John Rothenstein in the interwar years: keeping the fires of figurative art burning
Appointed in 1938, Sir John Rothenstein was the first director of the Tate to embrace modern art, mounting a series of daring exhibitions and procuring a procession of audacious masterworks that, in the words of one contemporary, ?completely knocked the stuffiness out of that veritable institution.&...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2023
|
| Schlagworte: | |
| Zusammenfassung: | Appointed in 1938, Sir John Rothenstein was the first director of the Tate to embrace modern art, mounting a series of daring exhibitions and procuring a procession of audacious masterworks that, in the words of one contemporary, ?completely knocked the stuffiness out of that veritable institution.' So why, since he died in 1991, has his name become a byword for reactionary conservatism? The answer is that from the outset of his career, Rothenstein refused to bow to the patriarchs of the avant-garde.00In the 1920s, while they were busy decrying the figurative tradition, Rothenstein was championing a brilliant generation of artists whose work remained firmly rooted within it. In the 1930s, while they advocated a geometrical art of the utmost austerity, Rothenstein used his first curatorial positions to promote a new wave of exciting young British realists.00Pitted against the progressives of Hampstead and Bloomsbury and inspired by the anti-vanguardism of this father and Wyndham Lewis, this book charts Rothenstein's earliest efforts to champion modern realistic painting in an age of abstraction. Along the way, it uncovers his selfless and pioneering patronage of artists as diverse as Stanley Spencer, Edward Bawden, Evelyn Dunbar, Paul Nash, Charles Mahoney, and Eric Ravilious. In so doing, it also establishes his importance in the reassessment of twentieth-century figuration going on today |
| Beschreibung: | 182 Seiten, 4 ungezählte Seiten Tafeln Illustrationen 21 cm |
| ISBN: | 9781527501485 1527501485 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049329480 | ||
| 003 | DE-604 | ||
| 005 | 20231109 | ||
| 007 | t | ||
| 008 | 230918s2023 a||| b||| 00||| eng d | ||
| 020 | |a 9781527501485 |c hbk. |9 978-1-5275-0148-5 | ||
| 020 | |a 1527501485 |9 1-5275-0148-5 | ||
| 035 | |a (OCoLC)1406336399 | ||
| 035 | |a (DE-599)BVBBV049329480 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-255 | ||
| 084 | |a 3 |2 KUBA2 | ||
| 100 | 1 | |a McCann, David |e Verfasser |0 (DE-588)1307357083 |4 aut | |
| 245 | 1 | 0 | |a John Rothenstein in the interwar years |b keeping the fires of figurative art burning |c David McCann |
| 264 | 1 | |a Newcastle upon Tyne |b Cambridge Scholars Publishing |c 2023 | |
| 300 | |a 182 Seiten, 4 ungezählte Seiten Tafeln |b Illustrationen |c 21 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a Appointed in 1938, Sir John Rothenstein was the first director of the Tate to embrace modern art, mounting a series of daring exhibitions and procuring a procession of audacious masterworks that, in the words of one contemporary, ?completely knocked the stuffiness out of that veritable institution.' So why, since he died in 1991, has his name become a byword for reactionary conservatism? The answer is that from the outset of his career, Rothenstein refused to bow to the patriarchs of the avant-garde.00In the 1920s, while they were busy decrying the figurative tradition, Rothenstein was championing a brilliant generation of artists whose work remained firmly rooted within it. In the 1930s, while they advocated a geometrical art of the utmost austerity, Rothenstein used his first curatorial positions to promote a new wave of exciting young British realists.00Pitted against the progressives of Hampstead and Bloomsbury and inspired by the anti-vanguardism of this father and Wyndham Lewis, this book charts Rothenstein's earliest efforts to champion modern realistic painting in an age of abstraction. Along the way, it uncovers his selfless and pioneering patronage of artists as diverse as Stanley Spencer, Edward Bawden, Evelyn Dunbar, Paul Nash, Charles Mahoney, and Eric Ravilious. In so doing, it also establishes his importance in the reassessment of twentieth-century figuration going on today | |
| 600 | 1 | 7 | |a Rothenstein, John |d 1901-1992 |0 (DE-588)173248284 |2 gnd |9 rswk-swf |
| 610 | 2 | 7 | |a Tate Britain |0 (DE-588)10012396-X |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1920-1940 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Mäzen |0 (DE-588)7607862-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Museumsdirektor |0 (DE-588)4398836-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Figuration |g Kunst |0 (DE-588)4435923-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kurator |g Museumskunde |0 (DE-588)4688848-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunststil |0 (DE-588)4073889-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Malerei |0 (DE-588)4037220-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstbetrieb |0 (DE-588)4208853-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Großbritannien |0 (DE-588)4022153-2 |2 gnd |9 rswk-swf | |
| 653 | 1 | |a Rothenstein, John / 1901-1992 / https://isni.org/isni/0000000121479530 | |
| 653 | 2 | |a Tate Gallery / https://isni.org/isni/0000000122929521 | |
| 653 | 0 | |a Figurative art, British / 20th century | |
| 653 | 1 | |a Rothenstein, John / 1901-1992 | |
| 653 | 2 | |a Tate Gallery | |
| 653 | 0 | |a Figurative art, British | |
| 653 | 4 | |a 1900-1999 | |
| 689 | 0 | 0 | |a Rothenstein, John |d 1901-1992 |0 (DE-588)173248284 |D p |
| 689 | 0 | 1 | |a Museumsdirektor |0 (DE-588)4398836-2 |D s |
| 689 | 0 | 2 | |a Kurator |g Museumskunde |0 (DE-588)4688848-2 |D s |
| 689 | 0 | 3 | |a Mäzen |0 (DE-588)7607862-0 |D s |
| 689 | 0 | 4 | |a Tate Britain |0 (DE-588)10012396-X |D b |
| 689 | 0 | 5 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
| 689 | 0 | 6 | |a Malerei |0 (DE-588)4037220-0 |D s |
| 689 | 0 | 7 | |a Figuration |g Kunst |0 (DE-588)4435923-8 |D s |
| 689 | 0 | 8 | |a Geschichte 1920-1940 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
| 689 | 1 | 1 | |a Kunstbetrieb |0 (DE-588)4208853-7 |D s |
| 689 | 1 | 2 | |a Kunststil |0 (DE-588)4073889-9 |D s |
| 689 | 1 | 3 | |a Geschichte 1920-1940 |A z |
| 689 | 1 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034590282 | ||
Datensatz im Suchindex
| _version_ | 1804185844855078912 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | McCann, David |
| author_GND | (DE-588)1307357083 |
| author_facet | McCann, David |
| author_role | aut |
| author_sort | McCann, David |
| author_variant | d m dm |
| building | Verbundindex |
| bvnumber | BV049329480 |
| ctrlnum | (OCoLC)1406336399 (DE-599)BVBBV049329480 |
| era | Geschichte 1920-1940 gnd |
| era_facet | Geschichte 1920-1940 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04118nam a2200685 c 4500</leader><controlfield tag="001">BV049329480</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231109 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230918s2023 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781527501485</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-1-5275-0148-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1527501485</subfield><subfield code="9">1-5275-0148-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1406336399</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049329480</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">3</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">McCann, David</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1307357083</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">John Rothenstein in the interwar years</subfield><subfield code="b">keeping the fires of figurative art burning</subfield><subfield code="c">David McCann</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Newcastle upon Tyne</subfield><subfield code="b">Cambridge Scholars Publishing</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">182 Seiten, 4 ungezählte Seiten Tafeln</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">21 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Appointed in 1938, Sir John Rothenstein was the first director of the Tate to embrace modern art, mounting a series of daring exhibitions and procuring a procession of audacious masterworks that, in the words of one contemporary, ?completely knocked the stuffiness out of that veritable institution.' So why, since he died in 1991, has his name become a byword for reactionary conservatism? The answer is that from the outset of his career, Rothenstein refused to bow to the patriarchs of the avant-garde.00In the 1920s, while they were busy decrying the figurative tradition, Rothenstein was championing a brilliant generation of artists whose work remained firmly rooted within it. In the 1930s, while they advocated a geometrical art of the utmost austerity, Rothenstein used his first curatorial positions to promote a new wave of exciting young British realists.00Pitted against the progressives of Hampstead and Bloomsbury and inspired by the anti-vanguardism of this father and Wyndham Lewis, this book charts Rothenstein's earliest efforts to champion modern realistic painting in an age of abstraction. Along the way, it uncovers his selfless and pioneering patronage of artists as diverse as Stanley Spencer, Edward Bawden, Evelyn Dunbar, Paul Nash, Charles Mahoney, and Eric Ravilious. In so doing, it also establishes his importance in the reassessment of twentieth-century figuration going on today</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Rothenstein, John</subfield><subfield code="d">1901-1992</subfield><subfield code="0">(DE-588)173248284</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Tate Britain</subfield><subfield code="0">(DE-588)10012396-X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1920-1940</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Mäzen</subfield><subfield code="0">(DE-588)7607862-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Museumsdirektor</subfield><subfield code="0">(DE-588)4398836-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Figuration</subfield><subfield code="g">Kunst</subfield><subfield code="0">(DE-588)4435923-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kurator</subfield><subfield code="g">Museumskunde</subfield><subfield code="0">(DE-588)4688848-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunststil</subfield><subfield code="0">(DE-588)4073889-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstbetrieb</subfield><subfield code="0">(DE-588)4208853-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Rothenstein, John / 1901-1992 / https://isni.org/isni/0000000121479530</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Tate Gallery / https://isni.org/isni/0000000122929521</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Figurative art, British / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Rothenstein, John / 1901-1992</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Tate Gallery</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Figurative art, British</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Rothenstein, John</subfield><subfield code="d">1901-1992</subfield><subfield code="0">(DE-588)173248284</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Museumsdirektor</subfield><subfield code="0">(DE-588)4398836-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kurator</subfield><subfield code="g">Museumskunde</subfield><subfield code="0">(DE-588)4688848-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Mäzen</subfield><subfield code="0">(DE-588)7607862-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Tate Britain</subfield><subfield code="0">(DE-588)10012396-X</subfield><subfield code="D">b</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="7"><subfield code="a">Figuration</subfield><subfield code="g">Kunst</subfield><subfield code="0">(DE-588)4435923-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="8"><subfield code="a">Geschichte 1920-1940</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Kunstbetrieb</subfield><subfield code="0">(DE-588)4208853-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Kunststil</subfield><subfield code="0">(DE-588)4073889-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte 1920-1940</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034590282</subfield></datafield></record></collection> |
| geographic | Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Großbritannien |
| id | DE-604.BV049329480 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:44:56Z |
| indexdate | 2024-07-10T10:01:42Z |
| institution | BVB |
| isbn | 9781527501485 1527501485 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034590282 |
| oclc_num | 1406336399 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | 182 Seiten, 4 ungezählte Seiten Tafeln Illustrationen 21 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Cambridge Scholars Publishing |
| record_format | marc |
| spelling | McCann, David Verfasser (DE-588)1307357083 aut John Rothenstein in the interwar years keeping the fires of figurative art burning David McCann Newcastle upon Tyne Cambridge Scholars Publishing 2023 182 Seiten, 4 ungezählte Seiten Tafeln Illustrationen 21 cm txt rdacontent n rdamedia nc rdacarrier Appointed in 1938, Sir John Rothenstein was the first director of the Tate to embrace modern art, mounting a series of daring exhibitions and procuring a procession of audacious masterworks that, in the words of one contemporary, ?completely knocked the stuffiness out of that veritable institution.' So why, since he died in 1991, has his name become a byword for reactionary conservatism? The answer is that from the outset of his career, Rothenstein refused to bow to the patriarchs of the avant-garde.00In the 1920s, while they were busy decrying the figurative tradition, Rothenstein was championing a brilliant generation of artists whose work remained firmly rooted within it. In the 1930s, while they advocated a geometrical art of the utmost austerity, Rothenstein used his first curatorial positions to promote a new wave of exciting young British realists.00Pitted against the progressives of Hampstead and Bloomsbury and inspired by the anti-vanguardism of this father and Wyndham Lewis, this book charts Rothenstein's earliest efforts to champion modern realistic painting in an age of abstraction. Along the way, it uncovers his selfless and pioneering patronage of artists as diverse as Stanley Spencer, Edward Bawden, Evelyn Dunbar, Paul Nash, Charles Mahoney, and Eric Ravilious. In so doing, it also establishes his importance in the reassessment of twentieth-century figuration going on today Rothenstein, John 1901-1992 (DE-588)173248284 gnd rswk-swf Tate Britain (DE-588)10012396-X gnd rswk-swf Geschichte 1920-1940 gnd rswk-swf Mäzen (DE-588)7607862-0 gnd rswk-swf Museumsdirektor (DE-588)4398836-2 gnd rswk-swf Figuration Kunst (DE-588)4435923-8 gnd rswk-swf Kurator Museumskunde (DE-588)4688848-2 gnd rswk-swf Kunststil (DE-588)4073889-9 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Kunstbetrieb (DE-588)4208853-7 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Rothenstein, John / 1901-1992 / https://isni.org/isni/0000000121479530 Tate Gallery / https://isni.org/isni/0000000122929521 Figurative art, British / 20th century Rothenstein, John / 1901-1992 Tate Gallery Figurative art, British 1900-1999 Rothenstein, John 1901-1992 (DE-588)173248284 p Museumsdirektor (DE-588)4398836-2 s Kurator Museumskunde (DE-588)4688848-2 s Mäzen (DE-588)7607862-0 s Tate Britain (DE-588)10012396-X b Großbritannien (DE-588)4022153-2 g Malerei (DE-588)4037220-0 s Figuration Kunst (DE-588)4435923-8 s Geschichte 1920-1940 z DE-604 Kunstbetrieb (DE-588)4208853-7 s Kunststil (DE-588)4073889-9 s |
| spellingShingle | McCann, David John Rothenstein in the interwar years keeping the fires of figurative art burning Rothenstein, John 1901-1992 (DE-588)173248284 gnd Tate Britain (DE-588)10012396-X gnd Mäzen (DE-588)7607862-0 gnd Museumsdirektor (DE-588)4398836-2 gnd Figuration Kunst (DE-588)4435923-8 gnd Kurator Museumskunde (DE-588)4688848-2 gnd Kunststil (DE-588)4073889-9 gnd Malerei (DE-588)4037220-0 gnd Kunstbetrieb (DE-588)4208853-7 gnd |
| subject_GND | (DE-588)173248284 (DE-588)10012396-X (DE-588)7607862-0 (DE-588)4398836-2 (DE-588)4435923-8 (DE-588)4688848-2 (DE-588)4073889-9 (DE-588)4037220-0 (DE-588)4208853-7 (DE-588)4022153-2 |
| title | John Rothenstein in the interwar years keeping the fires of figurative art burning |
| title_auth | John Rothenstein in the interwar years keeping the fires of figurative art burning |
| title_exact_search | John Rothenstein in the interwar years keeping the fires of figurative art burning |
| title_exact_search_txtP | John Rothenstein in the interwar years keeping the fires of figurative art burning |
| title_full | John Rothenstein in the interwar years keeping the fires of figurative art burning David McCann |
| title_fullStr | John Rothenstein in the interwar years keeping the fires of figurative art burning David McCann |
| title_full_unstemmed | John Rothenstein in the interwar years keeping the fires of figurative art burning David McCann |
| title_short | John Rothenstein in the interwar years |
| title_sort | john rothenstein in the interwar years keeping the fires of figurative art burning |
| title_sub | keeping the fires of figurative art burning |
| topic | Rothenstein, John 1901-1992 (DE-588)173248284 gnd Tate Britain (DE-588)10012396-X gnd Mäzen (DE-588)7607862-0 gnd Museumsdirektor (DE-588)4398836-2 gnd Figuration Kunst (DE-588)4435923-8 gnd Kurator Museumskunde (DE-588)4688848-2 gnd Kunststil (DE-588)4073889-9 gnd Malerei (DE-588)4037220-0 gnd Kunstbetrieb (DE-588)4208853-7 gnd |
| topic_facet | Rothenstein, John 1901-1992 Tate Britain Mäzen Museumsdirektor Figuration Kunst Kurator Museumskunde Kunststil Malerei Kunstbetrieb Großbritannien |
| work_keys_str_mv | AT mccanndavid johnrothensteinintheinterwaryearskeepingthefiresoffigurativeartburning |