The evolution of horror in the twenty-first century:
Saved in:
| Other Authors: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Lanham ; Boulder ; New York ; London
Lexington Books
[2023]
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| Series: | Lexington books horror studies
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Physical Description: | xi, 328 Seiten Illustrationen |
| ISBN: | 9781793643391 |
Staff View
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Record in the Search Index
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| adam_text | Contents List of Figures ix Acknowledgments xi Introduction Simon Bacon 1 PART I: FRAMEWORKS AND CLASSICS OF TWENTY-FIRST-CENTURY HORROR 11 Chapter One: Horror Theory Now: Thinking about Horror Kevin Corstorphine 13 Chapter Two: Decadent Feasts: Aesthetics, Ethics, and Twenty-First-Century Prestige Honor Television Jeffrey Andrew Weinstock 27 Chapter Three: From One Extreme to Another: Horror Cinema and Censorship in the Twenty-First Century Neil Jackson 43 Chapter Four: The Recurrence and Evolution of Universal’s Classic Monsters in Twenty-First-Century Horror M. Keith Booker 57 Chapter Five: The Remixing (and Ransacking) of Hill House: Surveying the Spectral Presence of Shirley Jackson in Contemporary Gothic Fiction Joan Passey v 71
vi Contents PART II: MEDIA AND CONSUMPTION 85 Chapter Six: Further Notes Toward a Monster Pedagogy John Edgar Browning 87 Chapter Seven: Sounding Horror: Ballads, Ring Shouts, and the Power of Music in Black Horror Erik Steinskog 101 Chapter Eight: The Evolution of Horror on Stage Kevin J. Wetmore, Jr. Chapter Nine: Hauntify the World: New Directions in Video Game Horror Gwyneth Peaty 113 129 Chapter Ten: The Evolution of Horror and New Media Carlos Littles 143 PART III: RECOGNITION AND EVOLUTION 155 Chapter Eleven: The Future of Horror: Evolution or Revolution? Carina Bissett 157 Chapter Twelve: Black Lives Matter (BLM) Horror Maisha Wester 171 Chapter Thirteen: Indigenous Horror in the Twenty-First Century Jacob Floyd 185 Chapter Fourteen: “Stepping out of the Closet”: The Evolution of Queer Representation and Tropes in Twenty-First-Century Horror TV Natasha C. Marchini 199 Chapter Fifteen: Involution, Adaptation, Mutation: Horror’s Disability Dynamics Angela Marie Smith 215 Chapter Sixteen: Sympathy for the Candyman: The Politics of the Past in Supernatural Horror Brandon R. Graflus 229 PART IV: EVOLVING THEMES 243 Chapter Seventeen: The Futures for Folk Horror Mikel J. Koven 245
Contents Chapter Eighteen: The Rise in Ecohorror and Ecogothic Criticism Teresa Fitzpatrick vii 259 Chapter Nineteen: Undying Earth: Extinction Romances in the Age ofAnthropocene Ian Fetters 275 Chapter Twenty: Fear of Infection: Negotiating between Community and Isolation in Gothic Contagion Narratives Laura R. Kremmel 291 Chapter Twenty-One: The Metal and the Flesh: Techno-liminalities, Bio-subversion, and the Enhanced Super-Body as a Horror Space Lorna Piatti-Farnell 303 Index 317 About the Editor and Contributors 323
/. / , ... ,(............... ‘, / . . . / dethohao/aeuola hwaps 1 1, vetool 1, .-‘i h : A ukr tie 1 : ‘ Calo I 1 res. t 1! ; ( Bn, d, : •• 110 . ‘I wtooate o h : n map. ! (B/1 ‘ (*/‘* poodsoror । : gonon . cal II 11 A » .1 1 e.1u‘ . P 14 ‘ B’mulonpoPinti ( ret. to.si. Vans bpahelnnetoromkovluttens M ‘ V it •‘: 1, I. Ala JINUN DALUN is an independent scholar and film critic based in Poznan, Poland.
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| adam_txt |
Contents List of Figures ix Acknowledgments xi Introduction Simon Bacon 1 PART I: FRAMEWORKS AND CLASSICS OF TWENTY-FIRST-CENTURY HORROR 11 Chapter One: Horror Theory Now: Thinking about Horror Kevin Corstorphine 13 Chapter Two: Decadent Feasts: Aesthetics, Ethics, and Twenty-First-Century Prestige Honor Television Jeffrey Andrew Weinstock 27 Chapter Three: From One Extreme to Another: Horror Cinema and Censorship in the Twenty-First Century Neil Jackson 43 Chapter Four: The Recurrence and Evolution of Universal’s Classic Monsters in Twenty-First-Century Horror M. Keith Booker 57 Chapter Five: The Remixing (and Ransacking) of Hill House: Surveying the Spectral Presence of Shirley Jackson in Contemporary Gothic Fiction Joan Passey v 71
vi Contents PART II: MEDIA AND CONSUMPTION 85 Chapter Six: Further Notes Toward a Monster Pedagogy John Edgar Browning 87 Chapter Seven: Sounding Horror: Ballads, Ring Shouts, and the Power of Music in Black Horror Erik Steinskog 101 Chapter Eight: The Evolution of Horror on Stage Kevin J. Wetmore, Jr. Chapter Nine: Hauntify the World: New Directions in Video Game Horror Gwyneth Peaty 113 129 Chapter Ten: The Evolution of Horror and New Media Carlos Littles 143 PART III: RECOGNITION AND EVOLUTION 155 Chapter Eleven: The Future of Horror: Evolution or Revolution? Carina Bissett 157 Chapter Twelve: Black Lives Matter (BLM) Horror Maisha Wester 171 Chapter Thirteen: Indigenous Horror in the Twenty-First Century Jacob Floyd 185 Chapter Fourteen: “Stepping out of the Closet”: The Evolution of Queer Representation and Tropes in Twenty-First-Century Horror TV Natasha C. Marchini 199 Chapter Fifteen: Involution, Adaptation, Mutation: Horror’s Disability Dynamics Angela Marie Smith 215 Chapter Sixteen: Sympathy for the Candyman: The Politics of the Past in Supernatural Horror Brandon R. Graflus 229 PART IV: EVOLVING THEMES 243 Chapter Seventeen: The Futures for Folk Horror Mikel J. Koven 245
Contents Chapter Eighteen: The Rise in Ecohorror and Ecogothic Criticism Teresa Fitzpatrick vii 259 Chapter Nineteen: Undying Earth: Extinction Romances in the Age ofAnthropocene Ian Fetters 275 Chapter Twenty: Fear of Infection: Negotiating between Community and Isolation in Gothic Contagion Narratives Laura R. Kremmel 291 Chapter Twenty-One: The Metal and the Flesh: Techno-liminalities, Bio-subversion, and the Enhanced Super-Body as a Horror Space Lorna Piatti-Farnell 303 Index 317 About the Editor and Contributors 323
/. /' , . ,(. ‘, / . . ." / dethohao/aeuola hwaps 1 1, vetool 1, .-‘i h : A ukr tie 1 : ‘ Calo I 1 res. \ t 1! ; ( Bn, d, : •• 110 . ‘I wtooate o h : n map. ! (B/1 ‘ (*/‘* poodsoror । : gonon . cal II \ \ 11 A » .1 1 e.1u‘ . P 14 \‘ B’mulonpoPinti ( ret. to.si. Vans bpahelnnetoromkovluttens \ M ‘ V it •‘: 1, I. Ala JINUN DALUN is an independent scholar and film critic based in Poznan, Poland. |
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| title | The evolution of horror in the twenty-first century |
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