Reclaiming Popular Documentary:
By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Bloomington
Indiana University Press
2021
|
| Subjects: | |
| Online Access: | DE-Y3 |
| Summary: | By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike |
| Item Description: | Description based on publisher supplied metadata and other sources |
| Physical Description: | 1 Online-Ressource (406 pages) |
| ISBN: | 9780253056900 |
Staff View
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| 505 | 8 | |a Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- 1. Pop Docs: The Work of Popular Documentary in the Age of Alternate Facts / Christie Milliken and Steve F. Anderson -- Part I. Popular Documentary Today -- 2. Reclaiming the Popular for Public Interest Documentary / Ezra Winton -- 3. Public Television's Role in the US Documentary Ecology / Patricia Aufderheide -- Part II. Documentary Ecologies -- 4. On (Not) Falling from the Sky: Fly-Over Global Documentary as Capitalist Body Genre / Zoë Druick -- 5. Accelerating Deceleration: Slow Violence and Time-Lapse Cinematography / Devon Coutts -- 6. From Elegy to Kitsch: Spectacles of Epistephilia in Food, Inc. and Early Food Documentaries / Sabiha Ahmad Khan -- Part III. Short Forms and Web Practices -- 7. Errol Morris, the New York Times, Docmedia, and Op-Docs as Pop Docs / Anthony Kinik -- 8. Popular Music and Short-Form Nonfiction: Is the Web a Forum for Documentary Innovation? / Michael Brendan Baker -- 9. From the Essay Film to the Video Essay: Between the Critical and the Popular / Allison de Fren -- Part IV. Auteurs, Politics, and Popularity -- 10. Errol Morris and the Ends of Irony / Jonathan Kahana -- 11. Vérité: Lauren Greenfield and the Challenge of Feminist Documentary / Shilyh Warren -- 12. Citizenfour and the Antirepresentational Turn: Aesthetics of Failure in the Information Age / S. Topiary Landberg -- Part V. Documentary Genres -- 13. Of Kids and Sharks: Victims, Heroes, and the Politics of Melodrama in Popular Documentary / Christie Milliken -- 14. Strategies of the Popular Music Documentary's Recovery Mode / Landon Palmer -- 15. Assembling Nanking: Archival Filmmaking in the Popular Historical Documentary / Dylan Nelson -- Part VI. Engaging Audiences -- 16. Virality Is Virility: Viral Media, Popularity, and Violence / Alexandra Juhasz | |
| 505 | 8 | |a 17. Populism, Participation, and Perpetual Incompletion: Performing an Urban History Commons / Rick Prelinger -- 18. The Armchair Juror: Audience Engagement in True Crime Documentaries / George S. Larke-Walsh -- 19. New (Old) Ontologies of Documentary / Steve F. Anderson -- Index | |
| 520 | |a By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike | ||
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| bvnumber | BV049560648 |
| classification_rvk | AP 49400 |
| collection | ZDB-30-PAD |
| contents | Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- 1. Pop Docs: The Work of Popular Documentary in the Age of Alternate Facts / Christie Milliken and Steve F. Anderson -- Part I. Popular Documentary Today -- 2. Reclaiming the Popular for Public Interest Documentary / Ezra Winton -- 3. Public Television's Role in the US Documentary Ecology / Patricia Aufderheide -- Part II. Documentary Ecologies -- 4. On (Not) Falling from the Sky: Fly-Over Global Documentary as Capitalist Body Genre / Zoë Druick -- 5. Accelerating Deceleration: Slow Violence and Time-Lapse Cinematography / Devon Coutts -- 6. From Elegy to Kitsch: Spectacles of Epistephilia in Food, Inc. and Early Food Documentaries / Sabiha Ahmad Khan -- Part III. Short Forms and Web Practices -- 7. Errol Morris, the New York Times, Docmedia, and Op-Docs as Pop Docs / Anthony Kinik -- 8. Popular Music and Short-Form Nonfiction: Is the Web a Forum for Documentary Innovation? / Michael Brendan Baker -- 9. From the Essay Film to the Video Essay: Between the Critical and the Popular / Allison de Fren -- Part IV. Auteurs, Politics, and Popularity -- 10. Errol Morris and the Ends of Irony / Jonathan Kahana -- 11. Vérité: Lauren Greenfield and the Challenge of Feminist Documentary / Shilyh Warren -- 12. Citizenfour and the Antirepresentational Turn: Aesthetics of Failure in the Information Age / S. Topiary Landberg -- Part V. Documentary Genres -- 13. Of Kids and Sharks: Victims, Heroes, and the Politics of Melodrama in Popular Documentary / Christie Milliken -- 14. Strategies of the Popular Music Documentary's Recovery Mode / Landon Palmer -- 15. Assembling Nanking: Archival Filmmaking in the Popular Historical Documentary / Dylan Nelson -- Part VI. Engaging Audiences -- 16. Virality Is Virility: Viral Media, Popularity, and Violence / Alexandra Juhasz 17. Populism, Participation, and Perpetual Incompletion: Performing an Urban History Commons / Rick Prelinger -- 18. The Armchair Juror: Audience Engagement in True Crime Documentaries / George S. Larke-Walsh -- 19. New (Old) Ontologies of Documentary / Steve F. Anderson -- Index |
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| dewey-full | 070.18 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 070 - Documentary, educational, news media; journalism |
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| discipline | Allgemeines |
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| format | Electronic eBook |
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| spelling | Milliken, Christie Verfasser aut Reclaiming Popular Documentary Bloomington Indiana University Press 2021 ©2021 1 Online-Ressource (406 pages) txt rdacontent c rdamedia cr rdacarrier Description based on publisher supplied metadata and other sources Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- 1. Pop Docs: The Work of Popular Documentary in the Age of Alternate Facts / Christie Milliken and Steve F. Anderson -- Part I. Popular Documentary Today -- 2. Reclaiming the Popular for Public Interest Documentary / Ezra Winton -- 3. Public Television's Role in the US Documentary Ecology / Patricia Aufderheide -- Part II. Documentary Ecologies -- 4. On (Not) Falling from the Sky: Fly-Over Global Documentary as Capitalist Body Genre / Zoë Druick -- 5. Accelerating Deceleration: Slow Violence and Time-Lapse Cinematography / Devon Coutts -- 6. From Elegy to Kitsch: Spectacles of Epistephilia in Food, Inc. and Early Food Documentaries / Sabiha Ahmad Khan -- Part III. Short Forms and Web Practices -- 7. Errol Morris, the New York Times, Docmedia, and Op-Docs as Pop Docs / Anthony Kinik -- 8. Popular Music and Short-Form Nonfiction: Is the Web a Forum for Documentary Innovation? / Michael Brendan Baker -- 9. From the Essay Film to the Video Essay: Between the Critical and the Popular / Allison de Fren -- Part IV. Auteurs, Politics, and Popularity -- 10. Errol Morris and the Ends of Irony / Jonathan Kahana -- 11. Vérité: Lauren Greenfield and the Challenge of Feminist Documentary / Shilyh Warren -- 12. Citizenfour and the Antirepresentational Turn: Aesthetics of Failure in the Information Age / S. Topiary Landberg -- Part V. Documentary Genres -- 13. Of Kids and Sharks: Victims, Heroes, and the Politics of Melodrama in Popular Documentary / Christie Milliken -- 14. Strategies of the Popular Music Documentary's Recovery Mode / Landon Palmer -- 15. Assembling Nanking: Archival Filmmaking in the Popular Historical Documentary / Dylan Nelson -- Part VI. Engaging Audiences -- 16. Virality Is Virility: Viral Media, Popularity, and Violence / Alexandra Juhasz 17. Populism, Participation, and Perpetual Incompletion: Performing an Urban History Commons / Rick Prelinger -- 18. The Armchair Juror: Audience Engagement in True Crime Documentaries / George S. Larke-Walsh -- 19. New (Old) Ontologies of Documentary / Steve F. Anderson -- Index By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike Documentary films--History and criticism Motion picture audiences Dokumentarfilm (DE-588)4012653-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Dokumentarfilm (DE-588)4012653-5 s DE-604 Anderson, Steve F. Sonstige oth Winton, Ezra Sonstige oth Aufderheide, Patricia Sonstige oth Druick, Zoë Sonstige oth Coutts, Devon Sonstige oth Khan, Sabiha Ahmad Sonstige oth Kinik, Anthony Sonstige oth Baker, Michael Brendan Sonstige oth de Fren, Allison Sonstige oth Erscheint auch als Druck-Ausgabe Milliken, Christie Reclaiming Popular Documentary Bloomington : Indiana University Press,c2021 9780253056894 |
| spellingShingle | Milliken, Christie Reclaiming Popular Documentary Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- 1. Pop Docs: The Work of Popular Documentary in the Age of Alternate Facts / Christie Milliken and Steve F. Anderson -- Part I. Popular Documentary Today -- 2. Reclaiming the Popular for Public Interest Documentary / Ezra Winton -- 3. Public Television's Role in the US Documentary Ecology / Patricia Aufderheide -- Part II. Documentary Ecologies -- 4. On (Not) Falling from the Sky: Fly-Over Global Documentary as Capitalist Body Genre / Zoë Druick -- 5. Accelerating Deceleration: Slow Violence and Time-Lapse Cinematography / Devon Coutts -- 6. From Elegy to Kitsch: Spectacles of Epistephilia in Food, Inc. and Early Food Documentaries / Sabiha Ahmad Khan -- Part III. Short Forms and Web Practices -- 7. Errol Morris, the New York Times, Docmedia, and Op-Docs as Pop Docs / Anthony Kinik -- 8. Popular Music and Short-Form Nonfiction: Is the Web a Forum for Documentary Innovation? / Michael Brendan Baker -- 9. From the Essay Film to the Video Essay: Between the Critical and the Popular / Allison de Fren -- Part IV. Auteurs, Politics, and Popularity -- 10. Errol Morris and the Ends of Irony / Jonathan Kahana -- 11. Vérité: Lauren Greenfield and the Challenge of Feminist Documentary / Shilyh Warren -- 12. Citizenfour and the Antirepresentational Turn: Aesthetics of Failure in the Information Age / S. Topiary Landberg -- Part V. Documentary Genres -- 13. Of Kids and Sharks: Victims, Heroes, and the Politics of Melodrama in Popular Documentary / Christie Milliken -- 14. Strategies of the Popular Music Documentary's Recovery Mode / Landon Palmer -- 15. Assembling Nanking: Archival Filmmaking in the Popular Historical Documentary / Dylan Nelson -- Part VI. Engaging Audiences -- 16. Virality Is Virility: Viral Media, Popularity, and Violence / Alexandra Juhasz 17. Populism, Participation, and Perpetual Incompletion: Performing an Urban History Commons / Rick Prelinger -- 18. The Armchair Juror: Audience Engagement in True Crime Documentaries / George S. Larke-Walsh -- 19. New (Old) Ontologies of Documentary / Steve F. Anderson -- Index Documentary films--History and criticism Motion picture audiences Dokumentarfilm (DE-588)4012653-5 gnd |
| subject_GND | (DE-588)4012653-5 (DE-588)4143413-4 |
| title | Reclaiming Popular Documentary |
| title_auth | Reclaiming Popular Documentary |
| title_exact_search | Reclaiming Popular Documentary |
| title_exact_search_txtP | Reclaiming Popular Documentary |
| title_full | Reclaiming Popular Documentary |
| title_fullStr | Reclaiming Popular Documentary |
| title_full_unstemmed | Reclaiming Popular Documentary |
| title_short | Reclaiming Popular Documentary |
| title_sort | reclaiming popular documentary |
| topic | Documentary films--History and criticism Motion picture audiences Dokumentarfilm (DE-588)4012653-5 gnd |
| topic_facet | Documentary films--History and criticism Motion picture audiences Dokumentarfilm Aufsatzsammlung |
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