Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present
This book presents a fresh perspective on rock art by considering how ancient images function in the present. It focuses on how ancient heritage is recognized and reified in the modern world, and how rock art stimulates contemporary processes of cultural identity-making
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Oxford
Archaeopress
2021
|
| Edition: | 1st ed |
| Subjects: | |
| Online Access: | DE-Y3 DE-255 |
| Summary: | This book presents a fresh perspective on rock art by considering how ancient images function in the present. It focuses on how ancient heritage is recognized and reified in the modern world, and how rock art stimulates contemporary processes of cultural identity-making |
| Item Description: | Description based on publisher supplied metadata and other sources |
| Physical Description: | 1 Online-Ressource (150 pages) |
| ISBN: | 9781789698473 |
Staff View
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| 505 | 8 | |a Cover -- Title Page -- Copyright page -- Contents Page -- A Brief Note about the Editors -- Using Rock Art to Reconnect Past and Present: An Introduction -- Andrzej Rozwadowski and Jamie Hampson -- Indigenous Art in New Contexts: Inspiration or Appropriation? -- Jamie Hampson and Rory Weaver -- The Cave of Altamira and Modern Artistic Creation -- Pilar Fatás Monforte -- Joane Cardinal-Schubert: Ancient Contemporary -- Alisdair MacRae -- Face to Face with Ancestors: Indigenous Codes in the Contemporary Art of Siberia -- Magdalena Boniec and Andrzej Rozwadowski -- Contemporary Views on Rock Art from Within the Frame: Indigenous Cultural Continuity and Artistic Engagement with Rock Art -- Marisa Giorgi and Dale Harding -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- Lina do Carmo -- In the Name of the Ancestors: Repainted Identities and Land Memories -- Laura Teresa Tenti -- Muraycoko Wuyta'a Be Surabudodot / Ibararakat: Rock Art and Territorialization in Contemporary Indigenous Amazonia - the Case of the Munduruku People from the Tapajos River -- Jairo Saw Munduruku, Eliano Kirixi Munduruku and Raoni Valle -- Appropriation, Re-Appropriation, Reclamation: The Re-Use of New Zealand's Most Renowned Māori Rock Art -- Gerard O'Regan -- Reproduction, Simulation and the Hyperreal: A Case Study of 'Lascaux III' 2015-2017 -- Robert J. Wallis | |
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| author | Rozwadowski, Andrzej |
| author_facet | Rozwadowski, Andrzej |
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| contents | Cover -- Title Page -- Copyright page -- Contents Page -- A Brief Note about the Editors -- Using Rock Art to Reconnect Past and Present: An Introduction -- Andrzej Rozwadowski and Jamie Hampson -- Indigenous Art in New Contexts: Inspiration or Appropriation? -- Jamie Hampson and Rory Weaver -- The Cave of Altamira and Modern Artistic Creation -- Pilar Fatás Monforte -- Joane Cardinal-Schubert: Ancient Contemporary -- Alisdair MacRae -- Face to Face with Ancestors: Indigenous Codes in the Contemporary Art of Siberia -- Magdalena Boniec and Andrzej Rozwadowski -- Contemporary Views on Rock Art from Within the Frame: Indigenous Cultural Continuity and Artistic Engagement with Rock Art -- Marisa Giorgi and Dale Harding -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- Lina do Carmo -- In the Name of the Ancestors: Repainted Identities and Land Memories -- Laura Teresa Tenti -- Muraycoko Wuyta'a Be Surabudodot / Ibararakat: Rock Art and Territorialization in Contemporary Indigenous Amazonia - the Case of the Munduruku People from the Tapajos River -- Jairo Saw Munduruku, Eliano Kirixi Munduruku and Raoni Valle -- Appropriation, Re-Appropriation, Reclamation: The Re-Use of New Zealand's Most Renowned Māori Rock Art -- Gerard O'Regan -- Reproduction, Simulation and the Hyperreal: A Case Study of 'Lascaux III' 2015-2017 -- Robert J. Wallis |
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| dewey-full | 709.0113 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.0113 |
| dewey-search | 709.0113 |
| dewey-sort | 3709.0113 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| edition | 1st ed |
| format | Electronic eBook |
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| spelling | Rozwadowski, Andrzej Verfasser aut Visual Culture, Heritage and Identity Using Rock Art to Reconnect Past and Present 1st ed Oxford Archaeopress 2021 ©2021 1 Online-Ressource (150 pages) txt rdacontent c rdamedia cr rdacarrier Description based on publisher supplied metadata and other sources Cover -- Title Page -- Copyright page -- Contents Page -- A Brief Note about the Editors -- Using Rock Art to Reconnect Past and Present: An Introduction -- Andrzej Rozwadowski and Jamie Hampson -- Indigenous Art in New Contexts: Inspiration or Appropriation? -- Jamie Hampson and Rory Weaver -- The Cave of Altamira and Modern Artistic Creation -- Pilar Fatás Monforte -- Joane Cardinal-Schubert: Ancient Contemporary -- Alisdair MacRae -- Face to Face with Ancestors: Indigenous Codes in the Contemporary Art of Siberia -- Magdalena Boniec and Andrzej Rozwadowski -- Contemporary Views on Rock Art from Within the Frame: Indigenous Cultural Continuity and Artistic Engagement with Rock Art -- Marisa Giorgi and Dale Harding -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- Lina do Carmo -- In the Name of the Ancestors: Repainted Identities and Land Memories -- Laura Teresa Tenti -- Muraycoko Wuyta'a Be Surabudodot / Ibararakat: Rock Art and Territorialization in Contemporary Indigenous Amazonia - the Case of the Munduruku People from the Tapajos River -- Jairo Saw Munduruku, Eliano Kirixi Munduruku and Raoni Valle -- Appropriation, Re-Appropriation, Reclamation: The Re-Use of New Zealand's Most Renowned Māori Rock Art -- Gerard O'Regan -- Reproduction, Simulation and the Hyperreal: A Case Study of 'Lascaux III' 2015-2017 -- Robert J. Wallis This book presents a fresh perspective on rock art by considering how ancient images function in the present. It focuses on how ancient heritage is recognized and reified in the modern world, and how rock art stimulates contemporary processes of cultural identity-making Rock paintings Petroglyphs Group identity Rezeption (DE-588)4049716-1 gnd rswk-swf Felsbild (DE-588)4016718-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Felsbild (DE-588)4016718-5 s Rezeption (DE-588)4049716-1 s DE-604 Kunst (DE-588)4114333-4 s Hampson, Jamie Sonstige oth Erscheint auch als Druck-Ausgabe Rozwadowski, Andrzej Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present Oxford : Archaeopress,c2021 9781789698466 |
| spellingShingle | Rozwadowski, Andrzej Visual Culture, Heritage and Identity Using Rock Art to Reconnect Past and Present Cover -- Title Page -- Copyright page -- Contents Page -- A Brief Note about the Editors -- Using Rock Art to Reconnect Past and Present: An Introduction -- Andrzej Rozwadowski and Jamie Hampson -- Indigenous Art in New Contexts: Inspiration or Appropriation? -- Jamie Hampson and Rory Weaver -- The Cave of Altamira and Modern Artistic Creation -- Pilar Fatás Monforte -- Joane Cardinal-Schubert: Ancient Contemporary -- Alisdair MacRae -- Face to Face with Ancestors: Indigenous Codes in the Contemporary Art of Siberia -- Magdalena Boniec and Andrzej Rozwadowski -- Contemporary Views on Rock Art from Within the Frame: Indigenous Cultural Continuity and Artistic Engagement with Rock Art -- Marisa Giorgi and Dale Harding -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- Lina do Carmo -- In the Name of the Ancestors: Repainted Identities and Land Memories -- Laura Teresa Tenti -- Muraycoko Wuyta'a Be Surabudodot / Ibararakat: Rock Art and Territorialization in Contemporary Indigenous Amazonia - the Case of the Munduruku People from the Tapajos River -- Jairo Saw Munduruku, Eliano Kirixi Munduruku and Raoni Valle -- Appropriation, Re-Appropriation, Reclamation: The Re-Use of New Zealand's Most Renowned Māori Rock Art -- Gerard O'Regan -- Reproduction, Simulation and the Hyperreal: A Case Study of 'Lascaux III' 2015-2017 -- Robert J. Wallis Rock paintings Petroglyphs Group identity Rezeption (DE-588)4049716-1 gnd Felsbild (DE-588)4016718-5 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4049716-1 (DE-588)4016718-5 (DE-588)4114333-4 (DE-588)4143413-4 |
| title | Visual Culture, Heritage and Identity Using Rock Art to Reconnect Past and Present |
| title_auth | Visual Culture, Heritage and Identity Using Rock Art to Reconnect Past and Present |
| title_exact_search | Visual Culture, Heritage and Identity Using Rock Art to Reconnect Past and Present |
| title_exact_search_txtP | Visual Culture, Heritage and Identity Using Rock Art to Reconnect Past and Present |
| title_full | Visual Culture, Heritage and Identity Using Rock Art to Reconnect Past and Present |
| title_fullStr | Visual Culture, Heritage and Identity Using Rock Art to Reconnect Past and Present |
| title_full_unstemmed | Visual Culture, Heritage and Identity Using Rock Art to Reconnect Past and Present |
| title_short | Visual Culture, Heritage and Identity |
| title_sort | visual culture heritage and identity using rock art to reconnect past and present |
| title_sub | Using Rock Art to Reconnect Past and Present |
| topic | Rock paintings Petroglyphs Group identity Rezeption (DE-588)4049716-1 gnd Felsbild (DE-588)4016718-5 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Rock paintings Petroglyphs Group identity Rezeption Felsbild Kunst Aufsatzsammlung |
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