The Routledge research companion to popular music and gender:
Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images, all link our impressions of gender to music. Numero...
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| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2020
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| Ausgabe: | First issued in paperback |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images, all link our impressions of gender to music. Numerous scholars writing about gender in popular music to date are concerned with the music industry’s impact on fans, and how tastes and preferences become associated with gender. This is the first collection of its kind to develop and present new theories and methods in the analysis of popular music and gender. The contributors are drawn from a range of disciplines including musicology, sociology, anthropology, gender studies, philosophy, and media studies, providing new reference points for studies in this interdisciplinary field. Stan Hawkins’s introduction sets out to situate a variety of debates that prompts ways of thinking and working, where the focus falls primarily on gender roles. Amongst the innovative approaches taken up in this collection are: queer performativity, gender theory, gay and lesbian agency, the female pop celebrity, masculinities, transculturalism, queering, transgenderism and androgyny. This Research Companion is required reading for scholars and teachers of popular music, whatever their disciplinary background |
| Beschreibung: | xvii, 382 Seiten Illustrationen 740 grams |
| ISBN: | 9780367581312 9781472456830 |
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| 520 | |a Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images, all link our impressions of gender to music. Numerous scholars writing about gender in popular music to date are concerned with the music industry’s impact on fans, and how tastes and preferences become associated with gender. This is the first collection of its kind to develop and present new theories and methods in the analysis of popular music and gender. The contributors are drawn from a range of disciplines including musicology, sociology, anthropology, gender studies, philosophy, and media studies, providing new reference points for studies in this interdisciplinary field. Stan Hawkins’s introduction sets out to situate a variety of debates that prompts ways of thinking and working, where the focus falls primarily on gender roles. Amongst the innovative approaches taken up in this collection are: queer performativity, gender theory, gay and lesbian agency, the female pop celebrity, masculinities, transculturalism, queering, transgenderism and androgyny. This Research Companion is required reading for scholars and teachers of popular music, whatever their disciplinary background | ||
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Datensatz im Suchindex
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CONTENTS List offigures and tables List of musical examples List of contributors x xii xiii I Introduction: Sensing gender in popular music Stan Hawkins 1 PARTI Masculinities, femininities, community, and transcultural practice 2 Growing up to be a rapper? Justin Bieber's duet with Ludacris as transcultural practice Barbara Bradby 13 15 3 “Where we going Johnny?” Homosociality and the early Beatles Matthew Bannister 35 4 From throat singing to transcultural expression: Tanya Tagaq's Katajjaq musical signature Sophie Stévance 48 5 Spectres of masculinity: Markers of vulnerability and nostalgia in Johnny Cash Eirik Askeroi 63 vii
Contents PART 2 Audiovisuality, sex(uality), women, and the politics of looking 77 6 “You mean I can make a TV show?”: Web series, assertive music, and African American women producers Anahid Kassabian 79 7 Holding on for dear life: Gender, celebrity status, and vulnerabilityon-display in Sia’s ‘Chandelier’ Kai Arne Hansen 89 8 Gender, sexuality and the politics of looking in Beyoncé’s ‘Video Phone’ (featuring Lady Gaga) Lori Burns and Marc Lafrance 9 ‘Working it’: Female masculinity and Missy Elliott Marita B. Djupvik 102 117 PART3 Vernacular soundworlds, narratives, and stardom 133 10 High notes, high drama: Musical climaxes and gender politics in tenor heroes and Broadway women Freya Jarman 137 11 The gendered narratives of nobodies and somebodies in the popular music economy Keith Negus 152 12 Staging the ‘street boy’: Transculturalism, realness and hypermasculinity in the Norwegian rapper Jesse Jones Birgitte Sandve 166 13 Fairport Convention: Gender and voicing strategies in a sound signature Tor Dybo 182 14 “I don’t play girly house music”: Women, sonic stereotyping, and the dancing DJ Tami Gadir 196 viii
Contents PART 4 Gender, race, and the female celebrity 211 15 ‘A woman’s place’ : Staging femininity in live music from Jenny Lind to the Jazz Age Steve Waksman 16 Beyoncé: Hip hop feminism and the embodiment of black femininity Marquita R. Smith 215 229 17 Performing race and gender: Erykah Badu between post-soul and Afrofuturism Erik Steinskog 242 18 “Armed with the faith of a child”: Marit Larsen and strategies of faking Jon Mikkel Broch Ålvik 253 19 “Singing from the heart”: Notions of gendered authenticity in pop music Bridget Coulter 267 PART 5 Challenging hegemonic practices: New masculinities, queerness, and transgenderism 281 20 Doing hip-hop masculinity differently: Exploring Kanye West’s 808s Heartbreak through word, sound, and image 285 Marc Lafrance, Lori Burns, and Alyssa Woods 21 Express yourself! Gender euphoria and intersections Doris Leibetseder 300 22 Covering trans media: Temporal and narrative potential in messy musical archives Craig Jennex and Maria Murphy 23 Confronting the gender trouble for real: Mina Caputo, metal truth and transgender power Susanna Välimäki 313 326 347 372 Bibliography Index ix |
| adam_txt |
CONTENTS List offigures and tables List of musical examples List of contributors x xii xiii I Introduction: Sensing gender in popular music Stan Hawkins 1 PARTI Masculinities, femininities, community, and transcultural practice 2 Growing up to be a rapper? Justin Bieber's duet with Ludacris as transcultural practice Barbara Bradby 13 15 3 “Where we going Johnny?” Homosociality and the early Beatles Matthew Bannister 35 4 From throat singing to transcultural expression: Tanya Tagaq's Katajjaq musical signature Sophie Stévance 48 5 Spectres of masculinity: Markers of vulnerability and nostalgia in Johnny Cash Eirik Askeroi 63 vii
Contents PART 2 Audiovisuality, sex(uality), women, and the politics of looking 77 6 “You mean I can make a TV show?”: Web series, assertive music, and African American women producers Anahid Kassabian 79 7 Holding on for dear life: Gender, celebrity status, and vulnerabilityon-display in Sia’s ‘Chandelier’ Kai Arne Hansen 89 8 Gender, sexuality and the politics of looking in Beyoncé’s ‘Video Phone’ (featuring Lady Gaga) Lori Burns and Marc Lafrance 9 ‘Working it’: Female masculinity and Missy Elliott Marita B. Djupvik 102 117 PART3 Vernacular soundworlds, narratives, and stardom 133 10 High notes, high drama: Musical climaxes and gender politics in tenor heroes and Broadway women Freya Jarman 137 11 The gendered narratives of nobodies and somebodies in the popular music economy Keith Negus 152 12 Staging the ‘street boy’: Transculturalism, realness and hypermasculinity in the Norwegian rapper Jesse Jones Birgitte Sandve 166 13 Fairport Convention: Gender and voicing strategies in a sound signature Tor Dybo 182 14 “I don’t play girly house music”: Women, sonic stereotyping, and the dancing DJ Tami Gadir 196 viii
Contents PART 4 Gender, race, and the female celebrity 211 15 ‘A woman’s place’ : Staging femininity in live music from Jenny Lind to the Jazz Age Steve Waksman 16 Beyoncé: Hip hop feminism and the embodiment of black femininity Marquita R. Smith 215 229 17 Performing race and gender: Erykah Badu between post-soul and Afrofuturism Erik Steinskog 242 18 “Armed with the faith of a child”: Marit Larsen and strategies of faking Jon Mikkel Broch Ålvik 253 19 “Singing from the heart”: Notions of gendered authenticity in pop music Bridget Coulter 267 PART 5 Challenging hegemonic practices: New masculinities, queerness, and transgenderism 281 20 Doing hip-hop masculinity differently: Exploring Kanye West’s 808s Heartbreak through word, sound, and image 285 Marc Lafrance, Lori Burns, and Alyssa Woods 21 Express yourself! Gender euphoria and intersections Doris Leibetseder 300 22 Covering trans media: Temporal and narrative potential in messy musical archives Craig Jennex and Maria Murphy 23 Confronting the gender trouble for real: Mina Caputo, metal truth and transgender power Susanna Välimäki 313 326 347 372 Bibliography Index ix |
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