The drive-in: outdoor cinema in 1950s America and the popular imagination
"The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Bloomsbury Academic
2023
|
| Schriftenreihe: | Bloomsbury collections
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBR01 UBT01 URL des Erstveröffentlichers |
| Zusammenfassung: | "The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a ‘passion pit’ or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours." |
| Beschreibung: | 1 Online-Ressource (272 Seiten) Illustrationen |
| ISBN: | 9781501365898 9781501365904 9781501365911 |
| DOI: | 10.5040/9781501365898 |
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Datensatz im Suchindex
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| indexdate | 2024-07-10T10:05:51Z |
| institution | BVB |
| isbn | 9781501365898 9781501365904 9781501365911 |
| language | English |
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| spelling | Barefoot, Guy 1957- Verfasser (DE-588)173506836 aut The drive-in outdoor cinema in 1950s America and the popular imagination Guy Barefoot New York Bloomsbury Academic 2023 1 Online-Ressource (272 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Bloomsbury collections "The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a ‘passion pit’ or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours." Geschichte 1950-1960 gnd rswk-swf Autokino (DE-588)4316622-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Drive-in theaters / United States / History Ciné-parcs / États-Unis / Histoire Drive-in theaters United States History USA (DE-588)4078704-7 g Autokino (DE-588)4316622-2 s Geschichte 1950-1960 z DE-604 Erscheint auch als Druck-Ausgabe, hbk 978-1-5013-6592-8 https://doi.org/10.5040/9781501365898?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Barefoot, Guy 1957- The drive-in outdoor cinema in 1950s America and the popular imagination Autokino (DE-588)4316622-2 gnd |
| subject_GND | (DE-588)4316622-2 (DE-588)4078704-7 |
| title | The drive-in outdoor cinema in 1950s America and the popular imagination |
| title_auth | The drive-in outdoor cinema in 1950s America and the popular imagination |
| title_exact_search | The drive-in outdoor cinema in 1950s America and the popular imagination |
| title_exact_search_txtP | The drive-in outdoor cinema in 1950s America and the popular imagination |
| title_full | The drive-in outdoor cinema in 1950s America and the popular imagination Guy Barefoot |
| title_fullStr | The drive-in outdoor cinema in 1950s America and the popular imagination Guy Barefoot |
| title_full_unstemmed | The drive-in outdoor cinema in 1950s America and the popular imagination Guy Barefoot |
| title_short | The drive-in |
| title_sort | the drive in outdoor cinema in 1950s america and the popular imagination |
| title_sub | outdoor cinema in 1950s America and the popular imagination |
| topic | Autokino (DE-588)4316622-2 gnd |
| topic_facet | Autokino USA |
| url | https://doi.org/10.5040/9781501365898?locatt=label:secondary_bloomsburyCollections |
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