Merchants of menace: the business of horror cinema
Saved in:
| Other Authors: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York
Bloomsbury
2014
|
| Subjects: | |
| Online Access: | DE-Y3 |
| Item Description: | Description based on print version record |
| Physical Description: | 1 Online-Ressource (279 pages) illustrations |
| ISBN: | 9781623563943 |
Staff View
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| 505 | 8 | |a Production lines, trends, and cycles. "House of horrors": corporate strategy at Universal Pictures in the 1930s / Kyle Edwards -- The undead of Hollywood and poverty row: the influence of studio-era industrial patterns on zombie film production, 1932-46 / Todd K. Platts -- By the book: American horror cinema and horror literature of the late 1960s and 1970s / Peter Hutchings -- Risen from the vaults: recent horror film remakes and the American film industry / Kevin Heffernan -- Monster factory: international dynamics of the Australian horror movie industry / Mark David Ryan -- Film content, style, and themes. "Bad medicine": the psychiatric profession's interventions into the business of postwar horror / Tim Snelson -- Horror film atmosphere as anti-narrative (and vice versa) / Robert Spadoni --"A kind of Bacall quality?: Jamie Lee Curtis, stardom, and gentrifying non-Hollywood horror / Richard Nowell -- "New decade, new rules": rebooting the scream franchise in the digital age / Valerie Wee -- Movie marketing, branding, and distribution. "Hot profits out of cold shivers!": horror, the first run market, and the Hollywood studios, 1938-42 / Mark Jancovich -- Strange enjoyments: the marketing and reception of horror in the civil rights era black press / Mikal J. Gaines -- Bids for distinction: the critical-industrial function of the horror auteur / Joe Tompkins -- Low budgets, no budgets, and digital-video nasties: recent British horror and informal distribution / Johnny Walker -- Hammer 2.0: legacy, modernization, and hammer horror as a heritage brand / Matt Hills | |
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| 650 | 4 | |a Horror films |x History and criticism | |
| 650 | 4 | |a Horror films |x Production and direction | |
| 650 | 4 | |a Horror films |x Marketing | |
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| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |t Merchants of menace : the business of horror cinema |d New York : Bloomsbury, 2014 |h xiv, 264 pages |z 9781623564209 |
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Record in the Search Index
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| author2 | Nowell, Richard |
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| contents | Production lines, trends, and cycles. "House of horrors": corporate strategy at Universal Pictures in the 1930s / Kyle Edwards -- The undead of Hollywood and poverty row: the influence of studio-era industrial patterns on zombie film production, 1932-46 / Todd K. Platts -- By the book: American horror cinema and horror literature of the late 1960s and 1970s / Peter Hutchings -- Risen from the vaults: recent horror film remakes and the American film industry / Kevin Heffernan -- Monster factory: international dynamics of the Australian horror movie industry / Mark David Ryan -- Film content, style, and themes. "Bad medicine": the psychiatric profession's interventions into the business of postwar horror / Tim Snelson -- Horror film atmosphere as anti-narrative (and vice versa) / Robert Spadoni --"A kind of Bacall quality?: Jamie Lee Curtis, stardom, and gentrifying non-Hollywood horror / Richard Nowell -- "New decade, new rules": rebooting the scream franchise in the digital age / Valerie Wee -- Movie marketing, branding, and distribution. "Hot profits out of cold shivers!": horror, the first run market, and the Hollywood studios, 1938-42 / Mark Jancovich -- Strange enjoyments: the marketing and reception of horror in the civil rights era black press / Mikal J. Gaines -- Bids for distinction: the critical-industrial function of the horror auteur / Joe Tompkins -- Low budgets, no budgets, and digital-video nasties: recent British horror and informal distribution / Johnny Walker -- Hammer 2.0: legacy, modernization, and hammer horror as a heritage brand / Matt Hills |
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| dewey-full | 791.43/6164 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6164 |
| dewey-search | 791.43/6164 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| spelling | Merchants of menace the business of horror cinema edited by Richard Nowell New York Bloomsbury 2014 1 Online-Ressource (279 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Description based on print version record Production lines, trends, and cycles. "House of horrors": corporate strategy at Universal Pictures in the 1930s / Kyle Edwards -- The undead of Hollywood and poverty row: the influence of studio-era industrial patterns on zombie film production, 1932-46 / Todd K. Platts -- By the book: American horror cinema and horror literature of the late 1960s and 1970s / Peter Hutchings -- Risen from the vaults: recent horror film remakes and the American film industry / Kevin Heffernan -- Monster factory: international dynamics of the Australian horror movie industry / Mark David Ryan -- Film content, style, and themes. "Bad medicine": the psychiatric profession's interventions into the business of postwar horror / Tim Snelson -- Horror film atmosphere as anti-narrative (and vice versa) / Robert Spadoni --"A kind of Bacall quality?: Jamie Lee Curtis, stardom, and gentrifying non-Hollywood horror / Richard Nowell -- "New decade, new rules": rebooting the scream franchise in the digital age / Valerie Wee -- Movie marketing, branding, and distribution. "Hot profits out of cold shivers!": horror, the first run market, and the Hollywood studios, 1938-42 / Mark Jancovich -- Strange enjoyments: the marketing and reception of horror in the civil rights era black press / Mikal J. Gaines -- Bids for distinction: the critical-industrial function of the horror auteur / Joe Tompkins -- Low budgets, no budgets, and digital-video nasties: recent British horror and informal distribution / Johnny Walker -- Hammer 2.0: legacy, modernization, and hammer horror as a heritage brand / Matt Hills Geschichte gnd rswk-swf Horror films History and criticism Horror films Production and direction Horror films Marketing Horrorfilm (DE-588)4127415-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Horrorfilm (DE-588)4127415-5 s Geschichte z DE-604 Nowell, Richard edt Erscheint auch als Druck-Ausgabe Merchants of menace : the business of horror cinema New York : Bloomsbury, 2014 xiv, 264 pages 9781623564209 |
| spellingShingle | Merchants of menace the business of horror cinema Production lines, trends, and cycles. "House of horrors": corporate strategy at Universal Pictures in the 1930s / Kyle Edwards -- The undead of Hollywood and poverty row: the influence of studio-era industrial patterns on zombie film production, 1932-46 / Todd K. Platts -- By the book: American horror cinema and horror literature of the late 1960s and 1970s / Peter Hutchings -- Risen from the vaults: recent horror film remakes and the American film industry / Kevin Heffernan -- Monster factory: international dynamics of the Australian horror movie industry / Mark David Ryan -- Film content, style, and themes. "Bad medicine": the psychiatric profession's interventions into the business of postwar horror / Tim Snelson -- Horror film atmosphere as anti-narrative (and vice versa) / Robert Spadoni --"A kind of Bacall quality?: Jamie Lee Curtis, stardom, and gentrifying non-Hollywood horror / Richard Nowell -- "New decade, new rules": rebooting the scream franchise in the digital age / Valerie Wee -- Movie marketing, branding, and distribution. "Hot profits out of cold shivers!": horror, the first run market, and the Hollywood studios, 1938-42 / Mark Jancovich -- Strange enjoyments: the marketing and reception of horror in the civil rights era black press / Mikal J. Gaines -- Bids for distinction: the critical-industrial function of the horror auteur / Joe Tompkins -- Low budgets, no budgets, and digital-video nasties: recent British horror and informal distribution / Johnny Walker -- Hammer 2.0: legacy, modernization, and hammer horror as a heritage brand / Matt Hills Horror films History and criticism Horror films Production and direction Horror films Marketing Horrorfilm (DE-588)4127415-5 gnd |
| subject_GND | (DE-588)4127415-5 (DE-588)4143413-4 |
| title | Merchants of menace the business of horror cinema |
| title_auth | Merchants of menace the business of horror cinema |
| title_exact_search | Merchants of menace the business of horror cinema |
| title_exact_search_txtP | Merchants of menace the business of horror cinema |
| title_full | Merchants of menace the business of horror cinema edited by Richard Nowell |
| title_fullStr | Merchants of menace the business of horror cinema edited by Richard Nowell |
| title_full_unstemmed | Merchants of menace the business of horror cinema edited by Richard Nowell |
| title_short | Merchants of menace |
| title_sort | merchants of menace the business of horror cinema |
| title_sub | the business of horror cinema |
| topic | Horror films History and criticism Horror films Production and direction Horror films Marketing Horrorfilm (DE-588)4127415-5 gnd |
| topic_facet | Horror films History and criticism Horror films Production and direction Horror films Marketing Horrorfilm Aufsatzsammlung |
| work_keys_str_mv | AT nowellrichard merchantsofmenacethebusinessofhorrorcinema |