Staging a comeback: Broadway, Hollywood, and the Disney renaissance
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick
Rutgers University Press
[2023]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index. |
| Beschreibung: | vii, 223 Seiten Illustrationen |
| ISBN: | 9781978827813 9781978827820 |
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Datensatz im Suchindex
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| adam_text |
Contents Introduction 1 1 “Just Waiting for the Prince to Arrive”: Broadway and Hollywood before the Disney Renaissance, 1982 23 2 “Sort of Like the Sopranos Took Over the Studio”: Regime Change at Disney, 1983-1986 45 3 “Make the Audience Fall in Love with Ariel”: Howard Ashman and Alan Menken, The Little Mermaid, and Disney, 1987-1989 68 4 “A Celebration of Certain Sensibilities” Howard Ashman and Alan Menken, Beauty and the Beast, and Disney, 1990-1991 92 5 “Like the Old-Fashioned Musicals Did”: Robert Jess Roth, Beauty and the Beast, and Disney, 1992-1994 114 6 “I Don’t Do Cute”: Julie Taymor, The Lion King, and Disney, 1994-1998 136 Conclusion 159 Acknowledgments Notes 175 Index 209 171
В n the early 1980s, Walt Disney Productions was struggling, largely bolstered by the Ц success of its theme parks. Within fifteen years, however, it was one of the most powы erful entertainment conglomerates in the world. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output By Aladdin, it was clear that animation—not liveaction—was the center of a veritable renaissance at Disney and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway the atrical production. The Disney renaissance not only reinvigorated the Walt Disney Com pany, but both reflected and influenced changes in Broadway and Hollywood more broadly. PETER C.KUNZE is an assistant professor of communication at Tulane University. He is editor or coeditor of several books, including The Films of Wes Anderson: Critical Essays on an Indiewood Icon, American-Australian Cinema: Transnational Connections, and Tak ing a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals. |
| adam_txt |
Contents Introduction 1 1 “Just Waiting for the Prince to Arrive”: Broadway and Hollywood before the Disney Renaissance, 1982 23 2 “Sort of Like the Sopranos Took Over the Studio”: Regime Change at Disney, 1983-1986 45 3 “Make the Audience Fall in Love with Ariel”: Howard Ashman and Alan Menken, The Little Mermaid, and Disney, 1987-1989 68 4 “A Celebration of Certain Sensibilities” Howard Ashman and Alan Menken, Beauty and the Beast, and Disney, 1990-1991 92 5 “Like the Old-Fashioned Musicals Did”: Robert Jess Roth, Beauty and the Beast, and Disney, 1992-1994 114 6 “I Don’t Do Cute”: Julie Taymor, The Lion King, and Disney, 1994-1998 136 Conclusion 159 Acknowledgments Notes 175 Index 209 171
В n the early 1980s, Walt Disney Productions was struggling, largely bolstered by the Ц success of its theme parks. Within fifteen years, however, it was one of the most powы erful entertainment conglomerates in the world. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output By Aladdin, it was clear that animation—not liveaction—was the center of a veritable renaissance at Disney and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway the atrical production. The Disney renaissance not only reinvigorated the Walt Disney Com pany, but both reflected and influenced changes in Broadway and Hollywood more broadly. PETER C.KUNZE is an assistant professor of communication at Tulane University. He is editor or coeditor of several books, including The Films of Wes Anderson: Critical Essays on an Indiewood Icon, American-Australian Cinema: Transnational Connections, and Tak ing a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals. |
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| author | Kunze, Peter C. |
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| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Book |
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| spelling | Kunze, Peter C. Verfasser (DE-588)1051450349 aut Staging a comeback Broadway, Hollywood, and the Disney renaissance Peter C. Kunze New Brunswick Rutgers University Press [2023] vii, 223 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index. Walt Disney Productions (DE-588)2026244-9 gnd rswk-swf The Walt Disney Company (DE-588)2096846-2 gnd rswk-swf Broadway New York, NY (DE-588)4075359-1 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf Walt Disney Productions (DE-588)2026244-9 b The Walt Disney Company (DE-588)2096846-2 b Broadway New York, NY (DE-588)4075359-1 g Los Angeles- Hollywood (DE-588)4099817-4 g DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-1-9788-2783-7 Erscheint auch als Online-Ausgabe, PDF 978-19788-2784-4 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034871713&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034871713&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Staging a comeback Broadway, Hollywood, and the Disney renaissance |
| title_auth | Staging a comeback Broadway, Hollywood, and the Disney renaissance |
| title_exact_search | Staging a comeback Broadway, Hollywood, and the Disney renaissance |
| title_exact_search_txtP | Staging a comeback Broadway, Hollywood, and the Disney renaissance |
| title_full | Staging a comeback Broadway, Hollywood, and the Disney renaissance Peter C. Kunze |
| title_fullStr | Staging a comeback Broadway, Hollywood, and the Disney renaissance Peter C. Kunze |
| title_full_unstemmed | Staging a comeback Broadway, Hollywood, and the Disney renaissance Peter C. Kunze |
| title_short | Staging a comeback |
| title_sort | staging a comeback broadway hollywood and the disney renaissance |
| title_sub | Broadway, Hollywood, and the Disney renaissance |
| topic | Walt Disney Productions (DE-588)2026244-9 gnd The Walt Disney Company (DE-588)2096846-2 gnd |
| topic_facet | Walt Disney Productions The Walt Disney Company Broadway New York, NY Los Angeles- Hollywood |
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