The Cambridge companion to British theatre since 1945:
"British theatre underwent a vast transformation and expansion in the decades after World War II. This Companion explores the historical, political, and social contexts and conditions that not only allowed it to expand but, crucially, shaped it. Resisting a critical tendency to focus on plays a...
Gespeichert in:
| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2024
|
| Schriftenreihe: | Cambridge companions to theatre and performance
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "British theatre underwent a vast transformation and expansion in the decades after World War II. This Companion explores the historical, political, and social contexts and conditions that not only allowed it to expand but, crucially, shaped it. Resisting a critical tendency to focus on plays alone, the collection expands understanding of British theatre by illuminating contexts such as funding, unionisation, devolution, immigration, and changes to legislation. Divided into four parts, it guides readers through changing attitudes to theatre-making (acting, directing, writing), theatre sectors (West End, subsidised, Fringe), theatre communities (audiences, Black theatre, queer theatre), and theatre's relationship to the state (government, infrastructure, nationhood). Supplemented by a valuable Chronology and Guide to Further Reading, it presents up-to-date approaches informed by critical race theory, queer studies, audience studies, and archival research to demonstrate important new ways of conceptualising post-war British theatre's history, practices and potential futures." |
| Beschreibung: | xl, 283 Seiten Illustrationen |
| ISBN: | 9781108432382 9781108421805 |
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| 520 | 3 | |a "British theatre underwent a vast transformation and expansion in the decades after World War II. This Companion explores the historical, political, and social contexts and conditions that not only allowed it to expand but, crucially, shaped it. Resisting a critical tendency to focus on plays alone, the collection expands understanding of British theatre by illuminating contexts such as funding, unionisation, devolution, immigration, and changes to legislation. Divided into four parts, it guides readers through changing attitudes to theatre-making (acting, directing, writing), theatre sectors (West End, subsidised, Fringe), theatre communities (audiences, Black theatre, queer theatre), and theatre's relationship to the state (government, infrastructure, nationhood). Supplemented by a valuable Chronology and Guide to Further Reading, it presents up-to-date approaches informed by critical race theory, queer studies, audience studies, and archival research to demonstrate important new ways of conceptualising post-war British theatre's history, practices and potential futures." | |
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Datensatz im Suchindex
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| adam_text |
Contents List ofIllustrations List of Contributors Acknowledgements Chronology of British Theatre since 1945 page vii ix xii xiii Introduction Jen Harvie and Dan Rebellato I PART I THEATRE MAKERS I Playwrights: Collectivity and Collaboration Dan Rebellato 23 2 Directors: Organisation, Authorship, and Social Production Tom Six 42 3 Actors: A History of Service Aoife Monks 61 PART II THEATRE SECTORS 4 5 6 West End and Commercial Theatre: Crisis, Change, and Continuity Rachel Clements 83 Subsidised Theatre: Strength, Elitism, Metropolitanism, Racism Jen Harvie 102 The Fringe: The Rise and Fall of Radical Alternative Theatre Dan Rebellato with Jen Harvie 123 V
vi Contents PART III THEATRE COMMUNITIES 7 Audiences: Ownership, Interaction, Agency Helen Freshwater 147 8 Black British Theatre: Blackouts and Spotlights Vanessa Damilola Macaulay i66 9 Queer Theatre: Reclaiming Histories, Historicising, and Hope Sarah Jane Mullan 185 PART IV THEATRE AND STATE io 11 12 Government, Policy, and Censorship in Post-war British Theatre Louise Owen 209 Buildings and the Political Economy of Theatre Financing in Britain Michael McKinnie 229 Regions and Nations: The Myth of Levelling Up Trish Reid Further Reading Index 246 264 2-74 |
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| contents | Playwrights : collectivity and collaboration / Dan Rebellato -- Directors : organisation, authorship, and social production / Tom Cornford -- Actors : a history of service / Aoife Monks -- West End and commercial theatre : crisis, change, and continuity / Rachel Clements -- Subsidised theatre : strength, elitism, metropolitanism, racism / Jen Harvie -- The fringe : the rise and fall of radical alternative theatre / Dan Rebellato with Jen Harvie -- Audiences : ownership, interaction, agency / Helen Freshwater -- Black British theatre : blackouts and spotlights / Vanessa Damilola Macaulay -- Queer theatre : reclaiming histories, historicising, and hope / Sarah Jane Mullan -- Government, policy and censorship in post-war British theatre / Louise Owen -- Buildings and the political economy of theatre financing in Britain / Michael McKinnie -- Regions and nations : the myth of levelling up / Trish Reid |
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| spelling | The Cambridge companion to British theatre since 1945 edited by Jen Harvie, Dan Rebellato Companion to British theatre since 1945 British theatre since 1945 British theatre since nineteen forty-five Cambridge Cambridge University Press 2024 xl, 283 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Cambridge companions to theatre and performance Playwrights : collectivity and collaboration / Dan Rebellato -- Directors : organisation, authorship, and social production / Tom Cornford -- Actors : a history of service / Aoife Monks -- West End and commercial theatre : crisis, change, and continuity / Rachel Clements -- Subsidised theatre : strength, elitism, metropolitanism, racism / Jen Harvie -- The fringe : the rise and fall of radical alternative theatre / Dan Rebellato with Jen Harvie -- Audiences : ownership, interaction, agency / Helen Freshwater -- Black British theatre : blackouts and spotlights / Vanessa Damilola Macaulay -- Queer theatre : reclaiming histories, historicising, and hope / Sarah Jane Mullan -- Government, policy and censorship in post-war British theatre / Louise Owen -- Buildings and the political economy of theatre financing in Britain / Michael McKinnie -- Regions and nations : the myth of levelling up / Trish Reid "British theatre underwent a vast transformation and expansion in the decades after World War II. This Companion explores the historical, political, and social contexts and conditions that not only allowed it to expand but, crucially, shaped it. Resisting a critical tendency to focus on plays alone, the collection expands understanding of British theatre by illuminating contexts such as funding, unionisation, devolution, immigration, and changes to legislation. Divided into four parts, it guides readers through changing attitudes to theatre-making (acting, directing, writing), theatre sectors (West End, subsidised, Fringe), theatre communities (audiences, Black theatre, queer theatre), and theatre's relationship to the state (government, infrastructure, nationhood). Supplemented by a valuable Chronology and Guide to Further Reading, it presents up-to-date approaches informed by critical race theory, queer studies, audience studies, and archival research to demonstrate important new ways of conceptualising post-war British theatre's history, practices and potential futures." Geschichte 1945-2022 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Theatre / Great Britain / History / 20th century Theatre / Great Britain / History / 21st century Theater Great Britain 1900-2099 History (DE-588)4143413-4 Aufsatzsammlung gnd-content Großbritannien (DE-588)4022153-2 g Theater (DE-588)4059702-7 s Geschichte 1945-2022 z DE-604 Harvie, Jen (DE-588)141924969 edt Rebellato, Dan 1968- (DE-588)14004714X edt Erscheint auch als Online-Ausgabe 978-1-108-37785-0 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034788968&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Cambridge companion to British theatre since 1945 Playwrights : collectivity and collaboration / Dan Rebellato -- Directors : organisation, authorship, and social production / Tom Cornford -- Actors : a history of service / Aoife Monks -- West End and commercial theatre : crisis, change, and continuity / Rachel Clements -- Subsidised theatre : strength, elitism, metropolitanism, racism / Jen Harvie -- The fringe : the rise and fall of radical alternative theatre / Dan Rebellato with Jen Harvie -- Audiences : ownership, interaction, agency / Helen Freshwater -- Black British theatre : blackouts and spotlights / Vanessa Damilola Macaulay -- Queer theatre : reclaiming histories, historicising, and hope / Sarah Jane Mullan -- Government, policy and censorship in post-war British theatre / Louise Owen -- Buildings and the political economy of theatre financing in Britain / Michael McKinnie -- Regions and nations : the myth of levelling up / Trish Reid Theater (DE-588)4059702-7 gnd |
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| title | The Cambridge companion to British theatre since 1945 |
| title_alt | Companion to British theatre since 1945 British theatre since 1945 British theatre since nineteen forty-five |
| title_auth | The Cambridge companion to British theatre since 1945 |
| title_exact_search | The Cambridge companion to British theatre since 1945 |
| title_exact_search_txtP | The Cambridge companion to British theatre since 1945 |
| title_full | The Cambridge companion to British theatre since 1945 edited by Jen Harvie, Dan Rebellato |
| title_fullStr | The Cambridge companion to British theatre since 1945 edited by Jen Harvie, Dan Rebellato |
| title_full_unstemmed | The Cambridge companion to British theatre since 1945 edited by Jen Harvie, Dan Rebellato |
| title_short | The Cambridge companion to British theatre since 1945 |
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