Arab Music: a Survey of Its History and Its Modern Practice
This book offers a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, as well as a discussion of the major genres and forms practiced today, such as the Egyptian gīl, the Algerian raï and Palestinian hip hop; it also touche...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Oxford
Archaeopress
2021
|
| Edition: | 1st ed |
| Subjects: | |
| Online Access: | DE-Y3 |
| Summary: | This book offers a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, as well as a discussion of the major genres and forms practiced today, such as the Egyptian gīl, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music |
| Item Description: | Description based on publisher supplied metadata and other sources |
| Physical Description: | 1 Online-Ressource (212 pages) |
| ISBN: | 9781789699333 |
Staff View
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| 505 | 8 | |a Cover -- Title Page -- Copyright Page -- Contents Page -- Part 1 -- Historical background -- Introduction -- The legacy of past centuries -- Egypt and Mesopotamia -- From the third century BCE to the seventh century CE. -- Arab music before the arrival of the Islam. -- The Bedouins -- Mecca and Medina -- Musical instruments -- The early Islamic period and the Umayyad Caliphate (600 - 750) -- The muḳannaṯ -- Damascus -- The Golden Age of the Abbasids (eighth and ninth centuries) -- Music at the court of Harun ar-Rasid -- The emergence of Andalusia -- Music theory -- The beginning of the Andalusian music tradition: Ziryāb -- The tenth to the thirteenth century -- Music theory in the Mashriq -- Al-Fārābī -- Al-Ḥasan ibn Aḥmad -- Ibn Sīnā -- Developments since the tenth century in the Maghreb -- From circa 1250 to 1600 -- Musical life -- Music Theory -- The basic tone range -- The basic scales jins and šadd -- Transposition of modes -- Rhythm -- Forms of compositions -- The organization of the modes and cosmology -- Musical instruments -- From the late fifteenth to the mid-nineteenth century -- From 1850 to the end of the twentieth century -- The period of the Arab renaissance, the nahḍa -- The twentieth century -- The lyric theatre -- The music film and Muḥammad ʿAbdū-l-Wahhāb -- The radio and Umm Kulthūm -- The turāṯ or musical heritage -- The seventies, a change of generations -- Part 2 -- Part 2 -- The Modern Time -- Introduction -- The tone system -- Temperament -- The jins -- The maqām -- The number of maqāmāt -- The tonal structure of a maqām -- The main maqāmāt -- - Rāst -- - Bayātī -- - Sīkā -- - Huzām -- - Sabā -- - Nahāwand -- - Nawā aṯar -- - ʿAjām -- - Ḥijāz -- Modulations -- Meter and rhythm -- Simple binary awzān -- Simple ternary awzān -- Some compound awzān -- aqsāq ṯaqīl: -- aqsāq: -- dawr hindī: -- nawaḳt: -- dawr kabīr turkī: | |
| 505 | 8 | |a samāʿī ṯaqīl: -- ʿawīs: -- The classical urban music -- The tradition of Iraq: al-maqām al-ʿirāqī -- The classical tradition of Syria and Egypt, the waṣla -- The instrumental forms of the Syrian and Egyptian tradition -- The taqsīm -- The bašraf -- The samāʿī -- The lūnga -- The dūlāb -- The taḥmīla -- The vocal forms of the Syrian and Egyptian tradition -- The mawwāl -- The dawr -- The layālī -- The uġniya -- The muwaššaḥ -- Classical traditions in North Africa: the nawba -- The Moroccan nawba tadition -- The Algerian nawba tradition -- The Tunisian nawba tradition -- Popular music -- Firqa songs -- The Egyptian šaʿbī -- The Egyptian gīl -- The Algerian raï -- The Moroccan šaʿbī (chaâbi) -- The Arab hiphop -- Folk Music -- The Middle East -- The Bedouins -- The sedentary population -- Non-metrical songs of the sedentary population. -- Metrical songs of the sedentary population -- The music of the inhabitants of the eastern and southern coast of the Arabian Peninsula -- The Maghreb -- Vocal Music -- Instrumental music -- Bibliography -- Discography -- List of recorded music -- Websites -- Index | |
| 520 | |a This book offers a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, as well as a discussion of the major genres and forms practiced today, such as the Egyptian gīl, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
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| author | Plenckers, Leo |
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| contents | Cover -- Title Page -- Copyright Page -- Contents Page -- Part 1 -- Historical background -- Introduction -- The legacy of past centuries -- Egypt and Mesopotamia -- From the third century BCE to the seventh century CE. -- Arab music before the arrival of the Islam. -- The Bedouins -- Mecca and Medina -- Musical instruments -- The early Islamic period and the Umayyad Caliphate (600 - 750) -- The muḳannaṯ -- Damascus -- The Golden Age of the Abbasids (eighth and ninth centuries) -- Music at the court of Harun ar-Rasid -- The emergence of Andalusia -- Music theory -- The beginning of the Andalusian music tradition: Ziryāb -- The tenth to the thirteenth century -- Music theory in the Mashriq -- Al-Fārābī -- Al-Ḥasan ibn Aḥmad -- Ibn Sīnā -- Developments since the tenth century in the Maghreb -- From circa 1250 to 1600 -- Musical life -- Music Theory -- The basic tone range -- The basic scales jins and šadd -- Transposition of modes -- Rhythm -- Forms of compositions -- The organization of the modes and cosmology -- Musical instruments -- From the late fifteenth to the mid-nineteenth century -- From 1850 to the end of the twentieth century -- The period of the Arab renaissance, the nahḍa -- The twentieth century -- The lyric theatre -- The music film and Muḥammad ʿAbdū-l-Wahhāb -- The radio and Umm Kulthūm -- The turāṯ or musical heritage -- The seventies, a change of generations -- Part 2 -- Part 2 -- The Modern Time -- Introduction -- The tone system -- Temperament -- The jins -- The maqām -- The number of maqāmāt -- The tonal structure of a maqām -- The main maqāmāt -- - Rāst -- - Bayātī -- - Sīkā -- - Huzām -- - Sabā -- - Nahāwand -- - Nawā aṯar -- - ʿAjām -- - Ḥijāz -- Modulations -- Meter and rhythm -- Simple binary awzān -- Simple ternary awzān -- Some compound awzān -- aqsāq ṯaqīl: -- aqsāq: -- dawr hindī: -- nawaḳt: -- dawr kabīr turkī: samāʿī ṯaqīl: -- ʿawīs: -- The classical urban music -- The tradition of Iraq: al-maqām al-ʿirāqī -- The classical tradition of Syria and Egypt, the waṣla -- The instrumental forms of the Syrian and Egyptian tradition -- The taqsīm -- The bašraf -- The samāʿī -- The lūnga -- The dūlāb -- The taḥmīla -- The vocal forms of the Syrian and Egyptian tradition -- The mawwāl -- The dawr -- The layālī -- The uġniya -- The muwaššaḥ -- Classical traditions in North Africa: the nawba -- The Moroccan nawba tadition -- The Algerian nawba tradition -- The Tunisian nawba tradition -- Popular music -- Firqa songs -- The Egyptian šaʿbī -- The Egyptian gīl -- The Algerian raï -- The Moroccan šaʿbī (chaâbi) -- The Arab hiphop -- Folk Music -- The Middle East -- The Bedouins -- The sedentary population -- Non-metrical songs of the sedentary population. -- Metrical songs of the sedentary population -- The music of the inhabitants of the eastern and southern coast of the Arabian Peninsula -- The Maghreb -- Vocal Music -- Instrumental music -- Bibliography -- Discography -- List of recorded music -- Websites -- Index |
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| dewey-full | 780.9174927 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9174927 |
| dewey-search | 780.9174927 |
| dewey-sort | 3780.9174927 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
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| edition | 1st ed |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| id | DE-604.BV049560734 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:28:34Z |
| indexdate | 2024-07-20T04:10:05Z |
| institution | BVB |
| isbn | 9781789699333 |
| language | English |
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| spelling | Plenckers, Leo Verfasser aut Arab Music a Survey of Its History and Its Modern Practice 1st ed Oxford Archaeopress 2021 ©2021 1 Online-Ressource (212 pages) txt rdacontent c rdamedia cr rdacarrier Description based on publisher supplied metadata and other sources Cover -- Title Page -- Copyright Page -- Contents Page -- Part 1 -- Historical background -- Introduction -- The legacy of past centuries -- Egypt and Mesopotamia -- From the third century BCE to the seventh century CE. -- Arab music before the arrival of the Islam. -- The Bedouins -- Mecca and Medina -- Musical instruments -- The early Islamic period and the Umayyad Caliphate (600 - 750) -- The muḳannaṯ -- Damascus -- The Golden Age of the Abbasids (eighth and ninth centuries) -- Music at the court of Harun ar-Rasid -- The emergence of Andalusia -- Music theory -- The beginning of the Andalusian music tradition: Ziryāb -- The tenth to the thirteenth century -- Music theory in the Mashriq -- Al-Fārābī -- Al-Ḥasan ibn Aḥmad -- Ibn Sīnā -- Developments since the tenth century in the Maghreb -- From circa 1250 to 1600 -- Musical life -- Music Theory -- The basic tone range -- The basic scales jins and šadd -- Transposition of modes -- Rhythm -- Forms of compositions -- The organization of the modes and cosmology -- Musical instruments -- From the late fifteenth to the mid-nineteenth century -- From 1850 to the end of the twentieth century -- The period of the Arab renaissance, the nahḍa -- The twentieth century -- The lyric theatre -- The music film and Muḥammad ʿAbdū-l-Wahhāb -- The radio and Umm Kulthūm -- The turāṯ or musical heritage -- The seventies, a change of generations -- Part 2 -- Part 2 -- The Modern Time -- Introduction -- The tone system -- Temperament -- The jins -- The maqām -- The number of maqāmāt -- The tonal structure of a maqām -- The main maqāmāt -- - Rāst -- - Bayātī -- - Sīkā -- - Huzām -- - Sabā -- - Nahāwand -- - Nawā aṯar -- - ʿAjām -- - Ḥijāz -- Modulations -- Meter and rhythm -- Simple binary awzān -- Simple ternary awzān -- Some compound awzān -- aqsāq ṯaqīl: -- aqsāq: -- dawr hindī: -- nawaḳt: -- dawr kabīr turkī: samāʿī ṯaqīl: -- ʿawīs: -- The classical urban music -- The tradition of Iraq: al-maqām al-ʿirāqī -- The classical tradition of Syria and Egypt, the waṣla -- The instrumental forms of the Syrian and Egyptian tradition -- The taqsīm -- The bašraf -- The samāʿī -- The lūnga -- The dūlāb -- The taḥmīla -- The vocal forms of the Syrian and Egyptian tradition -- The mawwāl -- The dawr -- The layālī -- The uġniya -- The muwaššaḥ -- Classical traditions in North Africa: the nawba -- The Moroccan nawba tadition -- The Algerian nawba tradition -- The Tunisian nawba tradition -- Popular music -- Firqa songs -- The Egyptian šaʿbī -- The Egyptian gīl -- The Algerian raï -- The Moroccan šaʿbī (chaâbi) -- The Arab hiphop -- Folk Music -- The Middle East -- The Bedouins -- The sedentary population -- Non-metrical songs of the sedentary population. -- Metrical songs of the sedentary population -- The music of the inhabitants of the eastern and southern coast of the Arabian Peninsula -- The Maghreb -- Vocal Music -- Instrumental music -- Bibliography -- Discography -- List of recorded music -- Websites -- Index This book offers a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, as well as a discussion of the major genres and forms practiced today, such as the Egyptian gīl, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music Geschichte gnd rswk-swf Arabs--Music--History and criticism Songs, Arabic--History and criticism Arabische Musik (DE-588)4398055-7 gnd rswk-swf Arabische Musik (DE-588)4398055-7 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe Plenckers, Leo Arab Music: a Survey of Its History and Its Modern Practice Oxford : Archaeopress,c2021 9781789699326 |
| spellingShingle | Plenckers, Leo Arab Music a Survey of Its History and Its Modern Practice Cover -- Title Page -- Copyright Page -- Contents Page -- Part 1 -- Historical background -- Introduction -- The legacy of past centuries -- Egypt and Mesopotamia -- From the third century BCE to the seventh century CE. -- Arab music before the arrival of the Islam. -- The Bedouins -- Mecca and Medina -- Musical instruments -- The early Islamic period and the Umayyad Caliphate (600 - 750) -- The muḳannaṯ -- Damascus -- The Golden Age of the Abbasids (eighth and ninth centuries) -- Music at the court of Harun ar-Rasid -- The emergence of Andalusia -- Music theory -- The beginning of the Andalusian music tradition: Ziryāb -- The tenth to the thirteenth century -- Music theory in the Mashriq -- Al-Fārābī -- Al-Ḥasan ibn Aḥmad -- Ibn Sīnā -- Developments since the tenth century in the Maghreb -- From circa 1250 to 1600 -- Musical life -- Music Theory -- The basic tone range -- The basic scales jins and šadd -- Transposition of modes -- Rhythm -- Forms of compositions -- The organization of the modes and cosmology -- Musical instruments -- From the late fifteenth to the mid-nineteenth century -- From 1850 to the end of the twentieth century -- The period of the Arab renaissance, the nahḍa -- The twentieth century -- The lyric theatre -- The music film and Muḥammad ʿAbdū-l-Wahhāb -- The radio and Umm Kulthūm -- The turāṯ or musical heritage -- The seventies, a change of generations -- Part 2 -- Part 2 -- The Modern Time -- Introduction -- The tone system -- Temperament -- The jins -- The maqām -- The number of maqāmāt -- The tonal structure of a maqām -- The main maqāmāt -- - Rāst -- - Bayātī -- - Sīkā -- - Huzām -- - Sabā -- - Nahāwand -- - Nawā aṯar -- - ʿAjām -- - Ḥijāz -- Modulations -- Meter and rhythm -- Simple binary awzān -- Simple ternary awzān -- Some compound awzān -- aqsāq ṯaqīl: -- aqsāq: -- dawr hindī: -- nawaḳt: -- dawr kabīr turkī: samāʿī ṯaqīl: -- ʿawīs: -- The classical urban music -- The tradition of Iraq: al-maqām al-ʿirāqī -- The classical tradition of Syria and Egypt, the waṣla -- The instrumental forms of the Syrian and Egyptian tradition -- The taqsīm -- The bašraf -- The samāʿī -- The lūnga -- The dūlāb -- The taḥmīla -- The vocal forms of the Syrian and Egyptian tradition -- The mawwāl -- The dawr -- The layālī -- The uġniya -- The muwaššaḥ -- Classical traditions in North Africa: the nawba -- The Moroccan nawba tadition -- The Algerian nawba tradition -- The Tunisian nawba tradition -- Popular music -- Firqa songs -- The Egyptian šaʿbī -- The Egyptian gīl -- The Algerian raï -- The Moroccan šaʿbī (chaâbi) -- The Arab hiphop -- Folk Music -- The Middle East -- The Bedouins -- The sedentary population -- Non-metrical songs of the sedentary population. -- Metrical songs of the sedentary population -- The music of the inhabitants of the eastern and southern coast of the Arabian Peninsula -- The Maghreb -- Vocal Music -- Instrumental music -- Bibliography -- Discography -- List of recorded music -- Websites -- Index Arabs--Music--History and criticism Songs, Arabic--History and criticism Arabische Musik (DE-588)4398055-7 gnd |
| subject_GND | (DE-588)4398055-7 |
| title | Arab Music a Survey of Its History and Its Modern Practice |
| title_auth | Arab Music a Survey of Its History and Its Modern Practice |
| title_exact_search | Arab Music a Survey of Its History and Its Modern Practice |
| title_exact_search_txtP | Arab Music a Survey of Its History and Its Modern Practice |
| title_full | Arab Music a Survey of Its History and Its Modern Practice |
| title_fullStr | Arab Music a Survey of Its History and Its Modern Practice |
| title_full_unstemmed | Arab Music a Survey of Its History and Its Modern Practice |
| title_short | Arab Music |
| title_sort | arab music a survey of its history and its modern practice |
| title_sub | a Survey of Its History and Its Modern Practice |
| topic | Arabs--Music--History and criticism Songs, Arabic--History and criticism Arabische Musik (DE-588)4398055-7 gnd |
| topic_facet | Arabs--Music--History and criticism Songs, Arabic--History and criticism Arabische Musik |
| work_keys_str_mv | AT plenckersleo arabmusicasurveyofitshistoryanditsmodernpractice |