Arts, Entrepreneurship, and Innovation:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cham
Springer
2022
|
| Ausgabe: | 1st ed |
| Schlagworte: | |
| Online-Zugang: | HWR01 |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 Online-Ressource (225 Seiten) |
| ISBN: | 9783031181955 |
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| 505 | 8 | |a Intro -- Contents -- Arts, Entrepreneurship, and Innovation -- Abstract -- 1 Introduction -- 2 Toward a definition of arts entrepreneurship -- 3 The Articles -- References -- Who is an artist? Heterogeneity and professionalism among visual artists -- Abstract -- 1 Introduction -- 2 Literature review -- 3 The concept of professional artists -- 3.1 Meeting high professional standards -- 3.2 Arts as an occupation -- 3.3 Arts education and human capital -- 4 Methodology: finite mixture model -- 5 Data and variables -- 6 Results -- 7 Interpretation of the latent classes -- 8 Discussion and conclusion -- References -- What Makes an Artrepreneur? -- Abstract -- 1 Introduction -- 2 Theoretical model and hypotheses -- 2.1 Artistry -- 2.2 Artrepreneurial passion -- 2.3 Individual difference factors -- 3 Methods and results -- 3.1 Measures -- 3.2 Data Collection -- 3.3 Artistry -- 3.4 Artrepreneurial Passion -- 3.5 Artrepreneurship -- 4 Discussion and conclusions -- References -- Flocking to the crowd: Cultural entrepreneur mobility guided by homophily, market size, or amenities? -- Abstract -- 1 Introduction -- 2 Literature review -- 3 Data -- 4 Model and estimation methods -- 5 Results -- 6 Discussion -- 7 Conclusion -- Acknowledgements -- References -- Economies of scope in artists' incubator projects -- Abstract -- 1 Introduction -- 2 Background and methodology -- 2.1 Economies of scope and joint production -- 2.2 Agglomeration and positive externalities of co-location -- 2.3 Diversification of investment and risk pooling -- 2.4 Competing definitions of value -- 3 Summary of the case studies -- 4 Analyzing applications of economies of scope -- 4.1 Operational scope -- 4.2 Scope risk and the Coasean firm -- 4.3 Institutionally backed risk pooling -- 4.4 Ground up risk pooling and collaborative investment trusts -- 5 Managerial implications | |
| 505 | 8 | |a 6 Conclusions -- Acknowledgements -- References -- Direct memberships in foreign copyright collecting societies as an entrepreneurial opportunity for music publishers - needs, challenges, opportunities and solutions -- Abstract -- 1 Introduction -- 2 Economics of music copyright -- 3 The direct membership - a universal economical remedy? -- 4 Methodology -- 4.1 Interviews -- 4.1.1 Demography -- 4.1.2 Limitations -- 4.2 Key performance indicators -- 4.2.1 Data preparation -- 4.2.2 Limitations -- 4.3 Process and data modeling -- 4.3.1 Process modeling -- 4.3.2 Data modeling -- 4.3.3 Limitations -- 5 Needs -- 6 Challenges -- 6.1 Organizational challenges -- 6.2 Technological challenges -- 6.3 Subjective challenges -- 7 Opportunities -- 7.1 Short-term view -- 7.2 Long-term view -- 8 Technology as a solution -- 8.1 Use case "Evaluating CCS" -- 8.2 Use case "Registering Works" -- 8.2.1 CWR-Validator -- 8.2.2 Evaluation -- 9 Economic potential of technological solutions -- 10 Conclusion and future perspectives -- References -- Do museums foster innovation through engagement with the cultural and creative industries? -- Abstract -- 1 Introduction -- 2 CCIs, museums, and innovation -- 2.1 CCI definitions and museums as a CCI -- 2.2 Innovation: its definition and transmission channels involving the CCIs -- 2.3 CCIs in the literature on innovation and development -- 3 Outline of the present investigation -- 4 Assessing museum relations with CCIs: a conceptual framework -- 5 Evaluating museum relations with CCIs in terms of the potential for CCI innovation: the Polish case -- 5.1 Contemporary visual arts and photography -- 5.2 Performing arts -- 5.3 Music -- 5.4 Books and the publishing industry -- 5.5 Film, TV, and advertising companies -- 5.6 Radio stations, the press, and internet portals -- 5.7 Design, fashion, artistic craft, and toy companies | |
| 505 | 8 | |a 6 The need to reassess museums' contributions to innovation through their traditional missions -- 7 Conclusions -- Acknowledgement -- References -- Innovation and diversity in the digital cultural and creative industries -- Abstract -- 1 Introduction -- 2 The creative economy, digitisation and innovation -- 2.1 Digitisation, business models and innovation -- 2.2 Diversity and innovation -- 2.2.1 Disciplinary diversity: creative-digital skills and 'fusion' -- 2.2.2 Social diversity -- 3 The CCIs in South Africa and the South African policy context -- 3.1 The CCIs in South Africa -- 3.2 Cultural policy and innovation in South Africa -- 4 Research methods and context: the Cape Town fuse and the gaming and animation surveys -- 5 Results and discussion: the Cape Town fuse -- 5.1 Firm characteristics, business models and innovation -- 5.2 Ownership, talent and diversity -- 5.3 An econometric analysis of the determinants of growth -- 6 Diversity and inclusion in South African gaming and animation firms -- 6.1 Firm characteristics and the size of the sector -- 6.2 Challenges and opportunities -- 7 Concluding remarks -- References -- Diana S. Greenwald: Painting by numbers-data-driven histories of nineteenth-century art, Princeton University Press, 2021 -- References -- List of Reviewers | |
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| contents | Intro -- Contents -- Arts, Entrepreneurship, and Innovation -- Abstract -- 1 Introduction -- 2 Toward a definition of arts entrepreneurship -- 3 The Articles -- References -- Who is an artist? Heterogeneity and professionalism among visual artists -- Abstract -- 1 Introduction -- 2 Literature review -- 3 The concept of professional artists -- 3.1 Meeting high professional standards -- 3.2 Arts as an occupation -- 3.3 Arts education and human capital -- 4 Methodology: finite mixture model -- 5 Data and variables -- 6 Results -- 7 Interpretation of the latent classes -- 8 Discussion and conclusion -- References -- What Makes an Artrepreneur? -- Abstract -- 1 Introduction -- 2 Theoretical model and hypotheses -- 2.1 Artistry -- 2.2 Artrepreneurial passion -- 2.3 Individual difference factors -- 3 Methods and results -- 3.1 Measures -- 3.2 Data Collection -- 3.3 Artistry -- 3.4 Artrepreneurial Passion -- 3.5 Artrepreneurship -- 4 Discussion and conclusions -- References -- Flocking to the crowd: Cultural entrepreneur mobility guided by homophily, market size, or amenities? -- Abstract -- 1 Introduction -- 2 Literature review -- 3 Data -- 4 Model and estimation methods -- 5 Results -- 6 Discussion -- 7 Conclusion -- Acknowledgements -- References -- Economies of scope in artists' incubator projects -- Abstract -- 1 Introduction -- 2 Background and methodology -- 2.1 Economies of scope and joint production -- 2.2 Agglomeration and positive externalities of co-location -- 2.3 Diversification of investment and risk pooling -- 2.4 Competing definitions of value -- 3 Summary of the case studies -- 4 Analyzing applications of economies of scope -- 4.1 Operational scope -- 4.2 Scope risk and the Coasean firm -- 4.3 Institutionally backed risk pooling -- 4.4 Ground up risk pooling and collaborative investment trusts -- 5 Managerial implications 6 Conclusions -- Acknowledgements -- References -- Direct memberships in foreign copyright collecting societies as an entrepreneurial opportunity for music publishers - needs, challenges, opportunities and solutions -- Abstract -- 1 Introduction -- 2 Economics of music copyright -- 3 The direct membership - a universal economical remedy? -- 4 Methodology -- 4.1 Interviews -- 4.1.1 Demography -- 4.1.2 Limitations -- 4.2 Key performance indicators -- 4.2.1 Data preparation -- 4.2.2 Limitations -- 4.3 Process and data modeling -- 4.3.1 Process modeling -- 4.3.2 Data modeling -- 4.3.3 Limitations -- 5 Needs -- 6 Challenges -- 6.1 Organizational challenges -- 6.2 Technological challenges -- 6.3 Subjective challenges -- 7 Opportunities -- 7.1 Short-term view -- 7.2 Long-term view -- 8 Technology as a solution -- 8.1 Use case "Evaluating CCS" -- 8.2 Use case "Registering Works" -- 8.2.1 CWR-Validator -- 8.2.2 Evaluation -- 9 Economic potential of technological solutions -- 10 Conclusion and future perspectives -- References -- Do museums foster innovation through engagement with the cultural and creative industries? -- Abstract -- 1 Introduction -- 2 CCIs, museums, and innovation -- 2.1 CCI definitions and museums as a CCI -- 2.2 Innovation: its definition and transmission channels involving the CCIs -- 2.3 CCIs in the literature on innovation and development -- 3 Outline of the present investigation -- 4 Assessing museum relations with CCIs: a conceptual framework -- 5 Evaluating museum relations with CCIs in terms of the potential for CCI innovation: the Polish case -- 5.1 Contemporary visual arts and photography -- 5.2 Performing arts -- 5.3 Music -- 5.4 Books and the publishing industry -- 5.5 Film, TV, and advertising companies -- 5.6 Radio stations, the press, and internet portals -- 5.7 Design, fashion, artistic craft, and toy companies 6 The need to reassess museums' contributions to innovation through their traditional missions -- 7 Conclusions -- Acknowledgement -- References -- Innovation and diversity in the digital cultural and creative industries -- Abstract -- 1 Introduction -- 2 The creative economy, digitisation and innovation -- 2.1 Digitisation, business models and innovation -- 2.2 Diversity and innovation -- 2.2.1 Disciplinary diversity: creative-digital skills and 'fusion' -- 2.2.2 Social diversity -- 3 The CCIs in South Africa and the South African policy context -- 3.1 The CCIs in South Africa -- 3.2 Cultural policy and innovation in South Africa -- 4 Research methods and context: the Cape Town fuse and the gaming and animation surveys -- 5 Results and discussion: the Cape Town fuse -- 5.1 Firm characteristics, business models and innovation -- 5.2 Ownership, talent and diversity -- 5.3 An econometric analysis of the determinants of growth -- 6 Diversity and inclusion in South African gaming and animation firms -- 6.1 Firm characteristics and the size of the sector -- 6.2 Challenges and opportunities -- 7 Concluding remarks -- References -- Diana S. Greenwald: Painting by numbers-data-driven histories of nineteenth-century art, Princeton University Press, 2021 -- References -- List of Reviewers |
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| edition | 1st ed |
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| index_date | 2024-07-03T23:05:37Z |
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| institution | BVB |
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| spelling | Woronkowicz, Joanna Verfasser aut Arts, Entrepreneurship, and Innovation 1st ed Cham Springer 2022 ©2022 1 Online-Ressource (225 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on publisher supplied metadata and other sources Intro -- Contents -- Arts, Entrepreneurship, and Innovation -- Abstract -- 1 Introduction -- 2 Toward a definition of arts entrepreneurship -- 3 The Articles -- References -- Who is an artist? Heterogeneity and professionalism among visual artists -- Abstract -- 1 Introduction -- 2 Literature review -- 3 The concept of professional artists -- 3.1 Meeting high professional standards -- 3.2 Arts as an occupation -- 3.3 Arts education and human capital -- 4 Methodology: finite mixture model -- 5 Data and variables -- 6 Results -- 7 Interpretation of the latent classes -- 8 Discussion and conclusion -- References -- What Makes an Artrepreneur? -- Abstract -- 1 Introduction -- 2 Theoretical model and hypotheses -- 2.1 Artistry -- 2.2 Artrepreneurial passion -- 2.3 Individual difference factors -- 3 Methods and results -- 3.1 Measures -- 3.2 Data Collection -- 3.3 Artistry -- 3.4 Artrepreneurial Passion -- 3.5 Artrepreneurship -- 4 Discussion and conclusions -- References -- Flocking to the crowd: Cultural entrepreneur mobility guided by homophily, market size, or amenities? -- Abstract -- 1 Introduction -- 2 Literature review -- 3 Data -- 4 Model and estimation methods -- 5 Results -- 6 Discussion -- 7 Conclusion -- Acknowledgements -- References -- Economies of scope in artists' incubator projects -- Abstract -- 1 Introduction -- 2 Background and methodology -- 2.1 Economies of scope and joint production -- 2.2 Agglomeration and positive externalities of co-location -- 2.3 Diversification of investment and risk pooling -- 2.4 Competing definitions of value -- 3 Summary of the case studies -- 4 Analyzing applications of economies of scope -- 4.1 Operational scope -- 4.2 Scope risk and the Coasean firm -- 4.3 Institutionally backed risk pooling -- 4.4 Ground up risk pooling and collaborative investment trusts -- 5 Managerial implications 6 Conclusions -- Acknowledgements -- References -- Direct memberships in foreign copyright collecting societies as an entrepreneurial opportunity for music publishers - needs, challenges, opportunities and solutions -- Abstract -- 1 Introduction -- 2 Economics of music copyright -- 3 The direct membership - a universal economical remedy? -- 4 Methodology -- 4.1 Interviews -- 4.1.1 Demography -- 4.1.2 Limitations -- 4.2 Key performance indicators -- 4.2.1 Data preparation -- 4.2.2 Limitations -- 4.3 Process and data modeling -- 4.3.1 Process modeling -- 4.3.2 Data modeling -- 4.3.3 Limitations -- 5 Needs -- 6 Challenges -- 6.1 Organizational challenges -- 6.2 Technological challenges -- 6.3 Subjective challenges -- 7 Opportunities -- 7.1 Short-term view -- 7.2 Long-term view -- 8 Technology as a solution -- 8.1 Use case "Evaluating CCS" -- 8.2 Use case "Registering Works" -- 8.2.1 CWR-Validator -- 8.2.2 Evaluation -- 9 Economic potential of technological solutions -- 10 Conclusion and future perspectives -- References -- Do museums foster innovation through engagement with the cultural and creative industries? -- Abstract -- 1 Introduction -- 2 CCIs, museums, and innovation -- 2.1 CCI definitions and museums as a CCI -- 2.2 Innovation: its definition and transmission channels involving the CCIs -- 2.3 CCIs in the literature on innovation and development -- 3 Outline of the present investigation -- 4 Assessing museum relations with CCIs: a conceptual framework -- 5 Evaluating museum relations with CCIs in terms of the potential for CCI innovation: the Polish case -- 5.1 Contemporary visual arts and photography -- 5.2 Performing arts -- 5.3 Music -- 5.4 Books and the publishing industry -- 5.5 Film, TV, and advertising companies -- 5.6 Radio stations, the press, and internet portals -- 5.7 Design, fashion, artistic craft, and toy companies 6 The need to reassess museums' contributions to innovation through their traditional missions -- 7 Conclusions -- Acknowledgement -- References -- Innovation and diversity in the digital cultural and creative industries -- Abstract -- 1 Introduction -- 2 The creative economy, digitisation and innovation -- 2.1 Digitisation, business models and innovation -- 2.2 Diversity and innovation -- 2.2.1 Disciplinary diversity: creative-digital skills and 'fusion' -- 2.2.2 Social diversity -- 3 The CCIs in South Africa and the South African policy context -- 3.1 The CCIs in South Africa -- 3.2 Cultural policy and innovation in South Africa -- 4 Research methods and context: the Cape Town fuse and the gaming and animation surveys -- 5 Results and discussion: the Cape Town fuse -- 5.1 Firm characteristics, business models and innovation -- 5.2 Ownership, talent and diversity -- 5.3 An econometric analysis of the determinants of growth -- 6 Diversity and inclusion in South African gaming and animation firms -- 6.1 Firm characteristics and the size of the sector -- 6.2 Challenges and opportunities -- 7 Concluding remarks -- References -- Diana S. Greenwald: Painting by numbers-data-driven histories of nineteenth-century art, Princeton University Press, 2021 -- References -- List of Reviewers Arts-Economic aspects Erscheint auch als Druck-Ausgabe Woronkowicz, Joanna Arts, Entrepreneurship, and Innovation Cham : Springer,c2022 9783031181948 |
| spellingShingle | Woronkowicz, Joanna Arts, Entrepreneurship, and Innovation Intro -- Contents -- Arts, Entrepreneurship, and Innovation -- Abstract -- 1 Introduction -- 2 Toward a definition of arts entrepreneurship -- 3 The Articles -- References -- Who is an artist? Heterogeneity and professionalism among visual artists -- Abstract -- 1 Introduction -- 2 Literature review -- 3 The concept of professional artists -- 3.1 Meeting high professional standards -- 3.2 Arts as an occupation -- 3.3 Arts education and human capital -- 4 Methodology: finite mixture model -- 5 Data and variables -- 6 Results -- 7 Interpretation of the latent classes -- 8 Discussion and conclusion -- References -- What Makes an Artrepreneur? -- Abstract -- 1 Introduction -- 2 Theoretical model and hypotheses -- 2.1 Artistry -- 2.2 Artrepreneurial passion -- 2.3 Individual difference factors -- 3 Methods and results -- 3.1 Measures -- 3.2 Data Collection -- 3.3 Artistry -- 3.4 Artrepreneurial Passion -- 3.5 Artrepreneurship -- 4 Discussion and conclusions -- References -- Flocking to the crowd: Cultural entrepreneur mobility guided by homophily, market size, or amenities? -- Abstract -- 1 Introduction -- 2 Literature review -- 3 Data -- 4 Model and estimation methods -- 5 Results -- 6 Discussion -- 7 Conclusion -- Acknowledgements -- References -- Economies of scope in artists' incubator projects -- Abstract -- 1 Introduction -- 2 Background and methodology -- 2.1 Economies of scope and joint production -- 2.2 Agglomeration and positive externalities of co-location -- 2.3 Diversification of investment and risk pooling -- 2.4 Competing definitions of value -- 3 Summary of the case studies -- 4 Analyzing applications of economies of scope -- 4.1 Operational scope -- 4.2 Scope risk and the Coasean firm -- 4.3 Institutionally backed risk pooling -- 4.4 Ground up risk pooling and collaborative investment trusts -- 5 Managerial implications 6 Conclusions -- Acknowledgements -- References -- Direct memberships in foreign copyright collecting societies as an entrepreneurial opportunity for music publishers - needs, challenges, opportunities and solutions -- Abstract -- 1 Introduction -- 2 Economics of music copyright -- 3 The direct membership - a universal economical remedy? -- 4 Methodology -- 4.1 Interviews -- 4.1.1 Demography -- 4.1.2 Limitations -- 4.2 Key performance indicators -- 4.2.1 Data preparation -- 4.2.2 Limitations -- 4.3 Process and data modeling -- 4.3.1 Process modeling -- 4.3.2 Data modeling -- 4.3.3 Limitations -- 5 Needs -- 6 Challenges -- 6.1 Organizational challenges -- 6.2 Technological challenges -- 6.3 Subjective challenges -- 7 Opportunities -- 7.1 Short-term view -- 7.2 Long-term view -- 8 Technology as a solution -- 8.1 Use case "Evaluating CCS" -- 8.2 Use case "Registering Works" -- 8.2.1 CWR-Validator -- 8.2.2 Evaluation -- 9 Economic potential of technological solutions -- 10 Conclusion and future perspectives -- References -- Do museums foster innovation through engagement with the cultural and creative industries? -- Abstract -- 1 Introduction -- 2 CCIs, museums, and innovation -- 2.1 CCI definitions and museums as a CCI -- 2.2 Innovation: its definition and transmission channels involving the CCIs -- 2.3 CCIs in the literature on innovation and development -- 3 Outline of the present investigation -- 4 Assessing museum relations with CCIs: a conceptual framework -- 5 Evaluating museum relations with CCIs in terms of the potential for CCI innovation: the Polish case -- 5.1 Contemporary visual arts and photography -- 5.2 Performing arts -- 5.3 Music -- 5.4 Books and the publishing industry -- 5.5 Film, TV, and advertising companies -- 5.6 Radio stations, the press, and internet portals -- 5.7 Design, fashion, artistic craft, and toy companies 6 The need to reassess museums' contributions to innovation through their traditional missions -- 7 Conclusions -- Acknowledgement -- References -- Innovation and diversity in the digital cultural and creative industries -- Abstract -- 1 Introduction -- 2 The creative economy, digitisation and innovation -- 2.1 Digitisation, business models and innovation -- 2.2 Diversity and innovation -- 2.2.1 Disciplinary diversity: creative-digital skills and 'fusion' -- 2.2.2 Social diversity -- 3 The CCIs in South Africa and the South African policy context -- 3.1 The CCIs in South Africa -- 3.2 Cultural policy and innovation in South Africa -- 4 Research methods and context: the Cape Town fuse and the gaming and animation surveys -- 5 Results and discussion: the Cape Town fuse -- 5.1 Firm characteristics, business models and innovation -- 5.2 Ownership, talent and diversity -- 5.3 An econometric analysis of the determinants of growth -- 6 Diversity and inclusion in South African gaming and animation firms -- 6.1 Firm characteristics and the size of the sector -- 6.2 Challenges and opportunities -- 7 Concluding remarks -- References -- Diana S. Greenwald: Painting by numbers-data-driven histories of nineteenth-century art, Princeton University Press, 2021 -- References -- List of Reviewers Arts-Economic aspects |
| title | Arts, Entrepreneurship, and Innovation |
| title_auth | Arts, Entrepreneurship, and Innovation |
| title_exact_search | Arts, Entrepreneurship, and Innovation |
| title_exact_search_txtP | Arts, Entrepreneurship, and Innovation |
| title_full | Arts, Entrepreneurship, and Innovation |
| title_fullStr | Arts, Entrepreneurship, and Innovation |
| title_full_unstemmed | Arts, Entrepreneurship, and Innovation |
| title_short | Arts, Entrepreneurship, and Innovation |
| title_sort | arts entrepreneurship and innovation |
| topic | Arts-Economic aspects |
| topic_facet | Arts-Economic aspects |
| work_keys_str_mv | AT woronkowiczjoanna artsentrepreneurshipandinnovation |