Basso continuo in Italy: sources, pedagogy and performance
This volume explores the long-lasting phenomenon of basso continuo in the Italian peninsula, from its origins, i.e. from the "regole per suonare sopra il basso" which collects and develops the contrappunto alla mente’s legacy, up to the late partimento pedagogy. In addition to a bibliograp...
Gespeichert in:
| Körperschaft: | |
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| Weitere Verfasser: | |
| Format: | Tagungsbericht Buch |
| Sprache: | English Italian |
| Veröffentlicht: |
Turnhout, Belgium
Brepols
2023
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| Schriftenreihe: | Musica incarnata
volume 1 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This volume explores the long-lasting phenomenon of basso continuo in the Italian peninsula, from its origins, i.e. from the "regole per suonare sopra il basso" which collects and develops the contrappunto alla mente’s legacy, up to the late partimento pedagogy. In addition to a bibliographic update, the volume presents case studies providing the reader with new information on performative contexts and performance practice between the sixteenth and nineteenth centuries, and shedding new lights on sacred and secular genres and repertoires cultivated in churches, theatres, academies, noble chambers and domestic environments. Particular attention is given to the relationship between counterpoint, improvisation and instrumentation, to the analysis of primary sources in relation to book formats and the type of notation chosen to convey the accompaniment. Furthermore, a few chapters focus on peculiar issues of accompaniment pedagogy according to unpublished or neglected sources. |
| Beschreibung: | Beiträge teilweise englisch, teilweise italienisch |
| Beschreibung: | xxx, 345 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9782503608501 |
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| 520 | 3 | |a This volume explores the long-lasting phenomenon of basso continuo in the Italian peninsula, from its origins, i.e. from the "regole per suonare sopra il basso" which collects and develops the contrappunto alla mente’s legacy, up to the late partimento pedagogy. In addition to a bibliographic update, the volume presents case studies providing the reader with new information on performative contexts and performance practice between the sixteenth and nineteenth centuries, and shedding new lights on sacred and secular genres and repertoires cultivated in churches, theatres, academies, noble chambers and domestic environments. Particular attention is given to the relationship between counterpoint, improvisation and instrumentation, to the analysis of primary sources in relation to book formats and the type of notation chosen to convey the accompaniment. Furthermore, a few chapters focus on peculiar issues of accompaniment pedagogy according to unpublished or neglected sources. | |
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Datensatz im Suchindex
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| adam_text |
Contents Marcello Mazzetti Introduction ix Performance Practice Issues: Stylistic Features and Historical Contexts Naomi Matsumoto Realising Arianna: The Problematic Accompaniments of Claudio Monteverdi’s ‘Lamento d’Arianna’ Galliano Ciliberti La pratica del basso continuo a S. Luigi dei Francesi a Roma nel Seicento 3 31 Giulia Nuti Antonio Vivaldi’s Use of Figures: «Per li coglioni» and Other Examples 57 Sources, Formats and Accompaniment Layout: Stylistic Features and Historical Contexts Augusta Campagne Basso Continuo: The Beginnings in Italy 75 Thomas Neal Between Practice and Print: Performing Palestrina’s Missarum liber quartus (1582) with Alessandro Nuvoloni’s Basso prencipale co’I soprano (1610) 105
Marina TOFFETTI Fossil Traces of Vanished Voices: The Basso Continuo Part and the Reconstruction of Incomplete Polyphony 141 Marcos Krieger Figured Bass and Figured Melody: Printed Figures in Italian Continuo Sources and Idiosyncratic Continuo Notation Practices as Found in Three 17th-Century Italian Prints 163 The Accompaniment between Pedagogy and Performance Catherine Bahn - Giovanna Barbati The Partimenti of Rocco Greco: Reconstructing the Pedagogical Tradition for the Early Violoncello 187 Peter van Tour The Teaching of Counterpoint and Partimento in the School of Francesco Feo 211 Eric Boaro Partimento Teaching at the Convent of Santi Marcellino e Festo in Naples: New Early Eighteenth-Century Sources of Realisations of Partimenti by Francesco Durante (c.1707-1715) 229 Marco Pollaci Vincenzo Bellini’s Studio del Contrappunto Notebook: An Investigation of a New Source of Partimento and Counterpoint in Early Nineteenth-Century Italy 247 Fundamental Issues: Counterpoint, Improvisation and Instrumentation Edoardo Bellotti Basso continuo e contrappunto nelle fonti seicentesche: un moderno approccio alla didattica musicale 265
Livio Ticli Contrapunto alla mente or Basso Continuo ? Agostino Agazzari and His «Sonare sopra’l Basso» 285 Abstracts and Biographies 329 Index of Names 339 |
| adam_txt |
Contents Marcello Mazzetti Introduction ix Performance Practice Issues: Stylistic Features and Historical Contexts Naomi Matsumoto Realising Arianna: The Problematic Accompaniments of Claudio Monteverdi’s ‘Lamento d’Arianna’ Galliano Ciliberti La pratica del basso continuo a S. Luigi dei Francesi a Roma nel Seicento 3 31 Giulia Nuti Antonio Vivaldi’s Use of Figures: «Per li coglioni» and Other Examples 57 Sources, Formats and Accompaniment Layout: Stylistic Features and Historical Contexts Augusta Campagne Basso Continuo: The Beginnings in Italy 75 Thomas Neal Between Practice and Print: Performing Palestrina’s Missarum liber quartus (1582) with Alessandro Nuvoloni’s Basso prencipale co’I soprano (1610) 105
Marina TOFFETTI Fossil Traces of Vanished Voices: The Basso Continuo Part and the Reconstruction of Incomplete Polyphony 141 Marcos Krieger Figured Bass and Figured Melody: Printed Figures in Italian Continuo Sources and Idiosyncratic Continuo Notation Practices as Found in Three 17th-Century Italian Prints 163 The Accompaniment between Pedagogy and Performance Catherine Bahn - Giovanna Barbati The Partimenti of Rocco Greco: Reconstructing the Pedagogical Tradition for the Early Violoncello 187 Peter van Tour The Teaching of Counterpoint and Partimento in the School of Francesco Feo 211 Eric Boaro Partimento Teaching at the Convent of Santi Marcellino e Festo in Naples: New Early Eighteenth-Century Sources of Realisations of Partimenti by Francesco Durante (c.1707-1715) 229 Marco Pollaci Vincenzo Bellini’s Studio del Contrappunto Notebook: An Investigation of a New Source of Partimento and Counterpoint in Early Nineteenth-Century Italy 247 Fundamental Issues: Counterpoint, Improvisation and Instrumentation Edoardo Bellotti Basso continuo e contrappunto nelle fonti seicentesche: un moderno approccio alla didattica musicale 265
Livio Ticli Contrapunto alla mente or Basso Continuo ? Agostino Agazzari and His «Sonare sopra’l Basso» 285 Abstracts and Biographies 329 Index of Names 339 |
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| series | Musica incarnata |
| series2 | Musica incarnata |
| spelling | The Figured Bass Accompaniment in Europe (Veranstaltung) 2021 Online Verfasser (DE-588)1315772779 aut Basso continuo in Italy sources, pedagogy and performance edited by Marcello Mazzetti Turnhout, Belgium Brepols 2023 xxx, 345 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Musica incarnata volume 1 Beiträge teilweise englisch, teilweise italienisch This volume explores the long-lasting phenomenon of basso continuo in the Italian peninsula, from its origins, i.e. from the "regole per suonare sopra il basso" which collects and develops the contrappunto alla mente’s legacy, up to the late partimento pedagogy. In addition to a bibliographic update, the volume presents case studies providing the reader with new information on performative contexts and performance practice between the sixteenth and nineteenth centuries, and shedding new lights on sacred and secular genres and repertoires cultivated in churches, theatres, academies, noble chambers and domestic environments. Particular attention is given to the relationship between counterpoint, improvisation and instrumentation, to the analysis of primary sources in relation to book formats and the type of notation chosen to convey the accompaniment. Furthermore, a few chapters focus on peculiar issues of accompaniment pedagogy according to unpublished or neglected sources. Geschichte 1500-1800 gnd rswk-swf Basso continuo (DE-588)4020105-3 gnd rswk-swf Alte Musik (DE-588)4691269-1 gnd rswk-swf Historische Musikpraxis (DE-588)4197967-9 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Continuo / Italy / History / 16th century Continuo / Italy / History / 17th century Continuo / Italy / History / 18th century Performance practice (Music) / Italy / History / 16th century Performance practice (Music) / Italy / History / 17th century Performance practice (Music) / Italy / History / 18th century Musique / Mécénat / Italie / Histoire Music patronage History (DE-588)1071861417 Konferenzschrift 2021 Online gnd-content Italien (DE-588)4027833-5 g Alte Musik (DE-588)4691269-1 s Basso continuo (DE-588)4020105-3 s Historische Musikpraxis (DE-588)4197967-9 s Geschichte 1500-1800 z DE-604 Mazzetti, Marcello (DE-588)1211440133 edt Musica incarnata volume 1 (DE-604)BV049503484 1 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034726388&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Basso continuo in Italy sources, pedagogy and performance Musica incarnata Basso continuo (DE-588)4020105-3 gnd Alte Musik (DE-588)4691269-1 gnd Historische Musikpraxis (DE-588)4197967-9 gnd |
| subject_GND | (DE-588)4020105-3 (DE-588)4691269-1 (DE-588)4197967-9 (DE-588)4027833-5 (DE-588)1071861417 |
| title | Basso continuo in Italy sources, pedagogy and performance |
| title_auth | Basso continuo in Italy sources, pedagogy and performance |
| title_exact_search | Basso continuo in Italy sources, pedagogy and performance |
| title_exact_search_txtP | Basso continuo in Italy sources, pedagogy and performance |
| title_full | Basso continuo in Italy sources, pedagogy and performance edited by Marcello Mazzetti |
| title_fullStr | Basso continuo in Italy sources, pedagogy and performance edited by Marcello Mazzetti |
| title_full_unstemmed | Basso continuo in Italy sources, pedagogy and performance edited by Marcello Mazzetti |
| title_short | Basso continuo in Italy |
| title_sort | basso continuo in italy sources pedagogy and performance |
| title_sub | sources, pedagogy and performance |
| topic | Basso continuo (DE-588)4020105-3 gnd Alte Musik (DE-588)4691269-1 gnd Historische Musikpraxis (DE-588)4197967-9 gnd |
| topic_facet | Basso continuo Alte Musik Historische Musikpraxis Italien Konferenzschrift 2021 Online |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034726388&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV049503484 |
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