The inspiration machine: computational creativity in poetry and jazz
"In The Inspiration Machine, Eitan Wilf explores the transformative potentials that digital technology opens up for creative practice through three ethnographic cases, two with jazz musicians and one with a group of poets. At times dissatisfied with the limitations of human creativity, these ar...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
2023
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In The Inspiration Machine, Eitan Wilf explores the transformative potentials that digital technology opens up for creative practice through three ethnographic cases, two with jazz musicians and one with a group of poets. At times dissatisfied with the limitations of human creativity, these artists do not turn to computerized algorithms merely to execute their preconceived ideas. Rather, they approach them as creative partners, delegating to them different degrees of agentive control and artistic decision making in the hopes of finding inspiration in their output and thereby expanding their own creative horizons. The algorithms these artists develop and use, however, remain rooted in and haunted by the specific social predicaments and human shortfalls that they were intended to overcome. Experiments in the digital thus hold an important lesson: although Wilf's interlocutors returned from their adventures with computational creativity with modified, novel, and enriched capacities and predilections, they also gained a renewed appreciation for, and at times a desire to re-inhabit, non-digital creativity. In examining the potentials and pitfalls of seemingly autonomous digital technologies in the realm of art, Wilf shows that computational solutions to the real or imagined insufficiencies of human practice are best developed in relation to, rather than away from, the social and cultural contexts that gave rise to those insufficiencies, in the first place"-- |
| Beschreibung: | x, 261 Seiten Illustrationen, Porträts 23 cm |
| ISBN: | 9780226828336 9780226828312 |
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| 505 | 8 | |a Introduction : toward an anthropology of computational creativity -- Jazz : mimicry, originality, sociality. "I prefer playing with it to playing with most people" : the computer as a musical conversation partner; An island of interactivity in an ocean of nonreactivity : the trade-offs of a made-to-order artificial musical world; "A device that would generate new musical ideas" : the computer as a source of musical inspiration -- Separating noise from signal : the ethnomethdological uncanny as aesthetic pleasure in human-machine interaction -- Poetry : indeterminacy, potentiality, intentionality. Computer-generated poetry and some of its aesthetic and technical dimensions; "I randomize, therefore I think" : computational indeterminacy and the tensions of American liberal subjectivity; Analog precursors and their digital logical end : the Oulipo; Crosscurrent and opposing perspectives -- Conclusion : neither our doom nor our salvation : open-ended digital systems and cultural critique | |
| 520 | 3 | |a "In The Inspiration Machine, Eitan Wilf explores the transformative potentials that digital technology opens up for creative practice through three ethnographic cases, two with jazz musicians and one with a group of poets. At times dissatisfied with the limitations of human creativity, these artists do not turn to computerized algorithms merely to execute their preconceived ideas. Rather, they approach them as creative partners, delegating to them different degrees of agentive control and artistic decision making in the hopes of finding inspiration in their output and thereby expanding their own creative horizons. The algorithms these artists develop and use, however, remain rooted in and haunted by the specific social predicaments and human shortfalls that they were intended to overcome. Experiments in the digital thus hold an important lesson: although Wilf's interlocutors returned from their adventures with computational creativity with modified, novel, and enriched capacities and predilections, they also gained a renewed appreciation for, and at times a desire to re-inhabit, non-digital creativity. In examining the potentials and pitfalls of seemingly autonomous digital technologies in the realm of art, Wilf shows that computational solutions to the real or imagined insufficiencies of human practice are best developed in relation to, rather than away from, the social and cultural contexts that gave rise to those insufficiencies, in the first place"-- | |
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Datensatz im Suchindex
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Contents Acknowledgments ix Introduction: Toward an Anthropology of Computational Creativity part i 2 3 i I Jazz: Mimicry, Originality, Sociality “I Prefer Playing with It to Playing with Most People”: The Computer as a Musical Conversation Partner 35 An Island of Interactivity in an Ocean of Nonreactivity: The Trade-Offs of a Made-to-Order Artificial Musical World 59 “A Device That Would Generate New Musical Ideas”: The Computer as a Source of Musical Inspiration 84 4 Separating Noise from Signal: The Ethnomethodological Uncanny as Aesthetic Pleasure in Human-Machine Interaction part 5 112 и Poetry: Indeterminacy, Potentiality, Intentionality Computer-Generated Poetry and Some of Its Aesthetic and Technical Dimensions 139 6 “I Randomize, Therefore I Think”: Computational Indeterminacy and the Tensions of American Liberal Subjectivity 159 7 Analog Precursors and Their Digital Logical End: The Oulipo 181 8 Crosscurrents and Opposing Perspectives 196 Conclusion: Neither Our Doom nor Our Salvation: Open-Ended Digital Systems and Cultural Critique Notes 227 References 241 Index 255 219 |
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| author | Wilf, Eitan Y. |
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| contents | Introduction : toward an anthropology of computational creativity -- Jazz : mimicry, originality, sociality. "I prefer playing with it to playing with most people" : the computer as a musical conversation partner; An island of interactivity in an ocean of nonreactivity : the trade-offs of a made-to-order artificial musical world; "A device that would generate new musical ideas" : the computer as a source of musical inspiration -- Separating noise from signal : the ethnomethdological uncanny as aesthetic pleasure in human-machine interaction -- Poetry : indeterminacy, potentiality, intentionality. Computer-generated poetry and some of its aesthetic and technical dimensions; "I randomize, therefore I think" : computational indeterminacy and the tensions of American liberal subjectivity; Analog precursors and their digital logical end : the Oulipo; Crosscurrent and opposing perspectives -- Conclusion : neither our doom nor our salvation : open-ended digital systems and cultural critique |
| ctrlnum | (OCoLC)1374401073 (DE-599)BVBBV049503536 |
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| isbn | 9780226828336 9780226828312 |
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| spelling | Wilf, Eitan Y. Verfasser (DE-588)1322742014 aut The inspiration machine computational creativity in poetry and jazz Eitan Y. Wilf Computational creativity in poetry and jazz Chicago ; London The University of Chicago Press 2023 x, 261 Seiten Illustrationen, Porträts 23 cm txt rdacontent n rdamedia nc rdacarrier Introduction : toward an anthropology of computational creativity -- Jazz : mimicry, originality, sociality. "I prefer playing with it to playing with most people" : the computer as a musical conversation partner; An island of interactivity in an ocean of nonreactivity : the trade-offs of a made-to-order artificial musical world; "A device that would generate new musical ideas" : the computer as a source of musical inspiration -- Separating noise from signal : the ethnomethdological uncanny as aesthetic pleasure in human-machine interaction -- Poetry : indeterminacy, potentiality, intentionality. Computer-generated poetry and some of its aesthetic and technical dimensions; "I randomize, therefore I think" : computational indeterminacy and the tensions of American liberal subjectivity; Analog precursors and their digital logical end : the Oulipo; Crosscurrent and opposing perspectives -- Conclusion : neither our doom nor our salvation : open-ended digital systems and cultural critique "In The Inspiration Machine, Eitan Wilf explores the transformative potentials that digital technology opens up for creative practice through three ethnographic cases, two with jazz musicians and one with a group of poets. At times dissatisfied with the limitations of human creativity, these artists do not turn to computerized algorithms merely to execute their preconceived ideas. Rather, they approach them as creative partners, delegating to them different degrees of agentive control and artistic decision making in the hopes of finding inspiration in their output and thereby expanding their own creative horizons. The algorithms these artists develop and use, however, remain rooted in and haunted by the specific social predicaments and human shortfalls that they were intended to overcome. Experiments in the digital thus hold an important lesson: although Wilf's interlocutors returned from their adventures with computational creativity with modified, novel, and enriched capacities and predilections, they also gained a renewed appreciation for, and at times a desire to re-inhabit, non-digital creativity. In examining the potentials and pitfalls of seemingly autonomous digital technologies in the realm of art, Wilf shows that computational solutions to the real or imagined insufficiencies of human practice are best developed in relation to, rather than away from, the social and cultural contexts that gave rise to those insufficiencies, in the first place"-- Algorithmus (DE-588)4001183-5 gnd rswk-swf Kreativität (DE-588)4032903-3 gnd rswk-swf Musizieren (DE-588)4170838-6 gnd rswk-swf Creation (Literary, artistic, etc.) Creative ability Human-computer interaction Computer composition (Music) Computer poetry Créativité Composition (Musique) par ordinateur Poésie par ordinateur creativity Musizieren (DE-588)4170838-6 s Kreativität (DE-588)4032903-3 s Algorithmus (DE-588)4001183-5 s DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-0-22682832-9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034848626&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wilf, Eitan Y. The inspiration machine computational creativity in poetry and jazz Introduction : toward an anthropology of computational creativity -- Jazz : mimicry, originality, sociality. "I prefer playing with it to playing with most people" : the computer as a musical conversation partner; An island of interactivity in an ocean of nonreactivity : the trade-offs of a made-to-order artificial musical world; "A device that would generate new musical ideas" : the computer as a source of musical inspiration -- Separating noise from signal : the ethnomethdological uncanny as aesthetic pleasure in human-machine interaction -- Poetry : indeterminacy, potentiality, intentionality. Computer-generated poetry and some of its aesthetic and technical dimensions; "I randomize, therefore I think" : computational indeterminacy and the tensions of American liberal subjectivity; Analog precursors and their digital logical end : the Oulipo; Crosscurrent and opposing perspectives -- Conclusion : neither our doom nor our salvation : open-ended digital systems and cultural critique Algorithmus (DE-588)4001183-5 gnd Kreativität (DE-588)4032903-3 gnd Musizieren (DE-588)4170838-6 gnd |
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| title | The inspiration machine computational creativity in poetry and jazz |
| title_alt | Computational creativity in poetry and jazz |
| title_auth | The inspiration machine computational creativity in poetry and jazz |
| title_exact_search | The inspiration machine computational creativity in poetry and jazz |
| title_exact_search_txtP | The inspiration machine computational creativity in poetry and jazz |
| title_full | The inspiration machine computational creativity in poetry and jazz Eitan Y. Wilf |
| title_fullStr | The inspiration machine computational creativity in poetry and jazz Eitan Y. Wilf |
| title_full_unstemmed | The inspiration machine computational creativity in poetry and jazz Eitan Y. Wilf |
| title_short | The inspiration machine |
| title_sort | the inspiration machine computational creativity in poetry and jazz |
| title_sub | computational creativity in poetry and jazz |
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| topic_facet | Algorithmus Kreativität Musizieren |
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