"Baroquemania": a counter-rationalist history of Italian art : [Review of: Laura Moure Cecchini, Baroquemania: Italian Visual Culture and The Construction of National Identity, 1898-1954, Manchester: Manchester University Press, 2021]
This review discussed the emergence of the Baroque in Italian visual arts as analysed in the book Baroquemania by Laura Moure Cecchini. In this book, the author shows how the baroque is a key element of the history of post-unification Italy which has been often neglected by the relevant scholarship...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
December 2023
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This review discussed the emergence of the Baroque in Italian visual arts as analysed in the book Baroquemania by Laura Moure Cecchini. In this book, the author shows how the baroque is a key element of the history of post-unification Italy which has been often neglected by the relevant scholarship on the matter. By reinscribing the Baroque within the Italian national paradigm, the book contributes to rewrite an important chapter of the history of Italian art in order to question its own foundational premises of an entirely rational strive to become a modern nation-state. In this way, Baroquemania represent an important addition to the existing scholarship on the relationship between the arts and the construction of national identity. |
| Beschreibung: | 1 Online-Ressource (7 Seiten) |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00004305 |
Internformat
MARC
| LEADER | 00000nma a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049530829 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 240203s2023 |||| o||u| ||||||eng d | ||
| 024 | 7 | |a 10.48352/uobxjah.00004305 |2 doi | |
| 035 | |a (OCoLC)1422453597 | ||
| 035 | |a (DE-599)BVBBV049530829 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
| 100 | 1 | |a Billiani, Francesca |d 1972- |e Verfasser |0 (DE-588)1103698176 |4 aut | |
| 245 | 1 | 0 | |a "Baroquemania" |b a counter-rationalist history of Italian art : [Review of: Laura Moure Cecchini, Baroquemania: Italian Visual Culture and The Construction of National Identity, 1898-1954, Manchester: Manchester University Press, 2021] |c Francesca Billiani |
| 264 | 1 | |c December 2023 | |
| 300 | |a 1 Online-Ressource (7 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | 3 | |a This review discussed the emergence of the Baroque in Italian visual arts as analysed in the book Baroquemania by Laura Moure Cecchini. In this book, the author shows how the baroque is a key element of the history of post-unification Italy which has been often neglected by the relevant scholarship on the matter. By reinscribing the Baroque within the Italian national paradigm, the book contributes to rewrite an important chapter of the history of Italian art in order to question its own foundational premises of an entirely rational strive to become a modern nation-state. In this way, Baroquemania represent an important addition to the existing scholarship on the relationship between the arts and the construction of national identity. | |
| 655 | 7 | |0 (DE-588)4049712-4 |a Rezension |2 gnd-content | |
| 773 | 1 | 8 | |g number:29 |g year:2023 |
| 773 | 0 | 8 | |t Journal of art historiography |d Glasgow, 2023 |g Heft 29 (2023) |w (DE-604)BV035944348 |x 2042-4752 |o (DE-600)2532257-6 |
| 856 | 4 | 0 | |u https://doi.org/10.48352/uobxjah.00004305 |x Verlag |z kostenfrei |3 Volltext |
| 912 | |a ebook | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034876467 | ||
| 941 | |h 29 |j 2023 | ||
Datensatz im Suchindex
| _version_ | 1804186360683167745 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV035944348 |
| author | Billiani, Francesca 1972- |
| author_GND | (DE-588)1103698176 |
| author_facet | Billiani, Francesca 1972- |
| author_role | aut |
| author_sort | Billiani, Francesca 1972- |
| author_variant | f b fb |
| building | Verbundindex |
| bvnumber | BV049530829 |
| collection | ebook |
| ctrlnum | (OCoLC)1422453597 (DE-599)BVBBV049530829 |
| doi_str_mv | 10.48352/uobxjah.00004305 |
| format | Electronic Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02063nma a2200337 c 4500</leader><controlfield tag="001">BV049530829</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240203s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.48352/uobxjah.00004305</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422453597</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049530829</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Billiani, Francesca</subfield><subfield code="d">1972-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1103698176</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">"Baroquemania"</subfield><subfield code="b">a counter-rationalist history of Italian art : [Review of: Laura Moure Cecchini, Baroquemania: Italian Visual Culture and The Construction of National Identity, 1898-1954, Manchester: Manchester University Press, 2021]</subfield><subfield code="c">Francesca Billiani</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">December 2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (7 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This review discussed the emergence of the Baroque in Italian visual arts as analysed in the book Baroquemania by Laura Moure Cecchini. In this book, the author shows how the baroque is a key element of the history of post-unification Italy which has been often neglected by the relevant scholarship on the matter. By reinscribing the Baroque within the Italian national paradigm, the book contributes to rewrite an important chapter of the history of Italian art in order to question its own foundational premises of an entirely rational strive to become a modern nation-state. In this way, Baroquemania represent an important addition to the existing scholarship on the relationship between the arts and the construction of national identity.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4049712-4</subfield><subfield code="a">Rezension</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">number:29</subfield><subfield code="g">year:2023</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Journal of art historiography</subfield><subfield code="d">Glasgow, 2023</subfield><subfield code="g">Heft 29 (2023)</subfield><subfield code="w">(DE-604)BV035944348</subfield><subfield code="x">2042-4752</subfield><subfield code="o">(DE-600)2532257-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.48352/uobxjah.00004305</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ebook</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034876467</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="h">29</subfield><subfield code="j">2023</subfield></datafield></record></collection> |
| genre | (DE-588)4049712-4 Rezension gnd-content |
| genre_facet | Rezension |
| id | DE-604.BV049530829 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:26:57Z |
| indexdate | 2024-07-10T10:09:54Z |
| institution | BVB |
| issn | 2042-4752 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034876467 |
| oclc_num | 1422453597 |
| open_access_boolean | 1 |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 1 Online-Ressource (7 Seiten) |
| psigel | ebook |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| record_format | marc |
| spelling | Billiani, Francesca 1972- Verfasser (DE-588)1103698176 aut "Baroquemania" a counter-rationalist history of Italian art : [Review of: Laura Moure Cecchini, Baroquemania: Italian Visual Culture and The Construction of National Identity, 1898-1954, Manchester: Manchester University Press, 2021] Francesca Billiani December 2023 1 Online-Ressource (7 Seiten) txt rdacontent c rdamedia cr rdacarrier This review discussed the emergence of the Baroque in Italian visual arts as analysed in the book Baroquemania by Laura Moure Cecchini. In this book, the author shows how the baroque is a key element of the history of post-unification Italy which has been often neglected by the relevant scholarship on the matter. By reinscribing the Baroque within the Italian national paradigm, the book contributes to rewrite an important chapter of the history of Italian art in order to question its own foundational premises of an entirely rational strive to become a modern nation-state. In this way, Baroquemania represent an important addition to the existing scholarship on the relationship between the arts and the construction of national identity. (DE-588)4049712-4 Rezension gnd-content number:29 year:2023 Journal of art historiography Glasgow, 2023 Heft 29 (2023) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 https://doi.org/10.48352/uobxjah.00004305 Verlag kostenfrei Volltext |
| spellingShingle | Billiani, Francesca 1972- "Baroquemania" a counter-rationalist history of Italian art : [Review of: Laura Moure Cecchini, Baroquemania: Italian Visual Culture and The Construction of National Identity, 1898-1954, Manchester: Manchester University Press, 2021] |
| subject_GND | (DE-588)4049712-4 |
| title | "Baroquemania" a counter-rationalist history of Italian art : [Review of: Laura Moure Cecchini, Baroquemania: Italian Visual Culture and The Construction of National Identity, 1898-1954, Manchester: Manchester University Press, 2021] |
| title_auth | "Baroquemania" a counter-rationalist history of Italian art : [Review of: Laura Moure Cecchini, Baroquemania: Italian Visual Culture and The Construction of National Identity, 1898-1954, Manchester: Manchester University Press, 2021] |
| title_exact_search | "Baroquemania" a counter-rationalist history of Italian art : [Review of: Laura Moure Cecchini, Baroquemania: Italian Visual Culture and The Construction of National Identity, 1898-1954, Manchester: Manchester University Press, 2021] |
| title_exact_search_txtP | "Baroquemania" a counter-rationalist history of Italian art : [Review of: Laura Moure Cecchini, Baroquemania: Italian Visual Culture and The Construction of National Identity, 1898-1954, Manchester: Manchester University Press, 2021] |
| title_full | "Baroquemania" a counter-rationalist history of Italian art : [Review of: Laura Moure Cecchini, Baroquemania: Italian Visual Culture and The Construction of National Identity, 1898-1954, Manchester: Manchester University Press, 2021] Francesca Billiani |
| title_fullStr | "Baroquemania" a counter-rationalist history of Italian art : [Review of: Laura Moure Cecchini, Baroquemania: Italian Visual Culture and The Construction of National Identity, 1898-1954, Manchester: Manchester University Press, 2021] Francesca Billiani |
| title_full_unstemmed | "Baroquemania" a counter-rationalist history of Italian art : [Review of: Laura Moure Cecchini, Baroquemania: Italian Visual Culture and The Construction of National Identity, 1898-1954, Manchester: Manchester University Press, 2021] Francesca Billiani |
| title_short | "Baroquemania" |
| title_sort | baroquemania a counter rationalist history of italian art review of laura moure cecchini baroquemania italian visual culture and the construction of national identity 1898 1954 manchester manchester university press 2021 |
| title_sub | a counter-rationalist history of Italian art : [Review of: Laura Moure Cecchini, Baroquemania: Italian Visual Culture and The Construction of National Identity, 1898-1954, Manchester: Manchester University Press, 2021] |
| topic_facet | Rezension |
| url | https://doi.org/10.48352/uobxjah.00004305 |
| work_keys_str_mv | AT billianifrancesca baroquemaniaacounterrationalisthistoryofitalianartreviewoflauramourececchinibaroquemaniaitalianvisualcultureandtheconstructionofnationalidentity18981954manchestermanchesteruniversitypress2021 |