Rhetoric and rhythm in Byzantium: the sound of persuasion
"Rhetoric and Rhythm in Byzantium takes a fresh look at rhetorical rhythm and its theory and practice, highlighting the close affinity between rhythm and argument. Based on material from Byzantine and Old Church Slavonic homilies and from Byzantine rhetorical commentaries, the book redefines an...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2013
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Schlagworte: | |
Online-Zugang: | KUBA1 |
Zusammenfassung: | "Rhetoric and Rhythm in Byzantium takes a fresh look at rhetorical rhythm and its theory and practice, highlighting the close affinity between rhythm and argument. Based on material from Byzantine and Old Church Slavonic homilies and from Byzantine rhetorical commentaries, the book redefines and expands our understanding of both Byzantine and Old Church Slavonic prose rhythm. It positions rhetorical rhythm at the intersection of prose and poetry and explores its role in argumentation and persuasion, suggesting that rhetorical rhythm can carry across linguistic boundaries, and in general aims to demonstrate the stylistic and argumentative importance of rhythm in rhetorical practice. Along the way, it challenges the entrenched separation between content and style and emphasizes the role of rhythm as a tool of invention and a means of creating shared emotional experience"-- |
Beschreibung: | viii, 243 p |
ISBN: | 9781107274174 |
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505 | 8 | |a Machine generated contents note: Introduction: why rhythm? 1. Meter and rhythm in Byzantine eyes: Hellenistic traditions and Byzantine theory; 2. Between prose and poetry: 'Asianic' rhythms, accentual poetry, and the Byzantine festal homily; 3. Dirhythmia in the Byzantine classroom; 4. Argument, figure, and rhythm; 5. Rhythm in translation: some evidence from Old Church Slavonic homilies; Conclusion: why recover rhythm?; Appendix A. Text comparison: corpus and methodology; Appendix B. Tables and flow charts | |
520 | |a "Rhetoric and Rhythm in Byzantium takes a fresh look at rhetorical rhythm and its theory and practice, highlighting the close affinity between rhythm and argument. Based on material from Byzantine and Old Church Slavonic homilies and from Byzantine rhetorical commentaries, the book redefines and expands our understanding of both Byzantine and Old Church Slavonic prose rhythm. It positions rhetorical rhythm at the intersection of prose and poetry and explores its role in argumentation and persuasion, suggesting that rhetorical rhythm can carry across linguistic boundaries, and in general aims to demonstrate the stylistic and argumentative importance of rhythm in rhetorical practice. Along the way, it challenges the entrenched separation between content and style and emphasizes the role of rhythm as a tool of invention and a means of creating shared emotional experience"-- | ||
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Datensatz im Suchindex
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author | Valiavitcharska, Vessela 1971- |
author_facet | Valiavitcharska, Vessela 1971- |
author_role | aut |
author_sort | Valiavitcharska, Vessela 1971- |
author_variant | v v vv |
building | Verbundindex |
bvnumber | BV049560050 |
collection | ZDB-30-PAD |
contents | Machine generated contents note: Introduction: why rhythm? 1. Meter and rhythm in Byzantine eyes: Hellenistic traditions and Byzantine theory; 2. Between prose and poetry: 'Asianic' rhythms, accentual poetry, and the Byzantine festal homily; 3. Dirhythmia in the Byzantine classroom; 4. Argument, figure, and rhythm; 5. Rhythm in translation: some evidence from Old Church Slavonic homilies; Conclusion: why recover rhythm?; Appendix A. Text comparison: corpus and methodology; Appendix B. Tables and flow charts |
ctrlnum | (ZDB-30-PQE)EBC1303731 (ZDB-30-PAD)EBC1303731 (ZDB-89-EBL)EBL1303731 (ZDB-38-EBR)ebr10752987 (OCoLC)857467663 (DE-599)BVBBV049560050 |
dewey-full | 880.9/002 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 880 - Classical Greek & Hellenic literatures |
dewey-raw | 880.9/002 |
dewey-search | 880.9/002 |
dewey-sort | 3880.9 12 |
dewey-tens | 880 - Classical Greek & Hellenic literatures |
discipline | Philologie / Byzantinistik / Neulatein |
discipline_str_mv | Philologie / Byzantinistik / Neulatein |
format | Electronic eBook |
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Meter and rhythm in Byzantine eyes: Hellenistic traditions and Byzantine theory; 2. Between prose and poetry: 'Asianic' rhythms, accentual poetry, and the Byzantine festal homily; 3. Dirhythmia in the Byzantine classroom; 4. Argument, figure, and rhythm; 5. Rhythm in translation: some evidence from Old Church Slavonic homilies; Conclusion: why recover rhythm?; Appendix A. Text comparison: corpus and methodology; Appendix B. Tables and flow charts</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Rhetoric and Rhythm in Byzantium takes a fresh look at rhetorical rhythm and its theory and practice, highlighting the close affinity between rhythm and argument. Based on material from Byzantine and Old Church Slavonic homilies and from Byzantine rhetorical commentaries, the book redefines and expands our understanding of both Byzantine and Old Church Slavonic prose rhythm. It positions rhetorical rhythm at the intersection of prose and poetry and explores its role in argumentation and persuasion, suggesting that rhetorical rhythm can carry across linguistic boundaries, and in general aims to demonstrate the stylistic and argumentative importance of rhythm in rhetorical practice. 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id | DE-604.BV049560050 |
illustrated | Not Illustrated |
index_date | 2024-07-03T23:28:33Z |
indexdate | 2024-07-10T10:10:41Z |
institution | BVB |
isbn | 9781107274174 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034905504 |
oclc_num | 857467663 |
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owner_facet | DE-Y3 |
physical | viii, 243 p |
psigel | ZDB-30-PAD KUBA1-ZDB-30-PAD-2023 ZDB-30-PAD KHI |
publishDate | 2013 |
publishDateSearch | 2013 |
publishDateSort | 2013 |
publisher | Cambridge University Press |
record_format | marc |
spelling | Valiavitcharska, Vessela 1971- Verfasser aut Rhetoric and rhythm in Byzantium the sound of persuasion Vessela Valiavitcharska Cambridge Cambridge University Press 2013 viii, 243 p txt rdacontent c rdamedia cr rdacarrier Machine generated contents note: Introduction: why rhythm? 1. Meter and rhythm in Byzantine eyes: Hellenistic traditions and Byzantine theory; 2. Between prose and poetry: 'Asianic' rhythms, accentual poetry, and the Byzantine festal homily; 3. Dirhythmia in the Byzantine classroom; 4. Argument, figure, and rhythm; 5. Rhythm in translation: some evidence from Old Church Slavonic homilies; Conclusion: why recover rhythm?; Appendix A. Text comparison: corpus and methodology; Appendix B. Tables and flow charts "Rhetoric and Rhythm in Byzantium takes a fresh look at rhetorical rhythm and its theory and practice, highlighting the close affinity between rhythm and argument. Based on material from Byzantine and Old Church Slavonic homilies and from Byzantine rhetorical commentaries, the book redefines and expands our understanding of both Byzantine and Old Church Slavonic prose rhythm. It positions rhetorical rhythm at the intersection of prose and poetry and explores its role in argumentation and persuasion, suggesting that rhetorical rhythm can carry across linguistic boundaries, and in general aims to demonstrate the stylistic and argumentative importance of rhythm in rhetorical practice. Along the way, it challenges the entrenched separation between content and style and emphasizes the role of rhythm as a tool of invention and a means of creating shared emotional experience"-- Byzantine literature History and criticism Rhetoric, Medieval Byzantine Empire History and criticism Rhythm in literature |
spellingShingle | Valiavitcharska, Vessela 1971- Rhetoric and rhythm in Byzantium the sound of persuasion Machine generated contents note: Introduction: why rhythm? 1. Meter and rhythm in Byzantine eyes: Hellenistic traditions and Byzantine theory; 2. Between prose and poetry: 'Asianic' rhythms, accentual poetry, and the Byzantine festal homily; 3. Dirhythmia in the Byzantine classroom; 4. Argument, figure, and rhythm; 5. Rhythm in translation: some evidence from Old Church Slavonic homilies; Conclusion: why recover rhythm?; Appendix A. Text comparison: corpus and methodology; Appendix B. Tables and flow charts Byzantine literature History and criticism Rhetoric, Medieval Byzantine Empire History and criticism Rhythm in literature |
title | Rhetoric and rhythm in Byzantium the sound of persuasion |
title_auth | Rhetoric and rhythm in Byzantium the sound of persuasion |
title_exact_search | Rhetoric and rhythm in Byzantium the sound of persuasion |
title_exact_search_txtP | Rhetoric and rhythm in Byzantium the sound of persuasion |
title_full | Rhetoric and rhythm in Byzantium the sound of persuasion Vessela Valiavitcharska |
title_fullStr | Rhetoric and rhythm in Byzantium the sound of persuasion Vessela Valiavitcharska |
title_full_unstemmed | Rhetoric and rhythm in Byzantium the sound of persuasion Vessela Valiavitcharska |
title_short | Rhetoric and rhythm in Byzantium |
title_sort | rhetoric and rhythm in byzantium the sound of persuasion |
title_sub | the sound of persuasion |
topic | Byzantine literature History and criticism Rhetoric, Medieval Byzantine Empire History and criticism Rhythm in literature |
topic_facet | Byzantine literature History and criticism Rhetoric, Medieval Byzantine Empire History and criticism Rhythm in literature |
work_keys_str_mv | AT valiavitcharskavessela rhetoricandrhythminbyzantiumthesoundofpersuasion |