classical music and opera during and after the COVID-19 pandemic empirical research on the digital transformation of socio-cultural institutions and aesthetic forms |
| title_exact_search_txtP | Classical music and opera during and after the COVID-19 pandemic empirical research on the digital transformation of socio-cultural institutions and aesthetic forms |
| title_full | Classical music and opera during and after the COVID-19 pandemic empirical research on the digital transformation of socio-cultural institutions and aesthetic forms Steffen Lepa, Ruth Müller-Lindenberg, Hauke Egermann (editors) |
| title_fullStr | Classical music and opera during and after the COVID-19 pandemic empirical research on the digital transformation of socio-cultural institutions and aesthetic forms Steffen Lepa, Ruth Müller-Lindenberg, Hauke Egermann (editors) |
| title_full_unstemmed | Classical music and opera during and after the COVID-19 pandemic empirical research on the digital transformation of socio-cultural institutions and aesthetic forms Steffen Lepa, Ruth Müller-Lindenberg, Hauke Egermann (editors) |
| title_short | Classical music and opera during and after the COVID-19 pandemic |
| title_sort | classical music and opera during and after the covid 19 pandemic empirical research on the digital transformation of socio cultural institutions and aesthetic forms |
| title_sub | empirical research on the digital transformation of socio-cultural institutions and aesthetic forms |
| topic | Music / Performance Opera / Data processing Music festivals COVID-19 Pandemic, 2020- / Influence Streaming technology (Telecommunications) Musique / Exécution Festivals de musique En continu (Télécommunications) Konzertleben (DE-588)4165233-2 gnd Digitalisierung (DE-588)4123065-6 gnd Oper (DE-588)4043582-9 gnd Pandemie (DE-588)4737034-8 gnd COVID-19 (DE-588)1206347392 gnd Streaming Kommunikationstechnik (DE-588)4614855-3 gnd |
| topic_facet | Music / Performance Opera / Data processing Music festivals COVID-19 Pandemic, 2020- / Influence Streaming technology (Telecommunications) Musique / Exécution Festivals de musique En continu (Télécommunications) Konzertleben Digitalisierung Oper Pandemie COVID-19 Streaming Kommunikationstechnik |
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