Literature, Art and Slavery: Ekphrastic Visions
Examines a range of literary responses to images drawn from the transatlantic slave trade and its aftermathA focus on texts that (with the obvious exception of David Dabydeen's 'Turner' [1994]) exist at the critical and canonical marginAn emphasis on Black Atlantic writers, designed t...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2023]
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| Schriftenreihe: | Edinburgh Critical Studies in Atlantic Literatures and Cultures : ECSALC
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| Schlagworte: | |
| Online-Zugang: | BSB01 FHA01 Volltext |
| Zusammenfassung: | Examines a range of literary responses to images drawn from the transatlantic slave trade and its aftermathA focus on texts that (with the obvious exception of David Dabydeen's 'Turner' [1994]) exist at the critical and canonical marginAn emphasis on Black Atlantic writers, designed to counter the bias in much ekphrastic criticism towards white authorsLocation of African American literature in conversation with African American as well as white American artSince around 2000, there has been a noticeable upsurge in critical work on the visual archive of Atlantic slavery, resulting in a host of important studies. While most of these contributions are weighted towards images created during the era of slavery itself, some critics have adopted a more historically far-reaching approach, exploring the ways in which such images live on beyond the original context of their production, circulation and consumption, returning imaginatively in different forms at different times and in different places. This book shares the fascination with the afterlives which such visual materials have enjoyed, but places the accent on how that posterity has evolved in the realms of literature, especially poetry. It focuses on transactions between texts written between the mid-1990s and 2020 and images of slavery that belong to British, American and (in one case) French traditions, as produced between c. 1779 and 1939 |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) |
| Beschreibung: | 1 Online-Ressource (240 pages) 6 B/W illustrations 20 colour illustrations |
| ISBN: | 9780748683550 |
| DOI: | 10.1515/9780748683550 |
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| spelling | Plasa, Carl Verfasser aut Literature, Art and Slavery Ekphrastic Visions Carl Plasa Edinburgh Edinburgh University Press [2023] © 2023 1 Online-Ressource (240 pages) 6 B/W illustrations 20 colour illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Critical Studies in Atlantic Literatures and Cultures : ECSALC Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) Examines a range of literary responses to images drawn from the transatlantic slave trade and its aftermathA focus on texts that (with the obvious exception of David Dabydeen's 'Turner' [1994]) exist at the critical and canonical marginAn emphasis on Black Atlantic writers, designed to counter the bias in much ekphrastic criticism towards white authorsLocation of African American literature in conversation with African American as well as white American artSince around 2000, there has been a noticeable upsurge in critical work on the visual archive of Atlantic slavery, resulting in a host of important studies. While most of these contributions are weighted towards images created during the era of slavery itself, some critics have adopted a more historically far-reaching approach, exploring the ways in which such images live on beyond the original context of their production, circulation and consumption, returning imaginatively in different forms at different times and in different places. This book shares the fascination with the afterlives which such visual materials have enjoyed, but places the accent on how that posterity has evolved in the realms of literature, especially poetry. It focuses on transactions between texts written between the mid-1990s and 2020 and images of slavery that belong to British, American and (in one case) French traditions, as produced between c. 1779 and 1939 In English Literary Studies LITERARY CRITICISM / General bisacsh https://doi.org/10.1515/9780748683550 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Plasa, Carl Literature, Art and Slavery Ekphrastic Visions Literary Studies LITERARY CRITICISM / General bisacsh |
| title | Literature, Art and Slavery Ekphrastic Visions |
| title_auth | Literature, Art and Slavery Ekphrastic Visions |
| title_exact_search | Literature, Art and Slavery Ekphrastic Visions |
| title_exact_search_txtP | Literature, Art and Slavery Ekphrastic Visions |
| title_full | Literature, Art and Slavery Ekphrastic Visions Carl Plasa |
| title_fullStr | Literature, Art and Slavery Ekphrastic Visions Carl Plasa |
| title_full_unstemmed | Literature, Art and Slavery Ekphrastic Visions Carl Plasa |
| title_short | Literature, Art and Slavery |
| title_sort | literature art and slavery ekphrastic visions |
| title_sub | Ekphrastic Visions |
| topic | Literary Studies LITERARY CRITICISM / General bisacsh |
| topic_facet | Literary Studies LITERARY CRITICISM / General |
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