Between centres and peripheries: music in Europe from the French Revolution to WWI
"This volume revisits the artificial and enormously limiting historiographical concepts of centre and periphery in European musical life throughout the long 19th century and until the outbreak of the First World War. In this period, music played a prominent role, and cities such as Paris, Vienn...
Gespeichert in:
| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English French Spanish |
| Veröffentlicht: |
Turnhout
Brepols
2023
|
| Schriftenreihe: | Specvlvm mvsicae
volume 50 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This volume revisits the artificial and enormously limiting historiographical concepts of centre and periphery in European musical life throughout the long 19th century and until the outbreak of the First World War. In this period, music played a prominent role, and cities such as Paris, Vienna, Milan or London, real laboratories of artistic creation, became social and cultural references for the rest of the continent, whose inhabitants strove to imitate their musical habits such as concert and theatrical life, "soirées", parties or musical promenades. From diverse perspectives, this volume rethinks the singularity, influence and connections of different European musical centres, analysing the reproduction of cultural models and the conflicts that these models imposed on the peripheries, most of which have been ignored in the historiography of Western European music. In addition, it will also address the birth of musico-national languages situated on the European geographical margins, that develop interesting synergies between universality and nationality. The peripheral models of musical production and circulation in contexts far from the usual musical venues will also be addressed, as well as the derived cultural transfers." |
| Beschreibung: | xiii, 434 Seiten Illustrationen, Notenbeispiele, Karten |
| ISBN: | 9782503608488 |
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Datensatz im Suchindex
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| adam_text | Contents María Encina Cortizo - Yvan Nommick Preface Redefining Centres in European Music Yvan Nommick Paris - Vienne, 1890-1914: singularités et convergences musicales 3 Étienne Jardin Les écoles de musique françaises sont-elles des succursales du Conservatoire? 21 Nancy November ‘Periphery’ as Centre: Canon Formation and Arrangements of Public Music in the Early Nineteenth-Century Viennese Home 37 Martina KALSER-GRUBER Viennese Operetta Composers and their Publishers: A Love-Hate Relationship? 51 Alessandra Palidda Music for the ‘Nation’: The Creation of a Transnational Musical Style between Paris and Republican Milan 67 Models of Music Production in the Peripheries: Universality versus Nationality Matthieu Cailliez Le théâtre lyrique en Corse et en Algérie française au miroir de la presse musicale européenne (1830-1870) 91
Ivana Vesic For the ‘Authentic’ National and Aesthetic Values: The Challenges of Music Production and Performance in the Kingdom of Serbia (1882-1914) 129 Axel Klein Music in and from Ireland: Perspectives on an Ununited Kingdom 153 Ivan Moody Centre and Periphery: Symphonic Identity in Portugal 169 Kelvin H. F. Lee Form as a Relational Object: Two Stories of Metrical Dissonances, ora Music-Historiographical Lesson from George Enescu 181 Circulation of Music in Different Contexts Clément Noël Le Couronnement de la Muse du Peuple de Gustave Charpentier: un théâtre citoyen à la rencontre des provinces françaises (1897-1914) 209 David CONWAY Roma, Magyar, Jew: Complexities of Cultural Identity in the Spread of ‘Gypsy Music’ in the Long Nineteenth Century 229 María Encina Cortizo - Ramón Sobrino Peripheries in Dialogue: Grasping the Sounds of l’Espagne Romantique in the Nineteenth Century 245 Michael Christoforidis From Paris to the Ottoman Empire: Spanish Estudiantinas, the Popular Music Stage and Sonorities of the Belle Epoque 283 Miriam Perandones Quinito Valverde: transculturalidad y modernidad en su obra europea (1907-1913) 299
Cultural Transfer of Music Rosemary Golding On the Edges of Society: The Hidden Musical Cultures of Nineteenth-Century British Lunatic Asylums 323 Quentin Dishman Singing la Patrie in Parisian Cafés·. The Chanteuses Patriotiques (1870-1889) 343 Gloria A. Rodríguez-Lorenzo - Francisco J. Giménez-Rodríguez Between Hungary and Spain: Musical Encounters behind Europe 363 José Ignacio Suárez García Richard Wagner como instrumento narrativo de literatura breve en el último tercio del siglo XIX en España 385 Abstracts and Biographies 409 Index of Names 421
|
| adam_txt |
Contents María Encina Cortizo - Yvan Nommick Preface Redefining Centres in European Music Yvan Nommick Paris - Vienne, 1890-1914: singularités et convergences musicales 3 Étienne Jardin Les écoles de musique françaises sont-elles des succursales du Conservatoire? 21 Nancy November ‘Periphery’ as Centre: Canon Formation and Arrangements of Public Music in the Early Nineteenth-Century Viennese Home 37 Martina KALSER-GRUBER Viennese Operetta Composers and their Publishers: A Love-Hate Relationship? 51 Alessandra Palidda Music for the ‘Nation’: The Creation of a Transnational Musical Style between Paris and Republican Milan 67 Models of Music Production in the Peripheries: Universality versus Nationality Matthieu Cailliez Le théâtre lyrique en Corse et en Algérie française au miroir de la presse musicale européenne (1830-1870) 91
Ivana Vesic For the ‘Authentic’ National and Aesthetic Values: The Challenges of Music Production and Performance in the Kingdom of Serbia (1882-1914) 129 Axel Klein Music in and from Ireland: Perspectives on an Ununited Kingdom 153 Ivan Moody Centre and Periphery: Symphonic Identity in Portugal 169 Kelvin H. F. Lee Form as a Relational Object: Two Stories of Metrical Dissonances, ora Music-Historiographical Lesson from George Enescu 181 Circulation of Music in Different Contexts Clément Noël Le Couronnement de la Muse du Peuple de Gustave Charpentier: un théâtre citoyen à la rencontre des provinces françaises (1897-1914) 209 David CONWAY Roma, Magyar, Jew: Complexities of Cultural Identity in the Spread of ‘Gypsy Music’ in the Long Nineteenth Century 229 María Encina Cortizo - Ramón Sobrino Peripheries in Dialogue: Grasping the Sounds of l’Espagne Romantique in the Nineteenth Century 245 Michael Christoforidis From Paris to the Ottoman Empire: Spanish Estudiantinas, the Popular Music Stage and Sonorities of the Belle Epoque 283 Miriam Perandones Quinito Valverde: transculturalidad y modernidad en su obra europea (1907-1913) 299
Cultural Transfer of Music Rosemary Golding On the Edges of Society: The Hidden Musical Cultures of Nineteenth-Century British Lunatic Asylums 323 Quentin Dishman Singing la Patrie in Parisian Cafés·. The Chanteuses Patriotiques (1870-1889) 343 Gloria A. Rodríguez-Lorenzo - Francisco J. Giménez-Rodríguez Between Hungary and Spain: Musical Encounters behind Europe 363 José Ignacio Suárez García Richard Wagner como instrumento narrativo de literatura breve en el último tercio del siglo XIX en España 385 Abstracts and Biographies 409 Index of Names 421 |
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| spelling | Between centres and peripheries music in Europe from the French Revolution to WWI edited by María Encina Cortizo and Yvan Nommick Turnhout Brepols 2023 xiii, 434 Seiten Illustrationen, Notenbeispiele, Karten txt rdacontent n rdamedia nc rdacarrier Specvlvm mvsicae volume 50 "This volume revisits the artificial and enormously limiting historiographical concepts of centre and periphery in European musical life throughout the long 19th century and until the outbreak of the First World War. In this period, music played a prominent role, and cities such as Paris, Vienna, Milan or London, real laboratories of artistic creation, became social and cultural references for the rest of the continent, whose inhabitants strove to imitate their musical habits such as concert and theatrical life, "soirées", parties or musical promenades. From diverse perspectives, this volume rethinks the singularity, influence and connections of different European musical centres, analysing the reproduction of cultural models and the conflicts that these models imposed on the peripheries, most of which have been ignored in the historiography of Western European music. In addition, it will also address the birth of musico-national languages situated on the European geographical margins, that develop interesting synergies between universality and nationality. The peripheral models of musical production and circulation in contexts far from the usual musical venues will also be addressed, as well as the derived cultural transfers." 13 English, 4 French, 2 Spanish contributions Geschichte 1789-1914 gnd rswk-swf Peripherie (DE-588)4232983-8 gnd rswk-swf Zentrum (DE-588)4193781-8 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 06.05.2021-09.05.2021 Online gnd-content Europa (DE-588)4015701-5 g Musikleben (DE-588)4075128-4 s Zentrum (DE-588)4193781-8 s Peripherie (DE-588)4232983-8 s Geschichte 1789-1914 z DE-604 Encina Cortizo, María 1966- (DE-588)1055784268 edt Nommick, Yvan (DE-588)1026300657 edt Specvlvm mvsicae volume 50 (DE-604)BV011188963 50 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034726360&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| subject_GND | (DE-588)4232983-8 (DE-588)4193781-8 (DE-588)4075128-4 (DE-588)4015701-5 (DE-588)1071861417 |
| title | Between centres and peripheries music in Europe from the French Revolution to WWI |
| title_auth | Between centres and peripheries music in Europe from the French Revolution to WWI |
| title_exact_search | Between centres and peripheries music in Europe from the French Revolution to WWI |
| title_exact_search_txtP | Between centres and peripheries music in Europe from the French Revolution to WWI |
| title_full | Between centres and peripheries music in Europe from the French Revolution to WWI edited by María Encina Cortizo and Yvan Nommick |
| title_fullStr | Between centres and peripheries music in Europe from the French Revolution to WWI edited by María Encina Cortizo and Yvan Nommick |
| title_full_unstemmed | Between centres and peripheries music in Europe from the French Revolution to WWI edited by María Encina Cortizo and Yvan Nommick |
| title_short | Between centres and peripheries |
| title_sort | between centres and peripheries music in europe from the french revolution to wwi |
| title_sub | music in Europe from the French Revolution to WWI |
| topic | Peripherie (DE-588)4232983-8 gnd Zentrum (DE-588)4193781-8 gnd Musikleben (DE-588)4075128-4 gnd |
| topic_facet | Peripherie Zentrum Musikleben Europa Konferenzschrift 06.05.2021-09.05.2021 Online |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034726360&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV011188963 |
| work_keys_str_mv | AT encinacortizomaria betweencentresandperipheriesmusicineuropefromthefrenchrevolutiontowwi AT nommickyvan betweencentresandperipheriesmusicineuropefromthefrenchrevolutiontowwi |