Film music: cognition to interpretation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
[2024]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | viii, 252 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781138586710 |
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Datensatz im Suchindex
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CONTENTS Acknowledgments vii Introduction 1 1 Empathy 6 2 CONTAINER Schema 23 3 LINEARITY Schema 37 4 SOURCE-PATH-GOAL CONTAINER Schemas 50 5 Affordances 64 6 Memory Auditory Perception 85 7 Archetypes 100 8 Associations 116 9 Categorization 125 10 Interpretive Transformations 146
vi Contents Appendix 1 Empathy 165 Appendix II Conceptual Metaphor and Image Schema 172 Appendix III Affordances 181 Appendix IV Memory 187 Appendix V Auditory Perception 194 Appendix VI Archetypes 203 Appendix VII Conceptual Integration 212 Appendix VIII Categorization 217 Appendix IX 223 Additional Examples References 229 Film, Filmmaker, and Composer Index 245 Subject Index 248
Film Music: Cognition to Interpretation explores the dynamic counterpoint between a film's soundtrack, its visuals and narrative, and the audience's perception and construction of meaning. Adopting a holistic approach covering both the humanities and the sciences—blending cognitive psychology, musical analysis, behavioral neuroscience, semiotics, linguistics, and other related fields—the author examines the perceptual and cognitive processes that elicit musical meaning in film and breathe life into our cinematic experiences. A clear and engaging writing style distills complex concepts, theories, and analytical methodologies into explanations accessible to readers from diverse disciplinary backgrounds, making it an indispensable companion for scholars and students of music, film studies, and cognition. Across ten chapters, extensive appendices, and hundreds of film references, Film Music: Cognition to Interpretation offers a new mode of analysis, inviting readers to unlock a deeper understanding of the expressive power of film music. |
| adam_txt |
CONTENTS Acknowledgments vii Introduction 1 1 Empathy 6 2 CONTAINER Schema 23 3 LINEARITY Schema 37 4 SOURCE-PATH-GOAL CONTAINER Schemas 50 5 Affordances 64 6 Memory Auditory Perception 85 7 Archetypes 100 8 Associations 116 9 Categorization 125 10 Interpretive Transformations 146
vi Contents Appendix 1 Empathy 165 Appendix II Conceptual Metaphor and Image Schema 172 Appendix III Affordances 181 Appendix IV Memory 187 Appendix V Auditory Perception 194 Appendix VI Archetypes 203 Appendix VII Conceptual Integration 212 Appendix VIII Categorization 217 Appendix IX 223 Additional Examples References 229 Film, Filmmaker, and Composer Index 245 Subject Index 248
Film Music: Cognition to Interpretation explores the dynamic counterpoint between a film's soundtrack, its visuals and narrative, and the audience's perception and construction of meaning. Adopting a holistic approach covering both the humanities and the sciences—blending cognitive psychology, musical analysis, behavioral neuroscience, semiotics, linguistics, and other related fields—the author examines the perceptual and cognitive processes that elicit musical meaning in film and breathe life into our cinematic experiences. A clear and engaging writing style distills complex concepts, theories, and analytical methodologies into explanations accessible to readers from diverse disciplinary backgrounds, making it an indispensable companion for scholars and students of music, film studies, and cognition. Across ten chapters, extensive appendices, and hundreds of film references, Film Music: Cognition to Interpretation offers a new mode of analysis, inviting readers to unlock a deeper understanding of the expressive power of film music. |
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| author | Chattah, Juan ca. 20./21. Jh |
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| dewey-full | 781.5/42 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
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| dewey-search | 781.5/42 |
| dewey-sort | 3781.5 242 |
| dewey-tens | 780 - Music |
| discipline | Allgemeines Musikwissenschaft |
| discipline_str_mv | Allgemeines Musikwissenschaft |
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| isbn | 9781138586710 |
| language | English |
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| spelling | Chattah, Juan ca. 20./21. Jh. Verfasser (DE-588)1316968588 aut Film music cognition to interpretation New York ; London Routledge [2024] viii, 252 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Filmmusik (DE-588)4017129-2 gnd rswk-swf Filmmusik (DE-588)4017129-2 s DE-604 Äquivalent Druck-Ausgabe, Hardcover 978-1-138-58670-3 Erscheint auch als Online-Ausgabe 978-0-429-50445-7 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034828861&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034828861&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Chattah, Juan ca. 20./21. Jh Film music cognition to interpretation Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 |
| title | Film music cognition to interpretation |
| title_auth | Film music cognition to interpretation |
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| title_short | Film music |
| title_sort | film music cognition to interpretation |
| title_sub | cognition to interpretation |
| topic | Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Filmmusik |
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