Feenin: R&B music and the materiality of BlackFem voices and technology
"In Feenin, Alexander Ghedi Weheliye traces R&B music's continuing centrality in Black life since the late 1970s. Focusing on various musical production and reproduction technologies such as auto-tune and the materiality of the BlackFem singing voice, Weheliye counteracts the widesprea...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
2023
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In Feenin, Alexander Ghedi Weheliye traces R&B music's continuing centrality in Black life since the late 1970s. Focusing on various musical production and reproduction technologies such as auto-tune and the materiality of the BlackFem singing voice, Weheliye counteracts the widespread popular and scholarly narratives of the genre's decline and death. He shows how R&B remains a thriving venue for the expression of Black thought and life and a primary archive of the contemporary moment. Among other topics, Weheliye discusses the post-disco evolution of house music in Chicago and techno in Detroit, Prince and David Bowie in relation to the appropriations of Blackness and Euro-whiteness in the 1980s, how the BlackFem voice functions as a repository of Black knowledge, the methods contemporary R&B musicians use to bring attention to Black Lives Matter, and the ways vocal distortion technologies such as the vocoder demonstrate Black music's relevance to discussions of humanism and posthumanism. Ultimately, Feenin represents Weheliye's capacious thinking about R&B as the site through which to think through questions of Blackness, technology, history, humanity, community, diaspora, and nationhood"-- |
| Beschreibung: | 291 Seiten Illustrationen 23 cm |
| ISBN: | 9781478025214 9781478020318 |
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| 505 | 8 | |a Good Days: RB Music and Critical Fabulation in the Frequencies of the Now -- Engendering Phonographies: Sonic Technologies of Blackness: A Response to Tavia Nyong'o -- "Feenin": Posthuman Voices in RB Music -- Rhythms of Relation: Black Popular Music and Mobile Technologies -- Calling My Phone -- My Volk to Come: Specters of Peoplehood in Diaspora Discourse and AfroGerman Popular Music -- "White Brothers with No Soul": UnTuning the Historiography of Berlin Techno: Interview with Annie Goh -- Don't Take It Away -- New Waves, Shifting Terrains: Prince's and David Bowie's Transatlantic Crossovers -- #BeyondDeepBrandyAlbumCuts -- "Sounding That Precarious Existence": On RB Music, Technology, and Blackness: Interview with Nehal El-Hadi -- "Scream My Name Like a Protest": RB Music as BlackFem Technology of Humanity in the Age of #Blacklivesmatter -- Songify Your Life -- 808s and Heartbreak / Alexander Ghedi Weheliye and Katherine McKittrick -- Wayward Shuddering, Beautiful Tremors (AGW's Quiet Storm Remix) | |
| 520 | 3 | |a "In Feenin, Alexander Ghedi Weheliye traces R&B music's continuing centrality in Black life since the late 1970s. Focusing on various musical production and reproduction technologies such as auto-tune and the materiality of the BlackFem singing voice, Weheliye counteracts the widespread popular and scholarly narratives of the genre's decline and death. He shows how R&B remains a thriving venue for the expression of Black thought and life and a primary archive of the contemporary moment. Among other topics, Weheliye discusses the post-disco evolution of house music in Chicago and techno in Detroit, Prince and David Bowie in relation to the appropriations of Blackness and Euro-whiteness in the 1980s, how the BlackFem voice functions as a repository of Black knowledge, the methods contemporary R&B musicians use to bring attention to Black Lives Matter, and the ways vocal distortion technologies such as the vocoder demonstrate Black music's relevance to discussions of humanism and posthumanism. Ultimately, Feenin represents Weheliye's capacious thinking about R&B as the site through which to think through questions of Blackness, technology, history, humanity, community, diaspora, and nationhood"-- | |
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| 653 | 0 | |a SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies | |
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Datensatz im Suchindex
| _version_ | 1824573888773750784 |
|---|---|
| adam_text |
CONTENTS TRACK 6.0 New Waves, Shifting Terrains: Prince’s and David Bowie’s Transatlantic Crossovers 140 interlude 3 #BeyondDeepBrandyAlbumCuts 153 TRACK 7.O “Sounding That Precarious Existence”: On R B Music, Technology, and Blackness 158 Interview with Nehal El-Hadi TRACK 8.0 “Scream My Name Like a Protest”: R B Music as BlackFem Technology of Humanity in the Age of #Blacklivesmatter 178 interlude 4 Songify Your Life 198 TRACK 9.O 808s and Heartbreak 201 Alexander Ghedi Weheliye and Katherine McKittrick TRACK 10.0 Wayward Shuddering, Beautiful Tremors (AGW’s Quiet Storm Remix) 237 Sources 245 Index 275 A playlist is available on the Spotify streaming service: http://bit.ly/3ZhcOzg. |
| adam_txt |
CONTENTS TRACK 6.0 New Waves, Shifting Terrains: Prince’s and David Bowie’s Transatlantic Crossovers 140 interlude 3 #BeyondDeepBrandyAlbumCuts 153 TRACK 7.O “Sounding That Precarious Existence”: On R B Music, Technology, and Blackness 158 Interview with Nehal El-Hadi TRACK 8.0 “Scream My Name Like a Protest”: R B Music as BlackFem Technology of Humanity in the Age of #Blacklivesmatter 178 interlude 4 Songify Your Life 198 TRACK 9.O 808s and Heartbreak 201 Alexander Ghedi Weheliye and Katherine McKittrick TRACK 10.0 Wayward Shuddering, Beautiful Tremors (AGW’s Quiet Storm Remix) 237 Sources 245 Index 275 A playlist is available on the Spotify streaming service: http://bit.ly/3ZhcOzg. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Weheliye, Alexander G. 1968- |
| author_GND | (DE-588)1068850361 |
| author_facet | Weheliye, Alexander G. 1968- |
| author_role | aut |
| author_sort | Weheliye, Alexander G. 1968- |
| author_variant | a g w ag agw |
| building | Verbundindex |
| bvnumber | BV049392782 |
| contents | Good Days: RB Music and Critical Fabulation in the Frequencies of the Now -- Engendering Phonographies: Sonic Technologies of Blackness: A Response to Tavia Nyong'o -- "Feenin": Posthuman Voices in RB Music -- Rhythms of Relation: Black Popular Music and Mobile Technologies -- Calling My Phone -- My Volk to Come: Specters of Peoplehood in Diaspora Discourse and AfroGerman Popular Music -- "White Brothers with No Soul": UnTuning the Historiography of Berlin Techno: Interview with Annie Goh -- Don't Take It Away -- New Waves, Shifting Terrains: Prince's and David Bowie's Transatlantic Crossovers -- #BeyondDeepBrandyAlbumCuts -- "Sounding That Precarious Existence": On RB Music, Technology, and Blackness: Interview with Nehal El-Hadi -- "Scream My Name Like a Protest": RB Music as BlackFem Technology of Humanity in the Age of #Blacklivesmatter -- Songify Your Life -- 808s and Heartbreak / Alexander Ghedi Weheliye and Katherine McKittrick -- Wayward Shuddering, Beautiful Tremors (AGW's Quiet Storm Remix) |
| ctrlnum | (OCoLC)1418705582 (DE-599)BVBBV049392782 |
| dewey-full | 781.644 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.644 |
| dewey-search | 781.644 |
| dewey-sort | 3781.644 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1970-2020 gnd |
| era_facet | Geschichte 1970-2020 |
| format | Book |
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| id | DE-604.BV049392782 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:01:42Z |
| indexdate | 2025-02-20T11:00:55Z |
| institution | BVB |
| isbn | 9781478025214 9781478020318 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034720172 |
| oclc_num | 1418705582 |
| open_access_boolean | |
| owner | DE-12 DE-188 DE-11 |
| owner_facet | DE-12 DE-188 DE-11 |
| physical | 291 Seiten Illustrationen 23 cm |
| psigel | BSB_NED_20240130 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Weheliye, Alexander G. 1968- Verfasser (DE-588)1068850361 aut Feenin R&B music and the materiality of BlackFem voices and technology Alexander Ghedi Weheliye R&B music and the materiality of BlackFem voices and technology Durham ; London Duke University Press 2023 291 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Good Days: RB Music and Critical Fabulation in the Frequencies of the Now -- Engendering Phonographies: Sonic Technologies of Blackness: A Response to Tavia Nyong'o -- "Feenin": Posthuman Voices in RB Music -- Rhythms of Relation: Black Popular Music and Mobile Technologies -- Calling My Phone -- My Volk to Come: Specters of Peoplehood in Diaspora Discourse and AfroGerman Popular Music -- "White Brothers with No Soul": UnTuning the Historiography of Berlin Techno: Interview with Annie Goh -- Don't Take It Away -- New Waves, Shifting Terrains: Prince's and David Bowie's Transatlantic Crossovers -- #BeyondDeepBrandyAlbumCuts -- "Sounding That Precarious Existence": On RB Music, Technology, and Blackness: Interview with Nehal El-Hadi -- "Scream My Name Like a Protest": RB Music as BlackFem Technology of Humanity in the Age of #Blacklivesmatter -- Songify Your Life -- 808s and Heartbreak / Alexander Ghedi Weheliye and Katherine McKittrick -- Wayward Shuddering, Beautiful Tremors (AGW's Quiet Storm Remix) "In Feenin, Alexander Ghedi Weheliye traces R&B music's continuing centrality in Black life since the late 1970s. Focusing on various musical production and reproduction technologies such as auto-tune and the materiality of the BlackFem singing voice, Weheliye counteracts the widespread popular and scholarly narratives of the genre's decline and death. He shows how R&B remains a thriving venue for the expression of Black thought and life and a primary archive of the contemporary moment. Among other topics, Weheliye discusses the post-disco evolution of house music in Chicago and techno in Detroit, Prince and David Bowie in relation to the appropriations of Blackness and Euro-whiteness in the 1980s, how the BlackFem voice functions as a repository of Black knowledge, the methods contemporary R&B musicians use to bring attention to Black Lives Matter, and the ways vocal distortion technologies such as the vocoder demonstrate Black music's relevance to discussions of humanism and posthumanism. Ultimately, Feenin represents Weheliye's capacious thinking about R&B as the site through which to think through questions of Blackness, technology, history, humanity, community, diaspora, and nationhood"-- Geschichte 1970-2020 gnd rswk-swf Weibliche Person of Color (DE-588)4293658-5 gnd rswk-swf Technologie (DE-588)4059276-5 gnd rswk-swf Rhythm and Blues (DE-588)4178058-9 gnd rswk-swf Soul (DE-588)4181885-4 gnd rswk-swf Sängerin (DE-588)4051246-0 gnd rswk-swf Musikproduktion (DE-588)4235850-4 gnd rswk-swf Ethnische Identität (DE-588)4153096-2 gnd rswk-swf Rhythm and blues music / History and criticism Soul music / History and criticism Blues (Music) / History and criticism African Americans / Music / History and criticism African American women singers Chanteuses noires américaines MUSIC / Genres & Styles / Soul & R 'n B. SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies African Americans / Music Blues (Music) Rhythm and blues music Soul music Criticism, interpretation, etc Weibliche Person of Color (DE-588)4293658-5 s Sängerin (DE-588)4051246-0 s Soul (DE-588)4181885-4 s Rhythm and Blues (DE-588)4178058-9 s Musikproduktion (DE-588)4235850-4 s Technologie (DE-588)4059276-5 s Ethnische Identität (DE-588)4153096-2 s Geschichte 1970-2020 z DE-604 Erscheint auch als Online-Ausgabe 978-1-4780-2729-4 (DE-604)BV049350976 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034720172&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Weheliye, Alexander G. 1968- Feenin R&B music and the materiality of BlackFem voices and technology Good Days: RB Music and Critical Fabulation in the Frequencies of the Now -- Engendering Phonographies: Sonic Technologies of Blackness: A Response to Tavia Nyong'o -- "Feenin": Posthuman Voices in RB Music -- Rhythms of Relation: Black Popular Music and Mobile Technologies -- Calling My Phone -- My Volk to Come: Specters of Peoplehood in Diaspora Discourse and AfroGerman Popular Music -- "White Brothers with No Soul": UnTuning the Historiography of Berlin Techno: Interview with Annie Goh -- Don't Take It Away -- New Waves, Shifting Terrains: Prince's and David Bowie's Transatlantic Crossovers -- #BeyondDeepBrandyAlbumCuts -- "Sounding That Precarious Existence": On RB Music, Technology, and Blackness: Interview with Nehal El-Hadi -- "Scream My Name Like a Protest": RB Music as BlackFem Technology of Humanity in the Age of #Blacklivesmatter -- Songify Your Life -- 808s and Heartbreak / Alexander Ghedi Weheliye and Katherine McKittrick -- Wayward Shuddering, Beautiful Tremors (AGW's Quiet Storm Remix) Weibliche Person of Color (DE-588)4293658-5 gnd Technologie (DE-588)4059276-5 gnd Rhythm and Blues (DE-588)4178058-9 gnd Soul (DE-588)4181885-4 gnd Sängerin (DE-588)4051246-0 gnd Musikproduktion (DE-588)4235850-4 gnd Ethnische Identität (DE-588)4153096-2 gnd |
| subject_GND | (DE-588)4293658-5 (DE-588)4059276-5 (DE-588)4178058-9 (DE-588)4181885-4 (DE-588)4051246-0 (DE-588)4235850-4 (DE-588)4153096-2 |
| title | Feenin R&B music and the materiality of BlackFem voices and technology |
| title_alt | R&B music and the materiality of BlackFem voices and technology |
| title_auth | Feenin R&B music and the materiality of BlackFem voices and technology |
| title_exact_search | Feenin R&B music and the materiality of BlackFem voices and technology |
| title_exact_search_txtP | Feenin R&B music and the materiality of BlackFem voices and technology |
| title_full | Feenin R&B music and the materiality of BlackFem voices and technology Alexander Ghedi Weheliye |
| title_fullStr | Feenin R&B music and the materiality of BlackFem voices and technology Alexander Ghedi Weheliye |
| title_full_unstemmed | Feenin R&B music and the materiality of BlackFem voices and technology Alexander Ghedi Weheliye |
| title_short | Feenin |
| title_sort | feenin r b music and the materiality of blackfem voices and technology |
| title_sub | R&B music and the materiality of BlackFem voices and technology |
| topic | Weibliche Person of Color (DE-588)4293658-5 gnd Technologie (DE-588)4059276-5 gnd Rhythm and Blues (DE-588)4178058-9 gnd Soul (DE-588)4181885-4 gnd Sängerin (DE-588)4051246-0 gnd Musikproduktion (DE-588)4235850-4 gnd Ethnische Identität (DE-588)4153096-2 gnd |
| topic_facet | Weibliche Person of Color Technologie Rhythm and Blues Soul Sängerin Musikproduktion Ethnische Identität |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034720172&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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