Mutʿat al-asmāʿ fī ʿilm al-samāʿ, The Ears' Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253):
"The manuscript from the thirteenth century deals with musicians' behaviour at the court; singers' qualities; the eminence of music and its effect on people and animals; the importance of drinking when listening to music; the process of composition; rhythmic and melodic modes, and rep...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Leiden ; Boston
Brill
[2024]
|
| Series: | Islamic history and civilization
volume 206 |
| Subjects: | |
| Online Access: | DE-12 UBY01l Volltext |
| Summary: | "The manuscript from the thirteenth century deals with musicians' behaviour at the court; singers' qualities; the eminence of music and its effect on people and animals; the importance of drinking when listening to music; the process of composition; rhythmic and melodic modes, and repertoire in Andalusia, the Maghreb, Persia and the Middle East; Andalusian song lyrics and the appearance of new poetic forms such as the zajal and the muwashshaḥ; Andalusian musical instruments; dances of Egypt, Iraq, Syria, India and China; Andalusian dances and shadow plays and shadow dancers; aesthetics of dance; poems describing the dances"-- |
| Item Description: | ... al-Tīfāshī was born in Tīfāsh, Tunisia, traveled to Egypt and Syria, studied in Cairo, worked as a judge in Tunisia, and finally returned to Cairo where he died." page [XI] |
| Physical Description: | XVII, 226 Seiten 24 cm x 16 cm |
| ISBN: | 9789004542785 |
| DOI: | 10.1163/9789004542785 |
Staff View
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| 245 | 1 | 0 | |a Mutʿat al-asmāʿ fī ʿilm al-samāʿ, The Ears' Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253) |c by George Dimitri Sawa |
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| 490 | 1 | |a Islamic history and civilization |v volume 206 | |
| 500 | |a ... al-Tīfāshī was born in Tīfāsh, Tunisia, traveled to Egypt and Syria, studied in Cairo, worked as a judge in Tunisia, and finally returned to Cairo where he died." page [XI] | ||
| 505 | 8 | |a The Eminence of Listening to Music above All Else, and the Superiority of Melodies and the Wonderful Effects They Have on the Human Body -- The Importance of Listening to Singing While Drinking and the Exclusive Usefulness of Listening While Drinking over Other Activities -- When It Is Appropriate to Listen and Drink -- The Order of Singing in a Drinking Majlis -- The Poetical Qualities That Complete the Pleasure of the Listener When Added to Music -- How the Strings Wondrously Affect the Four Humors That Make Up the Human Body -- About the Divine Secret Causing the Effects of Melodies on the Souls of Humans and Animals -- The Singer's Excellent Qualities -- How to Listen to Singing in the Musical Majlis -- The Singing Styles of People of Different Regions and the Repertoire of the People of the Maghrib -- Andalusian Musical Laws : [The Composers and] Their Instruments -- The Origin of the Old Singing and the Modes Used in All the Songs of the Arabs and the Persians in the Eastern and Western Empire -- Mention of the Memorized Repertoire among the Common Singers in Our Era in the Eastern Empire and Their Poems -- The Difference in Superiority between the Easy and Plain Singing with Few Cycles and Notes, and Its Opposite, the One with Heavier Cycles and Many Notes -- Melodies That Resemble the Meanings and Suit the Poems -- The Definition of Singing -- The Origin of Arabic Singing, Its Source and Birth Place -- Favoring Older Singing over the Modern -- The Process of Composition -- The Amount of Ṭarab That Affects the Person Knowledgeable in the Art of Singing | |
| 505 | 8 | |a What Songs the Singer Should Start with at the Beginning of His Performance in the Majlis -- The Necessary Conditions of the Excellent Singer and His Good Standing with Listeners -- Good and Bad, Stated or Implied Song Themes -- On the Proper Behavior to Praise Men and Women Singers -- The Conditions Required to Be a Skilled Singer, and the Necessity of Combining Theoretical and Practical Knowledge -- How to Choose Would-Be Singers (Girls and Boys) in order to Teach Them Singing -- Which Singer Is Pleasant to Listen to -- Singing and the Requirements of Dignified Hearing and Respectful Listening -- The Relation between the Prosodic Meters and the Rhythmic Modes -- Behavior in front of Kings and Their Subjects -- The First to Invent and Devise Rhythm -- The Rhythmic Modes (Ṭarīqa), Their Numbers, Their Basic (Aṣl) and Ornamented Forms (Far') -- Which Particular Genuses of Modes Should Be Used in Which Types of Melodies -- | |
| 505 | 8 | |a The Characteristics of the Urghānīn Copied from Ibn al-Ṭaḥḥān's Treatise -- The Characteristics of the Rabāb from the Book of Ibn al-Ṭaḥḥān -- The Characteristics of the Lute from the Rasā'il (Epistles) of the Ikhwān al-Ṣafā' -- The Resemblance of the Laws of Music to the Laws of Prosody -- The Durations of the Attacks, the Durations of the Rhythmic Modes, Their Harmony and Disharmony That Are Called Being in Rhythm and off Rhythm -- The Reason for Calling the 'Ūd the Barbaṭ; the First to Create It and Play It; the Reason for Bringing It into Existence; 'Ūd Strings and Their Relations with the Four Basic Elements and the Four Humors of the Human Being -- The Rhythmic Modes -- How Compactly Twisted Strings and Less Dense Strings Affect the Human Humors -- At What Time Should the Singing Slave Girls Be Invited to Sing -- Wonderful and Beautiful Poems about the Description of Singing, Singers [and Their Instruments] -- Poems about Musical Instruments -- | |
| 505 | 8 | |a Good Satires Mentioned about Mediocre Singers and Wind Players (Zamara) -- Dance and Requirements the Dancer Must Fulfill to Be Free of Mistakes and Imperfections; Mention of Excellent Skills; Mention of the Types Used in Various Regions and Countries -- Marvelous and Pure Poems Composed by Eastern and Western Poets about All Types of Dances and Shadow Dances -- Appendix. the Qualities Required of Dancers according to al-Mas'ūdī | |
| 520 | 3 | |a "The manuscript from the thirteenth century deals with musicians' behaviour at the court; singers' qualities; the eminence of music and its effect on people and animals; the importance of drinking when listening to music; the process of composition; rhythmic and melodic modes, and repertoire in Andalusia, the Maghreb, Persia and the Middle East; Andalusian song lyrics and the appearance of new poetic forms such as the zajal and the muwashshaḥ; Andalusian musical instruments; dances of Egypt, Iraq, Syria, India and China; Andalusian dances and shadow plays and shadow dancers; aesthetics of dance; poems describing the dances"-- | |
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Record in the Search Index
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| adam_text | |
| adam_txt | |
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| author | Sawa, George Dimitri 1947- |
| author_GND | (DE-588)1055753397 |
| author_facet | Sawa, George Dimitri 1947- |
| author_role | aut |
| author_sort | Sawa, George Dimitri 1947- |
| author_variant | g d s gd gds |
| building | Verbundindex |
| bvnumber | BV049410455 |
| collection | ZDB-95-MIS |
| contents | The Eminence of Listening to Music above All Else, and the Superiority of Melodies and the Wonderful Effects They Have on the Human Body -- The Importance of Listening to Singing While Drinking and the Exclusive Usefulness of Listening While Drinking over Other Activities -- When It Is Appropriate to Listen and Drink -- The Order of Singing in a Drinking Majlis -- The Poetical Qualities That Complete the Pleasure of the Listener When Added to Music -- How the Strings Wondrously Affect the Four Humors That Make Up the Human Body -- About the Divine Secret Causing the Effects of Melodies on the Souls of Humans and Animals -- The Singer's Excellent Qualities -- How to Listen to Singing in the Musical Majlis -- The Singing Styles of People of Different Regions and the Repertoire of the People of the Maghrib -- Andalusian Musical Laws : [The Composers and] Their Instruments -- The Origin of the Old Singing and the Modes Used in All the Songs of the Arabs and the Persians in the Eastern and Western Empire -- Mention of the Memorized Repertoire among the Common Singers in Our Era in the Eastern Empire and Their Poems -- The Difference in Superiority between the Easy and Plain Singing with Few Cycles and Notes, and Its Opposite, the One with Heavier Cycles and Many Notes -- Melodies That Resemble the Meanings and Suit the Poems -- The Definition of Singing -- The Origin of Arabic Singing, Its Source and Birth Place -- Favoring Older Singing over the Modern -- The Process of Composition -- The Amount of Ṭarab That Affects the Person Knowledgeable in the Art of Singing What Songs the Singer Should Start with at the Beginning of His Performance in the Majlis -- The Necessary Conditions of the Excellent Singer and His Good Standing with Listeners -- Good and Bad, Stated or Implied Song Themes -- On the Proper Behavior to Praise Men and Women Singers -- The Conditions Required to Be a Skilled Singer, and the Necessity of Combining Theoretical and Practical Knowledge -- How to Choose Would-Be Singers (Girls and Boys) in order to Teach Them Singing -- Which Singer Is Pleasant to Listen to -- Singing and the Requirements of Dignified Hearing and Respectful Listening -- The Relation between the Prosodic Meters and the Rhythmic Modes -- Behavior in front of Kings and Their Subjects -- The First to Invent and Devise Rhythm -- The Rhythmic Modes (Ṭarīqa), Their Numbers, Their Basic (Aṣl) and Ornamented Forms (Far') -- Which Particular Genuses of Modes Should Be Used in Which Types of Melodies -- The Characteristics of the Urghānīn Copied from Ibn al-Ṭaḥḥān's Treatise -- The Characteristics of the Rabāb from the Book of Ibn al-Ṭaḥḥān -- The Characteristics of the Lute from the Rasā'il (Epistles) of the Ikhwān al-Ṣafā' -- The Resemblance of the Laws of Music to the Laws of Prosody -- The Durations of the Attacks, the Durations of the Rhythmic Modes, Their Harmony and Disharmony That Are Called Being in Rhythm and off Rhythm -- The Reason for Calling the 'Ūd the Barbaṭ; the First to Create It and Play It; the Reason for Bringing It into Existence; 'Ūd Strings and Their Relations with the Four Basic Elements and the Four Humors of the Human Being -- The Rhythmic Modes -- How Compactly Twisted Strings and Less Dense Strings Affect the Human Humors -- At What Time Should the Singing Slave Girls Be Invited to Sing -- Wonderful and Beautiful Poems about the Description of Singing, Singers [and Their Instruments] -- Poems about Musical Instruments -- Good Satires Mentioned about Mediocre Singers and Wind Players (Zamara) -- Dance and Requirements the Dancer Must Fulfill to Be Free of Mistakes and Imperfections; Mention of Excellent Skills; Mention of the Types Used in Various Regions and Countries -- Marvelous and Pure Poems Composed by Eastern and Western Poets about All Types of Dances and Shadow Dances -- Appendix. the Qualities Required of Dancers according to al-Mas'ūdī |
| ctrlnum | (ZDB-95-MIS)9789004542785 (OCoLC)1418701971 (DE-599)BVBBV049410455 |
| doi_str_mv | 10.1163/9789004542785 |
| era | Geschichte 1200-1300 gnd |
| era_facet | Geschichte 1200-1300 |
| format | Electronic eBook |
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| geographic | Islamische Staaten (DE-588)4073172-8 gnd |
| geographic_facet | Islamische Staaten |
| id | DE-604.BV049410455 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:05:49Z |
| indexdate | 2025-01-31T09:01:46Z |
| institution | BVB |
| isbn | 9789004542785 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034737526 |
| oclc_num | 1418701971 |
| open_access_boolean | |
| owner | DE-12 DE-706 |
| owner_facet | DE-12 DE-706 |
| physical | XVII, 226 Seiten 24 cm x 16 cm |
| psigel | ZDB-95-MIS ZDB-95-MIS24 BSB_NED_20240201 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Brill |
| record_format | marc |
| series | Islamic history and civilization |
| series2 | Islamic history and civilization |
| spelling | Sawa, George Dimitri 1947- Verfasser (DE-588)1055753397 aut Mutʿat al-asmāʿ fī ʿilm al-samāʿ, The Ears' Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253) by George Dimitri Sawa Leiden ; Boston Brill [2024] XVII, 226 Seiten 24 cm x 16 cm txt rdacontent c rdamedia cr rdacarrier Islamic history and civilization volume 206 ... al-Tīfāshī was born in Tīfāsh, Tunisia, traveled to Egypt and Syria, studied in Cairo, worked as a judge in Tunisia, and finally returned to Cairo where he died." page [XI] The Eminence of Listening to Music above All Else, and the Superiority of Melodies and the Wonderful Effects They Have on the Human Body -- The Importance of Listening to Singing While Drinking and the Exclusive Usefulness of Listening While Drinking over Other Activities -- When It Is Appropriate to Listen and Drink -- The Order of Singing in a Drinking Majlis -- The Poetical Qualities That Complete the Pleasure of the Listener When Added to Music -- How the Strings Wondrously Affect the Four Humors That Make Up the Human Body -- About the Divine Secret Causing the Effects of Melodies on the Souls of Humans and Animals -- The Singer's Excellent Qualities -- How to Listen to Singing in the Musical Majlis -- The Singing Styles of People of Different Regions and the Repertoire of the People of the Maghrib -- Andalusian Musical Laws : [The Composers and] Their Instruments -- The Origin of the Old Singing and the Modes Used in All the Songs of the Arabs and the Persians in the Eastern and Western Empire -- Mention of the Memorized Repertoire among the Common Singers in Our Era in the Eastern Empire and Their Poems -- The Difference in Superiority between the Easy and Plain Singing with Few Cycles and Notes, and Its Opposite, the One with Heavier Cycles and Many Notes -- Melodies That Resemble the Meanings and Suit the Poems -- The Definition of Singing -- The Origin of Arabic Singing, Its Source and Birth Place -- Favoring Older Singing over the Modern -- The Process of Composition -- The Amount of Ṭarab That Affects the Person Knowledgeable in the Art of Singing What Songs the Singer Should Start with at the Beginning of His Performance in the Majlis -- The Necessary Conditions of the Excellent Singer and His Good Standing with Listeners -- Good and Bad, Stated or Implied Song Themes -- On the Proper Behavior to Praise Men and Women Singers -- The Conditions Required to Be a Skilled Singer, and the Necessity of Combining Theoretical and Practical Knowledge -- How to Choose Would-Be Singers (Girls and Boys) in order to Teach Them Singing -- Which Singer Is Pleasant to Listen to -- Singing and the Requirements of Dignified Hearing and Respectful Listening -- The Relation between the Prosodic Meters and the Rhythmic Modes -- Behavior in front of Kings and Their Subjects -- The First to Invent and Devise Rhythm -- The Rhythmic Modes (Ṭarīqa), Their Numbers, Their Basic (Aṣl) and Ornamented Forms (Far') -- Which Particular Genuses of Modes Should Be Used in Which Types of Melodies -- The Characteristics of the Urghānīn Copied from Ibn al-Ṭaḥḥān's Treatise -- The Characteristics of the Rabāb from the Book of Ibn al-Ṭaḥḥān -- The Characteristics of the Lute from the Rasā'il (Epistles) of the Ikhwān al-Ṣafā' -- The Resemblance of the Laws of Music to the Laws of Prosody -- The Durations of the Attacks, the Durations of the Rhythmic Modes, Their Harmony and Disharmony That Are Called Being in Rhythm and off Rhythm -- The Reason for Calling the 'Ūd the Barbaṭ; the First to Create It and Play It; the Reason for Bringing It into Existence; 'Ūd Strings and Their Relations with the Four Basic Elements and the Four Humors of the Human Being -- The Rhythmic Modes -- How Compactly Twisted Strings and Less Dense Strings Affect the Human Humors -- At What Time Should the Singing Slave Girls Be Invited to Sing -- Wonderful and Beautiful Poems about the Description of Singing, Singers [and Their Instruments] -- Poems about Musical Instruments -- Good Satires Mentioned about Mediocre Singers and Wind Players (Zamara) -- Dance and Requirements the Dancer Must Fulfill to Be Free of Mistakes and Imperfections; Mention of Excellent Skills; Mention of the Types Used in Various Regions and Countries -- Marvelous and Pure Poems Composed by Eastern and Western Poets about All Types of Dances and Shadow Dances -- Appendix. the Qualities Required of Dancers according to al-Mas'ūdī "The manuscript from the thirteenth century deals with musicians' behaviour at the court; singers' qualities; the eminence of music and its effect on people and animals; the importance of drinking when listening to music; the process of composition; rhythmic and melodic modes, and repertoire in Andalusia, the Maghreb, Persia and the Middle East; Andalusian song lyrics and the appearance of new poetic forms such as the zajal and the muwashshaḥ; Andalusian musical instruments; dances of Egypt, Iraq, Syria, India and China; Andalusian dances and shadow plays and shadow dancers; aesthetics of dance; poems describing the dances"-- Tīfāšī, Aḥmad Ibn-Yūsuf at- 1184-1253 (DE-588)10241582X gnd rswk-swf Geschichte 1200-1300 gnd rswk-swf Musikinstrument (DE-588)4040851-6 gnd rswk-swf Hofmusik (DE-588)4025520-7 gnd rswk-swf Gesang (DE-588)4020470-4 gnd rswk-swf Islam (DE-588)4027743-4 gnd rswk-swf Quelle (DE-588)4135952-5 gnd rswk-swf Sozialverhalten (DE-588)4055903-8 gnd rswk-swf Musikhandschrift (DE-588)4040847-4 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Islamische Staaten (DE-588)4073172-8 gnd rswk-swf Music / Performance / Islamic countries / History / 500-1400 Music theory / Islamic countries / History / 500-1400 Singing / Islamic countries / History / 500-1400 Musical instruments / Islamic countries / History / 500-1400 Dance / Islamic countries / History / To 1500 Islam (DE-588)4027743-4 s Islamische Staaten (DE-588)4073172-8 g Musiker (DE-588)4040841-3 s Komposition Musik (DE-588)4133320-2 s Gesang (DE-588)4020470-4 s Musikinstrument (DE-588)4040851-6 s Sozialverhalten (DE-588)4055903-8 s Musikhandschrift (DE-588)4040847-4 s Geschichte 1200-1300 z DE-604 Hofmusik (DE-588)4025520-7 s Tīfāšī, Aḥmad Ibn-Yūsuf at- 1184-1253 (DE-588)10241582X p Quelle (DE-588)4135952-5 s Erscheint auch als Druck-Ausgabe 978-90-04-54277-8 Islamic history and civilization volume 206 (DE-604)BV042274216 206 https://doi.org/10.1163/9789004542785 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sawa, George Dimitri 1947- Mutʿat al-asmāʿ fī ʿilm al-samāʿ, The Ears' Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253) Islamic history and civilization Tīfāšī, Aḥmad Ibn-Yūsuf at- 1184-1253 (DE-588)10241582X gnd Musikinstrument (DE-588)4040851-6 gnd Hofmusik (DE-588)4025520-7 gnd Gesang (DE-588)4020470-4 gnd Islam (DE-588)4027743-4 gnd Quelle (DE-588)4135952-5 gnd Sozialverhalten (DE-588)4055903-8 gnd Musikhandschrift (DE-588)4040847-4 gnd Musiker (DE-588)4040841-3 gnd Komposition Musik (DE-588)4133320-2 gnd The Eminence of Listening to Music above All Else, and the Superiority of Melodies and the Wonderful Effects They Have on the Human Body -- The Importance of Listening to Singing While Drinking and the Exclusive Usefulness of Listening While Drinking over Other Activities -- When It Is Appropriate to Listen and Drink -- The Order of Singing in a Drinking Majlis -- The Poetical Qualities That Complete the Pleasure of the Listener When Added to Music -- How the Strings Wondrously Affect the Four Humors That Make Up the Human Body -- About the Divine Secret Causing the Effects of Melodies on the Souls of Humans and Animals -- The Singer's Excellent Qualities -- How to Listen to Singing in the Musical Majlis -- The Singing Styles of People of Different Regions and the Repertoire of the People of the Maghrib -- Andalusian Musical Laws : [The Composers and] Their Instruments -- The Origin of the Old Singing and the Modes Used in All the Songs of the Arabs and the Persians in the Eastern and Western Empire -- Mention of the Memorized Repertoire among the Common Singers in Our Era in the Eastern Empire and Their Poems -- The Difference in Superiority between the Easy and Plain Singing with Few Cycles and Notes, and Its Opposite, the One with Heavier Cycles and Many Notes -- Melodies That Resemble the Meanings and Suit the Poems -- The Definition of Singing -- The Origin of Arabic Singing, Its Source and Birth Place -- Favoring Older Singing over the Modern -- The Process of Composition -- The Amount of Ṭarab That Affects the Person Knowledgeable in the Art of Singing What Songs the Singer Should Start with at the Beginning of His Performance in the Majlis -- The Necessary Conditions of the Excellent Singer and His Good Standing with Listeners -- Good and Bad, Stated or Implied Song Themes -- On the Proper Behavior to Praise Men and Women Singers -- The Conditions Required to Be a Skilled Singer, and the Necessity of Combining Theoretical and Practical Knowledge -- How to Choose Would-Be Singers (Girls and Boys) in order to Teach Them Singing -- Which Singer Is Pleasant to Listen to -- Singing and the Requirements of Dignified Hearing and Respectful Listening -- The Relation between the Prosodic Meters and the Rhythmic Modes -- Behavior in front of Kings and Their Subjects -- The First to Invent and Devise Rhythm -- The Rhythmic Modes (Ṭarīqa), Their Numbers, Their Basic (Aṣl) and Ornamented Forms (Far') -- Which Particular Genuses of Modes Should Be Used in Which Types of Melodies -- The Characteristics of the Urghānīn Copied from Ibn al-Ṭaḥḥān's Treatise -- The Characteristics of the Rabāb from the Book of Ibn al-Ṭaḥḥān -- The Characteristics of the Lute from the Rasā'il (Epistles) of the Ikhwān al-Ṣafā' -- The Resemblance of the Laws of Music to the Laws of Prosody -- The Durations of the Attacks, the Durations of the Rhythmic Modes, Their Harmony and Disharmony That Are Called Being in Rhythm and off Rhythm -- The Reason for Calling the 'Ūd the Barbaṭ; the First to Create It and Play It; the Reason for Bringing It into Existence; 'Ūd Strings and Their Relations with the Four Basic Elements and the Four Humors of the Human Being -- The Rhythmic Modes -- How Compactly Twisted Strings and Less Dense Strings Affect the Human Humors -- At What Time Should the Singing Slave Girls Be Invited to Sing -- Wonderful and Beautiful Poems about the Description of Singing, Singers [and Their Instruments] -- Poems about Musical Instruments -- Good Satires Mentioned about Mediocre Singers and Wind Players (Zamara) -- Dance and Requirements the Dancer Must Fulfill to Be Free of Mistakes and Imperfections; Mention of Excellent Skills; Mention of the Types Used in Various Regions and Countries -- Marvelous and Pure Poems Composed by Eastern and Western Poets about All Types of Dances and Shadow Dances -- Appendix. the Qualities Required of Dancers according to al-Mas'ūdī |
| subject_GND | (DE-588)10241582X (DE-588)4040851-6 (DE-588)4025520-7 (DE-588)4020470-4 (DE-588)4027743-4 (DE-588)4135952-5 (DE-588)4055903-8 (DE-588)4040847-4 (DE-588)4040841-3 (DE-588)4133320-2 (DE-588)4073172-8 |
| title | Mutʿat al-asmāʿ fī ʿilm al-samāʿ, The Ears' Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253) |
| title_auth | Mutʿat al-asmāʿ fī ʿilm al-samāʿ, The Ears' Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253) |
| title_exact_search | Mutʿat al-asmāʿ fī ʿilm al-samāʿ, The Ears' Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253) |
| title_exact_search_txtP | Mutʿat al-asmāʿ fī ʿilm al-samāʿ, The Ears' Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253) |
| title_full | Mutʿat al-asmāʿ fī ʿilm al-samāʿ, The Ears' Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253) by George Dimitri Sawa |
| title_fullStr | Mutʿat al-asmāʿ fī ʿilm al-samāʿ, The Ears' Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253) by George Dimitri Sawa |
| title_full_unstemmed | Mutʿat al-asmāʿ fī ʿilm al-samāʿ, The Ears' Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253) by George Dimitri Sawa |
| title_short | Mutʿat al-asmāʿ fī ʿilm al-samāʿ, The Ears' Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253) |
| title_sort | mutʿat al asmaʿ fi ʿilm al samaʿ the ears pleasure and the science of listening to music by ahmad b yusuf al tifashi al qafsi 580 651 1184 1253 |
| topic | Tīfāšī, Aḥmad Ibn-Yūsuf at- 1184-1253 (DE-588)10241582X gnd Musikinstrument (DE-588)4040851-6 gnd Hofmusik (DE-588)4025520-7 gnd Gesang (DE-588)4020470-4 gnd Islam (DE-588)4027743-4 gnd Quelle (DE-588)4135952-5 gnd Sozialverhalten (DE-588)4055903-8 gnd Musikhandschrift (DE-588)4040847-4 gnd Musiker (DE-588)4040841-3 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Tīfāšī, Aḥmad Ibn-Yūsuf at- 1184-1253 Musikinstrument Hofmusik Gesang Islam Quelle Sozialverhalten Musikhandschrift Musiker Komposition Musik Islamische Staaten |
| url | https://doi.org/10.1163/9789004542785 |
| volume_link | (DE-604)BV042274216 |
| work_keys_str_mv | AT sawageorgedimitri mutʿatalasmaʿfiʿilmalsamaʿtheearspleasureandthescienceoflisteningtomusicbyahmadbyusufaltifashialqafsi58065111841253 |