Hollywood online: internet movie marketing before and after 'The Blair witch project'
"Hollywood Online provides a historical account of motion picture websites from 1993 to 2008 and their marketing function as industrial advertisements for video and other media in the digital age. The Blair Witch Project is the most important example of online film promotion in cinema history....
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York
Bloomsbury Academic
2024
|
Schriftenreihe: | Bloomsbury collections
|
Schlagworte: | |
Online-Zugang: | DE-12 DE-703 URL des Erstveröffentlichers |
Zusammenfassung: | "Hollywood Online provides a historical account of motion picture websites from 1993 to 2008 and their marketing function as industrial advertisements for video and other media in the digital age. The Blair Witch Project is the most important example of online film promotion in cinema history. Over the last thirty years only a small number of major and independent distributors have converted internet-created buzz into box-office revenues with similar levels of success. Yet readings of how the film’s internet campaign broke new ground in the summer of 1999 tend to minimize, overlook or ignore the significance of other online film promotions. Similarly, claims that Blair initiated a cycle of imitators have been repeated in film publications and academic studies for more than two decades. This book challenges three major narratives in studies about online film marketing: Hollywood’s major studios and independents had no significant relationship to the internet in the 1990s; online film promotions only took off after 1999 because of Blair; and Hollywood cashed-in by initiating a cycle of imitators and scaling up corporate activities online. Hollywood Online tests these assumptions by exploring internet marketing up to and including the film’s success online (Pre-Blair, 1993-9), then by examining the period immediately after Blair (Post-Blair, 2000-8) which broadly coincides with the rise and decline of DVD, as well as the emergence of the social media sites MySpace, Facebook and Twitter." |
Beschreibung: | 1 Online-Ressource (296 Seiten) |
ISBN: | 9781501337789 9781501337772 9781501337765 |
DOI: | 10.5040/9781501337789 |
Internformat
MARC
LEADER | 00000nam a22000008c 4500 | ||
---|---|---|---|
001 | BV049528581 | ||
003 | DE-604 | ||
005 | 20240311 | ||
007 | cr|uuu---uuuuu | ||
008 | 240201s2024 xx o|||| 00||| eng d | ||
020 | |a 9781501337789 |c online |9 978-1-5013-3778-9 | ||
020 | |a 9781501337772 |c epdf |9 978-1-5013-3777-2 | ||
020 | |a 9781501337765 |c epub |9 978-1-5013-3776-5 | ||
024 | 7 | |a 10.5040/9781501337789 |2 doi | |
035 | |a (OCoLC)1422421780 | ||
035 | |a (DE-599)BVBBV049528581 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-703 | ||
100 | 1 | |a London, Ian |e Verfasser |0 (DE-588)1318363071 |4 aut | |
245 | 1 | 0 | |a Hollywood online |b internet movie marketing before and after 'The Blair witch project' |c Ian London |
264 | 1 | |a New York |b Bloomsbury Academic |c 2024 | |
300 | |a 1 Online-Ressource (296 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Bloomsbury collections | |
520 | 3 | |a "Hollywood Online provides a historical account of motion picture websites from 1993 to 2008 and their marketing function as industrial advertisements for video and other media in the digital age. The Blair Witch Project is the most important example of online film promotion in cinema history. Over the last thirty years only a small number of major and independent distributors have converted internet-created buzz into box-office revenues with similar levels of success. Yet readings of how the film’s internet campaign broke new ground in the summer of 1999 tend to minimize, overlook or ignore the significance of other online film promotions. Similarly, claims that Blair initiated a cycle of imitators have been repeated in film publications and academic studies for more than two decades. This book challenges three major narratives in studies about online film marketing: Hollywood’s major studios and independents had no significant relationship to the internet in the 1990s; online film promotions only took off after 1999 because of Blair; and Hollywood cashed-in by initiating a cycle of imitators and scaling up corporate activities online. Hollywood Online tests these assumptions by exploring internet marketing up to and including the film’s success online (Pre-Blair, 1993-9), then by examining the period immediately after Blair (Post-Blair, 2000-8) which broadly coincides with the rise and decline of DVD, as well as the emergence of the social media sites MySpace, Facebook and Twitter." | |
630 | 0 | 7 | |a The Blair witch project |0 (DE-588)4616956-8 |2 gnd |9 rswk-swf |
653 | 0 | |a Motion pictures / Marketing | |
653 | 0 | |a Internet marketing | |
653 | 0 | |a Motion pictures / United States / History | |
653 | 0 | |a Marketing sur Internet | |
653 | 0 | |a Film theory & criticism | |
653 | 0 | |a Films, cinema | |
653 | 0 | |a Sales & marketing | |
689 | 0 | 0 | |a The Blair witch project |0 (DE-588)4616956-8 |D u |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, hbk |z 978-1-5013-3775-8 |
856 | 4 | 0 | |u https://doi.org/10.5040/9781501337789?locatt=label:secondary_bloomsburyCollections |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-162-BFM | ||
940 | 1 | |q ZDB-162-BFM24 | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034874294 | |
966 | e | |u https://doi.org/10.5040/9781501337789?locatt=label:secondary_bloomsburyCollections |l DE-12 |p ZDB-162-BFM |q ZDB-162-BFM24 |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.5040/9781501337789?locatt=label:secondary_bloomsburyCollections |l DE-703 |p ZDB-162-BFM |q ZDB-162-BFM24 |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1820882904643796992 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | London, Ian |
author_GND | (DE-588)1318363071 |
author_facet | London, Ian |
author_role | aut |
author_sort | London, Ian |
author_variant | i l il |
building | Verbundindex |
bvnumber | BV049528581 |
collection | ZDB-162-BFM |
ctrlnum | (OCoLC)1422421780 (DE-599)BVBBV049528581 |
doi_str_mv | 10.5040/9781501337789 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a22000008c 4500</leader><controlfield tag="001">BV049528581</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240311</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240201s2024 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501337789</subfield><subfield code="c">online</subfield><subfield code="9">978-1-5013-3778-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501337772</subfield><subfield code="c">epdf</subfield><subfield code="9">978-1-5013-3777-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501337765</subfield><subfield code="c">epub</subfield><subfield code="9">978-1-5013-3776-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5040/9781501337789</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422421780</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049528581</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">London, Ian</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1318363071</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hollywood online</subfield><subfield code="b">internet movie marketing before and after 'The Blair witch project'</subfield><subfield code="c">Ian London</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (296 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Bloomsbury collections</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Hollywood Online provides a historical account of motion picture websites from 1993 to 2008 and their marketing function as industrial advertisements for video and other media in the digital age. The Blair Witch Project is the most important example of online film promotion in cinema history. Over the last thirty years only a small number of major and independent distributors have converted internet-created buzz into box-office revenues with similar levels of success. Yet readings of how the film’s internet campaign broke new ground in the summer of 1999 tend to minimize, overlook or ignore the significance of other online film promotions. Similarly, claims that Blair initiated a cycle of imitators have been repeated in film publications and academic studies for more than two decades. This book challenges three major narratives in studies about online film marketing: Hollywood’s major studios and independents had no significant relationship to the internet in the 1990s; online film promotions only took off after 1999 because of Blair; and Hollywood cashed-in by initiating a cycle of imitators and scaling up corporate activities online. Hollywood Online tests these assumptions by exploring internet marketing up to and including the film’s success online (Pre-Blair, 1993-9), then by examining the period immediately after Blair (Post-Blair, 2000-8) which broadly coincides with the rise and decline of DVD, as well as the emergence of the social media sites MySpace, Facebook and Twitter."</subfield></datafield><datafield tag="630" ind1="0" ind2="7"><subfield code="a">The Blair witch project</subfield><subfield code="0">(DE-588)4616956-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Marketing</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Internet marketing</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / United States / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Marketing sur Internet</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Film theory & criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Films, cinema</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sales & marketing</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">The Blair witch project</subfield><subfield code="0">(DE-588)4616956-8</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, hbk</subfield><subfield code="z">978-1-5013-3775-8</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.5040/9781501337789?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-162-BFM</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-162-BFM24</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034874294</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781501337789?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">ZDB-162-BFM24</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781501337789?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">DE-703</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">ZDB-162-BFM24</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV049528581 |
illustrated | Not Illustrated |
index_date | 2024-07-03T23:26:35Z |
indexdate | 2025-01-10T17:14:18Z |
institution | BVB |
isbn | 9781501337789 9781501337772 9781501337765 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034874294 |
oclc_num | 1422421780 |
open_access_boolean | |
owner | DE-12 DE-703 |
owner_facet | DE-12 DE-703 |
physical | 1 Online-Ressource (296 Seiten) |
psigel | ZDB-162-BFM ZDB-162-BFM24 ZDB-162-BFM ZDB-162-BFM24 |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Bloomsbury Academic |
record_format | marc |
series2 | Bloomsbury collections |
spelling | London, Ian Verfasser (DE-588)1318363071 aut Hollywood online internet movie marketing before and after 'The Blair witch project' Ian London New York Bloomsbury Academic 2024 1 Online-Ressource (296 Seiten) txt rdacontent c rdamedia cr rdacarrier Bloomsbury collections "Hollywood Online provides a historical account of motion picture websites from 1993 to 2008 and their marketing function as industrial advertisements for video and other media in the digital age. The Blair Witch Project is the most important example of online film promotion in cinema history. Over the last thirty years only a small number of major and independent distributors have converted internet-created buzz into box-office revenues with similar levels of success. Yet readings of how the film’s internet campaign broke new ground in the summer of 1999 tend to minimize, overlook or ignore the significance of other online film promotions. Similarly, claims that Blair initiated a cycle of imitators have been repeated in film publications and academic studies for more than two decades. This book challenges three major narratives in studies about online film marketing: Hollywood’s major studios and independents had no significant relationship to the internet in the 1990s; online film promotions only took off after 1999 because of Blair; and Hollywood cashed-in by initiating a cycle of imitators and scaling up corporate activities online. Hollywood Online tests these assumptions by exploring internet marketing up to and including the film’s success online (Pre-Blair, 1993-9), then by examining the period immediately after Blair (Post-Blair, 2000-8) which broadly coincides with the rise and decline of DVD, as well as the emergence of the social media sites MySpace, Facebook and Twitter." The Blair witch project (DE-588)4616956-8 gnd rswk-swf Motion pictures / Marketing Internet marketing Motion pictures / United States / History Marketing sur Internet Film theory & criticism Films, cinema Sales & marketing The Blair witch project (DE-588)4616956-8 u DE-604 Erscheint auch als Druck-Ausgabe, hbk 978-1-5013-3775-8 https://doi.org/10.5040/9781501337789?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | London, Ian Hollywood online internet movie marketing before and after 'The Blair witch project' The Blair witch project (DE-588)4616956-8 gnd |
subject_GND | (DE-588)4616956-8 |
title | Hollywood online internet movie marketing before and after 'The Blair witch project' |
title_auth | Hollywood online internet movie marketing before and after 'The Blair witch project' |
title_exact_search | Hollywood online internet movie marketing before and after 'The Blair witch project' |
title_exact_search_txtP | Hollywood online internet movie marketing before and after 'The Blair witch project' |
title_full | Hollywood online internet movie marketing before and after 'The Blair witch project' Ian London |
title_fullStr | Hollywood online internet movie marketing before and after 'The Blair witch project' Ian London |
title_full_unstemmed | Hollywood online internet movie marketing before and after 'The Blair witch project' Ian London |
title_short | Hollywood online |
title_sort | hollywood online internet movie marketing before and after the blair witch project |
title_sub | internet movie marketing before and after 'The Blair witch project' |
topic | The Blair witch project (DE-588)4616956-8 gnd |
topic_facet | The Blair witch project |
url | https://doi.org/10.5040/9781501337789?locatt=label:secondary_bloomsburyCollections |
work_keys_str_mv | AT londonian hollywoodonlineinternetmoviemarketingbeforeandaftertheblairwitchproject |