Deep Ellum and Central Track: where the cultures converged
"Just outside of downtown Dallas lies a section of the city called Deep Ellum, where graffiti and murals decorate the walls of trendy shops, loft apartments, restaurants, nightclubs, art galleries, and tattoo studios. The area has been home to a remarkable array of businesses, creatives, and ar...
Gespeichert in:
Hauptverfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Dallas, Texas
La Reunion Publishing
[2022]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Just outside of downtown Dallas lies a section of the city called Deep Ellum, where graffiti and murals decorate the walls of trendy shops, loft apartments, restaurants, nightclubs, art galleries, and tattoo studios. The area has been home to a remarkable array of businesses, creatives, and artistic practices since its birth 150 years ago as a Black center of business. Because of the area's long association with blues and jazz musicians, Deep Ellum has been shrouded in myth and misconceptions which obscure its actual history. Alan Govenar and Jay Brakefield-using oral histories, old newspapers and photographs, city directories and maps, as well as more traditional public records and secondary sources-reveal another side of Deep Ellum which includes Central Track (formerly called Central Avenue), an area lined with Black-owned businesses which served both Black and white patrons during its heyday in the 1920s and 30s. In the Deep Ellum and Central Track areas, African Americans and whites, primarily Eastern European Jews, operated businesses from the late 19th to the mid-20th centuries, creating a unique social climate where cultural interaction took place. Much of the information in the book is presented through the stories of remarkable individuals, including professionals, pawnbrokers and other merchants, police officers, criminals, and the blues and jazz musicians who had a lasting impact on American popular music"-- |
Beschreibung: | 307 Seiten Illustrationen 24 cm |
ISBN: | 9781646053117 |
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505 | 8 | |a "Deep Elem Blues" : song of the street -- The railroads create Deep Ellum -- William Sidney Pittman : architect of Deep Ellum -- Black Dallas -- Jewish Pawnbrokers and merchants of Deep Ellum -- Blind Lemon Jefferson : downhome blues -- The contemporaries of Blind Lemon -- Blind Willie Johnson and Arizona Dranes: the "Holy Blues" of Deep Ellum -- Alex Moore : Dallas piano blues -- Buster Smith : Dallas jazz goes to Kansas City and New York -- Marvin Montgomery : the cross-fertilization of white and Black musical styles -- The contemporaries of Marvin Montgomery : western swing, Texas fiddling, and the Big "D" Jamboree -- Benny Binion : gambling and the policy racket -- Deep Ellum's just too doggone slow : decline and rebirth | |
520 | 3 | |a "Just outside of downtown Dallas lies a section of the city called Deep Ellum, where graffiti and murals decorate the walls of trendy shops, loft apartments, restaurants, nightclubs, art galleries, and tattoo studios. The area has been home to a remarkable array of businesses, creatives, and artistic practices since its birth 150 years ago as a Black center of business. Because of the area's long association with blues and jazz musicians, Deep Ellum has been shrouded in myth and misconceptions which obscure its actual history. Alan Govenar and Jay Brakefield-using oral histories, old newspapers and photographs, city directories and maps, as well as more traditional public records and secondary sources-reveal another side of Deep Ellum which includes Central Track (formerly called Central Avenue), an area lined with Black-owned businesses which served both Black and white patrons during its heyday in the 1920s and 30s. In the Deep Ellum and Central Track areas, African Americans and whites, primarily Eastern European Jews, operated businesses from the late 19th to the mid-20th centuries, creating a unique social climate where cultural interaction took place. Much of the information in the book is presented through the stories of remarkable individuals, including professionals, pawnbrokers and other merchants, police officers, criminals, and the blues and jazz musicians who had a lasting impact on American popular music"-- | |
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Datensatz im Suchindex
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---|---|
adam_text |
CONTENTS Preface 7 Introduction 11 CHAPTER ONE : “Deep Elem Blues”: Song of the Street : CHAPTER TWO The Railroads Create Deep Ellum CHAPTER THR Black Dallas SI E: Jewish Pawnbrokers and Merchants of Deep Ellum 90 EN: The Contemporaries of Blind Lemon CHAPTER EIG 78 : Blind Lemon Jefferson: Downhome Blues CHAPTER SEV 42 R: CHAPTER FOU CHAPTER SIX 33 EE: William Sidney Pittman: Architect of Deep Ellum CHAPTER FIV 19 113 HT: Blind Willie Johnson and Arizona Dranes: The “Holy Blues” of Deep Ellum CHAPTER NIN 123 E: Alex Moore: Dallas Piano Blues 133 CHAPTER TEN: Buster Smith: Dallas Jazz Goes to Kansas City and New York CHAPTER ELEV 145 EN: Marvin Montgomery: The Cross-Fertilization of White and Black Musical Styles 162
CHAPTER TWELVE: The Contemporaries of Marvin Montgomery: Western Swing, Texas Fiddling, and the Big "D" Jamboree 182 CHAPTER THIRTEEN: Benny Binion: Gambling and the Policy Racket 199 CHAPTER FOURTEEN: Deep Ellum’s Just Too Doggone Slow: Decline and Rebirth Postscript Notes 224 227 Selected Discography Bibliography Index 285 274 241 212 |
adam_txt |
CONTENTS Preface 7 Introduction 11 CHAPTER ONE : “Deep Elem Blues”: Song of the Street : CHAPTER TWO The Railroads Create Deep Ellum CHAPTER THR Black Dallas SI E: Jewish Pawnbrokers and Merchants of Deep Ellum 90 EN: The Contemporaries of Blind Lemon CHAPTER EIG 78 : Blind Lemon Jefferson: Downhome Blues CHAPTER SEV 42 R: CHAPTER FOU CHAPTER SIX 33 EE: William Sidney Pittman: Architect of Deep Ellum CHAPTER FIV 19 113 HT: Blind Willie Johnson and Arizona Dranes: The “Holy Blues” of Deep Ellum CHAPTER NIN 123 E: Alex Moore: Dallas Piano Blues 133 CHAPTER TEN: Buster Smith: Dallas Jazz Goes to Kansas City and New York CHAPTER ELEV 145 EN: Marvin Montgomery: The Cross-Fertilization of White and Black Musical Styles 162
CHAPTER TWELVE: The Contemporaries of Marvin Montgomery: Western Swing, Texas Fiddling, and the Big "D" Jamboree 182 CHAPTER THIRTEEN: Benny Binion: Gambling and the Policy Racket 199 CHAPTER FOURTEEN: Deep Ellum’s Just Too Doggone Slow: Decline and Rebirth Postscript Notes 224 227 Selected Discography Bibliography Index 285 274 241 212 |
any_adam_object | 1 |
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author | Govenar, Alan B. 1952- Brakefield, Jay |
author_GND | (DE-588)137688776 (DE-588)1069694134 |
author_facet | Govenar, Alan B. 1952- Brakefield, Jay |
author_role | aut aut |
author_sort | Govenar, Alan B. 1952- |
author_variant | a b g ab abg j b jb |
building | Verbundindex |
bvnumber | BV049413717 |
contents | "Deep Elem Blues" : song of the street -- The railroads create Deep Ellum -- William Sidney Pittman : architect of Deep Ellum -- Black Dallas -- Jewish Pawnbrokers and merchants of Deep Ellum -- Blind Lemon Jefferson : downhome blues -- The contemporaries of Blind Lemon -- Blind Willie Johnson and Arizona Dranes: the "Holy Blues" of Deep Ellum -- Alex Moore : Dallas piano blues -- Buster Smith : Dallas jazz goes to Kansas City and New York -- Marvin Montgomery : the cross-fertilization of white and Black musical styles -- The contemporaries of Marvin Montgomery : western swing, Texas fiddling, and the Big "D" Jamboree -- Benny Binion : gambling and the policy racket -- Deep Ellum's just too doggone slow : decline and rebirth |
ctrlnum | (OCoLC)1418696694 (DE-599)BVBBV049413717 |
era | Sozialgeschichte gnd |
era_facet | Sozialgeschichte |
format | Book |
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geographic | Deep Ellum, Tex. (DE-588)4565313-6 gnd |
geographic_facet | Deep Ellum, Tex. |
id | DE-604.BV049413717 |
illustrated | Illustrated |
index_date | 2024-07-03T23:06:39Z |
indexdate | 2024-11-26T15:00:50Z |
institution | BVB |
isbn | 9781646053117 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034740722 |
oclc_num | 1418696694 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 307 Seiten Illustrationen 24 cm |
psigel | BSB_NED_20240123 |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | La Reunion Publishing |
record_format | marc |
spelling | Govenar, Alan B. 1952- Verfasser (DE-588)137688776 aut Deep Ellum and Central Track where the cultures converged Alan Govenar, Jay Brakefield Dallas, Texas La Reunion Publishing [2022] © 2022 307 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier "Deep Elem Blues" : song of the street -- The railroads create Deep Ellum -- William Sidney Pittman : architect of Deep Ellum -- Black Dallas -- Jewish Pawnbrokers and merchants of Deep Ellum -- Blind Lemon Jefferson : downhome blues -- The contemporaries of Blind Lemon -- Blind Willie Johnson and Arizona Dranes: the "Holy Blues" of Deep Ellum -- Alex Moore : Dallas piano blues -- Buster Smith : Dallas jazz goes to Kansas City and New York -- Marvin Montgomery : the cross-fertilization of white and Black musical styles -- The contemporaries of Marvin Montgomery : western swing, Texas fiddling, and the Big "D" Jamboree -- Benny Binion : gambling and the policy racket -- Deep Ellum's just too doggone slow : decline and rebirth "Just outside of downtown Dallas lies a section of the city called Deep Ellum, where graffiti and murals decorate the walls of trendy shops, loft apartments, restaurants, nightclubs, art galleries, and tattoo studios. The area has been home to a remarkable array of businesses, creatives, and artistic practices since its birth 150 years ago as a Black center of business. Because of the area's long association with blues and jazz musicians, Deep Ellum has been shrouded in myth and misconceptions which obscure its actual history. Alan Govenar and Jay Brakefield-using oral histories, old newspapers and photographs, city directories and maps, as well as more traditional public records and secondary sources-reveal another side of Deep Ellum which includes Central Track (formerly called Central Avenue), an area lined with Black-owned businesses which served both Black and white patrons during its heyday in the 1920s and 30s. In the Deep Ellum and Central Track areas, African Americans and whites, primarily Eastern European Jews, operated businesses from the late 19th to the mid-20th centuries, creating a unique social climate where cultural interaction took place. Much of the information in the book is presented through the stories of remarkable individuals, including professionals, pawnbrokers and other merchants, police officers, criminals, and the blues and jazz musicians who had a lasting impact on American popular music"-- Sozialgeschichte gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Handel (DE-588)4023222-0 gnd rswk-swf Multikulturelle Gesellschaft (DE-588)4214151-5 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Kulturkontakt (DE-588)4033569-0 gnd rswk-swf Blues (DE-588)4132568-0 gnd rswk-swf Deep Ellum, Tex. (DE-588)4565313-6 gnd rswk-swf Popular music / Texas / Dallas / History and criticism African Americans / Texas / Dallas / Music / History and criticism Deep Ellum (Dallas, Tex.) / History Deep Ellum (Dallas, Tex.) / Social life and customs Dallas (Tex.) / History Dallas (Tex.) / Social life and customs Dallas (Tex.) / Race relations Musique populaire / Texas / Dallas / Histoire et critique African Americans / Music Manners and customs Popular music Race relations Texas / Dallas Texas / Dallas / Deep Ellum Criticism, interpretation, etc History Deep Ellum, Tex. (DE-588)4565313-6 g Multikulturelle Gesellschaft (DE-588)4214151-5 s Blues (DE-588)4132568-0 s Jazz (DE-588)4028532-7 s Musikleben (DE-588)4075128-4 s Handel (DE-588)4023222-0 s Kulturkontakt (DE-588)4033569-0 s Sozialgeschichte z DE-604 Brakefield, Jay Verfasser (DE-588)1069694134 aut Erscheint auch als Online-Ausgabe 9781646053261 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034740722&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Govenar, Alan B. 1952- Brakefield, Jay Deep Ellum and Central Track where the cultures converged "Deep Elem Blues" : song of the street -- The railroads create Deep Ellum -- William Sidney Pittman : architect of Deep Ellum -- Black Dallas -- Jewish Pawnbrokers and merchants of Deep Ellum -- Blind Lemon Jefferson : downhome blues -- The contemporaries of Blind Lemon -- Blind Willie Johnson and Arizona Dranes: the "Holy Blues" of Deep Ellum -- Alex Moore : Dallas piano blues -- Buster Smith : Dallas jazz goes to Kansas City and New York -- Marvin Montgomery : the cross-fertilization of white and Black musical styles -- The contemporaries of Marvin Montgomery : western swing, Texas fiddling, and the Big "D" Jamboree -- Benny Binion : gambling and the policy racket -- Deep Ellum's just too doggone slow : decline and rebirth Musikleben (DE-588)4075128-4 gnd Handel (DE-588)4023222-0 gnd Multikulturelle Gesellschaft (DE-588)4214151-5 gnd Jazz (DE-588)4028532-7 gnd Kulturkontakt (DE-588)4033569-0 gnd Blues (DE-588)4132568-0 gnd |
subject_GND | (DE-588)4075128-4 (DE-588)4023222-0 (DE-588)4214151-5 (DE-588)4028532-7 (DE-588)4033569-0 (DE-588)4132568-0 (DE-588)4565313-6 |
title | Deep Ellum and Central Track where the cultures converged |
title_auth | Deep Ellum and Central Track where the cultures converged |
title_exact_search | Deep Ellum and Central Track where the cultures converged |
title_exact_search_txtP | Deep Ellum and Central Track where the cultures converged |
title_full | Deep Ellum and Central Track where the cultures converged Alan Govenar, Jay Brakefield |
title_fullStr | Deep Ellum and Central Track where the cultures converged Alan Govenar, Jay Brakefield |
title_full_unstemmed | Deep Ellum and Central Track where the cultures converged Alan Govenar, Jay Brakefield |
title_short | Deep Ellum and Central Track |
title_sort | deep ellum and central track where the cultures converged |
title_sub | where the cultures converged |
topic | Musikleben (DE-588)4075128-4 gnd Handel (DE-588)4023222-0 gnd Multikulturelle Gesellschaft (DE-588)4214151-5 gnd Jazz (DE-588)4028532-7 gnd Kulturkontakt (DE-588)4033569-0 gnd Blues (DE-588)4132568-0 gnd |
topic_facet | Musikleben Handel Multikulturelle Gesellschaft Jazz Kulturkontakt Blues Deep Ellum, Tex. |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034740722&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT govenaralanb deepellumandcentraltrackwheretheculturesconverged AT brakefieldjay deepellumandcentraltrackwheretheculturesconverged |