East Asian Film Remakes:
Considers the remake from a variety of critical and theoretical perspectives and positions it alongside other serialized cultural formsExamines the historical significance of the remake in revitalizing local industries and breathing life into established film genres (e.g., action-adventure, crime dr...
Gespeichert in:
Format: | Elektronisch E-Book |
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Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2023]
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Schriftenreihe: | Screen Serialities : SCSE
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Schlagworte: | |
Online-Zugang: | BSB01 FHA01 Volltext |
Zusammenfassung: | Considers the remake from a variety of critical and theoretical perspectives and positions it alongside other serialized cultural formsExamines the historical significance of the remake in revitalizing local industries and breathing life into established film genres (e.g., action-adventure, crime drama, romantic comedy, the Western, etc.)Draws attention to previously overlooked motion pictures produced in East Asia and acknowledges the significant contributions of several prolific yet neglected filmmakersRe-evaluates canonical texts and offers fresh assessments of legendary auteurs such as Ozu Yasujiro, Yu Hyun-mok, Miike Takashi, Johnnie To, and Stephen ChowShowcases the role of remakes in forging cross-cultural alliances - both within and beyond the East Asian region - while pointing toward prospects of increased transnational coproductions in the coming yearsThis wide-ranging, historically grounded exploration of motion picture remakes produced in East Asia brings together original contributions from experts in Chinese, Hong Kong, Japanese, South Korean, and Taiwanese cinemas and puts forth new ways of thinking about the remaking process as both a critically underappreciated form of artistic expression and an economically motivated industrial practice. Exploring everything from ethnic Korean filmmaker Lee Sang-il's Unforgiven (2013), a Japanese remake of Clint Eastwood's Western of the same title, to Stephen Chow's The Mermaid (2016), a Chinese slapstick reimagining of Walt Disney's The Little Mermaid (1989) and Hans Christian Andersen's 1837 fairy tale, East Asian Film Remakes contributes to a better understanding of cinematic remaking across the region and offers vital alternatives to the Eurocentric and Hollywood-focused approaches that have thus far dominated the field |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Aug 2023) |
Beschreibung: | 1 Online-Ressource (344 pages) 28 B/W illustrations |
ISBN: | 9781399508186 |
DOI: | 10.1515/9781399508186 |
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520 | |a Considers the remake from a variety of critical and theoretical perspectives and positions it alongside other serialized cultural formsExamines the historical significance of the remake in revitalizing local industries and breathing life into established film genres (e.g., action-adventure, crime drama, romantic comedy, the Western, etc.)Draws attention to previously overlooked motion pictures produced in East Asia and acknowledges the significant contributions of several prolific yet neglected filmmakersRe-evaluates canonical texts and offers fresh assessments of legendary auteurs such as Ozu Yasujiro, Yu Hyun-mok, Miike Takashi, Johnnie To, and Stephen ChowShowcases the role of remakes in forging cross-cultural alliances - both within and beyond the East Asian region - while pointing toward prospects of increased transnational coproductions in the coming yearsThis wide-ranging, historically grounded exploration of motion picture remakes produced in East Asia brings together original contributions from experts in Chinese, Hong Kong, Japanese, South Korean, and Taiwanese cinemas and puts forth new ways of thinking about the remaking process as both a critically underappreciated form of artistic expression and an economically motivated industrial practice. Exploring everything from ethnic Korean filmmaker Lee Sang-il's Unforgiven (2013), a Japanese remake of Clint Eastwood's Western of the same title, to Stephen Chow's The Mermaid (2016), a Chinese slapstick reimagining of Walt Disney's The Little Mermaid (1989) and Hans Christian Andersen's 1837 fairy tale, East Asian Film Remakes contributes to a better understanding of cinematic remaking across the region and offers vital alternatives to the Eurocentric and Hollywood-focused approaches that have thus far dominated the field | ||
546 | |a In English | ||
650 | 4 | |a Film, Media & Cultural Studies | |
650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
700 | 1 | |a Amit, Rea |e Sonstige |4 oth | |
700 | 1 | |a Bettinson, Gary |e Sonstige |4 oth | |
700 | 1 | |a Chan, Kenneth |e Sonstige |4 oth | |
700 | 1 | |a Chan, Kenneth |e Sonstige |4 oth | |
700 | 1 | |a Choe, Steve |e Sonstige |4 oth | |
700 | 1 | |a Choi, Jinhee |e Sonstige |4 oth | |
700 | 1 | |a Coates, Jennifer |e Sonstige |4 oth | |
700 | 1 | |a Diffrient, David Scott |e Sonstige |4 oth | |
700 | 1 | |a Diffrient, David Scott |e Sonstige |4 oth | |
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Datensatz im Suchindex
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id | DE-604.BV049468635 |
illustrated | Illustrated |
index_date | 2024-07-03T23:16:16Z |
indexdate | 2024-07-10T10:08:07Z |
institution | BVB |
isbn | 9781399508186 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034814264 |
oclc_num | 1414562731 |
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physical | 1 Online-Ressource (344 pages) 28 B/W illustrations |
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publisher | Edinburgh University Press |
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spelling | East Asian Film Remakes ed. by Kenneth Chan, David Scott Diffrient Edinburgh Edinburgh University Press [2023] © 2023 1 Online-Ressource (344 pages) 28 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Screen Serialities : SCSE Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Aug 2023) Considers the remake from a variety of critical and theoretical perspectives and positions it alongside other serialized cultural formsExamines the historical significance of the remake in revitalizing local industries and breathing life into established film genres (e.g., action-adventure, crime drama, romantic comedy, the Western, etc.)Draws attention to previously overlooked motion pictures produced in East Asia and acknowledges the significant contributions of several prolific yet neglected filmmakersRe-evaluates canonical texts and offers fresh assessments of legendary auteurs such as Ozu Yasujiro, Yu Hyun-mok, Miike Takashi, Johnnie To, and Stephen ChowShowcases the role of remakes in forging cross-cultural alliances - both within and beyond the East Asian region - while pointing toward prospects of increased transnational coproductions in the coming yearsThis wide-ranging, historically grounded exploration of motion picture remakes produced in East Asia brings together original contributions from experts in Chinese, Hong Kong, Japanese, South Korean, and Taiwanese cinemas and puts forth new ways of thinking about the remaking process as both a critically underappreciated form of artistic expression and an economically motivated industrial practice. Exploring everything from ethnic Korean filmmaker Lee Sang-il's Unforgiven (2013), a Japanese remake of Clint Eastwood's Western of the same title, to Stephen Chow's The Mermaid (2016), a Chinese slapstick reimagining of Walt Disney's The Little Mermaid (1989) and Hans Christian Andersen's 1837 fairy tale, East Asian Film Remakes contributes to a better understanding of cinematic remaking across the region and offers vital alternatives to the Eurocentric and Hollywood-focused approaches that have thus far dominated the field In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Amit, Rea Sonstige oth Bettinson, Gary Sonstige oth Chan, Kenneth Sonstige oth Choe, Steve Sonstige oth Choi, Jinhee Sonstige oth Coates, Jennifer Sonstige oth Diffrient, David Scott Sonstige oth Erscheint auch als Druck-Ausgabe 9781399508162 https://doi.org/10.1515/9781399508186 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | East Asian Film Remakes Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
title | East Asian Film Remakes |
title_auth | East Asian Film Remakes |
title_exact_search | East Asian Film Remakes |
title_exact_search_txtP | East Asian Film Remakes |
title_full | East Asian Film Remakes ed. by Kenneth Chan, David Scott Diffrient |
title_fullStr | East Asian Film Remakes ed. by Kenneth Chan, David Scott Diffrient |
title_full_unstemmed | East Asian Film Remakes ed. by Kenneth Chan, David Scott Diffrient |
title_short | East Asian Film Remakes |
title_sort | east asian film remakes |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production |
url | https://doi.org/10.1515/9781399508186 |
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