Sites of transformation: applied and socially engaged scenography in rural landscapes
Scenography with purpose : seven scenographic principles -- Walking-performance : emplacing a life-event : Fissure -- Creating a scene : centring the visual : Ghost bird -- Site and materials : centring the metaphor : The gathering -- Mapping-walks : centring the subject Warnscale -- Giving a voice...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Methuen Drama
2023
|
| Ausgabe: | Paperback edition |
| Schriftenreihe: | Performance and design
|
| Schlagworte: | |
| Zusammenfassung: | Scenography with purpose : seven scenographic principles -- Walking-performance : emplacing a life-event : Fissure -- Creating a scene : centring the visual : Ghost bird -- Site and materials : centring the metaphor : The gathering -- Mapping-walks : centring the subject Warnscale -- Giving a voice : centring the community : Mulliontide -- Applied scenography : multiple applications : Dorothy's room and Women's walks to remember. "In this book practitioner and scholar Louise Ann Wilson examines the expanding field of socially engaged scenography and promotes the development of therapeutic scenography as an applied art form. Offering an account of her own practice combined with case studies drawing on artworks from Early Romanticism and the Land Art movement of the 1960s, Elena Brotherus (Finland), Tabitha Moses (UK) and Marina Abramovic's autobiographical walking-work The Lovers: The Great Wall Walk (1988, China), this is the first book on the emerging area of site-specific and therapeutic scenography. The book analyses how Wilson's interdisciplinary, site-specific walking-performances are created in rural landscapes and seek to emplace and transform a participant's experience of challenging life-events for which traditional rites of passage or ceremonies do not exist. The book explores the therapeutic effect of Wilson's practice, which becomes an instrument for personal and social change and can be understood as a form of applied performance practice. Case studies drawn from her own practice include Fissure (2011), The Gathering (2014), Warnscale (2015), Mulliontide (2016) and Women's Walks to Remember (2018). Each is illustrated and is supported by evidential material demonstrating the effects of the practice and research. Using this series of case studies, Wilson investigates how 'transformation' is achieved through an interdisciplinarily, three-tiered methodological process and the application of the concept of the feminine sublime, which she develops into six scenographic-led principles. These principles were informed by theories and aesthetics relating to landscape, pilgrimage, Early Romanticism, and a close study of the approach of Dorothy Wordsworth and her female contemporaries to landscape"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | x, 233 Seiten Illustrationen |
| ISBN: | 9781350282759 9781350104440 |
Internformat
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| 100 | 1 | |a Wilson, Louise Ann |d 1970- |e Verfasser |0 (DE-588)1271702266 |4 aut | |
| 245 | 1 | 0 | |a Sites of transformation |b applied and socially engaged scenography in rural landscapes |c Louise Ann Wilson |
| 250 | |a Paperback edition | ||
| 264 | 1 | |a London ; New York ; Oxford ; New Delhi ; Sydney |b Methuen Drama |c 2023 | |
| 300 | |a x, 233 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Performance and design | |
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| 520 | 3 | |a Scenography with purpose : seven scenographic principles -- Walking-performance : emplacing a life-event : Fissure -- Creating a scene : centring the visual : Ghost bird -- Site and materials : centring the metaphor : The gathering -- Mapping-walks : centring the subject Warnscale -- Giving a voice : centring the community : Mulliontide -- Applied scenography : multiple applications : Dorothy's room and Women's walks to remember. | |
| 520 | 3 | |a "In this book practitioner and scholar Louise Ann Wilson examines the expanding field of socially engaged scenography and promotes the development of therapeutic scenography as an applied art form. Offering an account of her own practice combined with case studies drawing on artworks from Early Romanticism and the Land Art movement of the 1960s, Elena Brotherus (Finland), Tabitha Moses (UK) and Marina Abramovic's autobiographical walking-work The Lovers: The Great Wall Walk (1988, China), this is the first book on the emerging area of site-specific and therapeutic scenography. The book analyses how Wilson's interdisciplinary, site-specific walking-performances are created in rural landscapes and seek to emplace and transform a participant's experience of challenging life-events for which traditional rites of passage or ceremonies do not exist. The book explores the therapeutic effect of Wilson's practice, which becomes an instrument for personal and social change and can be understood as a form of applied performance practice. Case studies drawn from her own practice include Fissure (2011), The Gathering (2014), Warnscale (2015), Mulliontide (2016) and Women's Walks to Remember (2018). Each is illustrated and is supported by evidential material demonstrating the effects of the practice and research. Using this series of case studies, Wilson investigates how 'transformation' is achieved through an interdisciplinarily, three-tiered methodological process and the application of the concept of the feminine sublime, which she develops into six scenographic-led principles. These principles were informed by theories and aesthetics relating to landscape, pilgrimage, Early Romanticism, and a close study of the approach of Dorothy Wordsworth and her female contemporaries to landscape"-- | |
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| 653 | 1 | |a Wilson, Louise Ann / 1970- / Themes, motives | |
| 653 | 0 | |a Theaters / Stage-setting and scenery | |
| 653 | 0 | |a Performance art / Psychological aspects | |
| 653 | 0 | |a Landscapes / Psychological aspects | |
| 653 | 0 | |a Site-specific theater | |
| 689 | 0 | 0 | |a Performance |g Künste |0 (DE-588)4173750-7 |D s |
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Datensatz im Suchindex
| _version_ | 1805081870419886080 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
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| author | Wilson, Louise Ann 1970- |
| author_GND | (DE-588)1271702266 |
| author_facet | Wilson, Louise Ann 1970- |
| author_role | aut |
| author_sort | Wilson, Louise Ann 1970- |
| author_variant | l a w la law |
| building | Verbundindex |
| bvnumber | BV049387137 |
| ctrlnum | (OCoLC)1437867120 (DE-599)KXP1761070312 |
| dewey-full | 792.02/2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.02/2 |
| dewey-search | 792.02/2 |
| dewey-sort | 3792.02 12 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| edition | Paperback edition |
| format | Book |
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| id | DE-604.BV049387137 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:00:21Z |
| indexdate | 2024-07-20T07:23:38Z |
| institution | BVB |
| isbn | 9781350282759 9781350104440 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034714644 |
| oclc_num | 1437867120 |
| open_access_boolean | |
| owner | DE-B170 |
| owner_facet | DE-B170 |
| physical | x, 233 Seiten Illustrationen |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Methuen Drama |
| record_format | marc |
| series2 | Performance and design |
| spelling | Wilson, Louise Ann 1970- Verfasser (DE-588)1271702266 aut Sites of transformation applied and socially engaged scenography in rural landscapes Louise Ann Wilson Paperback edition London ; New York ; Oxford ; New Delhi ; Sydney Methuen Drama 2023 x, 233 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Performance and design Includes bibliographical references and index Scenography with purpose : seven scenographic principles -- Walking-performance : emplacing a life-event : Fissure -- Creating a scene : centring the visual : Ghost bird -- Site and materials : centring the metaphor : The gathering -- Mapping-walks : centring the subject Warnscale -- Giving a voice : centring the community : Mulliontide -- Applied scenography : multiple applications : Dorothy's room and Women's walks to remember. "In this book practitioner and scholar Louise Ann Wilson examines the expanding field of socially engaged scenography and promotes the development of therapeutic scenography as an applied art form. Offering an account of her own practice combined with case studies drawing on artworks from Early Romanticism and the Land Art movement of the 1960s, Elena Brotherus (Finland), Tabitha Moses (UK) and Marina Abramovic's autobiographical walking-work The Lovers: The Great Wall Walk (1988, China), this is the first book on the emerging area of site-specific and therapeutic scenography. The book analyses how Wilson's interdisciplinary, site-specific walking-performances are created in rural landscapes and seek to emplace and transform a participant's experience of challenging life-events for which traditional rites of passage or ceremonies do not exist. The book explores the therapeutic effect of Wilson's practice, which becomes an instrument for personal and social change and can be understood as a form of applied performance practice. Case studies drawn from her own practice include Fissure (2011), The Gathering (2014), Warnscale (2015), Mulliontide (2016) and Women's Walks to Remember (2018). Each is illustrated and is supported by evidential material demonstrating the effects of the practice and research. Using this series of case studies, Wilson investigates how 'transformation' is achieved through an interdisciplinarily, three-tiered methodological process and the application of the concept of the feminine sublime, which she develops into six scenographic-led principles. These principles were informed by theories and aesthetics relating to landscape, pilgrimage, Early Romanticism, and a close study of the approach of Dorothy Wordsworth and her female contemporaries to landscape"-- Landschaft (DE-588)4034343-1 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Wilson, Louise Ann / 1970- / Themes, motives Theaters / Stage-setting and scenery Performance art / Psychological aspects Landscapes / Psychological aspects Site-specific theater Performance Künste (DE-588)4173750-7 s Landschaft (DE-588)4034343-1 s DE-604 Erscheint auch als Online-Ausgabe 9781350104457 Erscheint auch als Online-Ausgabe, PDF 9781350104464 |
| spellingShingle | Wilson, Louise Ann 1970- Sites of transformation applied and socially engaged scenography in rural landscapes Landschaft (DE-588)4034343-1 gnd Performance Künste (DE-588)4173750-7 gnd |
| subject_GND | (DE-588)4034343-1 (DE-588)4173750-7 |
| title | Sites of transformation applied and socially engaged scenography in rural landscapes |
| title_auth | Sites of transformation applied and socially engaged scenography in rural landscapes |
| title_exact_search | Sites of transformation applied and socially engaged scenography in rural landscapes |
| title_exact_search_txtP | Sites of transformation applied and socially engaged scenography in rural landscapes |
| title_full | Sites of transformation applied and socially engaged scenography in rural landscapes Louise Ann Wilson |
| title_fullStr | Sites of transformation applied and socially engaged scenography in rural landscapes Louise Ann Wilson |
| title_full_unstemmed | Sites of transformation applied and socially engaged scenography in rural landscapes Louise Ann Wilson |
| title_short | Sites of transformation |
| title_sort | sites of transformation applied and socially engaged scenography in rural landscapes |
| title_sub | applied and socially engaged scenography in rural landscapes |
| topic | Landschaft (DE-588)4034343-1 gnd Performance Künste (DE-588)4173750-7 gnd |
| topic_facet | Landschaft Performance Künste |
| work_keys_str_mv | AT wilsonlouiseann sitesoftransformationappliedandsociallyengagedscenographyinrurallandscapes |