Reviewing the situation: the British musical from Noël Coward to Lionel Bart
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; Oxford
Methuen Drama
2023
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | ix, 193 Seiten |
| ISBN: | 9781350279582 |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgements viii 1 Talents to amuse: Creating the British musical The British landscape Creative strands Looking to past and present The West End and Broadway Making it personal 1 3 7 8 11 13 2 Bitter Sweet fl929): Noël Coward Coward and the contemporary Retrospection and the creation of Bitter Sweet Operetta through a modern lens Subsequent musical theatre works Viewed from a distance 17 18 19 22 25 29 3 4 Me and My Girl (1937): Lupino Lane, Noel Gay, L. Arthur Rose and Douglas Furber Noel Gay and the popular touch The classic British musical comedy Twenty to One Playing to the crowd A class act The Lambeth Walk Props and physical comedy Distilled and reinvented The Dancing Years (1939): Ivor Novello Man of the Theatre The Novello approach The screen and the stage Melody and dramatic expression Waltzes The glove and the fist Assessing the legacy 33 34 36 38 40 42 43 46 48 53 54 57 60 62 64 66 70
Contents vi 5 Bless the Bride (1947): C. B.Cochran, A. P. Herbert and Vivian Ellis 75 The creative team 76 The aftermath of war 79 Ellis and elegance 82 Post-war music 6 83 Politics and the personal 88 The perspective then and now 91 The Boy Friend (1953): Sandy Wilson 97 Theatre and authenticity 98 Small is beautiful 101 A valentine to the past 104 Divorce Me, Darling! 106 The Buccaneer 107 109 Transatlantic consequences 7 Expresso Bongo (1958): Wolf Mankowitz and the More-HenekerNorman trio Challenges to convention Making a point Games and confrontations Promoting youth culture Teen idols on screen 8 116 120 124 126 129 Striking anewtone 132 Making history 136 Oliver! (I960): Lionel Bart 139 The rise of Lionel Bart 140 Impressions of the past 143 Blitz! and Maggie May Music hall and musical 9 115 145 148 Genre fusions 152 Oliver! expanded 155 T know what I am’: The bigger picture 161 The 3D view 161 The musical as memory 163 The national/international musical 166 The end of the beginning 168
Contents vii List of Shows 169 Notes 171 Bibliography 179 Index 185
|
| adam_txt |
Contents Acknowledgements viii 1 Talents to amuse: Creating the British musical The British landscape Creative strands Looking to past and present The West End and Broadway Making it personal 1 3 7 8 11 13 2 Bitter Sweet fl929): Noël Coward Coward and the contemporary Retrospection and the creation of Bitter Sweet Operetta through a modern lens Subsequent musical theatre works Viewed from a distance 17 18 19 22 25 29 3 4 Me and My Girl (1937): Lupino Lane, Noel Gay, L. Arthur Rose and Douglas Furber Noel Gay and the popular touch The classic British musical comedy Twenty to One Playing to the crowd A class act The Lambeth Walk Props and physical comedy Distilled and reinvented The Dancing Years (1939): Ivor Novello Man of the Theatre The Novello approach The screen and the stage Melody and dramatic expression Waltzes The glove and the fist Assessing the legacy 33 34 36 38 40 42 43 46 48 53 54 57 60 62 64 66 70
Contents vi 5 Bless the Bride (1947): C. B.Cochran, A. P. Herbert and Vivian Ellis 75 The creative team 76 The aftermath of war 79 Ellis and elegance 82 Post-war music 6 83 Politics and the personal 88 The perspective then and now 91 The Boy Friend (1953): Sandy Wilson 97 Theatre and authenticity 98 Small is beautiful 101 A valentine to the past 104 Divorce Me, Darling! 106 The Buccaneer 107 109 Transatlantic consequences 7 Expresso Bongo (1958): Wolf Mankowitz and the More-HenekerNorman trio Challenges to convention Making a point Games and confrontations Promoting youth culture Teen idols on screen 8 116 120 124 126 129 Striking anewtone 132 Making history 136 Oliver! (I960): Lionel Bart 139 The rise of Lionel Bart 140 Impressions of the past 143 Blitz! and Maggie May Music hall and musical 9 115 145 148 Genre fusions 152 Oliver! expanded 155 T know what I am’: The bigger picture 161 The 3D view 161 The musical as memory 163 The national/international musical 166 The end of the beginning 168
Contents vii List of Shows 169 Notes 171 Bibliography 179 Index 185 |
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| title | Reviewing the situation the British musical from Noël Coward to Lionel Bart |
| title_auth | Reviewing the situation the British musical from Noël Coward to Lionel Bart |
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| title_short | Reviewing the situation |
| title_sort | reviewing the situation the british musical from noel coward to lionel bart |
| title_sub | the British musical from Noël Coward to Lionel Bart |
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