Screen acting: a cognitive approach
This work approaches film and television acting from an actor's perspective rather than that of an audience member, and therefore theorises how screen acting works as a process that engages an actor's memory, imagination, emotions, and physical body in the creation of a character. It argue...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2023
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | This work approaches film and television acting from an actor's perspective rather than that of an audience member, and therefore theorises how screen acting works as a process that engages an actor's memory, imagination, emotions, and physical body in the creation of a character. It argues that film actors strive to perform profound empathetic connections with their characters and fellow actors, and then put themselves out there through performing to make those connections clear to the eventual audience. It combines interviews with working professional film and television actors, key insights and methods from Film, Television, and Theatre Studies, and theories of imagination and embodiment to show that screen actors are more than just 'the moving parts' of the mise-en-scene |
| Beschreibung: | Previously issued in print: 2022. - Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (x, 209 Seiten) Illustrationen |
| ISBN: | 9781474484152 9781474484169 |
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| 520 | |a This work approaches film and television acting from an actor's perspective rather than that of an audience member, and therefore theorises how screen acting works as a process that engages an actor's memory, imagination, emotions, and physical body in the creation of a character. It argues that film actors strive to perform profound empathetic connections with their characters and fellow actors, and then put themselves out there through performing to make those connections clear to the eventual audience. It combines interviews with working professional film and television actors, key insights and methods from Film, Television, and Theatre Studies, and theories of imagination and embodiment to show that screen actors are more than just 'the moving parts' of the mise-en-scene | ||
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Datensatz im Suchindex
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| author | Leberg, Dan |
| author_facet | Leberg, Dan |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| format | Electronic eBook |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:59:31Z |
| indexdate | 2024-07-10T10:05:32Z |
| institution | BVB |
| isbn | 9781474484152 9781474484169 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034710520 |
| oclc_num | 1409121704 |
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| physical | 1 Online-Ressource (x, 209 Seiten) Illustrationen |
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| publishDate | 2023 |
| publishDateSearch | 2023 |
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| publisher | Edinburgh University Press |
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| spelling | Leberg, Dan aut Screen acting a cognitive approach Dan Leberg Edinburgh Edinburgh University Press 2023 1 Online-Ressource (x, 209 Seiten) Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier Previously issued in print: 2022. - Includes bibliographical references and index This work approaches film and television acting from an actor's perspective rather than that of an audience member, and therefore theorises how screen acting works as a process that engages an actor's memory, imagination, emotions, and physical body in the creation of a character. It argues that film actors strive to perform profound empathetic connections with their characters and fellow actors, and then put themselves out there through performing to make those connections clear to the eventual audience. It combines interviews with working professional film and television actors, key insights and methods from Film, Television, and Theatre Studies, and theories of imagination and embodiment to show that screen actors are more than just 'the moving parts' of the mise-en-scene Motion picture acting Television acting Motion picture acting / Psychological aspects Television acting / Psychological aspects Emotions and cognition Erscheint auch als Druck-Ausgabe 978-1-4744-8413-8 https://www.cambridge.org/core/product/identifier/9781474484152/type/BOOK Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Leberg, Dan Screen acting a cognitive approach Motion picture acting Television acting Motion picture acting / Psychological aspects Television acting / Psychological aspects Emotions and cognition |
| title | Screen acting a cognitive approach |
| title_auth | Screen acting a cognitive approach |
| title_exact_search | Screen acting a cognitive approach |
| title_exact_search_txtP | Screen acting a cognitive approach |
| title_full | Screen acting a cognitive approach Dan Leberg |
| title_fullStr | Screen acting a cognitive approach Dan Leberg |
| title_full_unstemmed | Screen acting a cognitive approach Dan Leberg |
| title_short | Screen acting |
| title_sort | screen acting a cognitive approach |
| title_sub | a cognitive approach |
| topic | Motion picture acting Television acting Motion picture acting / Psychological aspects Television acting / Psychological aspects Emotions and cognition |
| topic_facet | Motion picture acting Television acting Motion picture acting / Psychological aspects Television acting / Psychological aspects Emotions and cognition |
| url | https://www.cambridge.org/core/product/identifier/9781474484152/type/BOOK |
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