Cloverfield: creatures and catastrophes in post-9/11 cinema
"Upon its release in 2008, Matt Reeves's Cloverfield revitalized the giant creature, a cinematic trope that had languished for over a decade. The film addressed the attacks of September 11, 2001, trading the jingoistic rhetoric of retributive military aggression for serious engagement with...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
2023
|
| Schriftenreihe: | Reframing Hollywood
|
| Schlagworte: | |
| Zusammenfassung: | "Upon its release in 2008, Matt Reeves's Cloverfield revitalized the giant creature, a cinematic trope that had languished for over a decade. The film addressed the attacks of September 11, 2001, trading the jingoistic rhetoric of retributive military aggression for serious engagement with personal and collective trauma. It applied the horror genre's fascination with personal stories captured by found footage to the grand violence of history. Innovative and intense, Cloverfield represented blockbuster filmmaking at its best. Cloverfield's franchising followed the path of high-profile Hollywood properties. This volume provides the first comprehensive overview of the franchise, measuring how it steers precariously between the commercial potential, creative risks, and political challenges in Hollywood. As 10 Cloverfield Lane (2016) and The Cloverfield Paradox (2018) struggled to sustain and update the franchise's original concept, both films' strengths and weaknesses come into focus by comparison with the original, just as the historical sequence of all three films allows for a reassessment of Cloverfield itself." -- |
| Beschreibung: | ix, 220 Seiten Illustrationen 21 cm |
| ISBN: | 9781496846747 9781496846754 1496846753 |
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| 245 | 1 | 0 | |a Cloverfield |b creatures and catastrophes in post-9/11 cinema |c Steffen Hantke |
| 264 | 1 | |a Jackson |b University Press of Mississippi |c 2023 | |
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| 490 | 0 | |a Reframing Hollywood | |
| 505 | 8 | |a Introduction. "Some Thing Has Found Us": Welcome to Cloverfield-- Chapter 1. The Metaphor That Destroyed New York: Mapping the Beast-- Chapter 2. "Is This Another Terrorist Attack?": Cloverfield and 9/11-- Chapter 3. Handheld Terror: Found Footage and the War Film-- Chapter 4. "Something Else, Also Terrible": More Cloverfield-- Chapter 5. Creators, Producers, and Franchisers: Revisiting the Author Function-- Conclusion. Hopeful Monsters: New Uses for the Giant Creature-- Notes-- Bibliography-- Index | |
| 520 | 3 | |a "Upon its release in 2008, Matt Reeves's Cloverfield revitalized the giant creature, a cinematic trope that had languished for over a decade. The film addressed the attacks of September 11, 2001, trading the jingoistic rhetoric of retributive military aggression for serious engagement with personal and collective trauma. It applied the horror genre's fascination with personal stories captured by found footage to the grand violence of history. Innovative and intense, Cloverfield represented blockbuster filmmaking at its best. Cloverfield's franchising followed the path of high-profile Hollywood properties. This volume provides the first comprehensive overview of the franchise, measuring how it steers precariously between the commercial potential, creative risks, and political challenges in Hollywood. As 10 Cloverfield Lane (2016) and The Cloverfield Paradox (2018) struggled to sustain and update the franchise's original concept, both films' strengths and weaknesses come into focus by comparison with the original, just as the historical sequence of all three films allows for a reassessment of Cloverfield itself." -- | |
| 653 | |a Cloverfield (Motion picture) | ||
| 653 | 0 | |a September 11 Terrorist Attacks, 2001 / Influence | |
| 653 | 0 | |a Monsters in motion pictures | |
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| 653 | 0 | |a Monster films / History and criticism | |
| 653 | 0 | |a Horror films / History and criticism | |
| 653 | 0 | |a Science fiction films / History and criticism | |
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| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-1-4968-4679-2 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034613137 | ||
Datensatz im Suchindex
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| contents | Introduction. "Some Thing Has Found Us": Welcome to Cloverfield-- Chapter 1. The Metaphor That Destroyed New York: Mapping the Beast-- Chapter 2. "Is This Another Terrorist Attack?": Cloverfield and 9/11-- Chapter 3. Handheld Terror: Found Footage and the War Film-- Chapter 4. "Something Else, Also Terrible": More Cloverfield-- Chapter 5. Creators, Producers, and Franchisers: Revisiting the Author Function-- Conclusion. Hopeful Monsters: New Uses for the Giant Creature-- Notes-- Bibliography-- Index |
| ctrlnum | (OCoLC)1409131798 (DE-599)BVBBV049352831 |
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| id | DE-604.BV049352831 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:50:19Z |
| indexdate | 2024-07-10T10:02:22Z |
| institution | BVB |
| isbn | 9781496846747 9781496846754 1496846753 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034613137 |
| oclc_num | 1409131798 |
| open_access_boolean | |
| owner | DE-29 |
| owner_facet | DE-29 |
| physical | ix, 220 Seiten Illustrationen 21 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | University Press of Mississippi |
| record_format | marc |
| series2 | Reframing Hollywood |
| spelling | Hantke, Steffen 1962- Verfasser (DE-588)134224728 aut Cloverfield creatures and catastrophes in post-9/11 cinema Steffen Hantke Jackson University Press of Mississippi 2023 ix, 220 Seiten Illustrationen 21 cm txt rdacontent n rdamedia nc rdacarrier Reframing Hollywood Introduction. "Some Thing Has Found Us": Welcome to Cloverfield-- Chapter 1. The Metaphor That Destroyed New York: Mapping the Beast-- Chapter 2. "Is This Another Terrorist Attack?": Cloverfield and 9/11-- Chapter 3. Handheld Terror: Found Footage and the War Film-- Chapter 4. "Something Else, Also Terrible": More Cloverfield-- Chapter 5. Creators, Producers, and Franchisers: Revisiting the Author Function-- Conclusion. Hopeful Monsters: New Uses for the Giant Creature-- Notes-- Bibliography-- Index "Upon its release in 2008, Matt Reeves's Cloverfield revitalized the giant creature, a cinematic trope that had languished for over a decade. The film addressed the attacks of September 11, 2001, trading the jingoistic rhetoric of retributive military aggression for serious engagement with personal and collective trauma. It applied the horror genre's fascination with personal stories captured by found footage to the grand violence of history. Innovative and intense, Cloverfield represented blockbuster filmmaking at its best. Cloverfield's franchising followed the path of high-profile Hollywood properties. This volume provides the first comprehensive overview of the franchise, measuring how it steers precariously between the commercial potential, creative risks, and political challenges in Hollywood. As 10 Cloverfield Lane (2016) and The Cloverfield Paradox (2018) struggled to sustain and update the franchise's original concept, both films' strengths and weaknesses come into focus by comparison with the original, just as the historical sequence of all three films allows for a reassessment of Cloverfield itself." -- Cloverfield (Motion picture) September 11 Terrorist Attacks, 2001 / Influence Monsters in motion pictures Monsters / Social aspects Monster films / History and criticism Horror films / History and criticism Science fiction films / History and criticism New York (N.Y.) / Drama Erscheint auch als Online-Ausgabe, EPUB 978-1-4968-4676-1 Erscheint auch als Online-Ausgabe, EPUB 978-1-4968-4677-8 Erscheint auch als Online-Ausgabe, PDF 978-1-4968-4678-5 Erscheint auch als Online-Ausgabe, PDF 978-1-4968-4679-2 |
| spellingShingle | Hantke, Steffen 1962- Cloverfield creatures and catastrophes in post-9/11 cinema Introduction. "Some Thing Has Found Us": Welcome to Cloverfield-- Chapter 1. The Metaphor That Destroyed New York: Mapping the Beast-- Chapter 2. "Is This Another Terrorist Attack?": Cloverfield and 9/11-- Chapter 3. Handheld Terror: Found Footage and the War Film-- Chapter 4. "Something Else, Also Terrible": More Cloverfield-- Chapter 5. Creators, Producers, and Franchisers: Revisiting the Author Function-- Conclusion. Hopeful Monsters: New Uses for the Giant Creature-- Notes-- Bibliography-- Index |
| title | Cloverfield creatures and catastrophes in post-9/11 cinema |
| title_auth | Cloverfield creatures and catastrophes in post-9/11 cinema |
| title_exact_search | Cloverfield creatures and catastrophes in post-9/11 cinema |
| title_exact_search_txtP | Cloverfield creatures and catastrophes in post-9/11 cinema |
| title_full | Cloverfield creatures and catastrophes in post-9/11 cinema Steffen Hantke |
| title_fullStr | Cloverfield creatures and catastrophes in post-9/11 cinema Steffen Hantke |
| title_full_unstemmed | Cloverfield creatures and catastrophes in post-9/11 cinema Steffen Hantke |
| title_short | Cloverfield |
| title_sort | cloverfield creatures and catastrophes in post 9 11 cinema |
| title_sub | creatures and catastrophes in post-9/11 cinema |
| work_keys_str_mv | AT hantkesteffen cloverfieldcreaturesandcatastrophesinpost911cinema |