Um boxeur na arena: Oswald de Andrade e as artes visuais no Brasil (1915-1945)
This work investigates the position of the visual arts within the intellectual and creative experience of Brazilian modernist writer and poet Oswald de Andrade (1890- 1954). It analyses not only his writings on art but also the presence of the visual arts in his poetry books Pau Brasil [Brazil Wood]...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Portuguese |
| Veröffentlicht: |
São Paulo
Edições Sesc
[2023]
|
| Ausgabe: | 1a ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This work investigates the position of the visual arts within the intellectual and creative experience of Brazilian modernist writer and poet Oswald de Andrade (1890- 1954). It analyses not only his writings on art but also the presence of the visual arts in his poetry books Pau Brasil [Brazil Wood] (1925) and Primeiro caderno do aluno de poesia Oswald de Andrade [First notebook of the poetry student Oswald de Andrade] (1927), as well as in the novels Os Condenados [The Doomed] (1922- 1934) and Marco Zero [Ground Zero] (1943-1945). This work also discusses the relationships the writer had with Brazilian and foreign artists, as well as his participation in relevant situations involving the visual arts in Brazil, such as the Semana de Arte Moderna [Modern Art Week]; Tarsila do Amaral's first exhibition in Brazil; the Clube dos Artistas Modernos [Modern Art Club]; the Salões de Maio [May Salons]. The aim is to examine how Oswald de Andrade took part in an important period of the history of modern art in Brazil, especially at the city of São Paulo, from the 1910s to the 1940s, which are the chronological landmarks assumed here. "Indeed, "A Boxer in the Arena" is interesting not only to demonstrate how much the visual arts were fundamental for Oswald de Andrade to structure his thinking as a critic, poet and novelist, but also for inserting in this reflection the role that the works of his wife, Tarsila do Amaral, had for its effective realization." |
| Beschreibung: | 479 Seiten Illustrationen 26 cm |
| ISBN: | 8594932316 9788594932310 |
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| 520 | 3 | |a This work investigates the position of the visual arts within the intellectual and creative experience of Brazilian modernist writer and poet Oswald de Andrade (1890- 1954). It analyses not only his writings on art but also the presence of the visual arts in his poetry books Pau Brasil [Brazil Wood] (1925) and Primeiro caderno do aluno de poesia Oswald de Andrade [First notebook of the poetry student Oswald de Andrade] (1927), as well as in the novels Os Condenados [The Doomed] (1922- 1934) and Marco Zero [Ground Zero] (1943-1945). This work also discusses the relationships the writer had with Brazilian and foreign artists, as well as his participation in relevant situations involving the visual arts in Brazil, such as the Semana de Arte Moderna [Modern Art Week]; Tarsila do Amaral's first exhibition in Brazil; the Clube dos Artistas Modernos [Modern Art Club]; the Salões de Maio [May Salons]. The aim is to examine how Oswald de Andrade took part in an important period of the history of modern art in Brazil, especially at the city of São Paulo, from the 1910s to the 1940s, which are the chronological landmarks assumed here. "Indeed, "A Boxer in the Arena" is interesting not only to demonstrate how much the visual arts were fundamental for Oswald de Andrade to structure his thinking as a critic, poet and novelist, but also for inserting in this reflection the role that the works of his wife, Tarsila do Amaral, had for its effective realization." | |
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Datensatz im Suchindex
| _version_ | 1804185916913221632 |
|---|---|
| adam_text | CONTENIDO
PRESENTACION ,9
INTRODUCCION 13
LA CAMARA INQUIETA: CONSIDERACIONES
SOBRE FOTOGRAFIA Y GENERO 21
LA IMAGEN Y SU CONCEPTUALIZACION 23
LA IMAGEN FOTOGRAFICA 25
LA MIRADA FOTOGRAFICA EN LAS REPRESENTACIONES SOCIALES DE GENERO 33
PRACTICAS, ROLES Y RELACIONES 55
DE LA OBJETUALIZACION A LA ACTIVIDAD CREADORA:
LA TRAYECTORIA DE LAS MUJERES EN LA FOTOGRAFIA
EN EL SIGLO XX 65
PRESENCIA DE LAS MUJERES EN LOS ORIGENES DE LA FOTOGRAFIA 67
DE LA FOTOGRAFIA DE MUJERES A LA FOTOGRAFIA FEMINISTA EN LATINOAMERICA
83
EL PODER AL DESNUDO: TRATAMIENTO DEL CUERPO
DE LAS MUJERES EN LA IMAGEN 93
REPRESENTACIONES SOCIALES DEL CUERPO DE LAS MUJERES 100
CUERPO DE MUJER Y RELACIONES DE PODER 106
LA DEA DEL CUERPO DE LAS MUJERES EN LAS IMAGENES 120
APORTES DESDE EL FEMINISMO DESCOLONIAL 134
CON OJOS DE MUJER: ANALISIS DEL CORPUS DE ESTUDIO 143
CRITERIOS DE SELECCION DE LAS FOTOGRAFAS 143
U
LTIMOS
50
ANOS
144
O
RIGEN
LATINOAMERICANO
P
ERSPECTIVA
FEMINISTA
146
A
RTISTAS
VISUALES
147
P
RODUCCION
DISPONIBLE
149
CRITERIOS DE SELECCION DEL CORPUS DE FOTOGRAFIAS 149
T
EMAS
RELACIONADOS
CON
EL
FEMINISMO
150
D
IALOGO
CON
SU
CONTEXTO
150
D
ENUNCIA
SOCIAL
152
P
ROPUESTA
ESTETICA
153
MODELO DE ANALISIS 154
L
IBIA
P
OSADA
153
T
ERESA
S
ERRANO
194
A
NA
M
ENDIETA
219
A
LMA
L
OPEZ
237
Z
AIDA
G
ONZALEZ
261
RESULTADOS Y HALLAZGOS 295
LA EDUCACION Y REEDUCACION DE LA MIRADA 296
MIRADA, PODER Y FEMINISMO DESCOLONIAL 307
AUTORRETRATO 317
CONCLUSIONES 327
BIBLIOGRAFIA 339
LISTA DE IMAGENES REFERENCIADAS 361
ANEXOS . 363
ANEXO 1. MODELO DE ANALISIS DE FOTOGRAFIAS DE JAVIER MARZAL (2007) 363
ANEXO 2. MODELO DE COMUNICACION DE MARIA VICTORIA ESCANDELL (1993) 367
|
| adam_txt |
CONTENIDO
PRESENTACION ,9
INTRODUCCION 13
LA CAMARA INQUIETA: CONSIDERACIONES
SOBRE FOTOGRAFIA Y GENERO 21
LA IMAGEN Y SU CONCEPTUALIZACION 23
LA IMAGEN FOTOGRAFICA 25
LA MIRADA FOTOGRAFICA EN LAS REPRESENTACIONES SOCIALES DE GENERO 33
PRACTICAS, ROLES Y RELACIONES 55
DE LA OBJETUALIZACION A LA ACTIVIDAD CREADORA:
LA TRAYECTORIA DE LAS MUJERES EN LA FOTOGRAFIA
EN EL SIGLO XX 65
PRESENCIA DE LAS MUJERES EN LOS ORIGENES DE LA FOTOGRAFIA 67
DE LA FOTOGRAFIA DE MUJERES A LA FOTOGRAFIA FEMINISTA EN LATINOAMERICA
83
EL PODER AL DESNUDO: TRATAMIENTO DEL CUERPO
DE LAS MUJERES EN LA IMAGEN 93
REPRESENTACIONES SOCIALES DEL CUERPO DE LAS MUJERES 100
CUERPO DE MUJER Y RELACIONES DE PODER 106
LA DEA DEL CUERPO DE LAS MUJERES EN LAS IMAGENES 120
APORTES DESDE EL FEMINISMO DESCOLONIAL 134
CON OJOS DE MUJER: ANALISIS DEL CORPUS DE ESTUDIO 143
CRITERIOS DE SELECCION DE LAS FOTOGRAFAS 143
U
LTIMOS
50
ANOS
144
O
RIGEN
LATINOAMERICANO
P
ERSPECTIVA
FEMINISTA
146
A
RTISTAS
VISUALES
147
P
RODUCCION
DISPONIBLE
149
CRITERIOS DE SELECCION DEL CORPUS DE FOTOGRAFIAS 149
T
EMAS
RELACIONADOS
CON
EL
FEMINISMO
150
D
IALOGO
CON
SU
CONTEXTO
150
D
ENUNCIA
SOCIAL
152
P
ROPUESTA
ESTETICA
153
MODELO DE ANALISIS 154
L
IBIA
P
OSADA
153
T
ERESA
S
ERRANO
194
A
NA
M
ENDIETA
219
A
LMA
L
OPEZ
237
Z
AIDA
G
ONZALEZ
261
RESULTADOS Y HALLAZGOS 295
LA EDUCACION Y REEDUCACION DE LA MIRADA 296
MIRADA, PODER Y FEMINISMO DESCOLONIAL 307
AUTORRETRATO 317
CONCLUSIONES 327
BIBLIOGRAFIA 339
LISTA DE IMAGENES REFERENCIADAS 361
ANEXOS . 363
ANEXO 1. MODELO DE ANALISIS DE FOTOGRAFIAS DE JAVIER MARZAL (2007) 363
ANEXO 2. MODELO DE COMUNICACION DE MARIA VICTORIA ESCANDELL (1993) 367 |
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| author | Virava, Thiago Gil |
| author_facet | Virava, Thiago Gil |
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| building | Verbundindex |
| bvnumber | BV049370666 |
| ctrlnum | (OCoLC)1409118208 (DE-599)BVBBV049370666 |
| edition | 1a ed. |
| era | Geschichte 1910-1950 gnd |
| era_facet | Geschichte 1910-1950 |
| format | Book |
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| genre_facet | Biografie |
| geographic | São Paulo (DE-588)4051667-2 gnd Brasilien (DE-588)4008003-1 gnd |
| geographic_facet | São Paulo Brasilien |
| id | DE-604.BV049370666 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:54:22Z |
| indexdate | 2024-07-10T10:02:50Z |
| institution | BVB |
| isbn | 8594932316 9788594932310 |
| language | Portuguese |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034630624 |
| oclc_num | 1409118208 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 479 Seiten Illustrationen 26 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Edições Sesc |
| record_format | marc |
| spelling | Virava, Thiago Gil Verfasser aut Um boxeur na arena Oswald de Andrade e as artes visuais no Brasil (1915-1945) Thiago Gil Virava 1a ed. São Paulo Edições Sesc [2023] © 2023 479 Seiten Illustrationen 26 cm txt rdacontent n rdamedia nc rdacarrier This work investigates the position of the visual arts within the intellectual and creative experience of Brazilian modernist writer and poet Oswald de Andrade (1890- 1954). It analyses not only his writings on art but also the presence of the visual arts in his poetry books Pau Brasil [Brazil Wood] (1925) and Primeiro caderno do aluno de poesia Oswald de Andrade [First notebook of the poetry student Oswald de Andrade] (1927), as well as in the novels Os Condenados [The Doomed] (1922- 1934) and Marco Zero [Ground Zero] (1943-1945). This work also discusses the relationships the writer had with Brazilian and foreign artists, as well as his participation in relevant situations involving the visual arts in Brazil, such as the Semana de Arte Moderna [Modern Art Week]; Tarsila do Amaral's first exhibition in Brazil; the Clube dos Artistas Modernos [Modern Art Club]; the Salões de Maio [May Salons]. The aim is to examine how Oswald de Andrade took part in an important period of the history of modern art in Brazil, especially at the city of São Paulo, from the 1910s to the 1940s, which are the chronological landmarks assumed here. "Indeed, "A Boxer in the Arena" is interesting not only to demonstrate how much the visual arts were fundamental for Oswald de Andrade to structure his thinking as a critic, poet and novelist, but also for inserting in this reflection the role that the works of his wife, Tarsila do Amaral, had for its effective realization." Andrade, Oswald de 1890-1954 (DE-588)119516241 gnd rswk-swf Amaral, Tarsila do 1886-1973 (DE-588)119484560 gnd rswk-swf Geschichte 1910-1950 gnd rswk-swf Künstler (DE-588)4033423-5 gnd rswk-swf Kunst Motiv (DE-588)4128072-6 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunstgeschichtsschreibung (DE-588)4033643-8 gnd rswk-swf São Paulo (DE-588)4051667-2 gnd rswk-swf Brasilien (DE-588)4008003-1 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Andrade, Oswald de 1890-1954 (DE-588)119516241 p Kunst Motiv (DE-588)4128072-6 s Ästhetik (DE-588)4000626-8 s Kunstgeschichtsschreibung (DE-588)4033643-8 s DE-604 Brasilien (DE-588)4008003-1 g Künstler (DE-588)4033423-5 s Geschichte 1910-1950 z São Paulo (DE-588)4051667-2 g Amaral, Tarsila do 1886-1973 (DE-588)119484560 p V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034630624&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Virava, Thiago Gil Um boxeur na arena Oswald de Andrade e as artes visuais no Brasil (1915-1945) Andrade, Oswald de 1890-1954 (DE-588)119516241 gnd Amaral, Tarsila do 1886-1973 (DE-588)119484560 gnd Künstler (DE-588)4033423-5 gnd Kunst Motiv (DE-588)4128072-6 gnd Ästhetik (DE-588)4000626-8 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd |
| subject_GND | (DE-588)119516241 (DE-588)119484560 (DE-588)4033423-5 (DE-588)4128072-6 (DE-588)4000626-8 (DE-588)4033643-8 (DE-588)4051667-2 (DE-588)4008003-1 (DE-588)4006804-3 |
| title | Um boxeur na arena Oswald de Andrade e as artes visuais no Brasil (1915-1945) |
| title_auth | Um boxeur na arena Oswald de Andrade e as artes visuais no Brasil (1915-1945) |
| title_exact_search | Um boxeur na arena Oswald de Andrade e as artes visuais no Brasil (1915-1945) |
| title_exact_search_txtP | Um boxeur na arena Oswald de Andrade e as artes visuais no Brasil (1915-1945) |
| title_full | Um boxeur na arena Oswald de Andrade e as artes visuais no Brasil (1915-1945) Thiago Gil Virava |
| title_fullStr | Um boxeur na arena Oswald de Andrade e as artes visuais no Brasil (1915-1945) Thiago Gil Virava |
| title_full_unstemmed | Um boxeur na arena Oswald de Andrade e as artes visuais no Brasil (1915-1945) Thiago Gil Virava |
| title_short | Um boxeur na arena |
| title_sort | um boxeur na arena oswald de andrade e as artes visuais no brasil 1915 1945 |
| title_sub | Oswald de Andrade e as artes visuais no Brasil (1915-1945) |
| topic | Andrade, Oswald de 1890-1954 (DE-588)119516241 gnd Amaral, Tarsila do 1886-1973 (DE-588)119484560 gnd Künstler (DE-588)4033423-5 gnd Kunst Motiv (DE-588)4128072-6 gnd Ästhetik (DE-588)4000626-8 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd |
| topic_facet | Andrade, Oswald de 1890-1954 Amaral, Tarsila do 1886-1973 Künstler Kunst Motiv Ästhetik Kunstgeschichtsschreibung São Paulo Brasilien Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034630624&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT viravathiagogil umboxeurnaarenaoswalddeandradeeasartesvisuaisnobrasil19151945 |