Only Connect: Art and the Spectator in the Italian Renaissance
A leading art historian's plea for a more engaged reading of Italian Renaissance artOnly Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic function...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Princeton, NJ
Princeton University Press
[2023]
|
| Series: | The A. W. Mellon Lectures in the Fine Arts
35 |
| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | A leading art historian's plea for a more engaged reading of Italian Renaissance artOnly Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. John Shearman's concern is mostly with anterior relationships with the viewer-that is, relationships conceived and constructed as part of a work's design, making, and positioning. He proposes unconventional ways in which works of art may be distinguished from one another, and in which spectators may be distinguished as well, and enlarges the accepted field of artistic invention. Only Connect challenges us to recognize the presuppositions of Renaissance artists about their viewers, shining a light on the process of discovery by some of the most inventive and intellectual artists of the period |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) |
| Physical Description: | 1 Online-Ressource (286 pages) 231 b/w illus |
| ISBN: | 9780691252728 |
| DOI: | 10.1515/9780691252728 |
Staff View
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| spelling | Shearman, John K.G. Verfasser aut Only Connect Art and the Spectator in the Italian Renaissance John K.G. Shearman Princeton, NJ Princeton University Press [2023] © 1992 1 Online-Ressource (286 pages) 231 b/w illus txt rdacontent c rdamedia cr rdacarrier The A. W. Mellon Lectures in the Fine Arts 35 Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) A leading art historian's plea for a more engaged reading of Italian Renaissance artOnly Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. John Shearman's concern is mostly with anterior relationships with the viewer-that is, relationships conceived and constructed as part of a work's design, making, and positioning. He proposes unconventional ways in which works of art may be distinguished from one another, and in which spectators may be distinguished as well, and enlarges the accepted field of artistic invention. Only Connect challenges us to recognize the presuppositions of Renaissance artists about their viewers, shining a light on the process of discovery by some of the most inventive and intellectual artists of the period In English ART / History / Renaissance bisacsh Art, Italian Art, Renaissance Italy Audiences Psychology https://doi.org/10.1515/9780691252728 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Shearman, John K.G Only Connect Art and the Spectator in the Italian Renaissance ART / History / Renaissance bisacsh Art, Italian Art, Renaissance Italy Audiences Psychology |
| title | Only Connect Art and the Spectator in the Italian Renaissance |
| title_auth | Only Connect Art and the Spectator in the Italian Renaissance |
| title_exact_search | Only Connect Art and the Spectator in the Italian Renaissance |
| title_exact_search_txtP | Only Connect Art and the Spectator in the Italian Renaissance |
| title_full | Only Connect Art and the Spectator in the Italian Renaissance John K.G. Shearman |
| title_fullStr | Only Connect Art and the Spectator in the Italian Renaissance John K.G. Shearman |
| title_full_unstemmed | Only Connect Art and the Spectator in the Italian Renaissance John K.G. Shearman |
| title_short | Only Connect |
| title_sort | only connect art and the spectator in the italian renaissance |
| title_sub | Art and the Spectator in the Italian Renaissance |
| topic | ART / History / Renaissance bisacsh Art, Italian Art, Renaissance Italy Audiences Psychology |
| topic_facet | ART / History / Renaissance Art, Italian Art, Renaissance Italy Audiences Psychology |
| url | https://doi.org/10.1515/9780691252728 |
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