Blood in the tracks: the Minnesota musicians behind Dylan's masterpiece
"Blood in the Tracks tells the story of two nights in Minneapolis when six Minnesota musicians participated in a recording session with Bob Dylan as he re-recorded five songs on Blood on the Tracks, bringing their unique sound to some of Dylan's best-known songs-only to have their names le...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Minneapolis ; London
University of Minnesota Press
[2023]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Blood in the Tracks tells the story of two nights in Minneapolis when six Minnesota musicians participated in a recording session with Bob Dylan as he re-recorded five songs on Blood on the Tracks, bringing their unique sound to some of Dylan's best-known songs-only to have their names left off the album and their contribution unacknowledged for more than forty years"-- "The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. "When something's not right, it's wrong," as Dylan puts it in "You're Going to Make Me Lonesome When You Go"-and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including "Idiot Wind" and "Tangled Up in Blue." Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs-only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Blood in the Tracks takes readers behind the scenes with these "mystery" Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. |
| Beschreibung: | xii, 201 Seiten Illustrationen 23 cm |
| ISBN: | 9781517914271 |
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| 520 | 3 | |a "Blood in the Tracks tells the story of two nights in Minneapolis when six Minnesota musicians participated in a recording session with Bob Dylan as he re-recorded five songs on Blood on the Tracks, bringing their unique sound to some of Dylan's best-known songs-only to have their names left off the album and their contribution unacknowledged for more than forty years"-- | |
| 520 | 3 | |a "The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. "When something's not right, it's wrong," as Dylan puts it in "You're Going to Make Me Lonesome When You Go"-and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including "Idiot Wind" and "Tangled Up in Blue." Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs-only to have their names left off the album and their contribution unacknowledged for more than forty years. | |
| 520 | 3 | |a This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Blood in the Tracks takes readers behind the scenes with these "mystery" Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. | |
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Datensatz im Suchindex
| _version_ | 1804185904825237504 |
|---|---|
| adam_text | Content/ INTRODUCTION: WHEN SOMETHING IS RIGHT I. “HEADING OUT FOR THE EAST COAST” iK I 2. “WHEN SOMETHING’S NOT RIGHT, IT’S WRONG” 21 5. “MUSIC IN THE CAFÉS AT NIGHT” 45 4. “HEADING FOR ANOTHER JOINT” 65 5. “HE’S SINGING HIS SONG FOR ME” 81 6. “EVERY ONE OF THEM WORDS RANG TRUE” 97 7. “THEY’RE PLANTING STORIES IN THE PRESS” 117 8. “ALL YOU CAN DO IS DO WHAT YOU MUST” 135 9. “BLOWN OUT ON THE TRAIL” 151 10. “HEAR ME SINGING THROUGH THESE TEARS” 167 EPILOGUE: “WHAT THEY DO WITH THEIR LIVES” 185 ACKNOWLEDGMENTS 201
|
| adam_txt |
Content/ INTRODUCTION: WHEN SOMETHING IS RIGHT I. “HEADING OUT FOR THE EAST COAST” iK I 2. “WHEN SOMETHING’S NOT RIGHT, IT’S WRONG” 21 5. “MUSIC IN THE CAFÉS AT NIGHT” 45 4. “HEADING FOR ANOTHER JOINT” 65 5. “HE’S SINGING HIS SONG FOR ME” 81 6. “EVERY ONE OF THEM WORDS RANG TRUE” 97 7. “THEY’RE PLANTING STORIES IN THE PRESS” 117 8. “ALL YOU CAN DO IS DO WHAT YOU MUST” 135 9. “BLOWN OUT ON THE TRAIL” 151 10. “HEAR ME SINGING THROUGH THESE TEARS” 167 EPILOGUE: “WHAT THEY DO WITH THEIR LIVES” 185 ACKNOWLEDGMENTS 201 |
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| era_facet | Geschichte 1974-1975 |
| format | Book |
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| geographic_facet | Minnesota |
| id | DE-604.BV049363278 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:52:36Z |
| indexdate | 2024-07-10T10:02:39Z |
| institution | BVB |
| isbn | 9781517914271 |
| language | English |
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| physical | xii, 201 Seiten Illustrationen 23 cm |
| psigel | BSB_NED_20231213 |
| publishDate | 2023 |
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| publishDateSort | 2023 |
| publisher | University of Minnesota Press |
| record_format | marc |
| spelling | Metsa, Paul 1955- Verfasser (DE-588)1019241527 aut Blood in the tracks the Minnesota musicians behind Dylan's masterpiece Paul Metsa and Rick Shefchik Minneapolis ; London University of Minnesota Press [2023] xii, 201 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier "Blood in the Tracks tells the story of two nights in Minneapolis when six Minnesota musicians participated in a recording session with Bob Dylan as he re-recorded five songs on Blood on the Tracks, bringing their unique sound to some of Dylan's best-known songs-only to have their names left off the album and their contribution unacknowledged for more than forty years"-- "The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. "When something's not right, it's wrong," as Dylan puts it in "You're Going to Make Me Lonesome When You Go"-and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including "Idiot Wind" and "Tangled Up in Blue." Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs-only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Blood in the Tracks takes readers behind the scenes with these "mystery" Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. Dylan, Bob 1941- Blood on the tracks (DE-588)4829776-8 gnd rswk-swf Geschichte 1974-1975 gnd rswk-swf Tonstudio (DE-588)4417153-5 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf Minnesota (DE-588)4101012-7 gnd rswk-swf Dylan, Bob / 1941- / Blood on the tracks Berg, Bill Inhofer, Gregg / 1950- Odegard, Kevin Ostroushko, Peter Peterson, Billy Weber, Chris / 1947- Musicians / Minnesota Sound recordings / Production and direction / History / 20th century Popular music / Production and direction / History / 20th century Popular music / United States / 1971-1980 / History and criticism MUSIC / Genres & Styles / Rock MUSIC / Genres & Styles / Folk & Traditional Blood on the tracks (Dylan, Bob) Musicians Popular music Sound recordings / Production and direction Minnesota United States 1900-1999 Criticism, interpretation, etc History Dylan, Bob 1941- Blood on the tracks (DE-588)4829776-8 u Minnesota (DE-588)4101012-7 g Tonstudio (DE-588)4417153-5 s Schallaufzeichnung (DE-588)4052020-1 s Musikleben (DE-588)4075128-4 s Geschichte 1974-1975 z DE-604 Shefchik, Rick 1952- Verfasser (DE-588)1084030969 aut Erscheint auch als Druck-Ausgabe, Paperback 978-1-5179-1720-3 Erscheint auch als Online-Ausgabe 9781452969503 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034623400&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Metsa, Paul 1955- Shefchik, Rick 1952- Blood in the tracks the Minnesota musicians behind Dylan's masterpiece Dylan, Bob 1941- Blood on the tracks (DE-588)4829776-8 gnd Tonstudio (DE-588)4417153-5 gnd Musikleben (DE-588)4075128-4 gnd Schallaufzeichnung (DE-588)4052020-1 gnd |
| subject_GND | (DE-588)4829776-8 (DE-588)4417153-5 (DE-588)4075128-4 (DE-588)4052020-1 (DE-588)4101012-7 |
| title | Blood in the tracks the Minnesota musicians behind Dylan's masterpiece |
| title_auth | Blood in the tracks the Minnesota musicians behind Dylan's masterpiece |
| title_exact_search | Blood in the tracks the Minnesota musicians behind Dylan's masterpiece |
| title_exact_search_txtP | Blood in the tracks the Minnesota musicians behind Dylan's masterpiece |
| title_full | Blood in the tracks the Minnesota musicians behind Dylan's masterpiece Paul Metsa and Rick Shefchik |
| title_fullStr | Blood in the tracks the Minnesota musicians behind Dylan's masterpiece Paul Metsa and Rick Shefchik |
| title_full_unstemmed | Blood in the tracks the Minnesota musicians behind Dylan's masterpiece Paul Metsa and Rick Shefchik |
| title_short | Blood in the tracks |
| title_sort | blood in the tracks the minnesota musicians behind dylan s masterpiece |
| title_sub | the Minnesota musicians behind Dylan's masterpiece |
| topic | Dylan, Bob 1941- Blood on the tracks (DE-588)4829776-8 gnd Tonstudio (DE-588)4417153-5 gnd Musikleben (DE-588)4075128-4 gnd Schallaufzeichnung (DE-588)4052020-1 gnd |
| topic_facet | Dylan, Bob 1941- Blood on the tracks Tonstudio Musikleben Schallaufzeichnung Minnesota |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034623400&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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