The novelist in the novel: gender and genius in fictional representations of authorship, 1850-1949
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2024
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| Schriftenreihe: | Among the victorians and modernists
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | vii, 262 Seiten Diagramme 23 cm |
| ISBN: | 9781032460925 9781032460901 |
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Contents List of Figures Acknowledgements vw ix Novels about Novelists: An Undetected Epidemic? 1 The Author-Story in Criticism 9 Reading Closely, from a Distance 13 A Theory of the Author-Story 18 Cultural, Critical, and Aesthetic Functions 18 Endorsement 20 The Rise of Novels about Novelists 25 PARTI Writing to Survive (1850-1899) 1 Narratives of Failure: The Artist and His Antagonists in Victorian Author-Stories 39 41 Poverty as Purity in Carlyle’s "The Hero as Man of Letters” 44 From Pot-Boiler to Polemic: Herman Melville’s Pierre 48 “Young America in Literature” and Young Pierre in the Country 50 “Pierre, as a juvenile author, reconsidered” 52 “Pierre Immaturely Attempts a Mature Book” 54 Pardoning "the unpardonable sin” in George Gissing’s New Grub Street 57 The Purist and the Profiteer: Jasper Milvain and Harold Biffen 59 Moving Forward, Looking Back: Whelpdale and Reardon 62 A Saner Economy? 67
VI Contents Failing to Succeed and Succeeding in Failure: Mixed Metaphors in Henry James’s Author-Stories 68 The Good, the Bad, and the Literary Critic 71 Greville Fane: The Problem of Prestige vs. Profit 73 “The Middle Years”: A Modicum of Success 77 Conclusions 82 2 Woman or Writer? Silly Lady Novelists and New Woman Writers 88 Silly Lady Novelists and New Woman Writers 94 An Impasse: Olympia’s Journal 100 The Story of a Modern Woman by “A Spinster of Independent Means” 101 George Paston: A Writer of Books 109 Red Pottage: Mary Cholmondeley’s “Child of the Brain” 120 Conclusions 130 PART I After the Great Divide (1900-1950) 3 139 The Poet in the Prose: Childhood and Romanticism in the Modernist Künstlerroman 141 The Autobiographical Künstlerroman 143 A Romantic Connection: The Child and the Poet 145 Tonio Kröger: Thomas Mann’s “Favourite Literary Child” 152 James Joyce’s Portrait of the Poet as a Prose Writer 161 Thomas Wolfe’s Long Look Homeward 170 Conclusions 178 4 “Buried at the Cross-Roads”: The Disappearing Acts of Modernist Women Writers Masculinity, Modernity, Celebrity 190 Where Are All the Women Writers? 193 “Probably they all wrote, except the women”: Dorothy Richardson’s Pilgrimage 200 Edith Wharton’s Modernist and His Muse 210 “The buried woman . the great man”: Dawn Powell’s Turn Magic Wheel 218 Conclusions 228 186
Contents CODA: The Author-Story after 1950 vii 237 The Author-Story after 1950 240 Student and Teacher 240 Novels about Novelists Writing Novels about Novelists Writing . 242 Gender and Genre 242 Resurrecting the Historical Author 245 Autofictional Identities 245 Appendix A Appendix В Appendix C Index 248 249 250 259
The Novelist in the Novel Why do writers so often write about writers? This book offers the first com prehensive account of the phenomenon of the fictional novelist as a char acter in literature, arguing that our notions of literary genius - and what it means to be an author - are implicitly shaped by and explicitly challenged in novels about novelists, a genre that has been critically underexamined. Employing both close and distant reading techniques to analyse a large corpus of author-stories, The Novelist in the Novel explores the forms and functions of author-stories and the characters within them, offering a new theory that frames these works as textual sites at which questions of literary value and the cultural conceptions around authorship are con stantly being negotiated and revised in a form of covert criticism aimed directly at readers. While nineteenth-century novels about novelists reveal a pervasive frustration with the market - a starving artist vs. commercial sell-out dichotomy - modernist examples of the genre focus on the devel opment of the individual author-as-artist, entirely aloof from the market place and from the literary sphere at large. Yet, each of these dynamics is gendered, with women denigrated to commercial producers and men elevated to artists, and whilst the canon has largely supported the male view of authorship, a closer look at the work of women writers from this period reveals concerted attempts to counteract it. “Silly Lady Novelists” are pitted against serious male modernists in a battle to define what it means to be a literary
genius. |
| adam_txt |
Contents List of Figures Acknowledgements vw ix Novels about Novelists: An Undetected Epidemic? 1 The Author-Story in Criticism 9 Reading Closely, from a Distance 13 A Theory of the Author-Story 18 Cultural, Critical, and Aesthetic Functions 18 Endorsement 20 The Rise of Novels about Novelists 25 PARTI Writing to Survive (1850-1899) 1 Narratives of Failure: The Artist and His Antagonists in Victorian Author-Stories 39 41 Poverty as Purity in Carlyle’s "The Hero as Man of Letters” 44 From Pot-Boiler to Polemic: Herman Melville’s Pierre 48 “Young America in Literature” and Young Pierre in the Country 50 “Pierre, as a juvenile author, reconsidered” 52 “Pierre Immaturely Attempts a Mature Book” 54 Pardoning "the unpardonable sin” in George Gissing’s New Grub Street 57 The Purist and the Profiteer: Jasper Milvain and Harold Biffen 59 Moving Forward, Looking Back: Whelpdale and Reardon 62 A Saner Economy? 67
VI Contents Failing to Succeed and Succeeding in Failure: Mixed Metaphors in Henry James’s Author-Stories 68 The Good, the Bad, and the Literary Critic 71 Greville Fane: The Problem of Prestige vs. Profit 73 “The Middle Years”: A Modicum of Success 77 Conclusions 82 2 Woman or Writer? Silly Lady Novelists and New Woman Writers 88 Silly Lady Novelists and New Woman Writers 94 An Impasse: Olympia’s Journal 100 The Story of a Modern Woman by “A Spinster of Independent Means” 101 George Paston: A Writer of Books 109 Red Pottage: Mary Cholmondeley’s “Child of the Brain” 120 Conclusions 130 PART I After the Great Divide (1900-1950) 3 139 The Poet in the Prose: Childhood and Romanticism in the Modernist Künstlerroman 141 The Autobiographical Künstlerroman 143 A Romantic Connection: The Child and the Poet 145 Tonio Kröger: Thomas Mann’s “Favourite Literary Child” 152 James Joyce’s Portrait of the Poet as a Prose Writer 161 Thomas Wolfe’s Long Look Homeward 170 Conclusions 178 4 “Buried at the Cross-Roads”: The Disappearing Acts of Modernist Women Writers Masculinity, Modernity, Celebrity 190 Where Are All the Women Writers? 193 “Probably they all wrote, except the women”: Dorothy Richardson’s Pilgrimage 200 Edith Wharton’s Modernist and His Muse 210 “The buried woman . the great man”: Dawn Powell’s Turn Magic Wheel 218 Conclusions 228 186
Contents CODA: The Author-Story after 1950 vii 237 The Author-Story after 1950 240 Student and Teacher 240 Novels about Novelists Writing Novels about Novelists Writing . 242 Gender and Genre 242 Resurrecting the Historical Author 245 Autofictional Identities 245 Appendix A Appendix В Appendix C Index 248 249 250 259
The Novelist in the Novel Why do writers so often write about writers? This book offers the first com prehensive account of the phenomenon of the fictional novelist as a char acter in literature, arguing that our notions of literary genius - and what it means to be an author - are implicitly shaped by and explicitly challenged in novels about novelists, a genre that has been critically underexamined. Employing both close and distant reading techniques to analyse a large corpus of author-stories, The Novelist in the Novel explores the forms and functions of author-stories and the characters within them, offering a new theory that frames these works as textual sites at which questions of literary value and the cultural conceptions around authorship are con stantly being negotiated and revised in a form of covert criticism aimed directly at readers. While nineteenth-century novels about novelists reveal a pervasive frustration with the market - a starving artist vs. commercial sell-out dichotomy - modernist examples of the genre focus on the devel opment of the individual author-as-artist, entirely aloof from the market place and from the literary sphere at large. Yet, each of these dynamics is gendered, with women denigrated to commercial producers and men elevated to artists, and whilst the canon has largely supported the male view of authorship, a closer look at the work of women writers from this period reveals concerted attempts to counteract it. “Silly Lady Novelists” are pitted against serious male modernists in a battle to define what it means to be a literary
genius. |
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| title | The novelist in the novel gender and genius in fictional representations of authorship, 1850-1949 |
| title_auth | The novelist in the novel gender and genius in fictional representations of authorship, 1850-1949 |
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| title_full | The novelist in the novel gender and genius in fictional representations of authorship, 1850-1949 Elizabeth King |
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| title_full_unstemmed | The novelist in the novel gender and genius in fictional representations of authorship, 1850-1949 Elizabeth King |
| title_short | The novelist in the novel |
| title_sort | the novelist in the novel gender and genius in fictional representations of authorship 1850 1949 |
| title_sub | gender and genius in fictional representations of authorship, 1850-1949 |
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