Back stages: essays across art, performance, and public life
Shannon Jackson explores a range of disciplinary, institutional, and political puzzles that engage the social and aesthetic practice of performance in this collection of twenty essential essays spanning her career. Back Stages starts by considering the historical connection between performance pract...
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| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
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Evanston, Illinois
Northwestern University Press
2022
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| Schriftenreihe: | Performance works
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Shannon Jackson explores a range of disciplinary, institutional, and political puzzles that engage the social and aesthetic practice of performance in this collection of twenty essential essays spanning her career. Back Stages starts by considering the historical connection between performance practice and movements of social reform, while later writings analyze disciplinary debates on the place of performance in higher education and within the contemporary field of socially engaged art, tracking fraught and allied relationships to literary studies, art history, visual culture, theater, social theory, and critical theory. At a time of increased aesthetic experimentation and political debate within the art world, these essays alight on artists, groups, and cultural organizations whose experiments have challenged conventions of curation and critique, including Theaster Gates, Paul Ramirez Jonas, Harrel Fletcher, and My Barbarian. Throughout Jackson navigates the political ambivalences of performance, from the late nineteenth to the twenty-first century, tracking shifts in participatory art that seek to resist capitalism, even as such performance work paradoxically risks neoliberal appropriation by a post-Fordist experience economy. Back Stages surfaces unexpected cross-disciplinary connections and provides new opportunities for mutual engagement within a wide network of educational, artistic, and civic sectors. A substantial introduction excavates the critical links between the essays and a variety of disciplines and movements. |
| Beschreibung: | ix, 409 Seiten 21 Illustrationen 24 cm |
| ISBN: | 9780810144859 0810144859 9780810144842 0810144840 |
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| 520 | 3 | |a Shannon Jackson explores a range of disciplinary, institutional, and political puzzles that engage the social and aesthetic practice of performance in this collection of twenty essential essays spanning her career. Back Stages starts by considering the historical connection between performance practice and movements of social reform, while later writings analyze disciplinary debates on the place of performance in higher education and within the contemporary field of socially engaged art, tracking fraught and allied relationships to literary studies, art history, visual culture, theater, social theory, and critical theory. At a time of increased aesthetic experimentation and political debate within the art world, these essays alight on artists, groups, and cultural organizations whose experiments have challenged conventions of curation and critique, including Theaster Gates, Paul Ramirez Jonas, Harrel Fletcher, and My Barbarian. Throughout Jackson navigates the political ambivalences of performance, from the late nineteenth to the twenty-first century, tracking shifts in participatory art that seek to resist capitalism, even as such performance work paradoxically risks neoliberal appropriation by a post-Fordist experience economy. Back Stages surfaces unexpected cross-disciplinary connections and provides new opportunities for mutual engagement within a wide network of educational, artistic, and civic sectors. A substantial introduction excavates the critical links between the essays and a variety of disciplines and movements. | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
ACKNOWLEDGMENTS IX
INTRODUCTION 3
PART 1: BACKGROUND STAGES
CHAPTER 1
PERFORMANCE AT HULL-HOUSE: MUSEUM, MICROFICHE,
AND HISTORIOGRAPHY 31
CHAPTER 2
PERFORMING SHOW AND TELL: ON THE DISCIPLINARY PROBLEMS
OF MIXED-MEDIA PRACTICE 67
CHAPTER 3
THEATRICALITY S PROPER OBJECTS: GENEALOGIES OF PERFORMANCE
AND GENDER THEORY 83
CHAPTER 4
WHEN EVERYTHING COUNTS : EXPERIMENTAL PERFORMANCE
AND PERFORMANCE HISTORIOGRAPHY 107
CHAPTER 5
RESIST SINGULARITY 127
CHAPTER 6
RHETORIC IN RUINS: PERFORMING LITERATURE AND PERFORMANCE STUDIES 133
CHAPTER 7
LIVING TAKES MANY FORMS: CREATIVE TIME 151
PART 2: THE ARTS AT WORK
CHAPTER 8
LIFE POLITICS/LIFE AESTHETICS: ENVIRONMENTAL PERFORMANCE
IN RED, BLACK & GREEN: A BLUES
163
CHAPTER 9
ELMGREEN 8C DRAGSET S THEATRICAL TURN
185
CHAPTER 10
PERFORMATIVITY AND ITS ADDRESSEE: WALKER ART COLLECTION 199
CHAPTER 11
JUST-IN-TIME: PERFORMANCE AND THE AESTHETICS OF PRECARITY 223
CHAPTER 12
SEVEN WAYS TO LOOK AT WINDOWS: HARRELL FLETCHER 251
CHAPTER 13
COUNTERCARNIVAL IN A PERFORMANCE-FRIENDLY WORLD: EN MAS* 261
CHAPTER 14
UTOPIAN OPERATING SYSTEMS: THEASTER GATES S WAY OF WORKING 279
CHAPTER 15
TRUSTING PUBLICS: PAUL RAMIREZ JONAS 293
PART 3: RESTAGINGS
CHAPTER 16
THE WAY WE PERFORM NOW 3 05
CHAPTER 17
DRAMA AND OTHER TIME-BASED ARTS 319
CHAPTER 18
ASSEMBLIES: PUBLIC PARTICIPATION, HETERONOMOUS WORLDS 341
EPILOGUE: ESSENTIAL LABOR AND PROXIMATE PERFORMANCE 369
BIBLIOGRAPHY 379
INDEX 399
|
| adam_txt |
CONTENTS
ACKNOWLEDGMENTS IX
INTRODUCTION 3
PART 1: BACKGROUND STAGES
CHAPTER 1
PERFORMANCE AT HULL-HOUSE: MUSEUM, MICROFICHE,
AND HISTORIOGRAPHY 31
CHAPTER 2
PERFORMING SHOW AND TELL: ON THE DISCIPLINARY PROBLEMS
OF MIXED-MEDIA PRACTICE 67
CHAPTER 3
THEATRICALITY'S PROPER OBJECTS: GENEALOGIES OF PERFORMANCE
AND GENDER THEORY 83
CHAPTER 4
WHEN "EVERYTHING COUNTS": EXPERIMENTAL PERFORMANCE
AND PERFORMANCE HISTORIOGRAPHY 107
CHAPTER 5
RESIST SINGULARITY 127
CHAPTER 6
RHETORIC IN RUINS: PERFORMING LITERATURE AND PERFORMANCE STUDIES 133
CHAPTER 7
LIVING TAKES MANY FORMS: CREATIVE TIME 151
PART 2: THE ARTS AT WORK
CHAPTER 8
LIFE POLITICS/LIFE AESTHETICS: ENVIRONMENTAL PERFORMANCE
IN RED, BLACK & GREEN: A BLUES
163
CHAPTER 9
ELMGREEN 8C DRAGSET'S THEATRICAL TURN
185
CHAPTER 10
PERFORMATIVITY AND ITS ADDRESSEE: WALKER ART COLLECTION 199
CHAPTER 11
JUST-IN-TIME: PERFORMANCE AND THE AESTHETICS OF PRECARITY 223
CHAPTER 12
SEVEN WAYS TO LOOK AT WINDOWS: HARRELL FLETCHER 251
CHAPTER 13
COUNTERCARNIVAL IN A PERFORMANCE-FRIENDLY WORLD: EN MAS* 261
CHAPTER 14
UTOPIAN OPERATING SYSTEMS: THEASTER GATES'S WAY OF WORKING 279
CHAPTER 15
TRUSTING PUBLICS: PAUL RAMIREZ JONAS 293
PART 3: RESTAGINGS
CHAPTER 16
THE WAY WE PERFORM NOW 3 05
CHAPTER 17
DRAMA AND OTHER TIME-BASED ARTS 319
CHAPTER 18
ASSEMBLIES: PUBLIC PARTICIPATION, HETERONOMOUS WORLDS 341
EPILOGUE: ESSENTIAL LABOR AND PROXIMATE PERFORMANCE 369
BIBLIOGRAPHY 379
INDEX 399 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Jackson, Shannon 1967- |
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| author_role | aut |
| author_sort | Jackson, Shannon 1967- |
| author_variant | s j sj |
| building | Verbundindex |
| bvnumber | BV049496208 |
| contents | Performance at Hull-House: Museum, Microfiche, and Historiography -- Performing Show and Tell: On the Disciplinary Problems of Mixed-Media Practice -- Theatricality's Proper Objects: Genealogies of Performance and Gender Theory -- When "Everything Counts": Experimental Performance and Performance Historiography -- Resist Singularity -- Rhetoric in Ruins: Performing Literature and Performance Studies -- Living Takes Many Forms: Creative Time -- Life Politics/Life Aesthetics: Environmental Performance in red, black & GREEN: a blues -- Elmgreen & Dragset's Theatrical Turn -- Performativity and Its Addressee: Walker Art Collection -- Just-in-Time: Performance and the Aesthetics of Precarity -- Seven Ways to Look at Windows: Harrell Fletcher -- Countercarnival in a Performance-Friendly World: En Mas' -- Utopian Operating Systems: Theaster Gates's Way of Working -- Trusting Publics: Paul Ramírez Jonas -- The Way We Perform Now -- Drama and Other Time-Based Arts -- Assemblies: Public Participation, Heteronomous Worlds -- Epilogue: Essential Labor and Proximate Performance |
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| series2 | Performance works |
| spelling | Jackson, Shannon 1967- Verfasser (DE-588)1012934268 aut Back stages essays across art, performance, and public life Shannon Jackson backstages Evanston, Illinois Northwestern University Press 2022 ix, 409 Seiten 21 Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Performance works Performance at Hull-House: Museum, Microfiche, and Historiography -- Performing Show and Tell: On the Disciplinary Problems of Mixed-Media Practice -- Theatricality's Proper Objects: Genealogies of Performance and Gender Theory -- When "Everything Counts": Experimental Performance and Performance Historiography -- Resist Singularity -- Rhetoric in Ruins: Performing Literature and Performance Studies -- Living Takes Many Forms: Creative Time -- Life Politics/Life Aesthetics: Environmental Performance in red, black & GREEN: a blues -- Elmgreen & Dragset's Theatrical Turn -- Performativity and Its Addressee: Walker Art Collection -- Just-in-Time: Performance and the Aesthetics of Precarity -- Seven Ways to Look at Windows: Harrell Fletcher -- Countercarnival in a Performance-Friendly World: En Mas' -- Utopian Operating Systems: Theaster Gates's Way of Working -- Trusting Publics: Paul Ramírez Jonas -- The Way We Perform Now -- Drama and Other Time-Based Arts -- Assemblies: Public Participation, Heteronomous Worlds -- Epilogue: Essential Labor and Proximate Performance Shannon Jackson explores a range of disciplinary, institutional, and political puzzles that engage the social and aesthetic practice of performance in this collection of twenty essential essays spanning her career. Back Stages starts by considering the historical connection between performance practice and movements of social reform, while later writings analyze disciplinary debates on the place of performance in higher education and within the contemporary field of socially engaged art, tracking fraught and allied relationships to literary studies, art history, visual culture, theater, social theory, and critical theory. At a time of increased aesthetic experimentation and political debate within the art world, these essays alight on artists, groups, and cultural organizations whose experiments have challenged conventions of curation and critique, including Theaster Gates, Paul Ramirez Jonas, Harrel Fletcher, and My Barbarian. Throughout Jackson navigates the political ambivalences of performance, from the late nineteenth to the twenty-first century, tracking shifts in participatory art that seek to resist capitalism, even as such performance work paradoxically risks neoliberal appropriation by a post-Fordist experience economy. Back Stages surfaces unexpected cross-disciplinary connections and provides new opportunities for mutual engagement within a wide network of educational, artistic, and civic sectors. A substantial introduction excavates the critical links between the essays and a variety of disciplines and movements. Ästhetik (DE-588)4000626-8 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Performing arts / Social aspects / United States Performing arts / United States Arts and society Arts du spectacle / Aspect social / États-Unis Arts du spectacle / États-Unis Arts et société PERFORMING ARTS / Theater / History & Criticism Performing arts Performing arts / Social aspects United States Art criticism Critiques d'art (DE-588)4143413-4 Aufsatzsammlung gnd-content Performance Künste (DE-588)4173750-7 s Darstellende Kunst (DE-588)4129566-3 s Ästhetik (DE-588)4000626-8 s DE-604 Erscheint auch als Online-Ausgabe 978-0-8101-4486-6 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034841430&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Jackson, Shannon 1967- Back stages essays across art, performance, and public life Performance at Hull-House: Museum, Microfiche, and Historiography -- Performing Show and Tell: On the Disciplinary Problems of Mixed-Media Practice -- Theatricality's Proper Objects: Genealogies of Performance and Gender Theory -- When "Everything Counts": Experimental Performance and Performance Historiography -- Resist Singularity -- Rhetoric in Ruins: Performing Literature and Performance Studies -- Living Takes Many Forms: Creative Time -- Life Politics/Life Aesthetics: Environmental Performance in red, black & GREEN: a blues -- Elmgreen & Dragset's Theatrical Turn -- Performativity and Its Addressee: Walker Art Collection -- Just-in-Time: Performance and the Aesthetics of Precarity -- Seven Ways to Look at Windows: Harrell Fletcher -- Countercarnival in a Performance-Friendly World: En Mas' -- Utopian Operating Systems: Theaster Gates's Way of Working -- Trusting Publics: Paul Ramírez Jonas -- The Way We Perform Now -- Drama and Other Time-Based Arts -- Assemblies: Public Participation, Heteronomous Worlds -- Epilogue: Essential Labor and Proximate Performance Ästhetik (DE-588)4000626-8 gnd Performance Künste (DE-588)4173750-7 gnd Darstellende Kunst (DE-588)4129566-3 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4173750-7 (DE-588)4129566-3 (DE-588)4143413-4 |
| title | Back stages essays across art, performance, and public life |
| title_alt | backstages |
| title_auth | Back stages essays across art, performance, and public life |
| title_exact_search | Back stages essays across art, performance, and public life |
| title_exact_search_txtP | Back stages essays across art, performance, and public life |
| title_full | Back stages essays across art, performance, and public life Shannon Jackson |
| title_fullStr | Back stages essays across art, performance, and public life Shannon Jackson |
| title_full_unstemmed | Back stages essays across art, performance, and public life Shannon Jackson |
| title_short | Back stages |
| title_sort | back stages essays across art performance and public life |
| title_sub | essays across art, performance, and public life |
| topic | Ästhetik (DE-588)4000626-8 gnd Performance Künste (DE-588)4173750-7 gnd Darstellende Kunst (DE-588)4129566-3 gnd |
| topic_facet | Ästhetik Performance Künste Darstellende Kunst Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034841430&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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