Romanticism and the Poetics of Orientation:
Confronts the racial and ethnic logics of the Oriental subject undergirding the development of Romantic poeticsDemonstrates how the construction of the modern lyric subject germinated during the Romantic period through the creation and invention of the "Oriental" subjectIt analyses works b...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2023]
|
| Schriftenreihe: | Edinburgh Critical Studies in Romanticism : ECSR
|
| Schlagworte: | |
| Online-Zugang: | DE-12 URL des Erstveröffentlichers |
| Zusammenfassung: | Confronts the racial and ethnic logics of the Oriental subject undergirding the development of Romantic poeticsDemonstrates how the construction of the modern lyric subject germinated during the Romantic period through the creation and invention of the "Oriental" subjectIt analyses works by Romantic-era authors, including William Jones, Coleridge, Percy Bysshe Shelley, Lord Byron, Felicia Hemans, William Blake and Phillis WheatleyUses the concepts of "orientations" and "Orient" to provide fresh readings of British Romantic poetryWhat happens when we redirect our lines of reading along new lines, borders, and orientations-those that fail to fit neatly into the cardinal directions of North, South, East, and West? What is, who stands for, and where exactly is the Orient" in British Romantic poetry? To where does the "Orient" lead? Romanticism and the Poetics of Orientation responds by tracing shifting orientations-cultural, geographical, aesthetic, racial, and gendered- through Orientalist sites, subjects, and settings. Kim coins the term "poetics of orientation" to describe a poetics newly aware of cultural difference as a site of aesthetic contestation. She focuses on the contestation that occurs at the site of the lyric subject. A "poetics of orientation", rather than situating the lyric subject in assumed racial whiteness, repositions the lyric subject within discussions of Orientalism and racial formation, tracing the white supremacist logics that have for too long been dismissed as inessential or nonconsequential to Romantic studies. |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) |
| Beschreibung: | 1 Online-Ressource (192 pages) 12 B/W illustrations 12 black & white illustrations |
| ISBN: | 9781399511278 |
| DOI: | 10.1515/9781399511278 |
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| 520 | |a Confronts the racial and ethnic logics of the Oriental subject undergirding the development of Romantic poeticsDemonstrates how the construction of the modern lyric subject germinated during the Romantic period through the creation and invention of the "Oriental" subjectIt analyses works by Romantic-era authors, including William Jones, Coleridge, Percy Bysshe Shelley, Lord Byron, Felicia Hemans, William Blake and Phillis WheatleyUses the concepts of "orientations" and "Orient" to provide fresh readings of British Romantic poetryWhat happens when we redirect our lines of reading along new lines, borders, and orientations-those that fail to fit neatly into the cardinal directions of North, South, East, and West? What is, who stands for, and where exactly is the Orient" in British Romantic poetry? To where does the "Orient" lead? Romanticism and the Poetics of Orientation responds by tracing shifting orientations-cultural, geographical, aesthetic, racial, and gendered- through Orientalist sites, subjects, and settings. Kim coins the term "poetics of orientation" to describe a poetics newly aware of cultural difference as a site of aesthetic contestation. She focuses on the contestation that occurs at the site of the lyric subject. A "poetics of orientation", rather than situating the lyric subject in assumed racial whiteness, repositions the lyric subject within discussions of Orientalism and racial formation, tracing the white supremacist logics that have for too long been dismissed as inessential or nonconsequential to Romantic studies. | ||
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| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| doi_str_mv | 10.1515/9781399511278 |
| format | Electronic eBook |
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| isbn | 9781399511278 |
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| spelling | Kim, Joey Verfasser aut Romanticism and the Poetics of Orientation Joey Kim Edinburgh Edinburgh University Press [2023] © 2023 1 Online-Ressource (192 pages) 12 B/W illustrations 12 black & white illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Critical Studies in Romanticism : ECSR Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) Confronts the racial and ethnic logics of the Oriental subject undergirding the development of Romantic poeticsDemonstrates how the construction of the modern lyric subject germinated during the Romantic period through the creation and invention of the "Oriental" subjectIt analyses works by Romantic-era authors, including William Jones, Coleridge, Percy Bysshe Shelley, Lord Byron, Felicia Hemans, William Blake and Phillis WheatleyUses the concepts of "orientations" and "Orient" to provide fresh readings of British Romantic poetryWhat happens when we redirect our lines of reading along new lines, borders, and orientations-those that fail to fit neatly into the cardinal directions of North, South, East, and West? What is, who stands for, and where exactly is the Orient" in British Romantic poetry? To where does the "Orient" lead? Romanticism and the Poetics of Orientation responds by tracing shifting orientations-cultural, geographical, aesthetic, racial, and gendered- through Orientalist sites, subjects, and settings. Kim coins the term "poetics of orientation" to describe a poetics newly aware of cultural difference as a site of aesthetic contestation. She focuses on the contestation that occurs at the site of the lyric subject. A "poetics of orientation", rather than situating the lyric subject in assumed racial whiteness, repositions the lyric subject within discussions of Orientalism and racial formation, tracing the white supremacist logics that have for too long been dismissed as inessential or nonconsequential to Romantic studies. In English Literary Studies LITERARY CRITICISM / Gothic & Romance bisacsh English literature 18th century History and criticism English literature 19th century History and criticism Romanticism Great Britain History https://doi.org/10.1515/9781399511278 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kim, Joey Romanticism and the Poetics of Orientation Literary Studies LITERARY CRITICISM / Gothic & Romance bisacsh English literature 18th century History and criticism English literature 19th century History and criticism Romanticism Great Britain History |
| title | Romanticism and the Poetics of Orientation |
| title_auth | Romanticism and the Poetics of Orientation |
| title_exact_search | Romanticism and the Poetics of Orientation |
| title_exact_search_txtP | Romanticism and the Poetics of Orientation |
| title_full | Romanticism and the Poetics of Orientation Joey Kim |
| title_fullStr | Romanticism and the Poetics of Orientation Joey Kim |
| title_full_unstemmed | Romanticism and the Poetics of Orientation Joey Kim |
| title_short | Romanticism and the Poetics of Orientation |
| title_sort | romanticism and the poetics of orientation |
| topic | Literary Studies LITERARY CRITICISM / Gothic & Romance bisacsh English literature 18th century History and criticism English literature 19th century History and criticism Romanticism Great Britain History |
| topic_facet | Literary Studies LITERARY CRITICISM / Gothic & Romance English literature 18th century History and criticism English literature 19th century History and criticism Romanticism Great Britain History |
| url | https://doi.org/10.1515/9781399511278 |
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